Chicago Heroes: Med, Fire, PD as of the Fall 2018

Hey, I don't usually review NBC's "Chicago Heroes" Wednesday triad - MD, Fire, and PD - because, well, sometimes it's fun to just watch and not review.  And my wife and I watch these three Dick Wolf productions every Wednesday, and think the shows are among the best on any kind of television (network, cable, streaming).  So here's a little review of the Fall finales, just on this evening.

Chicago Med has been the weakest of the three, but it's been getting better and better.  Oliver Platt's Dr. Charles, a psychiatrist, is a complex, fascinating character, played brilliantly by Platt.   The ethical quandaries he faces and more or less solves could make an excellent series in themselves.  And this year, there's been much more integration of Med and PD, as well as Fire, which is always welcome.   The outright cross-over shows in which an episode in Med literally continues in Fire and in turn in PD are always a special pleasure to watch.

Chicago Fire was the first of the Chicago shows to go on the air (Med is the most recent).  For most of the years, it's been easily in first place.  The combination of firefighters always being on the verge of mortal danger, and the well-handled personal lives, made for a unique and winning combination.  It still does.  But this season, PD is giving Fire a run for its money.

PD grew out of Fire, with Casey from Fire getting entangled with a corrupt and violent detective, Hank Voight.  He was (partially) rehabilitated and became head of a rough and tumble unit, and has been given a tour de force performance by Jason Beghe.  Indeed, everyone in PD puts in a powerful, charismatic performance, which I couldn't quite say of Fire and definitely not of Med.  So, with the Fall finales that were broadcast tonight, I'd say PD goes into the New Year in the lead in terms of consistently compelling stories, with a minimum of fluff.

But all three are well worth watching, which I'll definitely be doing in 2019.

 

Bosch 3: Best Season So Far

Binge-watched the third season of Bosch on Amazon the past few nights, and found it better than ever.

Among my favorite parts of this unconventional season of an unconventional hard-boiled LA noir cop series are: a serial killer who comes in and out of the story, and apparently has no connection to the central story lines, rides by Bosch, untouched, and likely to play a central role in season 4; Bosch discovers that he has not solved his mother's murder, and the new suspect is, well, I don't want to give that much away; and, Frank Herbert's Dune makes a cameo appearance.

Bosch has a gut connection to The Wire, and not just because Jamie Hector and Lance Reddick play major roles.   There's nothing in Bosch like The Wire's drug crime and culture of Baltimore, but the police part of Bosch has the same compelling intra-gritty cop story.

Loyalty is always put to the test, in an environment in which almost no detective is thoroughly ethical or reliable.  Bosch epitomizes this - he's par excellence no angel, but someone you'd want on your side and not on your case.  Titus Welliver delivers the best performance of his career - by far - and is well on his way to portraying a character as iconic as Sgt. Friday.  In fact, I'm feeling more and more that this Bosch series of Dragnet meets The Wire will be as significant in our popular culture as those 1950s network television and early 21st century cable series.

Unlike many other fine police shows - such as Chicago PD, which deals with a different case just about every week, and has a Sergeant who is not quite believable in the violence he dishes out - Bosch sticks with its several cases throughout its 10-episode season, with some of those cases even going a lot further than one season.  And the quality of the detective life portrayed on Bosch feels to me more realistic, though I have no direct knowledge myself of what police life is actually like.   It's testament to the writing, acting, and production of the series that it feels so real.

I've enjoyed Bosch from its first season two years ago. But having just seen the third season, I'm thinking Bosch is not only the best police drama now on screen but on its way to being one of the best police dramas ever on television.

See also  Bosch: First Half: Highly Recommended ... Bosch: Second Half as Fine as the First ...  Bosch Season 2: Dragnet with Uber

                   another kind of police story 

Chicago Fire - Chicago Med - Chicago PD - Triple Crossover

Chicago Fire and Chicago Med began a triple crossover of related stories on NBC last night, which will conclude tonight on Chicago PD.   Crossovers are nothing new on television, especially for Dick Wolf, who has already done crossovers with Chicago PD and his remaining NYC cop show, Law and Order: Special Victims Unit.   But Wolf has made a fine art of this, thoroughly integrating the ensemble cast of all three series, making the result more like a three-hour movie than a series of connected episodes.

In contrast, CSI had an excellent triple-crossover some years ago with its Las Vegas, Miami, and New York shows, but the narrative featured the head of the Las Vegas group going to Miami, then New York, then back to Las Vegas on a vexing case.   Last night on NBC we saw major characters from Med and PD on the Fire hour, and then major PD and Fire characters on the Med hour.  The result was seamless and satisfying.

Even when there aren't cross-over events, the three Chicago shows are well blended, with characters from each of the series naturally appearing on the others.  Gabby on Fire has a brother on PD.   She also had a flirtation with a guy who turned out to be PD undercover, who in turn has a brother in Med.  One of the firefighters just became engaged to a sergeant on PD, and another is striking up a relationship with a nurse on Med.   And even when there aren't romantic or familial connections, characters from the other two shows regularly show up on Fire, PD, and Med.  The EMT Unit on Fire brings the injured to Med, and if crime is the cause of the injury, or arson is at work on Fire, that effectively pulls PD into the story.   The result is that the three series are always on the cutting edge of crossover.

Of the three series, I like Fire the best.  Series about firefighters are more rare on television than shows about cops - of which there seem to have been hundreds over the years - or medical shows, which have been on television continuously since the days of Dr. Kildare.   The only fire show I can recall is Rescue Me, which like Chicago Fire, was outstanding (and drop-dead funny, to boot).

In age in which television is rapidly evolving into new kinds of narratives on streaming services like Netflix and Amazon, it's good to see the networks reinventing their storytelling via Dick Wolf's crossovers.