For some reason, I missed Advantageous (Netflix, 2015), and just found it on Uproxx and saw it tonight after searching for the best science fiction movies on Netflix. It's an apt description. In fact, Advantageous is an excellent science fiction movie anywhere.It's been compared to Seconds, the brilliant, pathbreaking 1966 movie, in which older personalities are transferred or cloned into younger bodies. But Advantageous, though it's about the same theme, is much more hi-tech - in a quiet way - and thus bears resemblances to Blade Runner (original and sequel) and even The Matrix.
But Advantageous is different from all of those movies in that it's more personal. Gwen wants to transfer her persona into a younger body not for vanity, nor because she's dying or sick or (like the character in Seconds) just bored with her existence. She needs to transfer because she needs the money she'll receive from it. She needs this to send her daughter Jules to a good school in this future world. She'll otherwise lose her job, and her family has let her down.
Director Jennifer Phang does a deft job of portraying Gwen and her daughter close-up, against a backdrop something like Bladerunner and a phone system maybe a few decades into the future. In addition or underneath or maybe overlay would be a better description there's a watercolor ambience that runs through a lot of this, including a scene that looks like a reflection of Monet's lily pond. Phang co-wrote this with Jacqueline Kim who gives a sensitive performance as Gwen. Even Samantha Kim (I don't know if they're related) does a fine job as Jules, as does James Urbaniak as her boss and Freya Adams (New Amsterdam!) as Gwen2.
So what we have in Advantageous is a delicately rendered, highly intelligent and provocative science fiction movie. It may be a minor classic already, on its way to being just a softly focused, shimmering-like-a-teardrop classic, period.
It all started in the hot summer of 1960, when Marilyn Monroe walked off the set of The Misfits and began to hear a haunting song in her head, "Goodbye Norma Jean" ...
Almost Human continues to walk one of the two possible paths of all successful television shows: in the case of Almost Human, telling a new standalone story every week, while ever so slightly moving the underlying story along. The alternative - which we get in Hostages, for example, also on television tonight - is to just tell only the underlying story, with differences in episodes largely or entirely due to the story moving along.
