22 December 2024: The three latest written interviews of me are here, here and here.
Showing posts with label Flashpoint. Show all posts
Showing posts with label Flashpoint. Show all posts

Thursday, December 28, 2017

Travelers 2: Chess Match of the Centuries

I had high praise for the first season Travelers (on Netflix) a year ago.  I have even higher praise for the second season (of 12 episodes, like the first).  I'll try to talk about it with a minimum of spoilers.

First, my favorite episode was almost a standalone - though each episode follows closely from the previous one - and amounts to one of the best takes I've ever seen on the genre of do-over time traveling, probably most known in the Groundhog Day movie.   In Travelers, the hour begins with a massacre of our team.  The rest of the episode details the Director's (AI from the distant future usually in control of most things) painstaking attempts to reverse that massacre.  It's played out beautifully, like a chess match in which the superior opponent has the opportunity of redoing each of her/his movies until a win is obtained.

Chess match is a good metaphor for the most significant parts of this season, and indeed most of the season in general.  Although there's plenty of action, the peak moves involve MacLaren and his team matching wits with the Faction (the group from the future who oppose the Director), and a new villain, Vincent.

Vincent was the very first traveler.  He was supposed to die in the Towers on September 11 - a daring beginning - but defies the Director and survives, and thrives.  He's played by Enrico Colantoni, whom I first noticed in Flashpoint (an excellent Canadian swat team drama), and he projects a worthy bad guy in Travelers (which, by the way, is also a Canadian production).  The acting is top-notch throughout, with MacKenzie Porter (Hell on Wheels) even better than last year as Marcy.  In fact, everyone was stronger than last year, likely because the plot was more advanced.  Eric McCormack as MacLaren, Reilly Dolman as Philip, Nesta Cooper as Carly, and Jared Abrahamson as Trevor all put in memorable performances.   Even Patrick Gilmore as David was excellent.

I say "even," because you don't often see secondary characters who play such important roles in a fast-moving story like this.  But they're there, in and out, throughout the twelves episodes, especially McLaren and wife Cat, Marcy and David, and Philip with a Factor agent and then the beginning of something with Carly.  And the families and friends and relations really come into their own in the finale, which changes everything - though you never know, given the possibility of do-overs.

And that's all I say - other than, see this. If you enjoy a time-travel story with all the trimmings - intellect, action, humor, culture class - you'll love this.

See also: Travelers (review of Season 1): 12 Monkeys Meets Quantum Leap with a Story All of its Own


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Monday, June 10, 2013

The Killing 3.3: Hitchcockian Scene and More

My favorite scene in The Killing 3.3 last night was a quiet moment in the police station in the wee hours of the morning, when Linden walks into a room, finds Holder working, and joins him at the table.    The scene with a soft elegance shows the two drawing close to each other - professionally, at this point - and speaks to how good they are together as a team in the investigation of depravity.

The other compelling scene in the show depicts just the opposite - the searing depravity itself, in the form of Tom Seward, who has a razor on his person courtesy of it being secreted to him in a bar of soap.   Leaving aside for now the question who gave him the loaded bar - this will no doubt be an important part of the plot in future episodes - we find Seward in his cell, taunting prison guard Becker (played by Hugh Dillon, who was superb in Flashpoint) to get close enough so Seward can cut his face or throat.   This Seward is one creepy tough customer.  We saw him last week pound the priest's head through the cell, so we know what Seward is capable of.   Becker is called away at the last moment and saved - this time - but we've been treated to a great moment of Hitchcockian suspense (knowing a bomb is ticking on a bus, much better than than the sugar-slap of a surprise explosion).

Whatever Seward's guilt or innocence of the crimes under investigation - including the one he's on death row for - he is certainly a darkly, deeply charismatic character, and a couplet and antithesis in many ways of the guy released from death row on the brilliant new series Rectify.  After Becker leaves the scene, we find Seward choking on the razor, getting lacerated by it, and discovered by the prison guards.  Suicide attempt, accident, or some deliberate move to escape?

Like so many other things on The Killing, it remains a tantalizing mystery for now, with Peter Sarsgaard as Seward a fabulous addition to the tip-top cast.

See also The Killing 3.1-2: Poe Poetic Po-po

See also The Killing Season Two Premiere ... The Killing 2.2: Holder ... The Killing 2.11: Circling Back ... The Killing Season 2 Finale

And see also The Killing on AMC and The Killing 1.3: Early Suspects ... The Killing 1.5: Memorable Moments ... The Killing 1.6: The Teacher ... The Killing 1.8: The Teacher, Again ...The Killing 1.9: The Teacher as Victim, Again ... The Killing 1.10: Running Out of Suspects ... The Killing 1.11: Rosie's Missing - from the Story ... The Killing 1.12: Is Orpheus the Killer? ... The Killing 1.13: Stretching Television

 


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Saturday, February 25, 2012

Person of Interest 1.16 Meets Wall Street

One of the good things about Person of Interest is the variety of people needing rescue, protection, and stopping in the stories, ranging from victims of criminals to victims of the CIA and lots of situations in between.  Episode 1.16 brings Reese to Wall Street - not the Occupy kind, but the old-fashioned cut-throat Gordon Gekko kind.

The person who needs protecting is young, hot-shot trader Adam Saunders - played by Matt Lauria of Friday Night Lights (Luke) - and he's (of course) got an interesting story.  Although he at first seems like just another greed guy, he turns out to have a good heart.  He was raised by his uncle (played by John Scurti - Lou aka Lt. Ken Shea of Rescue Me).  Saunders loses his uncle's money, but vows to get it back, which he does, after a tour of near deaths and Reese's help which takes them to the homeless camp where Reese lived at some point prior to going to work for Finch.


So we also get another small piece of Reese's back story, but more important, we learn at the end that Elias, the evil mastermind and POI nemesis we encountered earlier in the season, is behind the big guns that are shooting at Saunders.   I was glad to see this.  Not only is Enrico Colantoni (Sgt. Parker from Flashpoint) an excellent actor, but his character on Person of Interest promises some significant, maybe even game-changing developments down the line.  Let's have at it. 



See also Person of Interest of Interest  ... Person of Interest 1.2:  Reese and Finch ... Person of Interest 1.5: Potentials ... Person of Interest 1.7: Meets Flashpoint and The Usual Suspects ... Person of Interest 1.8:  Widmore and Ben, At It Again ... Person of Interest 1.9: Evolution of a Series ... Person of Interest: 1.10: Carter Returns the Favor ... Person of Interest 1.11-1.12: Realignment and Revelation  ... Person of Interest 1.14: Reese as Ronin



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The Plot to Save Socrates


"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book



Enjoy listening to audio books? Get a free audio book copy of The Plot to Save Socrates - or any one of 85,000 other titles - with a 14-day trial membership at Audible.com ...

Sunday, December 11, 2011

Person of Interest 1.9: Evolution of the Series

Well, Detective Carter finally gets more than an incidental, annoying role in Person of Interest 1.9 - she's the target, the number that comes up, and the episode gives us a pretty good story of Carter's background, who would want to kill her, and Reese and Finch's increasingly desperate moves to protect her.

Carter - like so many characters in law enforcement on television these days - has an Iraq back story.  But in a nice feint, this turns out not to be source of her impending intersection with death.

Eias - Enrico Colantoni from Flashpoint - also may have a role, but I won't say anything more about that, other than it's good to see Colantoni again, and that Elias is definitely in for some kind of Keyser Soze continuing role in Person of Interest, as I mentioned in my review of his first appearance in Person of Interest.

Mark Margolis - who had a great role in the past season of Breaking Bad, and also put in an appearance of Law & Order: SVU a few weeks ago - was also on hand in this episode as Moretti, a memorable character.

But by far the most important aspect of Person of Interest 1.9 is how Reese's protection of Carter - of course she doesn't get killed - will change their relationship and thus the dynamics of the series.  Carter gets that Reese was doing his utmost to make sure she wasn't taken out, but will this get her to give Reese and Finch a pass when their paths cross as Reese and Finch attempt to pull another person away from the jaws of death?  Well, she's a cop. so she can't make life easy for a vigilante, or look the other way, completely, but at least the series is now on a much more interesting footing regarding Carter.

PS - A friend over on Facebook - documentary film maker David Sobelman - asked me to say, in my next review (which this is) what I thought of the introductory sequences in Person of Interest - you know, the people walking around with squares over the heads, to signify the Machine's view.   I like Finch's voice-over, and the mosaic effect is ok, if a little obvious.   Better than Dexter's (great show, but the intro is a little boring already), not as good as Boardwalk Empire's (great show, great intro), if that helps.

See also Person of Interest of Interest  ... Person of Interest 1.2:  Reese and Finch ... Person of Interest 1.5: Potentials ... Person of Interest 1.7: Meets Flashpoint and The Usual Suspects ... Person of Interest 1.8:  Widmore and Ben, At It Again




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The Plot to Save Socrates




"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book



Enjoy listening to audio books? Get a free audio book copy of The Plot to Save Socrates - or any one of 85,000 other titles - with a 14-day trial membership at Audible.com ...


Sunday, November 13, 2011

Person of Interest 1.7 Meets Flashpoint and The Usual Suspects

A fine Person of Interest 1.7 on CBS last week, guest starring Enrico Colantoni who puts in great performances every week on Flashpoint (formerly on CBS now on Ion TV).

Colantoni plays school teacher Charlie Burton whose number is up, which gets Reese on the case.   Charlie witnesses a mob shooting.   The killers are intent on getting rid of Charlie, and Reese is determined to protect him.  Early in the action, Charlie is shot in the shoulder and Reese's phone is knocked out of commission, which makes it much more difficult for Finch to oversee the operation (suggestion to Reese and Finch - work a few spare phones into standard procedures).

The soft-spoken Colantoni is perfect for the twist that awaits us concerning Charlie - who turns out to be not an innocent witness but Elias,  head of the rival gang that's seeking to knock out the Russian mob in New York.   Elias has been undercover as a teacher to get a better sense of the community, and build up grass roots support.

Reese realizes what's going on a little too late to stop Charlie/Elias, who walks away in Verbal Kint/Keyser Soze fashion.  We'll no doubt be seeing more of Elias somewhere down the line in Person of Interest.

This is what I like most about the show - Finch and Reese are not infallible.  There is always the possibility that the number that comes up is not a victim's but a villain's, and in episode 1.7 the bad guy was bad indeed.


The weakest part of the show continues to be the Detectives Carter and Fusco thread.  It was worked into the story in 1.7 well enough, and will likely have some major impact before the end of the season, but at this point it's mostly a distraction from the major action.


See also Person of Interest of Interest  ... Person of Interest 1.2:  Reese and Finch ... Person of Interest 1.5: Potentials



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The Plot to Save Socrates

"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book



Enjoy listening to audio books? Get a free audio book copy of The Plot to Save Socrates - or any one of 85,000 other titles - with a 14-day trial membership at Audible.com ...

Friday, December 10, 2010

Bones 6.9: Adelbert Ames, Jr.

Adelbert Ames, Jr. was the first psychologist I studied in my PhD program in Media Ecology at New York University back in the mid-late 1970s.  I sort of think of episode 6.9 of Bones tonight as inspired by Ames, the reasons for which will become clear in a few paragraphs.

But first, what an exquisite episode 6.9 was.   It had to be - it is the episode in which Bones finally comes to terms with her loss of Booth.  Emily Deschannel gave one of her finest performances in the series.  And the plot had touches of the Odyssey - yeah, I thought it was that good, seeing what it accomplished in a hour, and how it showed us Bones' journey.

The victim is a woman a lot like Bones - a top-notch MD, her work is her life, with few personal connections.  She turns down someone who loves her.   Sound familiar?  Bones soon starts not only seeing herself in the victim, but thinking the victim literally looks and sounds like Bones in the photos and recordings the victim's left behind.

These semi-delusions are of course all vehicles via which Bones can finally allow herself to realize what she lost when she turned Booth away.   As part of the process, she and we meet "Micah" - a figment of Booth's psyche, played by Enrico Colantoni from Flashpoint (good to see him!) - a night watchman at the Jeffersonian who speaks truth to her.  Micah, and the victim not only sounding just like Booth but talking to Booth through the recordings, are the sure proof that a large part of what we're seeing in this episode are Bones' semi-illusions and warped but highly instructive perceptions.

Micah tells Bones about an experiment he heard about in a lecture, in which a scientist gives a subject glasses that make the subject see upside down, but after three days, with the glasses still on, the world rights itself (and when the glasses are taken off, the world looks upside down again - for three days).    Bones realizes that is what had been happening to her, which in turn allows her to finally get in touch with what she realizes happened with her and Booth, because of her.   These un-rose colored glasses are painful for her, and for us to see, but they're just what she needs.

The scene between Bones and Booth in the car where she says she had her chance was one of the best scenes in the series.  Heart breaking and real.

And where does Adelbert Ames, Jr. come in?  Well, it was George Stratton, near the end of the 19th century, who did the world upside down glasses experiment.  But it was Ames in the 1930s who really broke it all out about the way the brain compensates for bizarre, unreal perceptions, which I actually think is a better tag for this superb episode.  That, and I wanted to give the first theorist I studied in  my doctoral program a little well-deserved shout-out.

See also Bones 6.1: The Linchpin ... Bones 6.2: Hannah and her Prospects ... Bones 6.3 at the Jersey Shore, Yo, and Plymouth Rock ... Bones 6.4 Sans Hannah ... Bones 6.5: Shot and Pretty ... Bones 6.6: Accidental Relations ... Bones 6.7:  Newman and "Death by Chocolate" ... Bones 6.9: Melted Bones

And see also Bones: Hilarity and Crime and Bones is Back For Season 5: What Is Love? and 5.2: Anonymous Donors and Pipes and 5.3: Bones in Amish Country and 5.4: Bones Meets Peyton Place and Desperate Housewives and Ancient Bones 5.5 and Bones 5.6: A Chicken in Every Viewer's Pot and Psychological Bones 5.7 and Bones 5.8: Booth's "Pops" and Bones 5.9 Meets Avatar and Videogamers ... Bad Santa, Heart-Warming Bones 5.10 ... Bones 5.11: Of UFOs, Bloggers, and Triangles ... Bones 5.12: A Famous Skeleton and Angela's Baby ... Love with Teeth on Bones 5.13 ... Faith vs. Science vs. Psychology in Bones 5.14 ... Page 187 in Bones 5.15 ... Bones 100: Two Deep Kisses and One Wild Relationship ... Bones 5.17: The Deadly Stars ... Bones Under Water in 5.18 ... Bones 5.19: Ergo Together ...  Bones 5.20: Ergo Together ...  Bones 5.21: The Rarity of Happy Endings ... Bones Season 5 Finale: Eye and Evolution





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The Plot to Save Socrates



"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book
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