22 December 2024: The three latest written interviews of me are here, here and here.
Showing posts with label Mickey Rourke. Show all posts
Showing posts with label Mickey Rourke. Show all posts

Saturday, December 27, 2014

Secrets and Lies: Excellent Australian Whodunnit

Hey, I want to recommend to you Secrets and Lies, an Australian TV mini-series which I just saw on Netflix.   The story is very much in the Broadchurch/Gracepoint new tradition - a boy is found murdered, and there's no shortage of suspects, including and especially family members and people who live on the same block.  But Secrets and Lies, maybe because of the evocative Australian countryside, but also because of its pacing, has a winning style all its own.

The acting is excellent.  But what especially caught my attention was Anthony Hayes as the lead investigator Ian Cornielle.   He has a quiet power that you don't usually see in cops on any continent - or, at least, how they are portrayed on television - that's almost reminiscent of Mickey Rourke.

The ending was genuinely surprising, if a little rushed, but it certainly made sense in retrospect.   One problem with these Broadchurch kinds of stories is that you soon realize that every new suspect, regardless of how suspicious and convincing, is just a straw man or woman to occupy our attention until the end of that episode.  I'm not sure what can be done about this narrative predictability, because it's so fundamental to the story.   But Secrets and Lies worked quite well anyway.

In fact, so well, that ABC here in America was impressed enough to commission an American version of this same story, from a brand new script.  I'll probably watch it, but it likely won't be quite as good as the Australian original, just as Gracepoint, though it had its moments, generally fell a little short of Broadchurch.  The problem is that however much the remake may change some of the details, we already know the story.   It may well be that the whole notion of remakes needs to be re-examined in this age in which we can easily see TV series from overseas on cable, Netflix, and Amazon.

So my advice is see Secret and Lies as soon as you can, and then decide about its American remake.


Wednesday, July 29, 2009

Tom Skerritt on The Closer

Tom Skerritt has long been one of my favorite on-the-edge actors - a brilliant, memorable character actor, not quite breaking through to be an outstanding lead actor, though he always had more than enough talent. Sort of like Mickey Rourke, before his flat-out break-out leading role in The Wrestler. Not that Skerritt and Rourke played similar roles, but they were both on the ledge and edge.

It was therefore really good to see Skerritt walk into the Detective Olin - Joey O - role in Monday night's The Closer. He's looking more and more like a lean Mark Twain, and Joey O will be one of his more memorable characters.

We've seen the story line many times before - a craggy police detective, obsessed in his retirement with bringing to justice a killer that he knows is a killer but got away. Except this time, that detective crosses paths with Deputy Chief Brenda Leigh Johnson. Her wonderful obsession with closing cases will lead her to wherever the facts take her, including Joey O. But in a nice new ironic twist to this story, Brenda Leigh is clearly beginning to work up an obsession of her own - regarding a serial killer that we saw not too long ago, who so far has gotten away with it, and in fact has flaunted it in Brenda's face.

Flynn is also good in this episode - he knows Joey O the best, from before - and Provenza's having one of his best years. The Closer continues to serve up sharp, intelligent television, with a nice mix not only of humor and serious story, but of new tales and ongoing, deeper threads.

See also Det. Richard Tracy on The Closer and Pres. Laura Roslin vs. Chief Brenda Leigh Johnson






5-min podcast review of The Closer







The Plot to Save Socrates


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