Ray Donovan Season 7 Finale: Linda to Elvis

And an emotional powerhouse to a brilliant season to end this seventh season of Ray Donovan tonight, pretty much sandwiched between Linda Ronstadt singing Desperado at the beginning and Elvis singing You'll Never Walk Alone at the end, what more could you ask for?

Several points that especially struck me -

• Daryll more than Declan was responsible for Smitty getting shot to death in that shoot-out.  Although it was Declan's bullet, Daryll was the one who started shooting.
• I'm of course glad that Terry didn't jump off the Empire State Building.  Did he go up to observatory knowing that he couldn't jump off, or did he discover that after he got up there?  I'm hoping it's the first - which would mean that Terry's conversation with Dr. Amiot (an absolutely perfect scene) had some impact on Terry.
• I'm not entirely convinced that Mickey would've walked away, leaving Smitty there on the ground.  All season, we have seen Mickey becoming a little bit more of a semi-decent mentch, especially after his resurrection.  So, I just don't know if that was fully motivated.
• I'm guessing that Ray and Molly are finished now, but that's too bad.  They were a good couple.
• No resolution of the Mayor vs. Ray, but that's ok, because it gives at least one major storyline for the next season.  (My wife points out that the judge surviving puts the Mayor in hot water, but we didn't see how that played out.)

But this season proves that, all in all, New York City has been very good indeed for Ray Donovan the series.  I've never been more disappointed that a season ended.

 See also Ray Donovan 7.1: Getting Ahead of the Game ... Ray Donovan 7.2: Good Luck ... Ray Donovan 7.3: "The Air that I Breathe" ... Ray Donovan 7.4: Claudette and Bridget ... Ray Donovan 7.5: Bing! ... Ray Donovan 7.6: Phone Booths and Cellphones ,,, Ray Donovan 7.7: Back Story ... Ray Donovan 7.8: The Wife ... Ray Donovan 7.9: Pulling for Life

See also Ray Donovan 6.1: The New Friend ... Ray Donovan 6.2: Father and Sons ... Ray Donovan 6.4: Politics in the Ray Style ... Ray Donovan 6.6: The Mayor Strikes Back ... Ray Donovan 6.7: Switching Sides ... Ray Donovan 6.8: Down ... Ray Donovan 6.9: Violence and Storyline ... Ray Donovan 6.10: Working Together ... Ray Donovan 6.11: Settled Scores and Open Questions ... Ray Donovan Season 6 Finale: Snowfall and Mick

See also Ray Donovan 5.1: Big Change  ... Ray Donovan 5.4: How To Sell A Script ... Ray Donovan 5.7: Reckonings ... Ray Donovan 5.8: Paging John Stuart Mill ... Ray Donovan 5.9: Congas ... Ray Donovan 5.10: Bunchy's Money ... Ray Donovan 5.11: I'm With Mickey ... Ray Donovan 5.12: New York

See also Ray Donovan 4.1: Good to Be Back ... Ray Donovan 4.2: Settling In ... Ray Donovan 4.4: Bob Seger ... Ray Donovan 4.7: Easybeats ... Ray Donovan 4.9: The Ultimate Fix ... Ray Donovan Season 4 Finale: Roses

And see also Ray Donovan 3.1: New, Cloudy Ray ... Ray Donovan 3.2: Beat-downs ... Ray Donovan 3.7: Excommunication!

And see also Ray Donovan 2.1: Back in Business ... Ray Donovan 2.4: The Bad Guy ... Ray Donovan 2.5: Wool Over Eyes ... Ray Donovan 2.7: The Party from Hell ... Ray Donovan 2.10: Scorching ... Ray Donovan 2.11: Out of Control ... Ray Donovan Season 2 Finale: Most Happy Ending

And see also Ray Donovan Debuts with Originality and Flair ... Ray Donovan 1.2: His Assistants and his Family ... Ray Donovan 1.3: Mickey ... Ray Donovan 1.7 and Whitey Bulger ... Ray Donovan 1.8: Poetry and Death ... Ray Donovan Season 1 Finale: The Beginning of Redemption


It started in the hot summer of 1960, when Marilyn Monroe walked off the set of The Misfits and began to hear a haunting song in her head, "Goodbye Norma Jean" ...

Fifth 2020 Democratic Presidential Debate: Winners

The six-person Democratic presidential debate just concluded on CNN was easily the best debate so far - best in clarity, power of ideas, and even charm - so far.  Whether this was because of the fact that six candidates had more time than ten and more to express their views, or because these six candidates had better views to express ... well, it's probably a combination of both.

But I thought Klobuchar and Steyer especially stood out in their answers to just about all of the questions, and their concluding comments, and I expect that will help both of them in Iowa and beyond.   But Biden, still not the most articulate person on stage, was clear enough.  And Warren, Bernie, and Buttigieg were articulate and passionate, too.

My favorite exchange, in terms of both truth and humor, was between Biden and Bernie:

• Biden: Kim Jong-un said: "Joe Biden is a rabid dog who should be beaten with a stick" 
• Bernie: "Other than that, you like him." 
• Biden" "0ther than that I like him.  And then he sent a love letter to Donald Trump"

Next, I thought Warren got the better of Bernie in the "can a woman be elected President" controversy.  Although Bernie denied saying that, and offered his view that of course a woman could be elected President, given that Hillary Clinton won the popular vote in 2016, Warren just seemed more believable in both her unspoken denial and her commitment to women in politics, with her example of woman being more electable than men.

On health care, I still remain unconvinced by Bernie and Warren about the way to get to universal health care in America.  It's a laudable, essential goal, but Klobuchar, Biden, Steyer, and Buttigieg made more sense in building towards on what we already have, via the Affordable Care Act.

Warren was also excellent on politics not being the most important thing - in this case, returning to Washington and sitting as a senator in the trial of Donald Trump takes precedence.   All the candidates agreed that, one way or another, Trump has to be removed from office.  Seeing him voted out of office by the Senate would be satisfying, but I'll take any of the candidates on stage tonight beating him in the election this coming November.

See also  First 2020 Democratic Presidential Debate, Part 1 of 2: Winners and Losers ... First Democratic Presidential Debate, Part 2 of 2: Winners and Losers ...  Second 2020 Democratic Presidential Debate, Part 1 of 2: Winners and Losers ... Second 2020 Democratic Presidential, Part 2 of 2: Winners and Losers  ... [missed third debate, I was in Canada] ... Fourth 2020 Democratic Presidential Debate: Winners and Losers

The Outsider 1 & 2: Two Places at the Same Time

What do you get when Stephen King writes the novel and Richard Price the screenplay?  You get a television series as slap-in-the-face riveting as it comes.  The first two episodes of The Outsider on HBO tonight were that and more.

Here's what we have so far, in terms of narrative.  A boy is brutally murdered.  The suspect's blood is on the victim, and reliable witnesses put him near the scene.  But a video shows him at an academic conference many miles away, and his fingerprints on a book he handled at the hotel where the conference took place are confirmed as his.  Too.

The "too" is the key and paradoxical point here.  There's an old Yiddish saying, with one tuchas you can't dance at two weddings.  In the supernatural police story that is The Outsider, Detective Anderson (perfectly played by Ben Mendelsohn whom I last saw in Bloodline) realizes that, of course, one person cannot be in two places at the same time - the same person can't have committed a horrible murder at the same time he was video-recorded at at academic conference miles away.

As an academic, I can testify that I've been to some conferences that are so boring as to be maddening.   But not to the point of making someone commit murder, and certainly not at a place miles away from the conference at the very same time.

So, what's going on?  Since Stephen King wrote the novel (which I haven't read), there has to be some kind of supernatural element.  We do see a person with a hood, standing at the edges of some of the tragedies.  We don't yet know what his story - assuming it's a "his" - is.  Maybe some spirit or monster than assumes the shape of an innocent person and employs that shape to commit murders?

I'm looking to seeing how this plays out, against the grit and dialogue that is itself a fine example of a film noir police procedural.

Zoey's Extraordinary Playlist: Science Fiction Musical

Hey, my wife and I just saw and really enjoyed the first episode of Zoey's Extraordinary Playlist.  So why am I reviewing it?  Well, I love music.  I thought Smash (also on NBC a few years ago) was great, though I never reviewed it.  I did review and liked, even loved, a lot of Nashville.   And Zoey's Extraordinary Playlist is ... science fiction.  Zoey has a super-power - she can hear in the form of great songs what people around her are thinking - and there's even a scientific explanation for how she gets this power.  She's listening to a playlist of music while she's having an MRI and there's a little earthquake.  Not the most plausible science, but, in fact, more plausible than time travel, because it doesn't invoke any paradoxes.

And the music was outstanding in this hour, ranging from people in the street singing "Help" to a guy in her office singing "I Think I Love You."  You don't usually get everything from the Beatles to The Partridge Family on any other show on television that I've heard of or heard.

And the narrative has some excellent turns, too.  The best is Zoey's father, who is in some kind of catatonic state.  But he's able to sing his thoughts to Zoey, or, rather, Zoey is able to hear them in song.   I saw this coming, but it was still a tender, really beautiful interlude in the hour.

There's love, business, and other fun and more serious components to this story.  The acting is excellent - Peter Gallagher and Mary Steenburgen play Zoey's parents.  And Zoey herself is played by Jane Levy, who lights up the screen and every scene that she's in.  And the voices range from ok to really excellent,  my favorites being Simon's played and performed by John Clarence Stewart (who sang "Mad World")  and Max's played by Skyler Astin (who sang and danced "I Think I Love You").

The pilot was last week.  The show's due back in February.  I'm hooked.



just up on Bandcamp, FREE - or get CD here

Ray Donovan 7.9: Pulling for Life

The penultimate episode 7.9 of Ray Donovan this evening was just as tight and consequential as you can get with these characters - and that's consequential indeed.

The main story features Bunch, in Lena's absence and under Ray's supervision, tailing and setting up Judge Scholl to make him think that the corrupt Mayor is out to get him.  In a brilliant twist at the end, it turns out that's exactly what the Mayor is doing, because he's gotten wind of what Ray is doing.  But who tipped off the Mayor?  We saw Detective Perry's boss call someone right after she and her partner left the office ...

Meanwhile, Daryll has about this best episode of the series, complete with Ray saving the day, and maybe patching up their relationship.  One of the hallmarks of this series, throughout, has been Ray's ability to "fix" multiple life-and-death crises swirling around him at once.  This season, especially in this episode, has never shown that better.

Mickey still's at large, now allied with Smittie.  Like Daryll, Smittie was on the verge of taking his life, for somewhat similar reasons: they either lost or are on the verge of losing the woman they loved.   Bridget indicates that Smitte wearing a wire on Ray was unforgivable.  I'm thinking that the new Ray we've been seeing this year may be a little more understanding.

Nice scene between Ray's shrink and Terry - who, come to think of it, was also on the edge of suicide this season.  But, so far, life is winning out (except unfortunately for Daryll's new love).  I'm hoping that holds for the season finale next week.

 See also Ray Donovan 7.1: Getting Ahead of the Game ... Ray Donovan 7.2: Good Luck ... Ray Donovan 7.3: "The Air that I Breathe" ... Ray Donovan 7.4: Claudette and Bridget ... Ray Donovan 7.5: Bing! ... Ray Donovan 7.6: Phone Booths and Cellphones ,,, Ray Donovan 7.7: Back Story ... Ray Donovan 7.8: The Wife

See also Ray Donovan 6.1: The New Friend ... Ray Donovan 6.2: Father and Sons ... Ray Donovan 6.4: Politics in the Ray Style ... Ray Donovan 6.6: The Mayor Strikes Back ... Ray Donovan 6.7: Switching Sides ... Ray Donovan 6.8: Down ... Ray Donovan 6.9: Violence and Storyline ... Ray Donovan 6.10: Working Together ... Ray Donovan 6.11: Settled Scores and Open Questions ... Ray Donovan Season 6 Finale: Snowfall and Mick

See also Ray Donovan 5.1: Big Change  ... Ray Donovan 5.4: How To Sell A Script ... Ray Donovan 5.7: Reckonings ... Ray Donovan 5.8: Paging John Stuart Mill ... Ray Donovan 5.9: Congas ... Ray Donovan 5.10: Bunchy's Money ... Ray Donovan 5.11: I'm With Mickey ... Ray Donovan 5.12: New York

See also Ray Donovan 4.1: Good to Be Back ... Ray Donovan 4.2: Settling In ... Ray Donovan 4.4: Bob Seger ... Ray Donovan 4.7: Easybeats ... Ray Donovan 4.9: The Ultimate Fix ... Ray Donovan Season 4 Finale: Roses

And see also Ray Donovan 3.1: New, Cloudy Ray ... Ray Donovan 3.2: Beat-downs ... Ray Donovan 3.7: Excommunication!

And see also Ray Donovan 2.1: Back in Business ... Ray Donovan 2.4: The Bad Guy ... Ray Donovan 2.5: Wool Over Eyes ... Ray Donovan 2.7: The Party from Hell ... Ray Donovan 2.10: Scorching ... Ray Donovan 2.11: Out of Control ... Ray Donovan Season 2 Finale: Most Happy Ending

And see also Ray Donovan Debuts with Originality and Flair ... Ray Donovan 1.2: His Assistants and his Family ... Ray Donovan 1.3: Mickey ... Ray Donovan 1.7 and Whitey Bulger ... Ray Donovan 1.8: Poetry and Death ... Ray Donovan Season 1 Finale: The Beginning of Redemption


It started in the hot summer of 1960, when Marilyn Monroe walked off the set of The Misfits and began to hear a haunting song in her head, "Goodbye Norma Jean" ...