22 December 2024: The three latest written interviews of me are here, here and here.
Showing posts with label Assassins. Show all posts
Showing posts with label Assassins. Show all posts

Tuesday, November 11, 2014

John Wick: A Man and His Dog

John Wick is being billed as Keanu Reeves' best film since The Matrix.  It is.   And, if no-holds-barred shoot-em-ups like Banshee are your glasses of tea, you might like it even more.

John Wilk, played by Reeves, is a hit-man who, against all odds, managed to get out of the business alive and relatively happy.  In this, John Wilk shares a provenance with movies like Assassins with Sylvester Stallone and Antonio Banderas, in my view the very best of this genre, in which there's of course always something to get the retired assassin drawn back in.

In Wick's case, it's a double punch.  His wife, whose love got him to leave the business, dies of natural causes.   She arranged to send him a sweet little puppy to keep him company after she's gone. But the headstrong son of a Russian mob boss makes the mistake of cruelly killing the puppy when stealing the keys to Reeves' car.

The death of the puppy was a highly effective and moving scene.   It certainly made me want to bring those bad guys to justice, and it was the motivation that set Wick back to his lifetime profession.   When the dog killer wonders to Wick and others why Wick is so upset about the puppy's death - "it's just a fucking dog" - we know, having witnessed its killing and what happened with Wick and the puppy before that, why that little puppy was so much more.

The action is great, even though there were a couple of easy shots that Wick missed, in service of the plot, and there were a couple of holes in the plots logic, too.  But, on the other hand, the supporting cast was outstanding, including Lance Reddick of The Wire, Lost, and Fringe fame, who's always good to see on the screen, and Willem Dafoe as another hit man.

If the Russian mob, bigger than life killers, and hotels for assassins with rules of the house that must be followed if you don't want to be killed yourself, take a 90-minute break and check out this fine movie.



Tuesday, March 1, 2011

House 7.14: House, Death, and Cuddy

House, as we know, hates losing, most especially patients.   In House 7.14, the brilliant good doctor gets a case that he and his team just never get on top of.   Things progress so quickly for the worse for the patient that, by the time House figures out what's really happening, the patient is going irreversibly down and is soon gone.

This causes House to re-think the current state of his practice.   The big difference between House this year and all previous seasons is his relationship with Cuddy.   This pitches House, and us, into the classic conundrum of does happiness, even a little of it, dull the edge in some kinds of work - in House's case, literally surgery-related, in some instances.

I recall a science fiction short story that I read at the end of the 1950s, or early 1960s, about a future society in which business executives when to see their shrinks prior to negotiations, so they could sharpen their killer instincts (the "therapy" session consisted of the psychologist hurling insults at the patient).   And movies about assassins - including the Stallone movie Assasins, if memory serves - have also addressed the issue of whether a hit man can do his job as well when he finds true or any kind of love.

So House is not unreasonable to wonder if the endorphins he gets from Cuddy's arms are somehow blurring his laser intellect.   A trite - and infuriating - resolution of this might have had House concluding that he and the world of medicine would be better off if he left Cuddy, and said no to this love.

But House comes up with a far better resolution, which suits him and us much more.  He first tells Cuddy that he's sure  he muffed the current diagnosis because his relationship with her diffused his focus and game.   And just as we're about to say, oh no, don't leave her, House tells Cuddy that he deserves some happiness and he has no intention of leaving her.

A brilliant, satisfying ending.  By telling Cuddy his concerns but not ending the relationship, House is true to his intellect, plus he found a way of letting Cuddy know just how much she means to him.



See also House and Cuddy on the Other Side in Season 7 Premiere ... House 7.2: House and Cuddy, Chapter 2 ... House 7.3: The Author and the White Lie ... House 7.9: The Vilda Chaya ... House 7.11: The Patient's Most Important Right

And see also House Reborn in Season Six? ... 6.2: The Gang is Back and Fractured ... 6.3: The Saving Hitler Quandary ... 6.4: Diagnosis vs. Karma ... 6.5 Getting Better ... 6.6 House Around the Bases ... Four's a Crowd on House 6.7 ... House 6.8 and the Reverse of Flowers for Algernon ... House 6.9: Wilson ... House 6.10: Back in Business ... House 6.11: Making Amends, Mending Fences, and a Psychopath  ... House 6.12: The Progression to Mensch ... House 6.13: Cuddy's Perspective ... House Meets Blogger in 6.14 ... House 6.15: About Taub ... House 6.16: Revealing Couples ... House 6.17: Socrates on Steroids ... House 6.18: Open Marriage






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