Debuting Welcome Up LP at Philcon 9 November 2019

vinyl, digital, and CD copies of Welcome Up: Songs of Space and Time to be officially released by Old Bear Records in early 2020 - but you can get an advance copy of the CD here

more about Paul Levinson's music 

My Set List for 9 November 5:30pm Philcon performance

Jeremy Thompson, Paul Levinson, Steve Padin, Chris Hoisington

Here's the set list for my 9 November 2019 (Saturday), 5:30-6pm performance at Philcon (in Cherry Hill, NJ, at the Crowne Plaza Hotel), room Plaza VI (Six) - the first public performance of songs from my new science fiction related album, Welcome Up: Songs of Space and Time, produced by Chris Hoisington and to be released by Old Bear Records in early 2020:

If I Traveled to the Past (words by Paul Levinson, music by John Anealio)  

Tau Ceti (Paul Levinson and John Anealio)

Samantha (Paul Levinson)
Welcome Up (Paul Levinson)

Alpha Centauri (Paul Levinson and Peter Rosenthal) 

Cloudy Sunday (Paul Levinson and Linda Kaplan) 

I Knew You By Heart (Paul Levinson and Peter Rosenthal)
Picture Postcard World (Paul Levinson)

The names in parentheses are the songwriters.  I'll be singing all the songs, against backing tracks from my new album Welcome Up (to be released by Old Bear Records early in 2020) and two other songs from Twice Upon a Rhyme (Happysad Records, 1972).

backing tracks for If I Traveled to the Past, Tau Ceti, Samantha, Alpha Centauri, Welcome Up, I Knew You By Heart, Picture Postcard World:  guitars Jeremy Thompson, drums and keyboard Steven Carlos Padin, harmony and production Chris Hoisington, keyboard Anthony Hoisington, accordion Don Frankel

backing track for Cloudy Sunday: guitar Peter Rosenthal, piano Barbara Krupnick, harmony and production Chris Hoisington, production Paul Levinson

more about my music: Reverbnation, Facebook, Bandcamp, Spotify 

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The rest of the convention should be lots of fun, too.  Here's my schedule:

Fri 6:00 PM in Executive Suite 623 (1 hour) READINGS: PAUL LEVINSON, APRIL GREY, JAMES CAMBIAS (3723) [Panelists: Paul Levinson (mod), April Grey, James L. Cambias]  Note: I'll be reading from a  brand new alternate-Beatles story, "It's Real Life," for the first time in public!

Fri 7:00 PM in Crystal Ballroom Promenade (Gaming) (1 hour) AUTOGRAPHS: PAUL LEVINSON, APRIL GREY, JAMES CAMBIAS (3726) [Panelists: Paul Levinson (mod), April Grey, James L. Cambias]

Sat 11:00 AM in Crystal Ballroom Two (1 hour) ARTIFICIAL INTELLIGENCE AND CONSCIOUSNESS (3590) [Panelists: Jeff Warner (mod), David Walton, Rebecca Robare, Anna Kashina, Paul Levinson, Muriel Hykes] Does “I think, therefore I am” apply to AI? Could it ever? How could we tell if it happens

Sat 3:00 PM in Plaza V (Five) (1 hour) JEWISH SCIENCE FICTION (3530) [Panelists: Simone Zelitch (mod), Paul Levinson, Aaron Feldman, B. Lana Guggenheim, Daniel Kimmel, Alex Shvartsman] Is it a subgenre of its own? Plenty of Jews write SF, and plenty of non-Jews incorporate Jewish history and elements of the Jewish supernatural into their work. What can we learn from this classification, and does it enrich or limit how we read

Sat 5:30 PM in Plaza VI (Six) (30 mins) Paul Levinson mini-concert

Sat 11:00 PM in Crystal Ballroom Two (1 hour) GAME OF THRONES (3600) [Panelists: Charlie Robertson (mod), Michael A. Ventrella, Muriel Hykes, Paul Levinson] It wouldn't be inaccurate to say that *everybody* lost when it comes to the HBO adaptation. How should the show have ended? How might the ending of the novels differ

Sun 12:00 PM in Crystal Ballroom Two (1 hour) HOW FAR CAN YOU SUSPEND SOMEONE'S DISBELIEF? (3514) [Panelists: Elektra Hammond (mod), Paul Levinson, Lawrence Kramer, Julie Ann Dawson, Robert E. Waters] How much can you ask a reader to take on faith before they can't take your story seriously any more? Are there ways to get readers willing to accept more challenging changes and assumptions? What authors have succeed at pushing the boundaries without pushing their readers out of the story

The Chronology Protection Case released with new, extended ending

The Chronology Protection Case has been released on iTunes with a new, extended ending.

The 40-minute movie by Jay Kensinger, first released in 2002, is an adaptation of Paul Levinson's novelette "The Chronology Protection Case" - inspired by Steven Hawking's "chronology protection conjecture" - and first published in Analog Magazine in September 1995. The novelette was a finalist for the Nebula and Sturgeon Awards, reprinted five times - including in the currently best-selling Mammoth Book of Time Travel - and made into an Edgar nominated radio play.   The novelette is cited in Paul J. Nahin's A Writer's Guide to the Real Science of Plausible Time Travel as the only recent treatment in science fiction of Hawking's conjecture.

Kensinger directed, produced, wrote, and plays the role of Dr. Phil D'Amato in the movie.  D'Amato has appeared in two other novelettes by Levinson - "The Copyright Notice Case' and "The Mendelian Lamp Case" - and in three novels by Levinson, The Silk Code, The Consciousness Plague, and The Pixel Eye.

The extended ending in the 2013 release of the movie brings the story forward from 2002 to 2012, and was written by Levinson and Kensinger.  The 2002 release was shown at science fiction conventions around the east coast, including I-Con and Philcon.

A trailer follows.   More details about the movie on IMDB.



"The Chronology Protection Case" reprinted in

• The Mammoth Book of Time Travel, ed. Mike Ashley, Robinson Books, 2013 
• The Best Time Travel Stories of All Time, ed. Barry Malzberg, I-Books, 2003. 
• Nebula Awards 32: SFWA's Choices for the Best Science Fiction and Fantasy of the Year, ed. Jack Dann, Harcourt Brace, 1998. 
• Infinite Edge (online magazine), June-July 1997 
• Supernatural Sleuths, ed. C. G. Waugh & M. Greenberg, ROC Books, 1996

#SFWApro

Paul Levinson and Jay Kensinger at The Chronology Protection Case premiere at I-Con (Stony Brook, NY), in 2002

Jay Kensinger explains how he re-cut The Chronology Protection Case.   And more here on how Paul came to write the original novelette, and how Jay came to make the movie.