22 December 2024: The three latest written interviews of me are here, here and here.
Showing posts with label Coronavirus. Show all posts
Showing posts with label Coronavirus. Show all posts

Sunday, October 4, 2020

Utopia: More Fun than the Real World



Just what we needed, right?  A series about a virus that's spreading quickly from city to city -- and killing children no less?  And the plot hinges on a hyped vaccine that may not be effective at all?   So, yeah, Utopia on Amazon Prime is all of that and more, and at the worst possible time.  But maybe at the best possible time, because I found the first season of this series really enjoyable and binge-watched all eight of its episodes yesterday.

As for the specific story, first, just to get this out of the way: the part I liked least -- by which I mean, it was ok, but did not in itself make Utopia worth watching -- was the graphic novel, i.e. comic book, set-up, which was the foundation of the narrative.  At its best, the "Utopia" comic serves the same purpose as "The Grasshopper Lies Heavy" in The Man in the High Castle -- a secret manuscript which provides the heroes clues to what's going on -- and that was not my favorite part of The Man in High Castle, either.  In Utopia, the comic book does provide entre into a fandom story which provides a strong argument in favor of virtual conventions and which was well done in terms of the individual characters, but cliched in its overall concept.  So, in sum, I think Utopia could have done just as well without it.

The main strength of the series were the stunning surprises that pop up at or near the end of just about every episode.  Excellent characters are unexpectedly killed, apparent allies are suddenly revealed as villains, and other villains themselves evolve into something better.  Although the transformations could have been a bit more plausible, with better prior signalling of traits emerging or latent in the characters, they are believable enough, and make Utopia an adrenalin spurting rollercoaster ride, always welcome in a television series, and the essential element in a bingeable series, which Utopia most certainly is.  (I'll note that I was very unhappy with the death of one of the characters, though it certainly moved the shocked needle way off the dial.)

The overall plot has touches of The Boys from Brazil, and also offers a familiar prosecution of the evils of corporate greed.   But applied to the pandemic, it has a searing and even frightening relevance to our world off the screen, and since it (presumably) is not something that is current happening in our world, it is strangely refreshing to see.  As I was watching it, I was thinking that Utopia threaded the needle between disconcerting because it was so close to our reality, and fun to see because it actually isn't that close (I hope), just perfectly.  Amazon Prime deserves plaudits for scheduling and streaming Utopia in this crazy Fall of 2020.

***Note added October 26, 2022:  On a friend's recommendation, I just finished binging the 12 episodes (two seasons) of the British Utopia, which aired 2013-2014.  It was much better than the American version, and I'll be reviewing that British version here soon.  Here's my review.





 

Sunday, April 19, 2020

The Rolling Stones at One World Together at Home



I just want to say that I thought The Rolling Stones' performance of "You Can't Always Get What You Want" tonight at the Global Citizen's One World Together at Home Concert in support of the WHO's COVID-19 Solidarity Response Fund is one of the best things I've ever heard on television.  Come to think of it, at in-person concerts and on the Internet, too.

Mick Jagger somehow sounded at least as good as he did on the original recording in 1968, bringing the brilliant lyric and melody home with perfect power and style, while strumming a strong acoustic guitar.  Keith Richards put in some tasty acoustic guitar work as well, and a good lower harmony line in most of the choruses.  Ronnie Wood, who wasn't on the 1968 recording - Brian Jones played electric guitar for the Stones then - was outstanding on his electric guitar, both in terms of what he looked like and the music he produced.  And he threw in some good high harmony near the end.  Jagger and Richards each looked great in their own ways. too.

And speaking of looking great, Charlie Watts looked perfect, playing an armchair and three whatever they were in front of him, certainly not drums.  Yes, Watts was playing air drums like nobody's business, smiling into the camera, looking vaguely out of it as he always does, and that was one of the best parts of the Stones' performance.  I would have loved to have been the fly on the wall when that decision was made - Charlie Watts pretending to play drums.   Once upon a time, a vocalist lip-synching on a television performance was anathema to snooty critics.  Watts tonight in that one fell performance legitimized air-performing and air-singing - which is what lip-synching is - forever.

In a way, that's part of what all great public music performance is - it's never precisely how you play and sing, but the impression that the public gets of whatever kind of music you're making.  In Watts' case, he wasn't actually making any music, but it didn't matter at all, the Stones - including totally off-camera bass and keyboard - pulled it off.   Certainly filled my prescription.

And it was for a fabulously worthy cause, the most important cause of our lives right now.


Wednesday, April 15, 2020

Paul Levinson virtual concert (video) at HELIOsphere 4 April 2020




And here's the video of my complete 1-hour virtual concert at HELIOsphere, April 4, 2020.

I sing songs from Welcome Up: Songs of Space and Time (Old Bear Records, Light In the Attic Records) and from Twice Upon A Rhyme (HappySad Records, Beatball Records, Vivid Records, Whiplash Records), and several new songs not yet on any album.
Set list:
"Cloudy Sunday" from Welcome Up (words by Paul Levinson, music by Linda Kaplan Thaler)
"I Knew You By Heart" from Welcome Up (words by Paul Levinson, music by Peter Rosenthal)
"The Lama Will Be Late This Year" from Twice Upon A Rhyme (words by Paul Levinson, music by Ed Fox)
"Tau Ceti" from Welcome Up (words by Paul Levinson, music by John Anealio)
"Picture Postcard World" from Welcome Up (words & music by Paul Levinson)
"Samantha" (from Welcome Up) (words & music by Paul Levinson)
"If I Traveled to the Past" (from Welcome Up) (words by Paul Levinson, music by John Anealio)
"Lime Streets" (words & music by Paul Levinson)
"Looking for Sunsets (In the Early Morning)" from Twice Upon A Rhyme (words by Paul Levinson, music by Ed Fox)
"Alpha Centauri" from Welcome Up (words by Paul Levinson, music by Peter Rosenthal)
"Welcome Up" from Welcome Up (words & music by Paul Levinson)
"The Soft of Your Eyes" from Twice Upon A Rhyme (words & music by Paul Levinson)
"Pictures on the Phone" (words & music by Paul Levinson)
====
Welcome Up: Songs of Space and Time tracks produced by Chris Hoisington
all lead vocals by Paul Levinson
backing tracks: Chris Hoisington (harmonies), Jeremy Thompson (guitars, stand-up bass, mellotron, etc), Steve Padin (keyboard, drums), Anthony Hoisington (piano on Tau Ceti), Don Frankel (accordion on If I Traveled to the Past & Tau Ceti), Peter Rosenthal (guitar on Cloudy Sunday and Twice Upon a Rhyme tracks), Barbara Krupnick (piano on Cloudy Sunday), Paul Levinson (piano on Pictures on the Phone)
Welcome Up recording engineer: Ronnie Shrock
Welcome Up mixed and mastered: Evan Sieling
for HELIOsphere: Marc Grossman and thanks Liz Crefin
->  lyrics to all of the songs on the album on the CD page  <- span="">
Light In the Attic vinyl Welcome Up: Songs of Space and Time https://lightintheattic.net/releases/6371-welcome-up-songs-of-space-and-time
Twice Upon A Rhyme original sealed 1972 vinyl HappySad Records http://paullev.com/product/twice-upon-a-rhyme-vinyl-original-1972-album/



Thursday, April 9, 2020

Podcast: Paul Levinson virtual concert (audio) at HELIOsphere 4 April 2020




audio of the entire 1-hour virtual concert I did via Zoom at HELIOsphere: Beyond the Corona on the afternoon of April 4, 2004.  (You can get the video + audio of my concert here.)
I sing songs from Welcome Up: Songs of Space and Time (Old Bear Records, Light In the Attic Records) and from Twice Upon A Rhyme (HappySad Records, Beatball Records, Vivid Records, Whiplash Records), and several new songs not yet on any album.
Set list:
"Cloudy Sunday" from Welcome Up (words by Paul Levinson, music by Linda Kaplan Thaler)
"I Knew You By Heart" from Welcome Up (words by Paul Levinson, music by Peter Rosenthal)
"The Lama Will Be Late This Year" from Twice Upon A Rhyme (words by Paul Levinson, music by Ed Fox)
"Tau Ceti" from Welcome Up (words by Paul Levinson, music by John Anealio)
"Picture Postcard World" from Welcome Up (words & music by Paul Levinson)
"Samantha" (from Welcome Up) (words & music by Paul Levinson)
"If I Traveled to the Past" (from Welcome Up) (words by Paul Levinson, music by John Anealio)
"Lime Streets" (words & music by Paul Levinson)
"Looking for Sunsets (In the Early Morning)" from Twice Upon A Rhyme (words by Paul Levinson, music by Ed Fox)
"Alpha Centauri" from Welcome Up (words by Paul Levinson, music by Peter Rosenthal)
"Welcome Up" from Welcome Up (words & music by Paul Levinson)
"The Soft of Your Eyes" from Twice Upon A Rhyme (words & music by Paul Levinson)
"Pictures on the Phone" (words & music by Paul Levinson)
====
Welcome Up: Songs of Space and Time tracks produced by Chris Hoisington
all lead vocals by Paul Levinson
backing tracks: Chris Hoisington (harmonies), Jeremy Thompson (guitars, stand-up bass, mellotron, etc), Steve Padin (keyboard, drums), Anthony Hoisington (piano on Tau Ceti), Don Frankel (accordion on If I Traveled to the Past & Tau Ceti), Peter Rosenthal (guitar on Cloudy Sunday and Twice Upon a Rhyme tracks), Barbara Krupnick (piano on Cloudy Sunday), Paul Levinson (piano on Pictures on the Phone)
Welcome Up recording engineer: Ronnie Shrock
Welcome Up mixed and mastered: Evan Sieling
for HELIOsphere: Marc Grossman and thanks Liz Crefin
->  lyrics to all of the songs on the album on the CD page  <- span="">
Light In the Attic vinyl Welcome Up: Songs of Space and Time https://lightintheattic.net/releases/6371-welcome-up-songs-of-space-and-time
Twice Upon A Rhyme original sealed 1972 vinyl HappySad Records http://paullev.com/product/twice-upon-a-rhyme-vinyl-original-1972-album/

Friday, March 27, 2020

Coronavirus and the Media



I've been interviewed over the past three months by several newspapers, websites, and a radio show, about the impact of the Coronavirus on television, the Internet, and online education and entertainment.  The titles and publications (with links) appear below.  I'll add to this list when new articles appear.

  • "Watching cable news to see inside newsmakers’ homes," KCRW Radio (Los Angeles), May 13, 2020.
  • "Legacy news, social media giants converge in new era of censorship," Just the News, May 2, 2020.
  • "Donald Trump Now Says His Disinfectant Comments Were 'Sarcastic' — But They Were Widely Taken As Serious," DEADLINE, April 24, 2020.
  • "Dr. Phil, Dr. Oz, Dr. Drew: TV Talking Heads Trigger Backlash For Coronavirus Comments," DEADLINE, 17 April 2020.
  • "The long and winding evolution of Dr. Drew, back in the spotlight after a coronavirus controversy," Washington Post, 13 April 2020.
  • "Our TVs are full of characters spreading germs and now we can never unsee it," Washington Post, 24 March 2020.  (Note: This article may be behind a paywall.  If you can't access it, you can read it here.)
  • "Can the Internet Break From Overuse?" How Stuff Works, March 25, 2020
  • "Why coronavirus may be a watershed moment in this digital age," Atlanta Journal Constitution, March 25, 2020 

Sunday, March 15, 2020

Biden vs. Bernie in our Coronavirus Time

A powerful Presidential debate just concluded between Biden and Bernie on CNN.  The backdrop and of course the greatest sources of questions were about the Coronavirus pandemic.  But there were other crucial issues debated as well.

I thought both candidates did well, but Biden did better.

On the Coronavirus, and health care in general:  I'm strongly in favor of universal health care provided by our government (see my William H. McNeill and The Logic of Universal Health Care from January 2017).  But I think Biden's way of getting there -- building upon  Obamacare, with a free, robust public option -- is better than Bernie's (which amounts to just magically declaring that we'll have free universal healthcare).  In other words, at all times, but especially in this time of the Coronavirus, practical construction is more reliable than revolution.   Biden added to this with his point about look how poorly Italy is doing in combating the Coronavirus.  They have free healthcare for all, and their  problems with the Coronavirus show that their way is no sure way of limiting the devastation of the virus.

And Biden did very well with his commitment to put a progressive woman as Vice President on the ticket, in contrast to Bernie who, the best he could say was "in all likelihood" he would put a woman on his ticket.  I also liked Biden's commitment to put an African-American woman on the Supreme Court.

As for the past, each candidate had some warranted criticism of the other.  But for me, the criticism that counted the most was Biden's critique of Bernie for voting no on the Brady Bill to limit guns no less than five times.  That's another crucial, literally life-and-death issue.

I'm looking forward to Tuesday's primaries and Bernie's recognition that the best way to get rid of Trump is for Bernie to give his support to Biden,





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