"Paul Levinson's It's Real Life is a page-turning exploration into that multiverse known as rock and roll. But it is much more than a marvelous adventure narrated by a master storyteller...it is also an exquisite meditation on the very nature of alternate history." -- Jack Dann, The Fiction Writer's Guide to Alternate History
Showing posts with label Kyle MacLachlan. Show all posts
Showing posts with label Kyle MacLachlan. Show all posts

Monday, May 24, 2021

Atlantic Crossing: FDR Bursts Through the Faded News Clips




My wife and I finished watching Atlantic Crossing on PBS last night -- episode by episode, week after week, the old-fashioned non-streaming way.  We both really enjoyed it, and, I have to say, it was one of the most fascinating, appealing, informative historical dramas I've ever seen.

The main story is the role Crown Princess Märtha and her husband Crown Prince Olav played in the  Norwegian struggle to keep the country and concept of Norway alive during the Nazi onslaught and occupation of Norway in World War II.  And the heart of that story, as beautifully portrayed in Atlantic Crossing, is how Märtha's relationship with American President Franklin Delano Roosevelt figured in her efforts to keep Norway afloat.

We're told at the beginning of each episode that the narrative on the screen, somewhere between Platonic, flirtatious, and deep romantic attraction, is based on "true events".  But, of course, what events and how true remains unknown.  In Atlantic Crossing, FDR takes Märtha on car rides.  They kiss, not quite on the lips.   When, in the next-to-last episode, FDR asks Märtha if all the affection and attention she has been giving him was all to coax him into giving Norway a battleship to fight the Germans, Märtha says yes, but FDR, with a twinkle in his eye, says he doesn't believe her.

Speaking of that twinkle, we all know Kyle MacLachlan from Blue Velvet and Twin Peaks, but I found his portrayal of FDR charismatically original and exciting.  Roosevelt died a few years before I was born, but my parents and grandparents spoke of him as they would a beloved member of our family.  They said that when he died in 1945, they suddenly felt lost and without anchor in the world, even though the Nazis were already well beaten.   As a media theorist, I always attributed FDR's relationship with the American people, in at least large part, to his fireside chats via radio, which literally brought Roosevelt into America's homes.  I've listened to many of those radio addresses -- you can find them online -- so I've come to appreciate the power and impact of his voice.   But as for the visual -- what Roosevelt looked like when he talked -- the faded newsclips do not offer very much.

Kyle MacLachlan thus had something of a blank slate to fill, and he did that with memorable sensitivity and panache.   I've seen at least half a dozen portrayals of FDR over the years, but none compare to MacLachlan's, and I like thinking that was the man my parents and grandparents loved so much, who got them through the monstrous war literally and figuratively, in every way.*

I'm glad FDR helped save Norway, too, whatever his reasons and whatever Märtha's true role.  The Vikings were the first Europeans to arrive in the New World -- as I explain in The Soft Edge, that contact had no effect on the world because there was no printing press to spread the news, as it did for Columbus -- but the Vikings and in turn the Norwegians have always had a very special place in the USA.

Atlantic Crossing is a celebration of that place, an astonishing and satisfying portrait of FDR, and Crown Princess Märtha (wonderfully played by Sofia Helin), created and written by Alexander Eik with moving music by Raymond Enoksen, and I'm glad and grateful to have seen it.

*I should mention that I found the portrayal of Eleanor Roosevelt, also a revered person in American history, somewhat problematic.  The part was very well acted by Harriet Sansom Harris, but the Eleanor in Atlantic Crossing staunchly opposes FDR getting America involved in the war in the early days, which may be true, but was news to me, and disconcerting.

Monday, May 29, 2017

Twin Peaks: The Return 1.3.-4: Coffee and Cole

The second installment of Twin Peaks: The Return - aka episodes 3 and 4 - continued tonight in the unmitigated gonzo, steampunk, B-movie style to which we became accustomed last week.

Let me also say that one of the high points - perhaps the highest points - of David Lynch's work have been the singers on stage at one point or another in the narrative.  The Dean Stockwell character lip synching Roy Orbison's "In Dreams" in Blue Velvet, with Dennis Hopper's self-tortured character trying to sing along but taking the needle off the record, and Kyle MacLachlan's character in shock in the small, standing audience in the room, was so powerful that I've wanted to write a book about that scene as a transcendent moment in popular culture for years.  As it is, it's easily one of the best scenes in any movie.

Performances of original songs by unknown (to me) musicians and singers have ended every episode of Twin Peaks: The Return so far, and they've all been excellent.  But that Everly Brothers-like performance at the end of 1.3 was superb and to my ears and eyes already a classic.

Back to Kyle MacLachlan, the central story in episodes 1.3-4 was Agent Cooper's return to this planet.  It's unsurprisingly no easy return.  Part of the difficulty makes sense.  Cooper can't talk or think normally because he's been in that insane, other-dimensional room for 25 years.  Part of it, like all Lynch works, doesn't - or doesn't quite make sense.  Apparently, Cooper was "tricked," and his doppelgänger is still out and about on Earth, though soon locked up.  But the real Cooper seems to be making at least a little bit of progress, responding well to a cup of coffee in the morning, put on his breakfast table by his doppelgänger's wife (played by Naomi Watts, who starred in Mulholland Drive, generally recognized as David Lynch's second-best work - high praise - and I agree).

And speaking of Lynch, it was good to see him return as FBI Deputy Director Cole these two episodes (he was actually an FBI Regional Bureau Chief in the original), which got me thinking: how about Cole as Comey's replacement, now that Lieberman has bowed out?

Hey, if that actually happened, it would be a lot less strange than some of the developments in Twin Peaks: The Return, which I'll be back to offer a few more paragraphs about next week.

See also Twin Peaks: The Return 1.1-2: Superluminal Sans Cherry Pie

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