Chuck Todd interviews me about alternate histories
Showing posts with label The Black Donnellys. Show all posts
Showing posts with label The Black Donnellys. Show all posts

Sunday, November 30, 2014

Peaky Blinders: Peak Television

Thought I'd check in with a review of Peaky Blinders, two seasons in with a BBC production, available in the United States on Netflix, and telling the story of a gang in Birmingham, England, same name as the show, a few years after World War I.

Like most historical dramas, Peaky Blinders on television takes a few liberties with real history, in this case, the main time of the real Peaky Blinders heyday, which was late 19th century and early 20th century.  Also, the sewing of razor blades into caps, so the caps when taken off the head could be used as weapons, may well be apocryphal - at very least, as the source of the Peaky Blinders' name.

But the series is so good, who cares  about perfect history?   From the moment the first scene opens, you're struck by a cinematography that's often breathtaking.  And the characters, story lines, and acting fit right into this high and clearly defined frame.

Cillian Murphy is superb as Tommy Shelby, the Peaky Blinders' leader, even though he's younger than his brother Arthur, deeply flawed and also powerfully played by Paul Anderson.   A young Winston Churchill is also a character, veteran Sam Neill of Jurassic Park plays the head cop bent on taming the gang.   Helen McCrory (Harry Potter) plays Tommy's aunt, who in her own way is at least partially in charge of the Peaky Blinders, and Annabelle Wallis (The Tudors) plays Grace, a major player and love interest of more than one character.

As is the case with many mobster television series, Tommy has his hands full fighting both the law and rival gangs, and enforcing loyalty in his own ranks.   But he does this with a patented mix of intelligence and violence, more or less carefully applied, and given this dancing on the edge, and the less than completely blind fidelity to history, you never know what's going to happen - well, you know that Winston Churchill won't be killed, but that's about it.

Peaky Blinders is reminiscent, in some ways, of Boardwalk Empire on the one hand, because they both take place in the 1920s, and The Black Donnellys on the other, which told the story of an Irish gang family in contemporary Hell's Kitchen in New York City.  But Peaky Blinders has a story and feel and compelling ethnic and proletariate depictions all its own, and I highly recommend it.

 
deeper history

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Friday, December 23, 2011

Prime Suspect Locked Away

NBC broadcast one of the final episodes of its short-lived new series, Prime Suspect, last night.

Too bad.  The show has a stellar cast - Maria Bello (ER), Brían F. O'Byrne (Brotherhood, Flashforward), Kirk Acevedo (Fringe!), Kenny Johnson (The Shield!!), to name just a few.  You can't get much better than that.  And the dialog has been sharp, humorous, tough, crackling.

But, sad to say, the plots were nothing special.  With the exception of one superb episode - 1.8 - which brings Jane (Bello) and Reg (O'Byrne) upstate and into a series of escalation action sequences as gripping as you might find in a good movie - the individual episode stories were trite and lackluster,  in contrast to the edge-of-your-seat mysteries in the original British series, which started Helen Mirren.

And the continuing story, which had potential, never really went anywhere.   Jane's difficulties as a female detective in the still male-chauvinist NYPD detective world barely went beyond the conflicts and abrasions of the first episode.  And her personal affairs, in particular, the possibilities of life with Matt (Johnson), never really were developed, either.

But, don't get me wrong, I would have been very happy to pick up the show for the rest of a complete season in the New Year, and will miss it, with all of its flaws.   NBC has added another good show to its roster of what might have beens, if only given a little more time on the air.   The Black Donnellys, Kidnapped, and Friday Night Lights (which managed a bunch of seasons only because NBC brought in DirecTV), and now Prime Suspect ... NBC has great taste in getting shows on the air, but doesn't seem to know what to do to keep them there.

Just two episodes left - next Thursday night, and the week after.  I'll be watching both.

See also review of Prime Suspect premiere ...


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The Plot to Save Socrates


"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book



Enjoy listening to audio books? Get a free audio book copy of The Plot to Save Socrates - or any one of 85,000 other titles - with a 14-day trial membership at Audible.com ...

Wednesday, January 26, 2011

Tyra on Criminal Minds 6.13

Nice coincidence ... just as I was putting the finishing touches on an essay about Friday Night Lights (which I'll tell you more about as we get closer to the publication date this summer), and whom do I see on Criminal Minds but Tyra (played by Adrianne Palicki), who is always good to see, whether as a tough girl with a good heart on Friday Night Lights, or a psychopathic killer on tonight's Criminal Minds 6.13.

Yeah, good ol' Tyra (her name is Sydney this time around) is on a killing spree with her boy friend/husband who's played by Jonathan Tucker of The Black Donnellys, another superb NBC show, which unfortunately lasted less than one season a few years back.   Tucker (Tommy on the Donnellys, Ray on tonight's CM) has a certain amount of sensitivity, as did his much better character on the Donnellys.   I would've liked to see Riggins jumping into this, but no such luck, and our gun-happy couple predictably end up dead, but not quite as you might have expected.

Of more lasting significance is a thread introduced about  Emily, who quotes Nietzsche about suffering at the beginning of this episode.  She's on the verge of suffering an unwanted reunion with some unfinished business from her past just out of prison in Russia.

This makes the second wriggling back story for one of the BAU team introduced in the past two episodes, the first being Spencer losing some part of his mind in episode 6.12.

Interesting stuff on this highly intelligent show, which will no doubt play some major role in or before this season's finale.

See also Criminal Minds in Sixth Season Premiere ... Criminal Minds 6.2: The Meaning of J. J. Leaving ... Criminal Minds 6.3: Proust, Twain, Travanti

And Criminal Minds 5.22 and the Dark Side of New New Media


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The Plot to Save Socrates


"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book
InfiniteRegress.tv