Chuck Todd interviews me about alternate histories
Showing posts with label Leslie Odom Jr. Show all posts
Showing posts with label Leslie Odom Jr. Show all posts

Thursday, January 13, 2022

Needle in a Timestack: Find It


For some reason, I just saw something about Needle In A Timestack earlier this evening.  It's been streaming on something called Amazon Instant Video -- apparently since the end of this past October -- and it costs 99 cents to see.  It will be on Amazon Prime Video, presumably for free, on January 28.  Now, ordinarily I'd wait the two weeks and see it on Prime Video.  Readers of my reviews will know I'm a cheapskate.  But, by my reckoning, not only does time wait for no one, neither does time travel, or at least time travel narratives should not be obliged to wait. That, and the fact that the movie is based on a story by Robert Silverberg (which I haven't read), a great writer whom I not only admire but know fairly well, tipped the balance.

And I'm glad it did.  Needle in a Timestack is a thoughtful, high intellect movie, very much in the Philip K. Dick tradition.  Time can not only be traveled through via "jaunting" (a term made famous by Alfred Bester for teleportation in The Stars My Destination back in the 1950s), but at least one person can cause "phases" in time that can change everything in big or small ways, depending upon who gets caught up in the phasing.

Into this set-up we find Nick (superbly played by Leslie Odom, Jr.) in a less than totally happy marriage, with no kids and a cat rather than the dog he feels he'd like to have as a pet.  Part of his problem is he's pretty sure his wife Janine (well played by Cynthia Erivo) is still in love with her first husband and Nick's old friend Tommy (Orlando Bloom, always good to see).  I'm going to abstain from spoilers here, so the only thing more I'll say about the plot is Nick via shifting and jaunting goes through a variety of realities until ... [see the movie].

I will say, though, that I always have the greatest respect for time travel stories that stick to the logic and necessities of the presented structure of time and time travel.  Needle in a Timestack does that quite well.  For example, if someone is caught up in a "phase" shift, there's no reason that phasee will recall elements of the first timeline not present in the second.  Further, an organization that purports to be able to save memories via photos and videos from one timeline to another is bound to be not very effective, if not an outright fraud.

Another appealing aspect of this movie is the way it portrays a slightly into the future time.  These backgrounds provide a nice physical context for what is also a superior love story.  Given time, I'll predict that Needle in a Timestack (directed by John Ridley) will take its place along with Time Traveler's Wife as a very memorable time travel romance -- in this "phase," or any other.

 


Thursday, January 21, 2021

One Night in Miami: A Good Movie for Tonight


This seemed like a good time to review One Night in Miami, which my wife and I saw and loved on Amazon Prime Video the other night -- a good time because Joe Biden is President, a human being back in the White House, and Kamala Harris, in effect his first appointment all those months ago, is Vice President, the first woman and person of color as VP.

One Night in Miami details a long meeting between Cassius Clay (soon Muhammad Ali), Malcolm X, Jim Brown, and Sam Cooke in a hotel room after Clay beat Sonny Liston to win the World Championship in 1964.  The meeting really happened.  The conversations in the movie were scripted (by Kemp Powers) and superb.  Same for the acting (Eli Goree, Kingsley Ben-Adir, Aldis Hodge, and Leslie Odom Jr. in those four roles), and likewise the brilliant directing by Regina King.  And the story told can be a considered a preamble or foundation of Black people in power in America in the 21st century, Barack Obama to Kamala Harris.

Back in 1964, the ways to get that power were far from clear, and highly debatable.  Malcolm wants black people to stand on their own.  His greatest conflict is with Sam Cooke, who sings all kinds of sweet, catchy romantic ballads (which, by the way, I love), leaving it to Bob Dylan, much to Malcolm's consternation, to write and sing "Blowing in the Wind".  Jim Brown knows all about racism, but is in the game (football and soon movies) for personal success, at least to some extent.  The question is how much?  Clay on the verge of becoming Ali is just 22, high on his being "the greatest," but attracted to Malcolm's philosophy.

Pursuit of fame and money back then was and still is a soul-depleting business, unless you can figure out a way to pursue those goals, and keep them if you reach them, with your inner core intact, and devoted at least in part to loftier goals for yourself, your people, and the world.  The path isn't easy, and One Night In Miami portrays four black guys, incredibly talented and bright in different ways, on the edge of that path so well and memorably, it could have been a Socratic dialogue written Plato.   See it and learn and enjoy.

 

"Sam's Requests" in this anthology is about Sam Cooke!

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