Chuck Todd interviews me about alternate histories
Showing posts with label Madeline Zima. Show all posts
Showing posts with label Madeline Zima. Show all posts

Tuesday, December 10, 2024

Subservience: Mounting the Paradox


Well, we've all seen movies and TV series like Subservience before, in which a beautiful female android ingratiates herself with a human family, and some kind of terror ensues.  I'm sure there were plot lines like that in Humans and lots of other films and series.  But I have to say, Subservience kept me interested, because I really wasn't sure just how it would end.

What it is has going for it, in addition to a somewhat original plot, was good acting by Madeline Zima as the human wife.  I've seen her before in Californication, Twin Peaks, You, and Bombshell.   Subservience is the biggest role I've seen her in so far, and she's up for the part.

Megan Fox plays the female android.  She's been in lots of movies that I haven't seen, and she does a good job in Subservience, too.  But she runs into a paradox of sorts, or something like a paradox, any time a human being plays an android -- she's very convincing in her mix of robotic stiffness and human emotions because, of course, she the actress is a human being herself.  I first actually noticed this decades ago with Brent Spiner's performance as Data in Star Trek: The Next Generation.  His character is an android who more than anything else yearns to be human, and in that yearning certainly seems human, precisely because Brent Spiner is also a human being himself.  I suppose the only way movie-makers will ever totally surmount this paradox is when we already have androids in our midst and some of them are actors.  The principle here would be: it takes a real android to really convincingly play an android -- and the reason why Brent Spiner and Megan Fox work so well in my estimation as androids is we don't yet have anything approaching real androids outside of science fiction and in our midst.  At least, as far as we know.

Back to Subservience, it's well situated in some Nordic, cold future, whether because of climate change or it's just winter, who knows.  (I guess not climate change because that would make things warmer.)  Little kids in the human family play a good role -- actually, a little girl, and a younger little boy who's a toddler -- and there are some nice touches of human laborers being put out of work and androids being helpful in hospitals.  Both of these we've seen before, too, but they're well done in Subservience.

There may be a sequel.  If so, I'll watch and review it.  In the meantime, it's a movie that also connects, at least now in North America, because it's getting pretty cold outside for real.

***

Hey, here's a little poem I just had poem I just had published: "I Fell in Love with a Robot"

***

Tuesday, October 13, 2009

Heroes Meets The L Word in 4.5

An excellent episode 4.5 of Heroes last night - in fact, the best episode of the new season - in which we get some good progress on Claire's story...

Turns out that Claire's roommate Gretchen (Californication's Madeline Zima) is the not the source of Claire's worst problems. Gretchen didn't kill Claire's original room mate, nor is she trying to keep Claire from making friends at school, nor is she stalking Claire for any reason other than -

Gretchen has a crush on Claire, and gives her a pretty deep kiss, which Claire - surprised but certainly not repelled - permits. Raises some interesting possibilities, and it's good to see that Madeline Zima is being true to her frisky Californication history.

But if not Gretchen, who is the potentially deadly adversary for Claire? A sorority girl, who is really working for Samuel's increasingly more nefarious carnival group.

Meanwhile, Peter's also finding romance, in a tender story with Emma, who sees colors for sounds, and at first has no interest in Peter. But he's picked up her power - an heroic kind of synaesthesia - and by the end of the episode, they're making nice music together. Just music for now.

And Sylar is slowly regaining his identity, after being apparently killed again, but recovering, because he does have Claire's powers. Will Sylar turn out a better person in his gradual self-reconstruction?

Not likely. On the other hand, Samuel's people may well be the worst threat.

See also Heroes Season 4 Premiere: Metaphysics, University, Carnival








The Plot to Save Socrates


"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book


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Tuesday, September 22, 2009

Heroes Season 4 Premiere: Metaphysics, University, and Carnival

Heroes returned for Season 4 last night, with a two-hour premiere that was less apocalyptic than usual, and therefore I actually found more enjoyable. For the first time I can recall with Heroes, I was able to sit down and relax with it. In part this was because of the story lines, in part this was because the heroes are almost becoming old friends that we haven't seen in a few months, and it was good to see again.

Among the highlights, Sylar killed Nathan at the end of Season 3 and shape shifted into Nathan, but Angela got Matt Parkman to make Sylar in Nathan's body think he (Sylar) is really Nathan. But Parkman learns he has a price to pay - Sylar's persona is now inhabiting part of Parkman's head, and he comes out to advise and needle Parkman and otherwise make life difficult for him. We've of course seen this set-up before with Baltar and Six on Battlestar Galactica, and even with House and Amber, but Zachary Quinto did a good job of it anyway as Parkman's internal nemesis.

Over in Tokyo, we do get some bad news - Hiro is dying - but, as always, nothing is necessarily permanent with time travel. I've got to admit that I'm always in the mood for a time travel story, and Heroes has done well with such threads over the years. Hiro at first vows he'll never again try to change the past - he realizes, in prime metaphysician form, that it's too dangerous (and he's right) - but he goes back more than a decade into the past anyway, and does a good deed for Ando's love life. He accidentally stops Ando from spilling a slushy all on Kimiko (Hiro's sister), which open the door to their falling in love. The takeaway for Hiro: he now knows he can change the past for the better, and he'll use his powers to correct his own mistakes in the past, the punishing metaphysics of time travel notwithstanding.

Apropos such high falutin' terminology like metaphysics, Claire's a freshman in college now, and so is Gretchen (new to Heroes, played by Madeline Zima from Californication, which will also be back on Showtime this Sunday). HRG's turning into about as good a guy we've so far seen, and he's creating an alliance with Tracy.

At the other side of the spectrum from university life, there are a new group of possible villains led by Samuel, centered around a carnival. Too soon to tell yet what they're really up to, but like most else in this premiere they were refreshing to see.

I'll keep you letting you know how it all works out.







8-min podcast review of Heroes


See also reviews of Season 3 Heroes Gets Lost ... Heroes 3 Begins: Best Yet, Riddled with Time Travel and Paradox ... Sylar's Redemption and other Heroes and Villains Mergers ... Costa Nuclear ... Hearts of Gold and the Debased ... Seeing the Future Trumps Time Travel ... Superpowered Chess with Shifting Pieces ... Villains and Backstories ... The Redemption of Sylar ... Thoughts on the Eclipse, Part I ... The Lore of the Comic Book Store ... Hiro's Time Traveling Closure ... Augmented ... Shades of Recalibration ... Baby, Rebel, and Last Fantasy ... All that Shape Changes Remains the Same? ... Season 3 Finale: Hopeful Deceptions




Wednesday, October 31, 2007

Californication Comes ... To a Season's End

CalifornicationCalifornication concluded its delightful first season on Showtime last night with an hilarious, savvy, altogether satisfying 12th episode.

I won't tell you the very ending, in case you haven't seen it. But I will say it was 100% motivated.

What I will tell you is that David Duchovny was spectacular, as he was throughout the entire season. And Tom Kapinos' writing was brilliant as it's been throughout the entire series, too.

My favorite line last night was "the ass is always greener" ... this said by Marci - who has had many of the best lines on the show - in some advice she is giving to Karen. This seems only apropos, since I said in my review of the first episode that it had me laughing my ass off.

Mia's character was also written beautifully - her public statement that she and Hank actually didn't have sex helps Hanks, of course, but it also helps her - because her father otherwise would never let her go ahead with her publishing. Fiction about an afternoon with an older man he might tolerate, not autobiography... Madeline Zima did a standout job in playing this super-precocious 16-year old.

In the end, Californication was really not about sex or nudity. It was about attitude. About not always ideal but more or less healthy attitude. About hard luck and good luck and failure in the face of success ... and vice versa, in professional as well as personal life.

There's a lot more of Hank Moody's story to be told - professionally and personally - and I'm very looking forward to seeing him and the sparkling cast back in action next year.

Check out Showtime's Californication wiki for contests.

See reviews of other Californication episodes: 1 ... 2 ... 3 ... 4 ... 5
... 6 ... 7 ... 8 ... 9
... 10 ... 11: Pivitol Mia ...







5 minute podcast review of Californication






The Plot to Save Socrates


"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book

Wednesday, October 24, 2007

Californication Continues: 11: Pivotal Mia

CalifornicationMia (fetchingly played by Madeline Zima) was directly or indirectly the stimulus for all the crucially important developments in Episode 11 of Californication on Showtime.

As we saw last week, she's pretending to be the author of Hank's comeback manuscript. Since her sleeping with and slapping Hank is the core of the story in the manuscript - not to mention, in a sense, the story of Californication - she has an understandable sense of proprietorship in the novel...

Her bringing it to Dani, which inevitably means Charlie, brings Charlie and Hank closer than they've been through the series. Charlie, never better, recognizes that the manuscript is Hank's, and will stand by him whatever Hank chooses to do about Mia's masquerade. (He can't do much, if Mia keeps to this course, because he doesn't want to be exposed for sleeping with someone underage - even if Hank didn't know it at the time and Mia looks much older than sixteen.)

Meanwhile, Mia's theft of Hank's manuscript also has an indirect, but even more powerful, impact on Hank's life. His daughter Becca (well played Madeleine Martin) decides to move in with Hank, in part because the great novel he was writing in New York didn't pan out (of course not, because Hank thought he'd lost it), and Becca is worried that with Karen marrying the bore Bill, Hank will be left with no support...

Which has the surprising effect - since Karen can't bear to be without Becca - of bring Karen to Hank and Becca's place, late at night, when they're both asleep....

We'll she stay?

I'm betting yes ...

But it just goes to show that, although I would never want it happening to me, losing your novel and then having someone sell it as theirs can have unintended beneficial results...

See reviews of other Californication episodes: Californication Going On Mondays ... 2 ... 3 ... 4 ... 5 ... 6 ... 7 ... 8 ... 9 ... 10 ... 12: Californication Comes ... To a Season's End









5 minute podcast review of Californication






The Plot to Save Socrates


"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book

Tuesday, August 21, 2007

Californication Continues: 2

CalifornicationI gotta say, again, that not only are the women and sex terrific in Showtime's Californication, but the writing is right now flat-out the best on television.

My favorite bit from last night: Hank (David Duchovny) accepts the assignment from the Hell-A blog, starts writing on his computer at home, it freezes or whatever - so he goes out and files his post from an Apple store.

Everything is right and delightful about that: the name of the blog, the computer not working when you need it, and the Apple store to the rescue.

Meanwhile, I think that Hank is a very appealing character. How can you not like a guy who daydreams in his car about making-out with his almost, now estranged, slightly, wife...

And the other characters are good, too. My favorite is the precocious 16-year old Mia - played just right by Madeline Zima. She's the one who punched Hank twice in the face last week before she ... and she's the daughter of the guy who Hank's almost-wife says she is going to marry ...*

*A reader asked in the comments - how could I not mention Paula Marshall on this show? He's right. Paula Marshall was just splendid as the 40-something Sonja, someone Hank's age. I stand corrected.

But you need to see all of this yourself. You'll laugh at least 30 times in the 20-minute show, unless you're unconscious.*

Did I just write "20" minutes? I was laughing so hard, I lost track of time...

See also reviews of other Californication episodes: Californication Going On Mondays ... 3 ... 4 ... 5 ... 6 ... 7 ... 8 ... 9
... 10 ... 11: Pivitol Mia ... 12: Californication Comes ... To a Season's End








5 minute podcast review of Californication






The Plot to Save Socrates


"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book
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