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Showing posts with label Tell Me You Love Me. Show all posts
Showing posts with label Tell Me You Love Me. Show all posts

Saturday, May 11, 2013

Rectify: Sheer and Shattering Poetry

My wife and I saw the first four episodes of Rectify on the Sundance Channel last night, and found it one of the most extraordinary reels of television to come down the pike in years.

The basic story is about the release of Daniel Holden from death row after 19 years.  His release, based on DNA evidence, is a "vacated" verdict, which means he can be brought up on the same murder charges again (double jeopardy does not apply for vacated verdicts).  This would be a powerful story in itself, as Holden's lawyer Jon Stern (played by Luke Kirby of Tell Me You Love Me) and his sister Amantha (played by Abigail Spencer of Mad Men fame) square off against law enforcement who are still convinced that Holden is guilty, and intent on putting him on death row again.

But the real payoff in Rectify is the care it takes and the depth it offers in showing the impact on Holden of being locked out of the real world for 19 years.  This ranges to obvious things like not being confortable with smartphones to subtler but even more profound losses like not being aware of seasons and the pleasures of rain on a hot summer's day when you're locked away.   The dialog and acting in these scenes are sheer poetry, and Aden Young as Holden gives a quietly tour-de-force performance.

He's highly intelligent, and, due to time in prison with nothing else to do, incredibly well read.  His explanation of St. Thomas Aquinas and his attempt to reconcile - or rectify - the material and the spiritual worlds was as spot-on as you'd find in any philosophy class.   The writers deserve kudos for this level of erudition rarely if ever seen on television.

Holden is also a fascinating disquisition for anyone interested in the likely psychological impact of being frozen in prison for 19 years - locked away when was just a senior in high school.   He's most comfortable riding a bicycle and listening to music 19 years or more older, on cassettes.   He has to learn how to feel about being touched - after gravitating from the revulsion he felt for that in prison to a part of him even wanting that, because he was only human, and yet he nonetheless felt guilty about.   The dialog and the acting for these scenes are as also sheer poetry and philosophy, but on a scaldingly personal level that will touch your soul.

In a television world of cops and spies and villains and heros, Rectify is a series which transcends and shatters these genres and tells a kind of a story you've never seen before.

  


get Rectify season 1 on

Tuesday, September 23, 2008

The Sarah Connor Chronicles 2.3: Who Truly is Agent Ellison?

An excellent Sarah Connor Chronicles last night - Episode 3 of Season 2 - with the power that comes from the death of an important character.

I've really enjoyed Sonya Walger's work as Penny in Lost, Carolyn in Tell Me You Love Me, and Michelle Dixon in The Sarah Connor Chronicles. But Tell Me You Love Me is no more, and now we'll have to wait for Penny to turn up again in Lost. Michelle got killed by the Terminator Cromartie last night, in a taut kidnap plot that came perilously close to getting John, and had some of the best action so far in the series. Indeed, only the Terminator incapacity to swim saved John. Not that Cromartie drowned - he just eventually walked up to shore out of the water. But when he and John were in the water, and John pulled broke away, John was able to swim to safety.

Long range, however, I thought the most interesting part of 2.3 was the conversation between Agent Ellison and Catherine Weaver in her office. Catherine apparently is a shimmering T-1001 - so, what does she really want from Ellison? This plays into the question of why Cromartie spared him.

The obvious answer that Ellison can lead the Terminators to John doesn't seem sufficient - they don't seem to have too much trouble finding John on their own. Ellison may play some role in the creation of Skynet - but, that would be nothing so earthshaking, either.

I'm thinking Ellison must play some role that we haven't figured out as yet. Or, perhaps Ellison is himself a Terminator - one which, like the unrevealed Cylons in Battlestar Galactica, doesn't know his true identity just yet....

There probably are lots of reasons we've seen in the last season which don't support this hypothesis. But I figured I'd just put it out there...



See also 2.1 Cameron's Back ... 2.2 Firing on All Cylinders ... 2.4: Meet Allison ... 2.5: Unpacking the Future ... 2.6: Terminator Mom, Human Daughter, Questions






The Plot to Save Socrates


"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book


more about The Plot to Save Socrates...

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Read the first chapter of The Plot to Save Socrates
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Sunday, February 3, 2008

In Treatment on HBO

HBO premiered a brilliant original show last week - original in both structure and content. Anyone who thinks HBO is running out of steam as a pioneer in the cable form should take a look at In Treatment.

The show consists of a 30-minute segment every weekday evening. Psychotherapist Paul, played by the always memorable Gabriel Byrne, sees a different patient Monday through Thursday. And on the 5th day, Friday, he sees his own therapist, Gina (played by Dianne Wiest) and becomes a patient himself.

Don't confuse this with Tell Me You Love Me. The talk on In Treatment is much more intense and intelligent. In fact, it's so good, that all almost you get on In Treatment is talking, and that was more than enough to keep my wife and me hanging on almost every word.

Monday's patient thinks she's falling in love with Paul - erotic transference, as the shrinks call it. Laura's beautiful and smart - she's an anesthesiologist - and the real question is whether Paul is falling in love with her (we find out on Friday that all's not well with his wife). Laura's played by Melissa George - Vaughn's wife on Alias - and she won't be putting anyone to sleep - at least, not in the viewing audience.

Blair Underwood plays Tuesday's patient, Alex - I've been enjoying his performances since LA Law. Here he plays a Navy pilot with a complex story of guilt and power and possible attraction to his running partner, who is a gay man. Alex also has a heart attack, running, and nearly dies. Paul's patients clearly all live life to the hilt.

On Wednesday Paul sees a 16-year girl, Sophie, played by Mia Wasikowska. Mia, like Melissa and Blair, puts in a tour-de-force performance. Sophie, a gymnast, may or may not suicidal.

Josh Charles as Jake and Embeth Davidtz as Amy come to the doctor's office on Thursday, as a married couple in real distress. I suppose this is the least original of the four stories, and the most reminiscent of Tell Me You Love Me, but the acting is powerful and the story still captivating.

Four different stories having no real connection except their excellence as narratives and the excellence with which they are acted - and Paul as the psychotherapist they all see. And on Friday, Paul reverses his role, and Gabriel Byrne puts in just as powerful a performance as patient. There's a nice symmetry here as Paul as patient goes through many of same acts of his patients - wondering why he came to his therapist, threatening to leave, verbally attacking his therapist.

In Treatment looks a highly successful experiment in TV drama, that definitely bears more watching.

PS: Steve Levinson is the Executive Producer. He is, alas, no relation...

See also In Treatment 2: Scalding ...3. Triangle ... 4. Love and Death ... 5. Paul's Greatest Strength ... 6. Paul's Boat ... 7. Alex in the Sky with Diamonds ... 8. A Princely Performance ... In Treatment Concludes: For Now








The Plot to Save Socrates


"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book


more about The Plot to Save Socrates... good reading if you're in a doctor's office...


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Read the first chapter of The Plot to Save Socrates
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Monday, January 21, 2008

The Sarah Connor Chronicles: 1 and 2

Well, I wasn't going to watch and review it. I didn't want to disrupt my recollection and appreciation of Terminator 1 and 2, which I thought were superb, or even Terminator 3, which I also enjoyed. That, and I don't think movies shrink very well to the television screen. For every Stargate and Buffy, in which the television was far better than the movie, you have tens of Alien Nation, Blade, Animal House, Dirty Dancings.

On the other hand, the Terminator stories are about time travel. And that, as readers here know, is a pretty big hand, for me. And I heard some good things about The Chronicles...

So I saw the first two episodes on Fox's On Demand online website last night.

And I thought they were excellent. The pilot, in fact, is one of the best hours of television I've seen in the past few months - meaning, it's right up there with the best of Journeyman and The Wire. And the second episode was powerful and appealing, too.

The story in The Chronicles starts after T2. Sarah, played by Lena Headey (of 300 fame), is living quietly with her fiancé and son John in the midwest. One of the problems with any remake is new acting talent playing a character whose face and mannerisms belong to another. It's still hard to imagine anyone other than Linda Hamilton as Sarah, but Lena Headey's performance is strong and convincing.

The Sarah Connor Chronicles also has lots of nice attention to detail. Sarah's fiancé - Charley Dixon - is played by Dean Winters, who looks a lot like Kyle Reese/Michael Biehn. Makes sense that Sarah would be attracted to the same kind of man.

There are some fine jolts in the plot, which I won't give away in this review, except to say think more Terminator models and, of course, time travel - but done with surprise and panache.

And Lost fans - Penny (Sonya Walger) has a continuing role in the Chronicles! I hope she hasn't given up searching for Desmond, but she's certainly better off without that cold fish she was married to in Tell Me You Love Me.

I'll be watching The Sarah Connor Chronicles on Fox, reviewing them right here on Infinite Regress, and after giving you a chance to see the first two episodes (which play nicely on Fox's web site), I'll start discussing significant plot elements with spoilers in the reviews - that will be later tonight, after I see Episode 3 at 9pm.

It's good to have The Terminator story back on the screen. It always had a unique blend of mostly breathtaking action and a sprinkle of winning humor. The Chronicles has that, too.

In one telling scene, a bad Terminator is about to smash into a bank. He notices lots of police, bristling with weapons, out front. His screen quickly sizes them up, and we see a brief advisory - "no threat".

The police are no threat - that's the kind of thing I like to see in a story...

See also The Sarah Connor Chronicles 3 ... 4: A Robot Primer ... 5 ... 6 ... 7 ... 8-9: Terminate with Puzzles, Surprises, and Soul







The Plot to Save Socrates


"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book


more about The Plot to Save Socrates...

Get your own at Profile Pitstop.com



Read the first chapter of The Plot to Save Socrates
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Sunday, January 13, 2008

Looking In on The L Word...

Long before women were being wittily, hilariously, so coolly bedded almost round the clock by Hank Moody in Californication, they were being wittily, hilariously, coolly bedded around the clock by ... women, in The L Word, on Showtime.

Californication and Weeds are often cited (by me and others) as the spear carriers of Showtime's sweep into first place as the most innovative story telling network on cable, but this leap forward really started with The L Word, which debuted its 5th Season last Sunday.

The series has been and still is in a class by itself. It is more daring than HBO's Big Love - lesbian sex is more radical than polygamy. It explores more nuances in sexual relationships than HBO's Tell Me You Love Me. And The L Word of course has more women in positions of power and not in power than Weeds.

But The L Word feels most like Californication. Both shows take place in California, and both are intimately intertwined with writing, movie-making, and their travails, as well as sex.

My favorite characters in The L Word, however, are not in the movie or publishing business. Bette is a museum director who becomes dean of a school of design. Maybe my being a professor makes me naturally relate to her, but Jennifer Beals' performance is a perfect mix of primness and passion. She has been a pleasure to see on screen since Flashdance, and is only getting better.

Katherine Moennig is also superb as Shane in The L Word. She's usually up for sleeping with just about any woman, but brings a refreshing understanding of - or at least, an attempt to understand - the subtleties of every relationship she's in or wants into. Shane is a hairdresser, not an academic or a writer. But she thinks more than any other character on the series.

I've seen the first four episodes of the new season, and it's lots of fun, with serious themes including life in prison and the military woven in, and lots of other top-notch acting talent including Cybill Shepherd and Pam Grier, a plus in any scene they may appear.

Highly entertaining, thought provoking, and recommended, and I'll be back here with more reviews as this bright new season of The L Word progresses.

See also The L Word Concludes This Season with Powerful Lessons






The Plot to Save Socrates


"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book


more about The Plot to Save Socrates...

Get your own at Profile Pitstop.com



Read the first chapter of The Plot to Save Socrates
.... FREE!

Monday, November 5, 2007

Tell Me You Love Me Concludes for First Season

A very satisfying finale to Tell Me You Love Me on HBO On Demand last night...

1. Jaime and Hugo's getting back together and married was entirely motivated. I also liked the realistic way this episode built up to their happy ending. They meet in a gas station mart. Next have dinner, but don't sleep together. Instead, they talk later that night on the phone... and seal the deal. There surely were more people with broken hearts in the world before Alexander Graham Bell.

2. Palek walks out, Carolyn loses their baby, Palek comes back. A harsh arc, but it's about the only way the couple could have proceeded. What's not entirely clear is whether Carolyn will ever completely forgive Palek (I would say not - but there was no clear indication one way or another on the show).

3. Katie and David come this close to splitting, but - at last - make passionate love. This was predictable - but nonetheless satisfying.

And let me say here that Ally Walker's acting as Katie was really exceptional - last night and on the entire series. She had just the right mix of vulnerability, hope, and fatigue. All the acting on the series was excellent - the women (Michelle Borth as Jaime and Sonya Walger as Carolyn) standing out maybe a little more than the men (Tim DeKay as David and Adam Scott as Palek) (and Ian Somerhalder as Nick and Luke Farrell Kirby as Hugo with less screen time as Jaime's guys) - but it was all fine, and Ally Walker was the best of the best.

Along with Jane Alexander, who was superb as Dr. May Foster, and as I've said before, has never put in anything less than a great performance in anything I've ever seen.

As I also said in my preview review of the first show, Tell Me You Love Me wasn't really about the nudity, though that certainly made for some nice scenes.

But the show was about relationships, and I'm looking forward to Season Two. Will we be seeing these three couples again? I'd say probably not, but I have no information about this. Surely May Foster will be back - with David Selby as her husband Arthur - and you can be sure I'll be posting reviews right here on Infinite Regress.

Hey, it's a tough job, but someone's gotta do it...

See also Tell Me You Love Me on HBO and Tell Me You Love Seven Times ... and Episode 8 ...







5-minute podcast about Tell Me You Love Me






The Plot to Save Socrates


"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book

Monday, October 22, 2007

Tell Me You Love Me on Tell Me You Love Me (Episode 8)

There is a moment in some movies - maybe some novels, too, I'm not sure - which can either be tacky and obvious or good and locking-it-in. I don't think I've ever seen in a television series. It happens when a character in the movie says the name of the movie. I know I've seen this a bunch of times - readers, let me know if you have any examples...

Anyway, I'm sure I've never seen it in a television series - until last night, on Episode 8 of Tell Me You Love Me on HB0. In the very last scene, Nick (Ian Somerhalder) and Jamie (Michelle Borth) are evaluating their fledging relationship, Ian correctly feeling that he may want Jamie more than she wants him - which she of course denies - and Nick utters the magic words: "Tell me you love me."

I think it served last night to ratify the series, in some way - by finally making it crystal clear to everyone that that's each partner of each couple really most wants, whether by words or deeds. This is what the series is really most about, regardless of the specific stories.

And we learned other interesting things last night. Dr. Foster and husband didn't have kids because Dr. Foster didn't want to share her husband. Palek may have some of the stuff of good fatherhood in him, after all. And in a very tender scene with Katie and her daughter, becoming a woman, we learn that, whatever Katie's problems with her own sexuality, she's a good, loving mother in explaining some of solitary facts of life to her daughter.

Only two more episodes left. Tell Me You Love Me is doing very well for itself.

See also Tell Me You Love Me on HBO and Tell Me You Love Seven Times







5-minute podcast about Tell Me You Love Me






The Plot to Save Socrates


"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book

Monday, October 15, 2007

Tell Me You Love Me Seven Times

Well, I've now seen seven episodes of Tell Me You Love Me on HBO, and thought I'd report back to you, your dedicated correspondent, about how I think the series is progressing.

First, the sex continues to be explicit and good. Episode 7, still fresh in my mind, had some especially good scenes with Jamie and Hugo, and Carolyn and Palek (separately, that is).

And what about the four ongoing relationship stories? Let's take them in chronological order, starting with the youngest.

Jamie (Michelle Borth) and Hugo (Luke Farrell Kirby): are no longer a couple, even though they were together last night, and who knows what might happen next. Turns out that Jamie, who in the first episode was obsessing about Hugo's wandering eyes, has a history herself. This is one of the signatures of the series: With each couple, we start out thinking that just one of the partners is causing the problem. But we soon learn that both are responsible, in their own ways. Jamie has now slept with two other guys since Hugo left her, and may (though I doubt it) be falling in love with Nick (Ian Somerhalder - Lost's Boone! - he never met Penny on Lost, but it's good to see both of them on Tell Me You Love Me, anyway).

Carolyn (Sonya Walger - Lost's Penny) and Palek (Adam Scott): have for the most part been trying to have a baby (or, at least, Carolyn's been trying), and there are some good surprises in this story that I won't tell you about in case you haven't yet seen
them. I don't see much hope for this couple, mainly because Palek is, I don't know, such a pretty-boy cold fish.

David (Tim DeKay) and Katie (Ally Walker): As I mentioned in my review last month, I find this relationship the most far-fetched: a couple sleeping together in the same bed, but haven't had sex in a year. I mean ... sooner or later, they're close together, half asleep, something should lead to something more ... but, ok, leaving that aside and suspending my disbelief ... Theirs is indeed a complex story, and more than it seemed at first. Katie is contributing to the problem. She confided last night that, when she and David were having sex, she sometimes faked her orgasms... And maybe more than sometimes. I predict that by the end of this season, we'll see this couple making love again, but it will be interesting to see how they get there.

Dr. May Foster (Jane Alexander) and Arthur (David Selby): are clearly a fourth couple, which is a nice touch, since Dr. Foster is also the couples' therapist treating each of the other three couples. We see May and David having some pretty passionate sex - though not as explicit as the first two couples - and I give Tell Me You Love Me credit for going into that largely uncharted territory of hot sex in your seventies. (Hey, it's always good to see a rosy future.) Their problem as a couple is probably the most mundane - a lifelong love of May's, played by Ronnie Cox, comes back into her life when his wife dies. But the story is well rendered.

All said, then, Tell Me You Love Me is keeping the promise it made in the first episode: a portrayal of sex and relationships in diverse walks of life in the 21st century, with not much left covered. The acting is really excellent throughout, and if some of the stories seem a bit strained, the passion of the players more than makes up for it.







5-minute podcast of this review


See also Tell Me You Love Me on HBO and Tell Me You Love Me on Tell Me You Love Me: Episode 8






The Plot to Save Socrates


"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book

Tuesday, September 25, 2007

Weeds 3 Ep 7: Conrad Rules!

WeedsI've been missing Conrad (well played by Romany Malco) on Weeds this season. He's had almost no role, but ...

Last night, he reveals that he - not the Mexicans - was the one who shot Marvin in the ass, as a way of fomenting a war between the Mexican dealers and U-Turn, which Conrad thought would help Nancy and him get out under from under U-Turn's thumb - which is just what it accomplished.

Conrad is clearly the smartest guy (including women) on the show. He's a Luther Burbank genius when it comes to growing weed. And he's a master at strategic planning.

All that remains now is for Conrad and Nancy to finally get together. But it hasn't happened yet, and Nancy, to celebrate her freedom, goes for a little afternoon delight with Sullivan (Matthew Modine), who has been hitting on her, grabbing her ass, as well as hitting on Celia...

Meanwhile, Weeds is starting to give Californication and Tell Me You Love Me a run for their money in the full-frontal nudity department - male and female. Weeds had both last night, with Uncle Andy on hand at a porno shoot.

Next week ... looks as if Peter, or at least his corpse, is back...

Reviews of other Season 3 episodes ... 1 ... 2 ... 3: Appealing, Important Questions ... 4-5. Prius and Gluteus ... 6. Ray of Hope ... 12: Nancy and Conrad! ... 13. Shane Pays the Price ... 14. Just Nancy Thought Things Couldn't Get Any Worse ... 15. Finale: The Fire and the Clean Slate






The Plot to Save Socrates


"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book

Wednesday, September 5, 2007

Tell Me You Love Me on HBO

I saw the first episode of Tell Me You Love Me on HBO On Demand last night.

It begins this Sunday, and I was going to wait until then to see it, like a normal person, but (a) who says I'm normal and (b) reporters from the Christian Science Monitor and the Baltimore Sun called in the past week to interview me about whether I thought Californication and Tell Me You Love Me represent a new leap forward in sexuality on television.

They do. Network television was and to some extent still is the old maid of media when it comes to sexuality. NYPD Blue made a little bit of progress in the 1990s, but it was HBO on cable which made the big breakthrough in the Bada Bing on The Sopranos, and went even further with Atia and Brutus (separately) in Rome.

Now even that has been surpassed by Hank and his continuous escapades in Californication, and the three couples we see in imperfect and intriguingly difficult relationships, in and out of beds and cars and clothes, in Tell Me You Love Me.

My favorite is the youngest couple - Hugo and Jamie, played very well by Luke Farrell Kirby and sizzling Michelle Borth. Their problem is the most common - they have great sex but Hugo has wandering eyes. Carolyn and Palek - also well played by Lost's Penny (Sonya Walger) (did she give up looking for Desmond?) and Adam Scott - are having trouble conceiving, which is making their sex into clinical baby making motions. And David and Katie - also well acted by Tim DeKay and Ally Walker - are in their 40s, and haven't had sex in a year.

All three couples are or will be headed to couples' therapist Dr. May Foster - Jane Alexander - who has been giving great performances since the Great White Hope in 1970. Dr. Foster may have the best sexual relationship, with her husband Arthur (David Selby), of any couple on the show, but you never know...

So ... three, actually, four couples, all trying to get the most of their physical and emotional relationships, with varying degrees of success. Lots of explicit sex, lots of nudity - yeah, front and back, women and men - and, yeah, if you must know, even more than in Californication.

There will be no doubt be lots of informed and uniformed discussions about whether what we're seeing is real or prosthetic.

Doesn't really matter, I'd say. The stories are real and captivating, even when a litte far-fetched (like David and Katie), and I'm looking forward to more Tell Me You Love Me.

Likely under the influence of the more libertine Internet, which is increasingly a form of television, the screens in our living rooms are growing up, and that's a good thing.

See also Tell You Love Me Seven Times and Tell Me You Love Me on Tell Me You Love Me: Episode 8






5-minute podcast about Tell Me You Love Me








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See also:

The Sopranos As A Nuts-And-Bolts Triumph of Non-Network TV

Good Sex on Rome, Bad FCC in Washington









The Plot to Save Socrates



"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book


more about The Plot to Save Socrates...

Get your own at Profile Pitstop.com



Read the first chapter of The Plot to Save Socrates
.... FREE!
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