Chuck Todd interviews me about alternate histories
Showing posts with label Kirk Acevedo. Show all posts
Showing posts with label Kirk Acevedo. Show all posts

Saturday, January 24, 2015

12 Monkeys series 1.3: Paradoxes, Lies, and Near Intersections

Well, I broke down and watched the next episode of 12 Monkeys - 1.3, available on SyFy On Demand for just 24 hours from midnight last night.  Hey, why shouldn't I watch a show earlier than it's being aired, it's a show about time travel, right?   But be forewarned - or warned, or whatever the proper usage - to either not read this review until after 10pm Eastern next week, January 30, or get a few soft spoilers here.

First, and this is not a spoiler, I've been meaning to point out the coincidence of 12 Monkeys on television as a series so soon after the Ebola outbreak that dominated much of our news in the real world this past Fall.   This obviously trumps and is much more significant that the fortuitous North Korean coincidence in episode 1.2 last week (or, actually, yesterday).   Indeed, the nearness of Ebola to 12 Monkeys gives the series an urgency and verisimilitude that it wouldn't have had just last year, in January 2014.

And a lot of the action in 1.3 takes place in Haiti, as Cassandra goes there in 2014 to stop a plague that could be THE plague but turns out to be just river fever, whatever exactly that is.   But the real action here is Cassandra (and Jones) telling Cole to keep clear of Cassandra in Haiti - he too is on a mission there - so as not to contaminate i.e., bend the timeline which Cole will need from Cassandra in the future. Back in Haiti, Cole also manages to scar the Tom Noonan creepo character, thereby closing that little loop, as well as kill someone that Cassandra slept with and was beginning to really care about, but Cole doesn't know this (until later, in the future, when he lies to Cassandra about killing Andre).  All of which is testament to the care that this series is taking in following the logical consequences of the paradoxes that time travel engenders - keep the paradoxes ever in mind, and steering clear of them whenever possible - which as I said in my review of the first episode is a hallmark of good time travel science fiction in my book.    I should also say, apropos Cole and Cassandra, that Aaron Stanford and Amanda Schull are both doing a really excellent, appealing, and convincing job in those lead roles.

Meanwhile, there's also some important action taking place in the 2040s future of the story - much more than in the movie, by the way.   Ramse (played by Kirk Acevedo of Fringe fame) is a major character in this future, where we learn that the time travel facility may soon be under attack from some kind of human group not sick, as far as we know.

At this point, I'm enjoying the television series about as much as the movie - including the differences, which is saying a lot indeed, because the movie was superb.  But the paradoxes, lies, and near intersections through time are making 12 Monkeys exceptional television.

See also 12 Monkeys series on SyFy: Paradox Prominent and Excellent ... 12 Monkeys 1.2: Your Future, His Past ... 12 Monkeys 1.4: "Uneasy Math"

podcast review of Predestination and 12 Monkeys



 three time travel novels: the Sierra Waters trilogy

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three time travel stories (with more to come)


The Chronology Protection Case movie 

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#SFWApro

Sunday, December 1, 2013

The Walking Dead 4.8: Vintage Fall Finale

A fabulously harrowing mid-season finale - 4.8 - of The Walking Dead tonight, with some scenes that will become celebrated vintage, including
  • the girl that Carole trained firing decisive bullets in the epic battle for the prison (including killing that stupid girl who took part in the Governor's attack)
  • Michonne putting the knife through the Governor (though I wish she had killed him right there)
  • Daryl killing the Governor's new sidekick (I liked the actor Kirk Acevedo in Fringe, but I was glad to see his character go in The Walking Dead)
  • Carl, in every scene he was in (and Daryl should have agreed to Carl's request and let Carl take a shot at the Governor - could have saved Hershel)
Hershel's death was also momentous - but I can't say it will be celebrated, because it was tragic.  Was it necessary?  I suppose so, in the sense that an horrendous death of a good person - the most moral person on the show (and perfectly acted by Scott Wilson) - was necessary to get the soul-shattering attack on the prison in motion.   Nonetheless, Hershel's death ranks among the worst events on The Walking Dead, right up there with Lori's.

Lilly gets the honor of finally killing the Governor.   But as I said above, I don't get why Michonne didn't do that.  Her motive was what?   Let the Governor go through the agony of becoming a "biter"? Ok, but the safe thing to do would have been to kill the Governor right there, if only to make sure that none of his people rescued him, and nursed him back to psycho health.

And then there's baby Judith.  I don't know, but I've always been a great believer in the principle of, if there's no body in evidence, then life is still a possibility.  It looks as if there was blood in the car seat she was in, but we don't know for a fact whose blood it is, so I'll continue hoping.

We'll find out in February.  For now, it was great to see this breath-taking conclusion to the superb Fall part of Season 4, and its spotlight on the next generation of fighters for humanity.

See also The Walking Dead 4.1: The New Plague ... The Walking Dead 4.2: The Baby and the Flu ... The Walking Dead 4.3: Death in Every Corner ...The Walking Dead 4.4: Hershel, Carl, and Maggie ... The Walking Dead 4.6: The Good Governor ... The Walking Dead 4.7: The Governor's Other Foot







#SFWApro


Friday, December 23, 2011

Prime Suspect Locked Away

NBC broadcast one of the final episodes of its short-lived new series, Prime Suspect, last night.

Too bad.  The show has a stellar cast - Maria Bello (ER), Brían F. O'Byrne (Brotherhood, Flashforward), Kirk Acevedo (Fringe!), Kenny Johnson (The Shield!!), to name just a few.  You can't get much better than that.  And the dialog has been sharp, humorous, tough, crackling.

But, sad to say, the plots were nothing special.  With the exception of one superb episode - 1.8 - which brings Jane (Bello) and Reg (O'Byrne) upstate and into a series of escalation action sequences as gripping as you might find in a good movie - the individual episode stories were trite and lackluster,  in contrast to the edge-of-your-seat mysteries in the original British series, which started Helen Mirren.

And the continuing story, which had potential, never really went anywhere.   Jane's difficulties as a female detective in the still male-chauvinist NYPD detective world barely went beyond the conflicts and abrasions of the first episode.  And her personal affairs, in particular, the possibilities of life with Matt (Johnson), never really were developed, either.

But, don't get me wrong, I would have been very happy to pick up the show for the rest of a complete season in the New Year, and will miss it, with all of its flaws.   NBC has added another good show to its roster of what might have beens, if only given a little more time on the air.   The Black Donnellys, Kidnapped, and Friday Night Lights (which managed a bunch of seasons only because NBC brought in DirecTV), and now Prime Suspect ... NBC has great taste in getting shows on the air, but doesn't seem to know what to do to keep them there.

Just two episodes left - next Thursday night, and the week after.  I'll be watching both.

See also review of Prime Suspect premiere ...


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The Plot to Save Socrates


"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book



Enjoy listening to audio books? Get a free audio book copy of The Plot to Save Socrates - or any one of 85,000 other titles - with a 14-day trial membership at Audible.com ...

Friday, September 30, 2011

Prime Suspect

Prime Suspect on NBC has been getting some excellent press - as has its star, Maria Bello as NYPD Det. Jane Timoney - and it's all deserved.   Timoney is a sassy, take-no-guff, courageous, bright, fearless police woman who may be the best police woman on television since ... well, Angie Dickinson as Police Woman.

And the supporting cast is stellar, too.  Kirk Acevedo (from Fringe) as Det. Calderon, Brian F. O'Byrne (from Brotherhood and Flashforward), Kenny Johnson (Lem from The Shield!) as Jane's love, and Aidan Quinn (Legends of the Fall) as Jane's boss all make memorable contributions to the series and every scene they're in.

Prime Suspect was a long running show over in England - the NBC series is a new adaptation - and said to have influenced The Closer, which also features a high-powered woman steering a course in a police department dominated by men.   But Brenda Leigh Johnson on The Closer, though tough enough, is no match for Jane Timoney, who mixes it up with the best of them, and gives chase to bad guys twice her size.  (We're going to Netflix the British series.)

It's also good to see Peter Berg involved in the production of another show after Friday Night Lights, and set so palpably in the streets of New York.   With Law and Order down to one series, and Blue Bloods a little too formulaic for my tastes, New York's primed for a new, hard-hitting cop show.


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The Plot to Save Socrates


"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book



Enjoy listening to audio books? Get a free audio book copy of The Plot to Save Socrates - or any one of 85,000 other titles - with a 14-day trial membership at Audible.com ...

Monday, January 11, 2010

New Fringe on Monday Night - In Alternate Universe with Dybbuk?

Fringe is on Thursday nights on Fox. But a new episode was shown this evening - Monday - advertised as an all new Fringe. The first hint that this was more than new came in the opening credits. Kirk Acevedo's name was there. He played Olivia's erstwhile partner Charlie Francis - erstwhile because Charlie was first killed, then came back inhabited by one of the alternate universe bad guys (presumably William Bell's current haunts - though maybe the bad beings are attacking both Bell's and our universes).

So I thought, when I saw Acevedo's name ... hmmm ... maybe the bad guys are putting in our universe another Charlie clone, ala the Terminator. But no, this clearly wasn't the case, because Olivia seemed perfectly at home with her former, possessed, doubly deceased partner.

What was going on? One closer inspection in the realm of extra-fiction - meaning, outside of the show on Fox tonight itself - we find on Fox Flash  (see about 1/4 down the page) that tonight's Fringe is a "SPECIAL UNEARTHED EPISODE FROM SEASON ONE." Ah ha! That certainly explains Charlie and Olivia's lack of alarm (to say the least) about him. But why would Fox just slip in this out-of-season (though not especially out of sync) episode from last year? Contempt for Fringe's audience? Well, maybe not ... Fox Flash concludes its blurb about tonight's Fringe as follows: "is it an unaired episode from Season One or is it from an alternate universe?"

Ah, alternate universe! Now we're talking. Fringe has already established that, in its (our fictitious) universe, there are other, parallel, alternate universes. One is William Bell's. But there could be others. So maybe tonight's episode was a story in an alternate Fringe universe, in which Charlie never died, not even once, and is still Olivia's partner.

Once I started focusing on this hypothesis, I noticed some other differences. A character commented on Olivia and Peter's possible romantic involvement - you don't see that too much in our universe. And Walter seemed a lot less crazy. I'm just sayin...

The story itself - in whatever universe - was good tonight. A young woman who's near death (or maybe has died) because of an aneurysm is vulnerable to her brain/mind/soul being taken over by a discontented soul whose body had just been murdered. The play on the Yiddish dybbuk story has a top-notch confrontation between Walter and a priest, who argue over explanations based on science verses those that come from faith. And the ending, in which the soul is freed from the young woman, only to inhabit someone else has almost or just died, makes perfect sense, since the soul has not yet gotten its revenge on its body's murderer.

So, kudos to Fox not only for putting this show on, but tying it in the Fox Flash to the alternate universe possibility. Ordinarily, I'd be a little annoyed by such television programming mind games. But, in this case, I-

Wait a minute, this just isn't like me. Am I in some alternate universe right now? How about you?

Whatever universe I'm in, I hope Fringe at some point in one of its futures puts in some little reference to tonight's story, just to make these meta-connections even more intriguing.


6-min podcast review of Fringe

See also Top Notch Return of Fringe Second Season ... Fringe 2.2 and The Mole People ... Fringe 2.3 and the Human Body as Bomb ... Fringe 2.4 Unfolds and Takes Wing ... Fringe 2.5: Peter in Alternate Reality and Wi-Fi for the Mind ... A Different Stripe of Fringe in 2.6 ... The Kid Who Changed Minds in Fringe 2.7 ... Fringe 2.8: The Eternal Bald Observers ... Fringe 2.9: Walter's Journey ... Fringe 2.10: Walter's Brain, Harry Potter, and Flowers for Algernon

See also reviews of Season One Fringe Begins ... Fringe 2 and 3: The Anthology Tightrope ... 4: The Eternal Bald Observer ... 7: A Bullet Can Scramble a Dead Brain's Transmission ... 8. Heroic Walter and Apple Through Steel ... 9. Razor-Tipped Butterflies of the Mind ... 10. Shattered Pieces Come Together Through Space and Times ... 11. A Traitor, a Crimimal, and a Lunatic ... 12, 13, 14: Fringe and Teleportation ... 15: Fringe is Back with Feral Child, Pheromones, and Bald Men ... 17. Fringe in New York, with Oliva as Her Suspect ... 18. Heroes and Villains across Fringe ... Stephen King, Arthur C. Clarke, and Star Trek in Penultimate Fringe ... Fringe Alternate Reality Finale: Science Fiction At Its Best







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