Chuck Todd interviews me about alternate histories
Showing posts with label The West Wing. Show all posts
Showing posts with label The West Wing. Show all posts

Tuesday, July 17, 2012

The Newsroom and McLuhan

I've seen the first four episodes thus far aired of The Newsroom on HBO, and I think it's the best show on television.

I've heard some people say that The Newsroom, though good, is not in a league with Aaron Sorkin's signature television creation, The West Wing, and of course it isn't - The White House and the issues and lives that move around it are indeed in a different league from any newsroom.  But for a show about the lives of cable news, The Newsroom appears just as strong, so far, as The West Wing was for the life and times of a great President.

And there's this.  If Marshall McLuhan was right that "the medium is the message" - and I think he was - then news media, and the time we spend with them, and the way they report the actions of Presidents, may have more influence on our opinions than most of the Presidential actions themselves.  McLuhan wrote in the 1960s, and we have three 24/7 all news cable stations today in addition to the three networks - as well, of course, as the Internet.

Speaking of which, there's another notion of McLuhan's that helps explain The Newsroom's appeal.  McLuhan observed that as technologies and media get outmoded, they can come to be appreciated as art forms.  As soon as I heard this, I thought of delicatessen - meat at first spiced for preservation, now enjoyed for taste.  Convertible cars are another example - first driven to keep physically cool, now (after the advent of air conditioning) to be socially cool.  Or silent movies - one of which recently won an Oscar for its unspoken art.  The more we get our information and breaking news from Twitter and Facebook, the more cable news is becoming a suitable subject of art, too.

Life and media are evolving so quickly nowadays, that specific events can become worthy of artistic treatment after just a year or two.  The Newsroom tells real news stories - at this point though 2010 and the beginning of 2011.   This Sunday brought us to The Newsroom on a Saturday in January 2011.  We didn't learn until near the end - unless, maybe, we were consulting a calendar - that the galvanizing news event for this day's story was the shooting of Congresswoman Gabrielle Giffords.  Anchor Will McAvoy and his brilliant, dedicated people courageously resist reporting her death, until and unless explicitly confirmed by a physician.  It was a heart rending, enobling moment, because we at home  knew the good truth.  It was also reminiscent of the misreporting by Fox News and CNN, several weeks ago, of the US Supreme Court decision upholding the Affordable Care Act.  Of the three cables, only MSNBC got that right (all three were wrong in their initial reporting of Giffords).

MSNBC is my favorite cable news station in reality.  But I like McAvoy a little better.  He and his cohorts are a little more articulate than anyone on real television. Hey, that's what art and the improved reflection it gives us of reality is all about.

See also Why CNN and Fox News Wrongly Reported the Supreme Court on Health Care









Tuesday, November 18, 2008

An Idiot's Guide to Time Travel in The Sarah Connor Chronicles: Derek2 and Jesse1

Don't be insulted, we're all idiots when it comes to time travel and its paradoxes - that's what makes it so much fun.

But there was a great Sarah Connor Chronicles - Episode 2.9 - tonight, which had one of the best time travel dances of the series, and, for that matter, of time travel on television.

Jesse captures a Charles Fischer, back in 2008, from the future. He's a "gray" - a human who cooperated with Skynet in the future - and Jesse wants Derek to get Fischer (good to see Richard Schiff of The West Wing in this role) to tell them what he's doing in 2008. Fischer denies that he's Fischer. Jesse expects Derek to know exactly who Fischer is; Derek does not. Jesse captures then the young Fischer in 2008, and brings him into the room with the older Fischer. She tells Derek that Fischer in the future tortured Derek ... he has no recollection of this. Derek does eventually break the older Fischer in 2008, who admits that he's Fischer. Jesse kills him. She wonders how Derek could have had no recollection of what Fischer did to him in the future. Maybe it never happened, Derek realizes, and maybe we come from two different futures....

But how could that be? Why would Jesse remember Derek telling her that Fischer tortured him, if it never happened to Derek, because the younger 2008 Fischer was traumatized by what happened in that room?

Here's my explanation:

a. Derek1 is tortured by Fischer in the future. Derek1 tells Jesse1 about this.

b. Jesse1 travels back to 2008. She soon runs into the older Fischer in 2008 ... and all the events described in the paragraph above happen. The younger Fischer, because of what he saw in the room, does not go on to torture Derek1.

c. Therefore, in the future, at the instant the younger Fischer goes on that better path, Derek1 flips into Derek2. The two are identical in all ways, except that Derek2 has never been tortured. In this future2, Derek still loves Jesse.

d. Derek2 at some point after that travels back to late 2007 - before Jesse1 arrived. Jesse1 contacts Derek2 a few weeks ago, and what happened in the first paragraph - the action tonight - happened.

The key to this is that since Jesse1 traveled to the past, she retains memories of future1, and does not change when future1 becomes future2. But because Derek is still in the future at this point, he changes from Derek1 to Derek2 when the future changes from future1 to future2.

Ain't time travel grand? I think so, and I think The Sarah Connor Chronicles is doing a fine job of it.

See also 2.1 Cameron's Back ... 2.2 Firing on All Cylinders ... 2.3 Who, Truly, Is Agent Ellison? ... 2.4: Meet Allison ... 2.5: Unpacking the Future ... 2.6: Terminator Mom, Human Daughter ... 2.7: The Saving Robbery and Cromartie ... 2.8 Perspectives and Death






The Plot to Save Socrates


"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book


more about The Plot to Save Socrates...

Get your own at Profile Pitstop.com



Read the first chapter of The Plot to Save Socrates
.... FREE!

Sunday, November 9, 2008

Brotherhood is Back for Third Season - Better than Ever

Brotherhood is back for its third season on Showtime, and if the first two episodes are any indication, this will be a faster, sharper, more powerful Brotherhood than what we saw in the first two seasons - less talk, more conflict and payoff, which could make this the best season of Brotherhood so far.

My favorite character has always been "bad" brother Michael Caffee, harrowingly and reassuringly played by Jason Isaacs, probably best as known in his performance Lucius Malfoy in the Harry Potter movies. Taking nothing away from Lucius, I find Michael Caffee even more memorable. You can count on him to only be pushed so far, and, then, whatever the consequences, lash out without warning and kill the person who was doing the pushing. Last year it was that horrible hit man. This year, it's the Federal prosecutor. The killings are, as I say, harrowing yet satisfying, because they give just deserts in a world in which people usually get away with all kinds of things.

Michael was nearly beaten to death at the end of the first season, and this figured in the second and now the third season. The second season was weakened, in my view, but making Michael too much the possible basket case from the beating. But it ended with "good" brother Tommy, well played by Jason Clarke, surprisingly revealing to Michael that Tommy knew Michael was about to be attacked, but did nothing to warn him. This year, Michael's not talking to Tommy because of that - refuses to be in the same room with him - but the other reliable thing about Michael is the love he has for his family, so I'm thinking it's just a matter of time until most or all is forgiven.

Tommy has some neat political dealings in the first two episodes of Season 3. One of the real joys of Brotherhood is the backroom political wheelings and dealings we see - in one sense, like The West Wing, but much more gritty and closer to crime because it's taking place on a state and local level.

And, beginning in Season 2, Tommy wasn't the only family Michael needed to live and work with. His cousin Colin - well-played by Brian F. O'Byrne - has become Michael's right-hand man. But it's only a matter of time until Michael finds out that Colin and Kath are falling in love, and the big question about that land mine is whether Michael will view that as an attack on him or a blessing...

Declan (Ethan Embry), Freddie (Kevin Chapman), Eileen (Annabeth Gish), and Mary Rose (Fionnula Flanagan - now of Lost fame) are all back in fine form, and it was good seeing Freddie sell some cars.

The timing is perfect for a show about backroom politics, and I'm thinking this season will be the breakout for Brotherhood.

See also Checking in Brotherhood Season 2 Episode 6: The Simmering Stu and Episode 9: The Anti-Thanksgiving Gem ... Season 2 Finale






The Plot to Save Socrates


"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book


more about The Plot to Save Socrates...

Get your own at Profile Pitstop.com



Read the first chapter of The Plot to Save Socrates
.... FREE!

Thursday, October 30, 2008

Obama at Midnight: "Power Concedes Nothing Without a Fight"

Obama saved the most important words of his rousing speech in Florida at midnight, with Bill Clinton at his side, for the end: "Power concedes nothing without a fight." In other words, don't rest confident in the polls. If you Obama to be President, make sure you vote, and encourage all of your friends to vote, too.

It was a high intensity day politically, especially in the evening -

1. Obama's 30-minute advertisement to the American people was excellent. It wouldn't have been necessary, had not the Republicans been constantly lying about Obama wanting to raise "your" taxes, repeating the idiocy of Obama being a "socialist," etc. Obama made his case to and for the American people. He looked Presidential, speaking, in part, from what looked like an Oval Office. I consider that not presumptive but appropriately predictive.

2. CNN made a show of taking some high road by refusing to air the commercial, and keeping to its (usually boring) political coverage. And what did CNN put on instead? John McCain, in a typically inarticulate interview by Larry King. So much for CNN's political coverage: what they did instead was give McCain free air time, opposite the time that Obama paid for, with money donated by the American people.

3. Obama also was on with John Stewart. Both were humorous and vibrant. Good thing for anyone who might have been falling asleep watching Larry King.

4. But I thought the best moment of the evening was Obama on the stage with Bill Clinton in Florida. It was good to see the previous Democratic President on stage with someone who so many hope will be the next one. (Obama quipped that Jimmy Smits - whom we saw with Obama and Clinton back stage before the speeches - was a Democratic President. Well, he did beat Alan Alda's Republican character-candidate for President on the West Wing. As long as Dexter wasn't there...)

But will Obama be elected? "Power concedes nothing without a fight" - an important update of Frederick Douglass' "Power concedes nothing without a demand." Obama will be elected only if everyone who supports him goes to the polls and votes.
InfiniteRegress.tv