MobLand: The Godfather of Streaming Television

Just saw the finale of what will almost certainly be the first season of a tour-de-force series about warring crime families on the other side of the pond, i.e., the UK.  MobLand has everything -- a powerful, unpredictable story bristling with what The Godfather and its sequels did so well in movies.  That would be a potent, explosive blend of violence and family dynamics that can make your head spin.

Here I'll talk about two ingredients that brought this kick-in-the-solar-plexus across: the music and the acting,

First, MobLand has one of the best theme songs I've heard in years:  "Starburster" by Fontaines D.C.  I mean, I'm no expert in hip hop, but I know "Starburster" has powerful elements of it, and the recording suits the story to be told in every episode to a tee, as well as being instantly unforgettable mind candy. 

And that's just for literally starters.  In the finale alone, we get major songs by Johnny Cash (sung twice) and The Rolling Stones.  Like in The Godfather trilogy, Goodfellas, and all immediately classic crime family dramas, the music of MobLand is at once avant garde and classic.  

Now let's get to the acting.  Pierce Brosnan gave an astonishing performance as Conrad Harrington, the anti-hero crime boss whose gang is at the center of the action.  This man played two characters who were suave to the max -- Remington Steele and James Bond -- and in MobLand he trashes those icons and goes vehemently in the opposite direction, cursing and screaming and giving loud and withering vent to his anger and his other moods with the best of 'em.   Meanwhile,  Helen Mirren, a world-class actress, is every bit as vicious and violent in her role as Maeve Harrington, Conrad's wife..  Neither of them are youngsters, but I wouldn't want to meet either of them in a dark alley.  Or a lit one, either, for that matter.

And alongside these veritable criminal forces of nature -- Emmy-worthy spectacular -- we have Tom Hardy's portrayal of Harry, the Harringtons fixer (a lot of "Har"s in that sentence).  He's calm, contemplative but deadly when he needs to be.  Like Brosnan and Mirren, Hardy is a world-class actor, great in just about everything he does, but yet to establish himself in a role as luminary as James Bond, Vito Corleone, or Michael Corleone.  But his performance in MobLand could move Hardy into Al Pacino territory.

The lesser-known actors in MobLand were excellent, too.  Paddy Considine (House of the Dragon) as one of Conrad and Maeve's sons, gives a heart-rending performance, as does Joanne Froggatt (Downton Abbey), for different reasons, as Harry's wife.   The truth is, there's not a weak performance in this powerhouse of a series.

Hey, I managed to review MobLand without even a hint of a spoiler.  I'm going to listen to some more Fontaines DC music now.

Love & Mercy: A Review

Someday a movie about the Beatles may be made that's better than Love & Mercy about Brian Wilson and the Beach Boys, but until then Love & Mercy, which I just saw tonight with my wife, is easily the best rock star bio pick ever made.  Hey, it's the best movie about a musician ever made, period, and that's saying a lot, because Amadeus was none too shabby, not to mention the great movies over the years about greats like Ray Charles and Johnny Cash.

Brian Wilson's life is so big it took two stars to portray him - Paul Dano the younger Brian and John Cusack the older Brian - and both were just superb.  Though Dano looks more like the younger Brian than Cusack does the older, the performances of both were peerless, down to the mannerisms, tones of voice, and little ticks of Brian Wilson.  The music similarly was a seamless web with what was going on inside Brian's head and what we the devoted fans were hearing of the Beach Boys on radio and television.  The recording studio scenes were so realistic I felt like calling out to the engineer and asking him to bring up the bass a little more.

The movie is peppered with memorable phrases, delivered like history come to life, that I've both heard before and heard for the first time in this movie.  Jake Abel as Mike Love - another spot on performance - is there to complain to Brian that he can't make sense out of "sunny down snuff" and Van Dyke Park's masterful lyrics to "Heroes and Villains".  That's one I heard before.   But when a studio musician tells Brian that Phil Spector "has nothing" on Brian, that one was new to me, and I was as pleased as Brian in the movie to hear it (and not because I don't love Spector's music - he's a stone genius too - but I because I just love Brian's more).

Elizabeth Banks put in such a compelling and attractive performance as Brian's life-saving Melinda, that Banks instantly rocketed up to my favorite contemporary actress, that's right.  The sensitivity and strength of her performance made it totally believable that Brian fell in love with her, and she figured out a way to cut Brian lose from his baneful, control-freak, suffocating psychiatrist, well played by Paul Giamatti.

To get back the Beatles, the Beach Boys since the 1960s have been my second favorite rock group, way ahead of the Stones, in third place, and I guess, I don't know, the Eagles or the Who after that. Anyway, I don't want to argue about that.  I just want to say how good it was indeed in Love & Mercy, brilliantly directed by Bill Pohlad, to see Brian finally get more of the credit he deserves, not only for his music, but for making it and bringing it back against almost all the odds of his mental demons and most of the people around him.

See also my review of  The Beach Boys in White Plains

Defiance: Alien DJ, Great Music, Star Wars Bar on Earth

I caught the first season of Defiance over the past few nights.  The new SyFy post-apocalyptic drama joins The Walking Dead, Falling Skies, and more in this now flourishing television genre.   But Defiance has a few special facets going for it:

• The music is just fantastic, starting with the Johnny Cash - June Carter "We Got Married in a Fever" (aka "Jackson") in the first episode to Raya Yarbrough's outstanding cover of Cindi Lauper's "Time after Time" near the end - and even a fine cover by Yarbrough of The Five Stairsteps' "Ooh Child" somewhere in the middle.   Bear McCreary, of Battlestar Galactica fame, has done his customarily brilliant job with the music throughout.
• Speaking of BSG, there's a lot of its flavor and feel in Defiance, which I take as a good thing.
• There's even a kid in a radio station in Defiance - making a pair with the DJ in Under the Dome - but in Defiance the kid is an alien.   Anything that harkens to Alan Freed, Murray the K, and Wolfman Jack is a plus in my book.

But speaking of aliens, there's a tad too many of them - seven different alien species, that is, which came to Earth as part of the Votan collective.   I'd be happy with just the three major brands, Irathient, Castithan, and Imogen.   The additional species, including Earth mutants which add to the seven, give Defiance the ambience of a Star Wars bar scene, and an everything-but-the-kitchen sink effect, which has the unintentional consequence of giving Defiance a slight touch of parody.

The sex, though, is pretty good - between Castithan Datak Tarr and his wife, and Irathient Irisa and Tommy, her human lover.   Thanks to our childish, unconstitutional FCC, we see no real skin - and the Castithan custom of bathing privately in bathing suits is inconsistent with their otherwise hedonistic culture.   But expecting our television networks to stand up to the FCC is a hopeless case, even if the FCC has never tried to exercise power over cable television.

The plot works well, with a good mix of unexpected heroes and villains, and characters you can care about.  I'm looking forward to season 2.

#SFWApro

Pete Seeger on the 4th of July: The Truest American Hero

My wife and I saw "Pete Seeger: The Power of Song" last night. Part of PBS's superb American Masters series, "The Power of Song" may well win an Emmy this year, and it would be eminently deserved. One of the best portraits of a singer - someone far more than a singer - I've ever seen.

Pete Seeger is 89, and has been a major player for good and peace throughout most of the 20th, and now the 21st, century. He had some number one records with the Weavers in the 1950s, was blacklisted in the McCarthy era, worked tirelessly for civil rights, and inspired the cleanup of the Hudson River in the 1990s - our kids actually helped a little with that when they were in summer camp. But what stands out most about Pete Seeger is his voice with banjo singing out against war.

My wife and I were inspired by him many times in the 1960s, when we were first dating, especially when we were marching in Washington in October, 1969 to stop that decade's unconstitutional, immoral war, and Pete Seeger, singing out John Lennon's "Give Peace a Chance," across the street from the White House, shouted "Are ya listenin' Nixon?" And, it took a few painful years, but eventually Nixon had to, because the American people roused by heroes like Pete Seeger gave Nixon no choice.

Yes, Pete Seeger was and is a hero - the best kind of hero in an illegal, disgraceful war - the kind of hero of who does what he can to bring that war to an end. Far more of a hero than a fighter pilot who drops death on innocent people.

Pete Seeger of course was scorned by the retrograde forces in America throughout his career. The Smothers Brothers courageously put him on their TV show after Seeger had been banned for 17 years. Johnny Cash did, too, and one of the best parts of "The Power of Song" was a clip of Cash standing up for Seeger in an interview on Cash's show. Johnny Cash was a great man, more than just a singer, too. Bill Clinton as President finally gave Pete Seeger the official admiration he deserved, honoring him at the Kennedy Center in 1994.

We should all stand up for Pete Seeger today - happy Fourth of July, Pete Seeger, you're the truest and best kind of American, and our country and the world owes you a lot.

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And take a look at this superb video - Pete Seeger and Majora Carter in the This Brave Nation series, recorded just last year.