Chuck Todd interviews me about alternate histories
Showing posts with label Lisa Zwerling. Show all posts
Showing posts with label Lisa Zwerling. Show all posts

Sunday, February 22, 2026

56 Days: Wild, Sometimes Winsome, Sometimes Weird, Thrilling Little Series



My wife and I just binged 56 Days on Amazon Prime.  Aside from the title, I thought that this was one wild, sometimes winsome, sometimes weird, multifaceted gem of a thrilling whodunnit series, with two separate complex intersecting stories that jump back and forth from the present to the past.

One story is about the couple who have some kind of a close proximity to a body found in their apartment, no doubt murdered and turned into a chemical soup in a bathtub.   The initial question is who in this couple murdered whom.  

[And there will be at one spoiler ahead ... ]

I began to think pretty soon that the soup could be of both of their bodies, or a third person's body altogether (which turned out to be what it was).

The other story was of the two detectives investigating the crime, an older, somewhat disillusioned guy and his younger woman partner.  She's having an uncomfortable affair with a suspect (in another case), who doesn't take kindly to her efforts to end that relationship.

Romantic love in surprising places and its power to overcome all kinds of obstacles is one of the central underlying themes of 56 Days.  This animates the couple associated with the human soup in all sorts of surprising ways.   And a story of love rearing its head and holding its own in all kinds of unlikely situations is one of the most attractive parts of this series.

Kudos to creators Karyn Usher and Lisa Zwerling, and Avan Joglia and Dove Cameron as the couple in the apartment, and Karla Souza and Dorian Missick as the detective partners.  All four gave memorable performances.

Speaking of which, another notable thing in this steamy series is the nudity we see. Back in the 1960s, that was de rigueur in a story like this, at least in the movies. Nowadays, the most we usually get is black underwear. But in a story like this, in which the romantic love is palpably fueled by erotic desire, we need a little more (or, depending how you look at it, a lot less).

I said earlier that I didn't care for the title, and it was indeed the unexpected emotional power of the narrative that I thought deserved a more evocative title than just a number of days.  The action flipping back and forth from the present to x number of days in the past is of course what generated the 56 Days title, but that narrative form would have worked just as well with any title.  I know that the series is based on a 2021 novel of the same name by Catherine Ryan Howard (which I haven't read), but a streaming series that bears some resemblance to You and the movie Body Heat deserves a name at least as good as those.

In fact, You as a title is not even that good. Body Heat is fine. But the point is the number of days as a title is lackluster. And flashing the number of days on the screen (prior to 56, which is the present), over and over again, became tedious, and for me at least, distracted from the story. A simple "Present" and "Past" would have worked much better, and would have slided us into the story without needing to do any math.


Thursday, April 22, 2010

FlashForward 1.17: Mark, Demetri, and Hari Seldon

Robert J. Sawyer - author of the novel FlashForward on which the TV series is based - told me in our interview at the I-Con science fiction convention in Stony Brook, New York at the end of March that, before the season was over, I'd be standing up and cheering for Mark Benford.  I don't know if tonight's episode - 1.17 - was the one Rob had in mind, but I was certainly cheering.

The fate of Demetri hung in the balance tonight.  In FlashForward time, tonight was March 15, 2010, the day foretold and seen by Nhadra (Behrooz's mother from 24) as the day of Demetri's death.   Zoey's flashforward vision of their wedding, after March 15, which she realized was Demetri's funeral, added credence to what Nhadra saw.  So did the fact that Demetri had no flashforward vision at all.

Gibbons/Frost is holding Demetri prisoner, tied-up in a get-up of wires connected to a gun pointed right at his heart.   Any movement by Demetri, any attempt to put something in way of Demetri and the gun, will cause it fire.

It's not 100% clear what Frost wants out of all of this, but it has something to with stopping his own death, which he has also foreseen for this day.    Frost leaves a set of clues with Charlie, whom he talked to on the bench in the amusement park.

Mark first races brilliantly to get to Frost, in the best action sequence so far in the series.   He gets to Frost with just a little time left to save Demetri - Frost has left Mark a literally ticking clock - and Mark gets the drop on Frost-

Only to see Frost shot to death by Alda (female terrorist) who has escaped.   The Frost's death part of Frost's visions for the day has come true.   Will Demetri's?

Mark risks literally fulfilling Nhadra's vision - Mark killing Demetri with Mark's gun - by trying to turn the gun at least a little away from Demetri.   With seconds left - and with Demetri's life literally up for grabs by fate, because we've seen that most of the flashforwards do come true - Mark succeeds.   Demetri's death didn't happen, just as Gough's death did, both contrary to all the flashforward visions that have irresistibly, recalcitrantly,  come to be.  All that's shot is Demetri's picture on the timeline Frost has created on the wall.

It's a timeline that shows events well into the future - teeming with interconnections, like a Hari Seldon psychohistory map (see Asimov's Foundation novels) - come to life in today's Los Angeles.   But as soon as Demetri leaves the chair to which he's been confined, that map turns to sand and dissolves into the instant like an emptying hour glass.   One last trick of Gibbons/Frost.

You couldn't ask for anything more from this top-notch episode - written by David Goyer and Lisa Zwerling - except more tricks to come in the future.



7-min podcast review of FlashForward

See also FlashForward Debuts and Oceanic Airlines as a Portal Between FlashForward and Lost ... 1.2: Proofs and Defiance of Inevitability ... 1.3: Conficting Visions and Futures ... 1.4: FlashForward Meets Shaft and House ... Drunk FlashForwarding in 1.5 ... Across the Universe in FlashForward 1.6 ... FlashForward 1.7: The Future Can Be ... FlashForward 1.8: The Nightie as a Grain of Sand ... FlashForward 1.9: Shelter from the Storm ... Olivia Benford at Harvard in Flashforward 1.10 ... Flashforward 1.12 Parts 1 and 2 ... FlashForward 1.13: Aaron's Daughter, Mark's Gun, and Magpies ... FlashForward 1.14:  Somalia, LA, Fate Irresistible and Resistible ... FlashForward 1.15: Who's That Lady? ... FlashForward 1.16: Mark's Gun and Demetri's Wedding

Listen to 40-minute interview with Robert J. Sawyer

Listen to podcast about Asimov's Foundation series

Save Flashforward!! - Let ABC know you love it!


Special Discount Coupons for Angie's List, Avis, Budget Car, eHarmony, eMusic






The Plot to Save Socrates



"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book
 
InfiniteRegress.tv