Chuck Todd interviews me about alternate histories
Showing posts with label Glenn Morshower. Show all posts
Showing posts with label Glenn Morshower. Show all posts

Monday, January 15, 2018

Philip K. Dick's Electric Dreams 1.10 Kill All Others: Too Close for Comfort



The 10th and last episode of Philip K. Dick's Electric Dreams - which I've been reviewing here episode-by-episode (because each one is standalone), and which I hope will be the first ten of very many - is Kill All Others.  Although each story is different, they're deeply connected and intertwined by the central, galvanizing themes of all of Dick's work: it is real or an illusion, with the struggle to decide which is which always laced with paranoia.

Kill All Others has these characteristics par excellence, and is also the closest to the very time we're living in right now.  That makes it closer to Black Mirror than The Twilight Zone, though it feels a lot like a Twilight Zone episode, too.  Philbert Noyce sees a political candidate on television - the only candidate running for President - introduce a slogan, "Kill All Others".   At first it seems he's the only one who saw this - the real vs. illusion quandary - but soon confirms that others have seen this, and inevitably comes to think of himself as an "other" and then becomes an "other" himself.   This is where the paranoia comes in, with the inevitable Dickian question of whether what Noyce is feeling and seeing is real, or his over-active mind - a reversion, as often happens in Philip K. Dick's stories, to the "is it real" dilemma, which never really goes away.

The story for television, well written and directed by Dee Rees, departs from Dick's original 1953 story, "The Hanging Stranger," replacing nefarious aliens who have taken over the bodies of humans (as in Invasion of the Body Snatchers and Heinlein's Puppet Masters, also the theme of episode 1.7 of Electric Dreams) with just us humans as both villain politician and "others" in Kill All Others.   The near-future setting gives us "Yes Us Can" and "Mex Us Can" as government slogans - a good example of how fascism can co-opt democracy by twisting its words - and Royce saying "Kill All Others" is "hate speech".  But there's no one who looks like Trump in power - likely because this was written before he was elected, but still unfortunate.  The single candidate is a woman, which puts Kill All Others in league with the new season of Homeland and even Claire in House of Cards, with women in charge with dictatorial tendencies.  A shot against Hillary Clinton?   You can decide.  All I'll say is I would have rather seen a Trumpian in this role, since his polices are indeed getting closer and closer by the day to the xenophobia towards everyone around us in Kill All Others.

Good acting by Mel Rodriguez as Noyce, Glenn Morshower (24!) as one of his co-workers, and Vera Farmiga as the nameless candidate.

With the 10-episode anthology concluded for now, I always like to pick a favorite episode.  The choice is tough - there are so many superb ones.  I guess I'd go with 1.3 Human Is.  But I loved almost everything about this series, including the great opening sequence.  And I'll be back here with more whenever Electric Dreams continues.

See also Philip K Dick's Electric Dreams 1.1 Real Life: Mutually Alternate Realities ...  1.2 Autofac: Human v Machine ... 1.3 Human Is: Compassion or Alien? ... 1.4 Crazy Diamond: DNA Batteries ... 1.5 The Hood Maker: Telepathy and Police ... 1.6 Safe and Sound: This Isn't A Drill ... 1.7 Father Thing: Dick from Space ... 1.8 Impossible Planet: Eye of the Beholder ... 1.9 The Commuter: Submitted for Your Approval



Monday, May 27, 2013

Revolution 1.19: Cheney's Bunker

Revolution 1.19, in addition to being another fine, smoking episode, had a nice political punch: the tower was originally Dick Cheney's secret bunker - his infamous "undisclosed location".   We get a hint of that when we see George W. Bush's smiling face in a portrait hanging on the wall, and later we see portraits of Bill Clinton, Barack Obama, and other notables.   I always like it when science fiction in the future weaves little details of current and recent past political real life.

The gunplay was also excellent - most especially when Monroe saves Charlie with an electro-magnetic weapon that Rachel breaks loose from a cabinet.   Rachel's necessary alliance makes sense - she needs Monroe to save Charlie, and he comes though on his promise to do that - even though she tried to blow herself and Monroe to smithereens with a bomb at the end of last week's and the beginning of this week's episode.

Monroe explicitly declines to make such a commitment to save Miles' life, and this is significant for a bunch of reasons.  First, it makes his commitment to save Charlie more convincing - showing Rachel that Monroe is not just promising her whatever she wants in order to get the guns - and pushes Rachel over the edge of reluctance to give him the weapons.  And it also leads to a point-blank showdown between Monroe and Miles which I'm looking forward to see more of next week in the season's finale.  I'm expecting both will survive.

One thing I didn't enjoy tonight is the commandant of the tower or whoever he is burning Aaron's book.  (But it was good to see Glenn  Morshower of 24 in the role - another Jack Bauer connection to Revolution.) There was valuable knowledge in that book, and its burning means that Aaron will lose the advantage he's been carrying in his pocket ever since he got the book.  (I don't like burnings of books - one of the reasons I wrote Unburning Alexandria.)

Possibly the knowledge digitally encoded in the tower will make the book irrelevant, but if so, why did the commandant destroy it?  And why did Grace, who seems to have a head on her shoulders, not object to that?

Revolution has pulled itself up from the first half of the season into a top-notch science fiction show.  I'm looking forward to next week's season finale and the continuation of the story in season two.

See also Revolution: Preview Review  ... Revolution 1.2: Fast Changes ... Revolution 1.14: Nanites and Jack Bauer ... Revolution 1.15: Major Tom and More 24 ... Revolution 1.16: Feeling a Little Like the Hatch in Lost ... Revolution 1.17: Even Better Nanites ... Revolution 1.18: Whodunnit?

Thursday, June 10, 2010

Lie to Me 2.11: Double Feature

Lie to Me was back on Monday evening with a fine resumption of its second season - Episode 2.11 - an hour that had two tip-top unrelated stories.

The main story had Lightman locking horns with good-looking young Martin Walker, whom Lightman and at first no one else is convinced is a sociopathic killer of attractive female college students.   Gillian at first "doesn't see it" - as she tells Lightman, to his frustration - and this is in large part because the situation is complicated by the fact that Walker is sleeping with Lightman's former mentor and lover, the smart and alluring Helen, who of course is blind to Walker's killer instincts, too.   Lightman, ever ready to go the extra mile to nab his liar, allows himself to be water boarded in order get the goods on Walker.

Walker is so good at his craft, before he's caught, that he even gets tough beautiful Torres to agree to go out with him.  She doesn't know much about the Walker case, because she and Loker are looking into a case of a teacher who claims he saw a UFO, thereby jeopardizing his position in the school.  It was good to see Howard Hesseman play the teacher, and even better to see Glenn Morshower (Aaron on 24, Landry's father on Friday Night Lights) play the Air Force colonel who tries get the teacher to agree that he saw something else.   Loker sees right through that, but in the end convinces the teacher to go with a bogus story to save the teacher's job.   The course of UFO-spotters never did go easy.

As I often feel at the end of a Lie to Me episode, I wish there was more time than an hour to tell and fill out the story.   Episode 2.11 had two such stories, which means it could have used at least three hours.

We'll have to be content with the new stories in subsequent hours this season and beyond.


5-min podcast review of Lie to Me


See also my reviews of
Lie to Me and Bill O'Reilly, Saddam Hussein, and Ben Reynolds in Lie to Me 2.6 and Lie to Me 2.7: The Redeeming of Loker and Lie to Me 2.8 in Afghanistan and Viva Lightman and Las Vegas in Lie to Me 2.9



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