reviewing Black Doves; Dark Matter; Dept. Q; Detective Hole; Dexter: Resurrection; Fauda; For All Mankind; Foundation; Hijack; Memory of a Killer; MobLand; Outlander; Paradise; Presumed Innocent; Reacher; Severance; Silo; Slow Horses; Smoke; Star City; Star Trek: Strange New Worlds; Tehran;The: Day of the Jackal, Diplomat, Night Agent; Your Friends & Neighbors +books, films, music, podcasts, politics
George Santayana had irrational faith in reason - I have irrational faith in TV.
Chuck Todd interviews me about alternate histories
Just saw the first two episodes of Silo on Apple TV+, show-run by Graham Yost, whose previous impressive credits include The Americans, Sneaky Pete, and Justified, based on the Wool series of novels by Hugh Howey that I haven't read. These first two episodes bear some resemblance to most post-apocalypse stories, and even more to Apple TV+''s much lauded Severance. But Silo has a story and an ambience all its own, and it looks to be on its way to a top-notch science fiction series.
[Spoilers follow ...]
The narrative so far takes place in, well, a silo. You can leave, if if you want, but that's apparently a ticket to death, because there's poison in the air outside. I say "apparently" because, in the first episode, there's some talk that the deaths of people who leave, which inhabitants see in the silo on a big screen, is what we would today in our off-screen world call deep fakes. But in the second episode, it seems that Holston and his wife, who left the silo two years earlier, really did die. If I had to bet ... I don't know, but I'd come down on they're both being alive.
At this point, I don't see too many villains at hand -- maybe the Judiciary, which wields ultimate police power -- but just about all the action involves a bunch of varied people who for a variety of reasons think and maybe are sure that there's something more outside. These include Sheriff Holston and his wife Allison, who now are either dead or alive outside; George who has discovered something crucial about the silo but is now definitely dead inside it; and Juliet, an engineer, George's lover, sure that he was murdered, and now she's determined to find out what's really going on in and outside the silo. As I said, a unique narrative in a genre -- post-apocalypse -- where it's not easy to be unique. And characters are very well played by David Oyelowo as Sheriff Holston, Rasheeda Jones as his wife, Rebecca Ferguson as the engineer, and Will Patton as Holston's deputy.
Eight more episodes to go on a weekly basis, and count me in as an eager viewer.
So it occurred to me, as I was watching the enthralling third and fourth episodes of Outer Range, that this new series on Amazon Prime has a lot of Twin Peaks in it. I mean, an investigation of a murder against a backdrop that has a Philip K. Dickian mind-bending vibe is a rare thing, with a pulsing potential to be memorable if it's done up right. If Deputy Sheriff Joy, one of my favorite characters (and being played really well by Tamara Podemski) expresses a joy in cherry pie, I may be on to something.
Outer Range is one strange bird, if I may mix metaphors, and getting stranger by the episode. In the third and fourth episodes, and linguistically evocative also of Twin Peaks, we have a mountain disappearing. This gives the time shifting or time traveling or whatever exactly is going on a much longer timeline. If we're talking about mountains coming and going, we're entering the NBC series La Brea territory, and even further back than that.
Autumn probably has the most knowledge of what's going on at this point, and she's not saying too much, despite her seeming willingness to answer every question. On the other side of the being informative curve, it's not clear how much of what happened to Royal (good portrayal Josh Brolin), when he spent the better (or worse) part of the dead of night in that waterhole, is something he either doesn't really remember or doesn't want to talk about. I hope his wife Cecilia keeps pushing him for a briefing, and he does more than looked pained when she walks away, frustrated, because he's not talking.
He does have a lot on his mind. A dead body is bad news in the most normal of times, and Outer Range is most assuredly not normal. Wayne (well played by Will Patton) knows a little more than what he's saying, too, and the fact that he's more focused on that west pasture than who killed his son, says a lot, too.
But back to that in-and-out mountain: You can't beat Burl Ives singing "Big Rock Candy Mountain," and with Juice Newton's "Angel of the Morning" also playing in episode 1.4, we've got some timeless music in this time warping narrative.
See you back here with my review of the next two episodes next week.
Well, although everything up to the ending in this, the very last episode of Falling Skies, was more of the recent same - which is to say, not very interesting or original - the series managed to pull off a memorable conclusion in its last few minutes.
Memorable because, against all odds, there was real change and optimism in that last scene. Tom giving a speech, maybe prelude to his becoming President, Weaver cleaned up, and everyone looking a little older and very good. And Tom's last words, that we learned that we're not alone, were just right for the conclusion of this difficult series.
Difficult because, well, how many times, how many ways, can you tell the story of we humans somehow surviving against overwhelming, all but impossible odds? And our success, based on the premise that if you can destroy the queen, you can wipe out the whole civilization, is not only cliche but was introduced out of the blue just a few episodes ago.
Still, Noah Wylie's acting, and his character Tom Mason and his three boys, and throw in Will Patton's Weaver, especially in this and the previous season, have made an indelible contribution to the science fictional genre of invasions from outer space. It comes down from Wells' War of the Worlds, through Heinlein's The Puppet Masters and Clarke's Childhood's End and Damon Knight's "To Serve Man," which was also a great Twilight Zone episode - all of which were much better stories than Falling Skies. But Falling Skies, because of somehow the realness, the uniqueness, of the Mason family, or the impact of this overwhelming invasion on this family, and its stubborn carrying of hope when everything was against them, deserves to be counted among those incredible narratives.
Perhaps we'll discover alien beings out there in the universe tomorrow - or, if our luck turns really bad, be attacked by them. But till then, Falling Skies will be a fiction worth watching and recalling, with all of its flaws.
Another fine Falling Skies last night - episode 1.8 - in which we finally a learn a crucial bit more about Captain Weaver (Will Patton), whose life prior to the alien attack has pretty much been a cipher until now. The scoop is Weaver had a wife and two children, and he finds something in his wife's home (the two had been divorced) - her eyeglasses - which gives him hope that she and one of his children may still be alive somewhere.
His other child died after Weaver tried to remove a harness, which brings us back to one of the main continuing stories. All of the harnessed children rescued by Hal and Tom, and operated on by Anne, have healed, with the exception of two. Ben is ok mentally, but he has much more than natural strength, and the harness connections on his back are still out there. Rick is not ok mentally, and his continuing insistence that he's part of the aliens shows that Ben may not be quite out of the woods on this yet, either.
Meanwhile, we have two new discoveries: a humanoid alien form, which/who seems to be superior to the skitters; and Anne's finding that the skitters themselves seem to be harnessed (except they carry the harness on the inside, which makes sense, since their shell or bone structure is external and their flesh internal). The two taken together could be momentous: are the skitters and we humans both victims of the humanoid aliens?
One indisputably good discovery comes from Pope, the Sawyer-like (Lost) character in Falling Skies. After delivering a nice, funny line about NPR as a weapon that could bore the aliens to death, Pope - with Matt's help - realizes that bullets fashioned from Mech metal can cut right through them, like a hot knife through butter. At last, a real weapon for our side.
But in some ways, Weaver's story is the most significant: he was on the verge of throwing in the towel before he discovered his wife's eyeglasses. This shows how fragile even the toughest of us humans are in this insane environment of near alien conquest of Earth. Which is, alas, a quite realistic portrait of where we'd be if such an invasion occurred.
"Sierra Waters is sexy as hell" - curled up with a good book
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A fabulous, altogether wrenching, satisfying, and brilliant finale of Season 7 of 24 tonight, with up-against-the-wall story lines and jarring resolutions for just about all of the major characters. There will be spoilers galore in this review, so if you haven't seen the finale yet, trust me, wait until you do to read this.
I'm going to present these resolutions in ascending importance, though every one of them is important to the continuing lore that is 24.
1. I take back what I said last week about Kim Bauer, being the eternal victim - tonight she was the best she's ever been, cool on the phone to the FBI when the terrorists are watching, courageously risking her life to get a briefcase to stave off another attack and locate her father, and not taking Jack's no for answer about using her stem cells in a dangerous medical procedure to save him. This was far and away Kim Bauer's finest hour - she's finally becoming her father's daughter (as my wife pointed out ) - and beautifully and movingly played by Elisha Cuthbert.
2. I knew that Jack couldn't die - and for all we know, he still may - but, yeah, they made it tough tonight. When the imam comes to talk to him, it sure looks like it's a final conversation before death. And the substance of the conversation was about the best we've ever seen from Jack about his life and work - he tells himself that he has to break the law and torture to save 15 people on a bus, but he's not so sure that he's right, and he realizes he may be taking the extreme action so he can live with himself. In an earlier conversation, he tells Renee - who is tempted to torture the head bad guy to extract information - that she has to follow her heart, whatever her head may tell her....
3. And looks as if Renee's heart may indeed be telling her to do what Jack Bauer, in less self-reflecting seasons, was quick enough to do (even though Jack has told her that he's been struggling with these demons of what to do all of his life). Renee handcuffs Janis, takes off her badge, and walks in to ... likely do whatever is necessary to get the information from Wilson (played by Will Patton). But the scene ends before we see what Renee actually will do ... leaving us hanging until next year. And I gotta say - great earlier scene with Renee riding on the side of the car, gun blazing!
4. Meanwhile, President Taylor has some spectacular scenes, in which she goes against her husband's advice, and turns her daughter over to legal authorities for her role in getting Hodges killed. She's been one helluva a President. And it makes me realize why I'm better suited to writing and teaching than public office: The President had no other real choice in tonight's situation. But I don't think I could have put what the law and public service may require above my children. (On the other hand, Olivia, objectively, did deserve whatever she got.)
5. And, then, there's Tony - I knew he wasn't bad! I said so in those blog posts, lots of times, but few of you believed me. Well, at least not all bad, not even mostly bad, just a little bad, on behalf of a greater good. In one of the best scenes ever on 24, Tony tells Jack that whereas Jack ran away, Tony went after the head guy who was most behind Palmer's assassination and Michelle's murder (and we find out Michelle was pregnant with Tony's baby boy). So Tony hunted Wilson, for years. And he did what we could to stop the worst of what Wilson was doing - the attack on numerous American cities, the germ-tipped warheads that Hodges was about to launch. But he did kill three FBI men in cold blood, and he was about to let some of the deadly prion-germs loose on the Metro. I would have felt better had Tony at least figured out a way to substitute a dummy for this weapon - but, I'm still satisfied that he is a good man, at heart, whose vision and purpose was blurred by the awful pain of losing loved ones, and who still did mostly the right and brave thing. And I hope we see him next season...
And, so, 24 has reinvented itself with a President of utmost morality and personal courage, Kim Bauer at the top of her game, Renee becoming more like Jack, Tony a far more complex and powerful character than ever he was, and Jack a little less like the classic Jack and far more human and contemplative....