Chuck Todd interviews me about alternate histories
Showing posts with label The Walking Dead. Show all posts
Showing posts with label The Walking Dead. Show all posts

Sunday, July 7, 2019

The Rook 1.2: Live Details



The July 4th weekend is over, episode 1.2 of The Rook was just on Starz, no more lazing around by me with leisurely reviews.

This new episode contained a bunch of important new details.   The two most important were:

1.  EVAs - people with Extreme Variant Abilities - are not limited to the British Checquy.  EVAs are known worldwide (less than one-percent of the population) and at least two other top-secret government organizations have them.  These would be American (from which presumably Monica hails) and Russian, at least thus far in the story.  Each organization has a suitably recondite name, and (unsurprisingly) the Russian is at odds if not war with the British and likely the American.   I said last week that The Rook was reminiscent of Counterpart, and it still is.  But this international scope is something that Counterpart never got around to.   Also, it's worth mentioning something that was just hinted at last week: EVAs have different super-talents.  That's what makes Myfanwy (I keep wanting to spell that My Fanny) so important.

2. Apparently one of the talents is coming back from the dead, apropos the last scene of a guy in the morgue rising.  Now that's a theme that runs all the way from Frankenstein to The Walking Dead.  But in The Rook, it holds all kinds of new possibilities.   In a sense, Myfanwy has come back from the dead, at least the dead zone of her memory.  It was nice to see this metaphor turn into a reality with the guy on the table getting up and walking out.   Presumably his memory is still intact.  Is he always invulnerable to death, or just the way it was meted out in his case?

Lots of interesting questions and areas for exploration in this compelling new series.  I'd like to learn more about the blond Gestalts.  I'll see you here next week with reflections on what I learn from the next episode.

See also:  The Rook 1.1: Dickian Pastiche


"As a genre-bending blend of police procedural and science fiction,
The Silk Code delivers on its promises." - The New York Times Book Review

Friday, January 4, 2019

Bird Box: Definitely Watch, Don't Do



I'm not usually a fan of post-apocalyptic horror - I even gave up on The Walking Dead last year - but Bird Box on Netflix is something else.  That is, it's post-apocalyptic horror alright, but done with such sensitivity and style as to be in a class by itself.  It also doesn't hurt to see top talent like Sandra Bullock and John Malkovich on the screen, along with newer talent like Trevante Rhodes who does a fine job, too.

The story is a take on the ancient Medusa myth.   If you looked at her, you would turn to stone.  In Bird Box, some hideous creatures that we never actually see afflict our world.  To look at them is to go crazy, in one of two ways.  Either you commit suicide, which is what happens to most onlookers, or you become an agent of the creatures, with a view to convincing other humans to look at these "beautiful" things.  In that sense, Bird Box is also in the tradition of Invasion of the Body Snatchers.

In such a world, the only way to survive is to be indoors with the curtains drawn, in a car with the windows covered and the driver can't look outside either, or if you're outside on foot make sure you wear a blindfold, too.  (This has jumped off screen and led to the Bird Box challenge, which Netflix has warned against.)  In the movie, driving with blindfold requires reliance on GPS - in one of the best scenes of the movie - and you know how reliable GPS is even in a world without monsters.

Bullock plays Malorie, a mother of two little kids, and Malkovich someone who professes to never be wrong (and he's right).  I won't say  more about plot, because there are many jolts you'd be better off seeing uninformed.  But I will say that I did guess one of the key plot points, which is that blind people have an edge in this world on the precipice of insanity and death.  (This also harkens back to Marshall McLuhan's view that in his explorations of media he was like a blind man with a cane, tapping the world for deeper resonances, not distracted by visual biases; see McLuhan and Nevitt, Take Today: The Executive as Dropout, 1972, p. 8).

Beautifully photographed.  Directed by Susanne Bier from a screenplay by Eric Heisserer from the novel by Josh Malerman, and highly recommended.


brief interview with Josh Malerman

 
winner, Locus Award, Best 1st Science Fiction Novel, 1999

Monday, December 11, 2017

The Walking Dead 8.8: Unkindest Bite

Well, if you haven't seen the Season 8 midseason finale of The Walking Dead, read no further.

Because .... [spoilers ahead]

We got a clue when Carl was practically taunting Negan to kill him - he wasn't just being extraordinarily brave.   And a few episodes ago, or whenever, when Carl was saving that guy in the woods, being attacked by walkers all around.

But ... the last scene was still a shocker.  Is there any way Carl can survive that bite?  Only if it's a not a bite from a walker, and that would be pulling a ridiculous rabbit out of a hat.  Or, if someone could come up with a cure - but that's not going to happen in time to save Carl, either.  I suppose Eugene might have the smarts, but he's not that kind of scientist.

The Walking Dead has delivered shockers in the past, but this was the unkindest shock of all.  Carl survived so many close encounters with death, including being shot in the forest near Maggie's father's farm.  He deserved to live.

But that's not the story of The Walking Dead.  Lots of good people deserved to live, and did not, including Carl's mother.  In order for an apocalyptic story to pack a plausible punch, it has to not only take lives, but lives that should not be taken.

I'd much rather have seen The Walking Dead take another deserving life, not Carl's, but I'll still be watching in February to see how it goes.  I wonder what would happen if Carl now bit Negan, who certainly wouldn't see that coming.

See also: The Walking Dead 8.4: The King's Not Smiling ... The Walking Dead 8.5: True Confessions

And see also:  The Walking Dead 7.1 ... The Walking Dead 7.7: Negan and the Kids

And see also: The Walking Dead 6.1: The Walking Herd ...  The Walking Dead Season 6 Finale: Who Was It?

And see also: The Walking Dead 5.1: The Redemption of Carole ... The Walking Dead 5.3: Meets Alfred Hitchcock and The Twilight Zone ... The Walking Dead 5.4: Hospital of Horror ... The Walking Dead 5.5: Anatomy of a Shattered Dream ... The Walking Dead 5.6-7: Slow ... The Walking Dead 5.8: Killing the Non-Killer ... The Walking Dead 5.9: Another Death in the Family ... The Walking Dead 5.11: The Smiling Stranger ... The Walking Dead 5.12: The Other Shoe ... The Walking Dead 5.13: The Horse and the Party ... The Walking Dead 5.15: The Bad Guy ... The Walking Dead Season 5 Finale: Morgan and Optimism

And see also The Walking Dead 4.1: The New Plague ... The Walking Dead 4.2: The Baby and the Flu ... The Walking Dead 4.3: Death in Every Corner ...The Walking Dead 4.4: Hershel, Carl, and Maggie ... The Walking Dead 4.6: The Good Governor ... The Walking Dead 4.7: The Governor's Other Foot ... The Walking Dead 4.8: Vintage Fall Finale ... The Walking Dead 4.9: A Nightmare on Walking Dead Street ... The Walking Dead 4:14: Too Far ... The Walking Dead Season 4 Finale: From the Gunfire into the Frying Pan





Monday, November 20, 2017

The Walking Dead 8.5: True Confessions




Here, in order of importance, are some of the many game-changing or game-revealing moments in tonight's episode 8.5 of The Walking Dead.  Nah, they're all so important, I can't logically rank them.  So I'll give them the good old bullet treatment:

  • That flying machine that Rick saw overhead - that could definitely change everything.  Any sign of advanced civilization - i.e., our world, as it is now, or before the plague, in The Walking Dead, is a big deal.
  • Eugene figured out that Dwight is the turncoat,  Given Negan's little talk with Eugene at the end, the pressure is really turned up.  It will be tempting indeed for Eugene to turn Dwight in - unless his superior intellect tells him that Negan (the one Negan) will lose in the end.  My best bet is ... well, too close to call, but at this point I'd give Eugene protecting Dwight the slight edge (I haven't read the comics).
  • Negan's confession to Gabriel: Negan admits weakness because he couldn't bring himself to end his first wife, who was sick and presumably dying, after the plague had started.   Not the most earthshaking confession. But, from Negan, anything of this sort is fairly astounding.
  • Speaking of Gabriel: what is his ailment that we see so vividly at the end?  The strong implication is that he was bitten, but .... well, that hasn't happened to one of major characters in a long time, which makes it even more likely now.
  • Back to Rick: he and Daryl actually come to blows, and - unsurprisingly - neither gets a clear win, though Daryl comes out slightly ahead.  It was a good scene.
Seeing the other side - or, in this case, the inside of events that opened the season - is always a strong narrative move.  Tonight's episode showed us lots of inside, other side stories, and was one of the best of this already-excellent season so far.

See also: The Walking Dead 8.4: The King's Not Smiling

And see also:  The Walking Dead 7.1 ... The Walking Dead 7.7: Negan and the Kids

And see also: The Walking Dead 6.1: The Walking Herd ...  The Walking Dead Season 6 Finale: Who Was It?

And see also: The Walking Dead 5.1: The Redemption of Carole ... The Walking Dead 5.3: Meets Alfred Hitchcock and The Twilight Zone ... The Walking Dead 5.4: Hospital of Horror ... The Walking Dead 5.5: Anatomy of a Shattered Dream ... The Walking Dead 5.6-7: Slow ... The Walking Dead 5.8: Killing the Non-Killer ... The Walking Dead 5.9: Another Death in the Family ... The Walking Dead 5.11: The Smiling Stranger ... The Walking Dead 5.12: The Other Shoe ... The Walking Dead 5.13: The Horse and the Party ... The Walking Dead 5.15: The Bad Guy ... The Walking Dead Season 5 Finale: Morgan and Optimism

And see also The Walking Dead 4.1: The New Plague ... The Walking Dead 4.2: The Baby and the Flu ... The Walking Dead 4.3: Death in Every Corner ...The Walking Dead 4.4: Hershel, Carl, and Maggie ... The Walking Dead 4.6: The Good Governor ... The Walking Dead 4.7: The Governor's Other Foot ... The Walking Dead 4.8: Vintage Fall Finale ... The Walking Dead 4.9: A Nightmare on Walking Dead Street ... The Walking Dead 4:14: Too Far ... The Walking Dead Season 4 Finale: From the Gunfire into the Frying Pan





Sunday, November 12, 2017

The Walking Dead 8.4: The King's Not Smiling

Not just the most powerful episode of The Walking Dead this season, but tonight's 8.4 is one of the best in the overall series so far.

First, it was a King Ezekiel episode, which was long overdue and a sight for sore eyes.  But this episode was just tragically perfect in all kinds of ways.

The King has been saying "And yet I smile" for a while now.  It was a constant reminder that, in a narrative such as The Walking Dead, there would come a day when he'd say that no more (all right, I won't write any more in King-speak).

We saw why that would happen at the end of last week's episode, when the King's force is ambushed.  That was shocking.  But the way it played out tonight was exquisite.

Ezekiel keeps denying as he's a king, to himself and even more eloquently and agonizingly to Jerry (who was just fabulous in his ferocious loyalty tonight).  Jerry's response, "Dude, I have to" call you my King said it all, and surpasses even Ezekiel's later, poignant protestation that he's not a king, he's just "a man".  The only way to survive a zombie apocalypse is to have at least the bare bones of order.

And speaking of the zombies, they had one of their best nights tonight, too, literally rising from the dead, all around Ezekiel, as he climbs up and out of the dead who sought a few minutes earlier with their last breaths to protect him from the lethal ambush.  This is the first time we've seen so many dead get up and go staggering, right in front of our eyes.

Carol had her best night in a while, too, saving Ezekiel and Jerry at a crucial time, after she disposes of most of Negan's people aka Negans.  But ...

Well, I haven't read the comics, but you didn't need that to know that Shiva would both come on and save Ezekiel and company at a crucial time, and die in the process.  I don't quite get why she couldn't pull free and get away, but the narrative arc called her to die in that sacrifice.

This episode makes clear why The Walking Dead is the most watched drama series on any channel or streaming service.  It's a show for the ages.

See also:  The Walking Dead 7.1 ... The Walking Dead 7.7: Negan and the Kids

And see also: The Walking Dead 6.1: The Walking Herd ...  The Walking Dead Season 6 Finale: Who Was It?

And see also: The Walking Dead 5.1: The Redemption of Carole ... The Walking Dead 5.3: Meets Alfred Hitchcock and The Twilight Zone ... The Walking Dead 5.4: Hospital of Horror ... The Walking Dead 5.5: Anatomy of a Shattered Dream ... The Walking Dead 5.6-7: Slow ... The Walking Dead 5.8: Killing the Non-Killer ... The Walking Dead 5.9: Another Death in the Family ... The Walking Dead 5.11: The Smiling Stranger ... The Walking Dead 5.12: The Other Shoe ... The Walking Dead 5.13: The Horse and the Party ... The Walking Dead 5.15: The Bad Guy ... The Walking Dead Season 5 Finale: Morgan and Optimism

And see also The Walking Dead 4.1: The New Plague ... The Walking Dead 4.2: The Baby and the Flu ... The Walking Dead 4.3: Death in Every Corner ...The Walking Dead 4.4: Hershel, Carl, and Maggie ... The Walking Dead 4.6: The Good Governor ... The Walking Dead 4.7: The Governor's Other Foot ... The Walking Dead 4.8: Vintage Fall Finale ... The Walking Dead 4.9: A Nightmare on Walking Dead Street ... The Walking Dead 4:14: Too Far ... The Walking Dead Season 4 Finale: From the Gunfire into the Frying Pan





Sunday, August 27, 2017

Game of Thrones 7.7: End Wall

An excellent season 7 finale of Game of Thrones tonight - though, I have to say, not quite as exciting or decisive as last week's penultimate episode (but that's often the case these years - the next-to-last episode is often more mind-blowing or just better than the last, be it the season or series finale).

The problem here is that the ice or dead dragon bringing down the wall was predictable after we saw the fire wielder turn blue after death last week.   But it was still pretty impressive to see.

Also more predictable than it should have been was Bran's revelation that Jon and Danny are blood relatives.  But this was the fault of whoever leaked and opened up a big mouth all over the Internet about it.  But it's an excellent plot move, and made Jon and Danny in bed together near the end all the more wild.

Incest is of course the Lannister strong (or weak) suit.  And no one is saying that the King of the North and the Queen of Dragons are brother and sister.  But Jon being who he is does raise the question of who will ultimately be the new Targaryen ruler.   (And Jon's lineage does explain why he's not too uncomfortable with the dragons - I was half thinking that maybe Mormont's good advice could have been heeded with Jon and Daenerys each riding his and her dragon north.)

About the best unexpected part of the episode were the complex machinations of Cersei.   Very believable and well played, and I liked Jaime finally being free.  Up north, it was also nice and a nice twist to see Baelish get his just and knifed desert.

So, speaking of North and ice, now that the wall is gone, Winterfell is next in line for the march of the dead, accompanied by the blue death-breathing dead dragon (who, as I said last week, may yet have some vestige of loyalty to Daenerys), and it will be a long cold winter here on Earth until the next and final season.  The foot soldiers of these dead may be a little reminiscent of The Walking Dead, but the walkers in that series have neither Night King nor flying dead dragon.


And see also Game of Thrones 6.1: Where Are the Dragons ... Game of Thrones 6.2: The Waking ... Game of Thrones 6.5: Origin of a Name ... Game of Thrones 6.6: The Exhortation ... Game of Thrones 6.7: Giveth and Taketh ... Game of Thrones 6.8: Strategic Advantage ... Game of Thrones 6.9: A Night for the Light ... Game of Thrones Season 6 Finale: That Library

And see also Game of Thrones 5.1: Unsetting the Table ... Game of Thrones 5.8: The Power of Frigid Death ... Game of Thrones 5.9: Dragon in Action; Sickening Scene with Stannis ... Game of Thrones Season 5 Finale: Punishment

And see also Games of Thrones Season 4 Premiere: Salient Points ... Game of Thrones 4.2: Whodunnit? ... Game of Thrones 4.3: Who Will Save Tyrion ...Game of Thrones 4.4: Glimpse of the Ultimate Battle ... Game of Thrones 4.6: Tyrion on Trial ... Game of Thrones 4.8: Beetles and Battle ...Game of Thrones 4.9: The Fight for Castle Black ... Games of Thrones Season 4 Finale: Woven Threads


And see also Game of Thrones Back in Play for Season 2 ... Game of Thrones 2.2: Cersei vs. Tyrion

And see also A Game of Thrones: My 1996 Review of the First Novel ... Game of Thrones Begins Greatly on HBO ... Game of Thrones 1.2: Prince, Wolf, Bastard, Dwarf ... Games of Thrones 1.3: Genuine Demons ... Game of Thrones 1.4: Broken Things  ... Game of Thrones 1.5: Ned Under Seige ... Game of Thrones 1.6: Molten Ever After ... Games of Thrones 1.7: Swiveling Pieces ... Game of Thrones 1.8: Star Wars of the Realms ... Game of Thrones 1.9: Is Ned Really Dead? ... Game of Thrones 1.10 Meets True Blood

And here's a Spanish article in Semana, the leading news magazine in Colombia, in which I'm quoted about explicit sex on television, including on Game of Thrones.

And see "'Game of Thrones': Why the Buzz is So Big" article in The Christian Science Monitor, 8 April 2014, with my quotes.

Also: CNN article, "How 'Game of Thrones' Is Like America," with quote from me



"I was here, in Carthage, three months from now ..."

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