Chuck Todd interviews me about alternate histories
Showing posts with label Timothy Leary. Show all posts
Showing posts with label Timothy Leary. Show all posts

Tuesday, May 10, 2016

12 Monkeys 2.4: Saving Time

A stunningly good 12 Monkeys 12.4 tonight, that touched all kinds of bases, and closed and opened all sorts of loops, just as a superior time-travel story should.

The action began with a bang, as Ramse, sent back in time to stop Cole and Cassandra from becoming untethered in time as we saw last week, gets hit in the road by a car just as he materializes in 1944.  This not only sets up the plausibly ensuing drama, but was satisfying if traumatic to see in itself in a time-travel tale.  I mean, there's no way that sooner or later that wouldn't happen to travelers who just materialize in the past out of thin air, in contrast to those who use a time machine that travels with them, as per FBI agent Gale's invocation of H. G. Wells, or, for that matter, in The Plot to Save Socrates by a much younger writer.

But Ramse being hit by the car is just the start of this outstanding episode, which also brings a paradoxically circular explanation for the emergence of the Pallid Man at the end, and Gale doing his bit to grease the wheels of time travel ala Cole and Cassandra to save the world.

Though, actually, in some ways the biggest reveal is that it's not the world that is the object of our heroes' saving in this story.  No, this is no save the cheerleader, save the world as in Heroes,  not even change the past to get the desired future as in Outlander, either.  This televised 12 Monkeys series, which now has exceeded and palpably transformed the 12 Monkeys movie, turns out to be about changing the past to save ... time itself.

That's a pretty daring proposition, and one not expected in a time-travel story, where the usual calamity to be prevented is anything from the end of a particularly important person to, as in the 12 Monkeys movie and the television series up until now, the world.

And if the end of the world seems almost a bit trivial compared to the end of time, that's because it is. The series now has some pretty steep philosophic terrain ahead.   But if the further revelation tonight that Jim Morrison was a primary, with psychedelics in the tradition of Timothy Leary having some insight into this, I'd say this series is on a pretty provocative and enjoyable track.

See also 12 Monkeys 2.1: Whatever Will Be, Will Be ... 12 Monkeys 2.2: The Serum ... 12 Monkeys 2.3: Primaries and Paradoxes

And see also this Italian review, w/reference to Hawking and my story, "The Chronology Protection Case"

And see also 12 Monkeys series on SyFy: Paradox Prominent and Excellent ...12 Monkeys 1.2: Your Future, His Past ... 12 Monkeys 1.3:  Paradoxes, Lies, and Near Intersections ... 12 Monkeys 1.4: "Uneasy Math" ... 12 Monkeys 1.5: The Heart of the Matter ... 12 Monkeys 1.6: Can I Get a Witness? ... 12 Monkeys 1.7: Snowden, the Virus, and the Irresistible ... 12 Monkeys 1.8: Intelligent Vaccine vs. Time Travel ... 12 Monkeys 1.9: Shelley, Keats, and Time Travel ... 12 Monkey 1.10: The Last Jump ... 12 Monkeys 1.11: What-Ifs ... 12 Monkeys 1.2: The Plunge ... 12 Monkeys Season 1 Finale: "Time Travel to Create Time Travel"

podcast review of Predestination and 12 Monkeys



 three time travel novels: the Sierra Waters trilogy

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What if the Soviet Union survived into the 21st century,
and Eddie and the Cruisers were a real band?


The Chronology Protection Case movie 

~~~ +++ ~~~

#SFWApro

Monday, April 23, 2012

Mad Men 5.6: LSD Orange

Mad Men 5.6 ... LSD, break-up shake-ups, diced-up sequences out of time, and anachronisms galore ...

Focus groups in 1966?  I don't think so.   Intimate encounters with total strangers in movie theaters?  Always possible, not very frequent. LSD parties?  I guess so, possibly, technically yeah, but not very likely.

Was that Timothy Leary at that little party with Roger and Jane?  I dunno, maybe, or maybe Roger was just addressing Leary in the abstract.

It was that kind of episode.  It was sad and good to see Roger and Jane break up, courtesy of their acid trip (and now the path is more open to Joan).  It was not so good and also sad to see Don and Megan at such odds, and Megan's statement that every time they fight like that, it takes a little of their love away, did ring true for them.

Peggy's been a wild card, since the very first episode of the series, when she slept with Pete.   She was that way tonight, drunk and stoned in the movie house, after she runs into more trouble with client Heinz.   "Beans, beans, the magic fruit  ..."

So, I don't know, it's like David Cronenberg or Lynch directed this episode, or maybe Tarantino.  Did it work for Mad Men?  Well, the orange Howard Johnson certainly did, and I don't blame Megan one bit for for not liking the orange sherbert, it had artificial written all over it, and that worked just right, too.

See also Mad Men Season 5 Debut: It's Don's Party  ... Mad Men 5.3: Heinz Is On My Side ... Mad Men 5.4: Volunteer, Dream, Trust ... Mad Men 5.5: Ben Hargrove

And from Season 4: Mad Men 4.1: Chicken Kiev, Lethal Interview, Ham Fight ... 4.2: "Good Time, Bad Time?" "Yes." ... 4.3: Both Coasts ... 4.4: "The following program contains brief nudity ..."  4.5: Fake Out and Neurosis ... 4.6: Emmys, Clio, Blackout, Flashback  ... 4.7: 'No Credits on Commercials' ... 4.8: A Tale of Two Women ... 4.9: "Business of Sadists and Masochists" ... 4.10: Grim Tidings ... 4.11: "Look at that Punim" ... 4.12: No Smoking!  ... Mad Men Season 4 Finale: Don and -

And from Season 3: Mad Men Back for 3 and 3.2: Carvel, Penn Station, and Diet Soda and 3.3: Gibbon, Blackface, and Eliot and 3.4: Caned Seats and a Multiple Choice about Sal's Patio Furniture and 3.5: Admiral TV, MLK, and a Baby Boy and 3.6: A Saving John Deere and 3.7: Brutal Edges ... August Flights in 3.8 ... Unlucky Strikes and To the Moon Don in 3.9 ... 3.10: The Faintest Ink, The Strongest Television ... Don's Day of Reckoning in Mad Men 3.11 ... Mad Men 3.12: The End of the World in Mad Men ... Mad Men Season 3 Finale: The End of the World

And from Season Two: Mad Men Returns with a Xerox and a Call Girl ... 2.2: The Advertising Devil and the Deep Blue Sea ... 2.3 Double-Barreled Power ... 2.4: Betty and Don's Son ... 2.5: Best Montage Since Hitchcock ... 2.6: Jackie, Marilyn, and Liberty Valance ... 2.7: Double Dons ... 2.8: Did Don Get What He Deserved? ... 2.9: Don and Roger ... 2.10: Between Ray Bradbury and Telstar ... 2.11: Welcome to the Hotel California ... 2.12 The Day the Earth Stood Still on Mad Men ... 2.13 Saving the Best for Last on Mad Men

And from Season One: Mad Men Debuts on AMC: Cigarette Companies and Nixon ... Mad Men 2: Smoke and Television ... Mad Men 3: Hot 1960 Kiss ... Mad Men 4 and 5: Double Mad Men ... Mad Men 6: The Medium is the Message! ... Mad Men 7: Revenge of the Mollusk ... Mad Men 8: Weed, Twist, Hobo ... Mad Man 9: Betty Grace Kelly ... Mad men 10: Life, Death, and Politics ... Mad Men 11: Heat! ... Mad Men 12: Admirable Don ... Mad 13: Double-Endings, Lascaux, and Holes

20-minute interview with Rich Sommer (Harry Crane) at Light On Light Through



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The Plot to Save Socrates

"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book




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