Chuck Todd interviews me about alternate histories
Showing posts with label Clint Eastwood. Show all posts
Showing posts with label Clint Eastwood. Show all posts

Saturday, December 21, 2024

Juror #2: Hitchcockian Courtroom


Just saw Juror #2 on Max, directed by Clint Eastwood (in his early 90s), and "rumored" (Wikipedia's word) to be the final movie he'll be directing.  I can tell you that the movie is powerful indeed, a twisty legal thriller, reminiscent of some of Hitchcock's work -- the writer, Jonathan Abrams, deserves some of the credit for that -- and I surely hope that Eastwood is able to direct a few more.   

[And there will be spoilers about the set-up ahead ... ]

The set-up is ingenuously provocative: Justin finds himself on a jury hearing and then deliberating the case of James, on trial for murdering his girlfriend, Kendall.  The two were seen arguing in a nearly violent way in a bar, but Justin knows that James didn't do it, because based on where Kendall's body was found, he's horrified to realize that the deer he thought he struck on the road on a rain-swept night was actually Kendall.   Justin is a fundamentally decent person.  But his wife Allison, who lost their earlier twins, is now very pregnant, not to mention that he wouldn't want to go to prison anyway, so his dilemma is how can he make sure James does not go to prison for a crime he didn't commit, while Justin stays out of prison himself?

That's what I mean about the movie being Hitchcockian.  In movies like Strangers on a Train, Hitchcock excelled in heroes or anti-heroics caught in the grips of world-class ethical dilemmas.  Juror #2 is also lifted by excellent acting.  Nicholas Hoult and Zoey Deutch -- I don't recall seeing Hoult on the screen before, and I've seen Deutch just once, in The Outfit, where she was excellent -- were just perfect as Justin and Allison.   J. K. Simmons and Kiefer Sutherland play characters who are medium important, but memorable.  

I won't tell you what the ending is, except it certainly leaves the door open for a sequel.  If you're a fan of the order part -- aka the courtroom part -- of Law & Order and its spinoffs, you can't go wrong with Juror #2.

***

Here, in case you're interested, is the true story of the time I was foreperson on a jury here in Westchester, NY.

Sunday, August 31, 2014

Hell on Wheels 4.5: New Blood!

Hell on Wheels checked in with a great episode last night, mostly because it introduced one of the best new characters in the whole series, former Confederate brother-in-arms, Syd Snow.

Indeed, the opener, in which Snow barely escapes with his life from a hanging, could have come right out of a classic Clint Eastwood spaghetti Western, or at least a Robert Rodriguez movie.  Snow represents everything that Cullen was. We learn later that two two shot up and killed everyone on a Yankee medical train, including badly wounded soldiers and doctors.

But whereas Cullen has mostly put the past behind him, including the murder of his family - a soul-rending event that presumably Snow never went through - Snow is still very much living his wild and free Confederate days with abandon.   Not that Snow's shooting Yankees on sight any more, but he's ready to kill anyone who gets in his way.

Cullen likes Snow and his style and sense of humor, but not when Snow tells Cullen's wife about the Yankee train massacre, and even less when Snow may be on the verge of killing Cullen's wife, after Snow indeed sort of accidentally killed an innocent boy (Snow probably didn't know he was a boy) - a bystander to another great Western shoot-out - and then deliberately kills the store-owner who saw Snow kill the boy and calls him on it.   Cullen coming upon all of this as Snow has a gun pointed in Naomi's direction is the final straw.

Significantly, Naomi would have preferred Cullen kill Snow right there, rather than turn him over to the law, and this shows the crucial role Naomi plays now in Cullen's life and thus the series.   She wants that part of Cullen's life - the part that Snow epitomizes - not only locked up inside him, but gone, completely - blown clean out of his life.

It's great to see Hell on Wheels travel so deeply into its Western roots.   And along those lines, the episode had other memorable story lines, including Mickey satisfying killing one of the provisional Governor's goons, and Gregg Henry (The Killing!) putting in a fine performance as Brigham Young.

Hell on Wheels has fine head of steam now - and next week, Elam returns to the story.

See also Hell on Wheels 4.1-2: Rolling Again

And see also Hell on Wheels 3.1-2: Bohannan in Command ... Hell on Wheels 3.3: Talking and Walking ... Hell on Wheels 3.4: Extreme Lacrosse ... Hell on Wheels 3.5: The Glove ... Hell on Wheels 3.6: The Man in Charge ...Hell on Wheels 3.7: Water, Water ... Hell on Wheels 3.8: Canterbury Tales ...Hell on Wheels 3.9: Shoot-Out and Truths ... Hell on Wheels Season 3 finale: Train Calling in the Distance

And see also  Hell on Wheels: Blood, Sweat, and Tears on the Track, and the Telegraph ... Hell on Wheels 1.6: Horse vs. Rail ... Hell on Wheels 1.8: Multiple Tracks ... Hell on Wheels 1.9: Historical Inevitable and Unknown ... Hell on Wheels Season One Finale: Greek Tragedy, Western Style

 
deeper history

#SFWApro

Monday, May 4, 2009

24 Season 7 Hour 21: Execute and Forgive

Let's start with my favorite scene in tonight's Episode 21 of Season 7 of 24: Olivia - the President's daughter - has arranged for a hit-man to kill Hodges. She has to pay him. She's poised at her computer, the funds all set to be transferred. All she has to do is ... click on the "Execute" icon. I like that ... execute the fund transfer, execute Hodges. A nice little piece of television that Hitchcock would have liked.

But Olivia can't go through with it, and hits "Cancel," instead. And Hodges is blown up in a car, anyway.

So we have another mystery on our hands. Certainly the villains that Tony is working for have a motive. But I'm thinking ... I don't know, maybe Aaron. I know, he's a straight arrow. But Olivia did blurt out to Aaron last week that she wanted Hodges dead. And we did see more than usual of Aaron tonight. We'll see....

Bear in mind, though, that my powers of prediction have not been that good about 24 this season. I've been holding out for Tony being good, but I can't see much hope of that now.

Jack, though, is getting more humane than ever. In another fine scene, Jack has a conversation with an Imam whom Jack had come close to roughing up. He learns the Imam is innocent. Jack apologizes. The Imam forgives him. Jack says he "gave up on that a long time ago" ... Shades of Clint Eastwood and The Unforgiven.

A compelling scene in a powerful, strange, transformative season of 24, with only 3 hours left...



See also: Hours 1 and 2 ... Hours 3 and 4 ... Hour 5 ... Hour 6 ... Hour 7 ... Hour 8 ... Hour 9 ... Hour 10 ... Hours 11-12 ... Hour 13 ... Hour 14 ... Hour 15 ... Hour 16 ... Hour 17 ... Hour 18 ... Hour 19 ... Hour 20






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