Chuck Todd interviews me about alternate histories
Showing posts with label Marshall McLuhan. Show all posts
Showing posts with label Marshall McLuhan. Show all posts

Friday, September 11, 2026

Dark Matter 2.3: Can Two Couples Be in Two Different Places at the Same Time?

That question -- can two couples be in two places at the same time -- is posted fairly early in the latest episode of Dark Matter, 2.3.  Let's look at that question more carefully.

The obvious answer is of course not, unless you're a world in which alternate realities exist.  But, actually ...

We've been in such a world ever since mass media were invented.  I mean, a photograph printed in a newspaper can be in as many realities or worlds simultaneously as the number of newspapers printed. If people are careful with their newspapers, or were talking about books, photos of people can also travel forward in time without aging too much.

But wait, a photograph of a person isn't really a person, right?  People can move and talk.  Ok, well, what about a person talking on the radio, or talking on television, or talking on a streaming service like Apple TV?   Edmund Carpenter, someone who worked with Marshall McLuhan, said when people are on television, they're like angels, which in some interpretations can be omnipresent, much like a deity.

So we can add angels to alternate realities as places where people or humanlike entities can be in more than one place, indeed an infinite number of places, at the same time.  But there's an important difference between angels and the characters we see in Dark Matter.  Those folks are certainly not angels, and some of them do some very bad things.  After all, Dark Matter is a life-and-death got-you-by-the-throat science fiction drama in just about every scene.

But angels and Dark Matter and alternate realities do have one thing common:  they're all modes of fiction, as far as we know.  See you back here next week, after we find out what happens next to the devils and angels on our screen.

See also Dark Matter 2.1: Who's Who in the Infinite Bucket ... 2.2: Sam Spade Back in Action

And see also Dark Matter 1.1-1.2: Break-Neck Action and Philosophic Contemplation ... 1.3 Missing Fingers ... 1.4 The Multiverse Unveiled ... 1.5: The Lesson ... 1.6 "A Bunch of Chicagos" ... 1.7: Obama Tower ... 1.8: A Bevy Of Jasons ... 1.9: Science Fiction and Horror




Wednesday, September 9, 2026

In-Depth Two-Part Interview about Neil Postman and Marshall McLuhan



Here's the two-part interview Andrey Mir recently did with me about Neil Postman and Marshall McLuhan.  I was Postman's student, and I wrote two books about McLuhan, as well as organized the one and only conference about the Tetrad.   


Wednesday, September 2, 2026

Review of Paul Kaplan's The Thingy That's Stringy: Be Careful, You Might Laugh Your Head Off



I rarely review poetry, and I don't think I've ever reviewed a book of poetry intended to be read by kids.  But Paul Kaplan was my student in Fordham University's Masters program in Media back in 2002-2004, just a few years after I got there, and I knew he was brilliant and funny, so ...

It turns out The Thingy That's Stringy is not only very wise and hilarious, it can be equally enjoyed -- immensely, if you ask me -- by adults as well as children. (It also has funny drawings done the author.) Kaplan is a master of taking metaphors literally, and this collection explores someone who wants to borrow a nap someone else is taking, a fish that has an underbite because it lives under water, dogs that walk people, a really lost sole, a kitten that catches colds not mice, hens that sit on eggplants, someone who looks for a giraffe after being told that his calf is behind his shin, someone who wonders why we call it a funny bone when it hurts so much after we hit it, someone who balks when someone asks him to give a hand because he only has two, someone who wonders exactly where the skin of their teeth is, a frustrated hummingbird who yearns to actually sing, a lazy eye that won't do any work, a student who asks the teacher can I go to the bathroom and gets an answer "I don't know -- can you?", and, well, you get the picture.

My copy of The Thingy That's Stringy is now plastered with post-it notes, in case I want to get a poem that will make me chuckle or laugh my head off in a hurry.  "A man's reach must exceed his grasp or what's a heaven for," the poet Robert Browning advised in the middle of the 19th century.   A century later, Marshall McLuhan upped the ante by replacing the word "heaven" with "metaphor".   And poet Paul Kaplan has now done it again with a deconstruction of metaphor that will keep your mind in stitches (ouch)  :)

And to be clear, kids will laugh with this book of poetry, too.  My wife sent a copy of the book to our two grandsons, then aged six and ten.   The first loved it, and the second was laughing too.  Whatever your age, I predict that you will be too.


Thursday, May 21, 2026

On the Calculation of Volume (Book IV): Death and Life



Well, I entitled my review of the third book in the seven-volume On the Calculation of Volume series "Multiplication", but after reading the fourth book of the series -- I just finished it a few minutes ago -- I think I might well have been premature with that title.  The number of people trapped in November 18 in the fourth book multiply faster than bunnies, and as I said in my review of the third book, this gives author Solvej Balle the avenue to explore a myriad of angles and theories about what happened to her and her temporal siblings as each of them offer their evolving views.

These range from the nature of time to multiple universes to the nature of everything, organic and manufactured, in their lives and throughout history.  Everyone has an opinion, and a shade of opinion, sometimes as mundane as Tara herself wondering "weren’t our vehicles first and foremost a form of protection?" That struck a chord in me, because it reminded me of something Marshall McLuhan once said to me, as we strolled the streets of Toronto, on one of my visits, with my wife, in the late 1970s:  "You know," he said, "the automobile retrieves the knight in shining armour," as a flashy Chevy Impala from the 1950s with fins and all drove by.

Sometimes the insights were so recondite that they didn't make sense, at least, not to me.  One of the new character inmates of November 18, Milly, shares her opinion that "we’re the ones who can kill in the eighteenth, not them [i.e, we the readers]. When they kill, their actions vanish overnight. When we kill, we end lives. Irrevocably." Then she adds, "We were both more dangerous and more vulnerable than those who moved through the world believing that the eighteenth was simply a day between the seventeenth and the nineteenth, because no matter what happened to them, they would wake up to the eighteenth again." So ... I don't quite get this -- I and I assume you move through a world in which the 18th of any month is simply a day between the 17th and the 19th, and if someone in our world died, we would not wake up the next day and find them alive, again, right?  Maybe an error crept into the translation.  Maybe an error in my scrambled brain.  If not, maybe I'm living in a world which is somehow even more science fictional than I thought.

But life and death do play a very significant role in this fourth volume.  For some reason, a few plants begin to bud and grow indoors in this repeating day.  I wondered, at that point, what would happen if someone became pregnant, or was pregnant when she entered the time loop, and sure enough, another character, Sonia, reveals she is carrying a baby.  But, sadly, she loses the baby -- it just disappears.  

As usual, there is a potential game-changer in the closing pages of this book, and I won't tell you what it was, except that I was thinking about something like that as I read this fourth volume.  There are seven volumes in this series, as I already mentioned, and the fifth will be available in English in the US, in November.  I wish I could read it now -- another time I wish I was able to time travel.

See also On the Calculation of Volume (Book I): The Irreducible Metaphysics of Time Loops ... (Book II): Life in the Loop Lane ... (Book III): Multiplication

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Thursday, April 2, 2026

Eliyahu and McLuhan


                                        YC Torah Library

My favorite part of the Passover seder -- we had a wonderful seder last night at our in-laws in Manhattan -- is when we welcome Eliyahu HaNavi (Elijah the Prophet) to our gathering.  He was a real person in 9th-century BCE Israel, but over time he's become a mythical, magical figure who manages to visit every table across the world where a seder is being conducted.  We appreciate his visit, leave a glass of wine out for him -- but he's a gentleman, and drinks so little that it seems to remain filled after his visit -- but my favorite part of this event is singing harmony to welcome him, for as long as I can remember.

Eliyahu also appeals to my taste for science fiction, or at least fantasy.  And my wife mentioned that Santa Claus also picks up on this power to be in so many, innumerable places almost at once.  Marshall McLuhan's co-explorer of media Edmund Carpenter -- they co-edited the journal Explorations in the 1950s-- also channeled Eliyahu and his omni-presence, noting in Oh, What a Blow That Phantom Gave Me (p. 3) in 1973 that "Electricity has made angels of us all." Not, alas, that it made us all good, but incorporeal images of us human beings everywhere at once, back then on national television, soon on global TV like CNN, and now on the Internet and social media.

McLuhan thought this point was so important, he even made it posthumously, noting with his co-author Bruce Powers in The Global Village (1989, p. 70) how "Lowell Thomas [the radio broadcaster] used to say, 'On the air, you're everywhere'".  The global village, of course, is a centerpiece of McLuhan's work, his second most famous probe "The new electronic interdependence recreates the world in the image of a global village" (p. 31), in his second most famous book, The Gutenberg Galaxy (1962), exceeded only by "the medium is the message" in Understanding Media (1964, p. 7).  My Digital McLuhan (1998) was devoted to showing how the Internet was turning the global village from a metaphor into reality.

And social media continues doing this every day.  A few days before the seder, I talked to my classes at Fordham University about something new I had just discovered on X (formerly Twitter).  A new feed, "Japanese Twitter" that had showed up on my page, likely because I have a number of colleagues and fans  in the Land of the Rising Sun.  For the first time I've seen, we here in America can read, in English, what the Japanese are saying about everything, including us, in their Tweets.  And we don't need to wait for the translation, because AI does it almost instantly. With every step forward, everyone on this planet is becoming more like Eliyahu, everywhere at once.




Friday, February 20, 2026

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Saturday, December 20, 2025

All Her Fault: McLuhan and Poe Would've Loved It



My wife and I binged All Her Fault on Peacock the past two nights.  It's a riveting, powerful, different kind of kidnap drama, with all kinds surprises and twists and turns in family relationships.

Herewith some of the highlights, with no spoilers:

  • The lead detective -- Detective Alcaras (very well played by Michael Peña) -- has real heart.  My wife said he reminded her of Brandis in Task, and she's right.  You know, it's hard to come up with a fresh take on a genre as well worn as the detective, which goes at least as far back as the 1840s with Poe, but All Her Fault (and Task) does that, and does that very well.  I hope we see more of this character (his partner, Det. Greco, played by Johnny Carr, is good, too).
  • Most kidnap stories focus on the angst of getting the child back home, which All Her Fault does, too.  But it also delves deeply into who did the kidnapping, and how and why this came to happen. 
  • The immediate family of the kidnap victim of course is always a central part of a kidnap drama.  In All Her Fault, that family is a little more than immediate, and they each have significant stories as well.
  • Friends and business associates also have important stories, which intersect with the kidnapping story.
  • Back to the kidnapper's story: there's quite a narrative there, too.  Indeed, All Her Fault is as much the kidnapper's story as the family whose child was kidnapped.
  • Marshall McLuhan liked to talk about synesthesia, the rare blending of senses, that a few people have, in which hearing a sound can immediately generate an image, and more.   This plays a crucial role in All Her Fault.
  • I guessed who the real villain was pretty early on in the eight-episode series, but it was exciting seeing that play out.
How's that for a review without spoilers?  I will say that the acting was excellent -- Sarah Snook, who was so good in Succession, is superb as the mother of the kidnapped child, Dakota Fanning was fine as friend Jenny, Jake Lacy was memorable as the father, and hats of to Duke McCloud who played Milo the victim.



Saturday, November 29, 2025

(Beatles) Anthology 2025: The Highs and the Highs (and the One Low)



My wife and I watched the renewed and expanded Beatles' Anthology on Disney+ the past three nights. I'd seen and heard bits and pieces of various lengths of the original eight episodes -- on YouTube, The Beatles Channel on Sirius XM, and everything in between -- which originally aired on ABC-TV in 1995, but we somehow had managed not to have seen that original on the unsmart TV in our family room.  It was more than wonderful to see and hear what 2025 director Oliver Murray did with the 1995 eight episodes -- uncovering/discovering new footage as well as calling upon Peter Jackson and his elves to bring to current vibrant life what was done in 1995 (just as Jackson had done so miraculously with The Beatles: Get Back in 2021) -- but the real treat for me (treat is too weak a word) was seeing the new ninth episode.

I'll go over some of highlights of the first eight episodes, and then delve into the wonders of ninth episode, and the one problem I had with it.

About the first eight episodes:

  • It was great to see Murray the K get his due (just as he had in Martin Scorsese's Beatles '64 last year).  I worked with Murray the K when he was at WNBC Radio in New York City in 1970s.  He hired me after he read my article "Murray the K in Nostalgia's Noose" in The Village Voice in 1972 (my second-ever published work -- my first was "A Vote for McCartney" a year earlier, my response to dyspeptic critic Robert Christgau's attack on Paul and his early post-Beatles work).  Murray never got the credit he deserved back then in ushering in The Beatles, and before then on WINS with Alan Freed, and after when he was on WOR-FM helping to invent the FM radio format. I had such a good time working with him on NBC, I even wrote and recorded a song about him -- "Murray the K's Back in Town" -- which he played on the air.  (The late Pete Fornatale -- protagonist of my It's Real Life: An Alternate History of The Beatles -- played that song on his Mixed Bag on WFUV Radio in the early 2010s.)
  • Great shots that I hadn't seen before of The Beatles in their 1964 Washington, DC concert!
  • There was a spectre, a foreshading, of what would happen to John at the end of 1980. George worries throughout about the exposure of The Beatles in a country in which John F. Kennedy had just been assassinated.  (The sick devotion to guns in this country is still claiming lives.)  John himself notes after the DC concert that "some bloody animal cut Ringo's hair".
  • I was reminded again what a uniquely almost  extraterrestrial person Ed Sullivan was.  I mean, no one here on Earth had his accent or his delivery.  Even in Japan, the Beatles are introduced in Japanese (of course), and the host concludes in English with "Ladies and Gentlemen, The Beatles!" -- delivered in a pretty good mimic of Ed.
  • I find it hard to believe that "Pennylane" didn't go to #1 in the UK. Beaten out by Engelbert Humperdinck's "Release Me"? Maybe if it was "Les Bicyclettes de Belsize" ...
  • John -- after The Beatles had broken up and at odds with Paul -- objects to Sgt Pepper being called a "concept" album, saying "Mr. Kite" and all the songs on the album other than the Peppers could easily have been on any other Beatles' LP.   (George also critiques Sgt Pepper.)  As far as I'm concerned, I think Sgt Pepper is indeed a concept album and what John says is also true.  There's really no contradiction here, both are true.  And I'll also say how happy I was to find the following poster in an antique shop my wife and I were in, must've been, the late 1970s.  It's hanging on a wall outside our bedroom.  Every time I walk by it, I smile.  It reminds me of Sgt Pepper.


Now, about the new ninth episode:

It was not only heartwarming (to see the three surviving Beatles still making such superb music) and heartbreaking (because now George is gone), it was chock full of fascinating and important information.  My favorite example: I had always heard, regarding the genesis of "Free As A Bird", "Real Love", and "Now and Then", that the transformation projects began when Yoko Ono gave Paul a tape with some of John's demo recordings from the 1970s.  But in episode 9 of Anthology, George tells us about a crucial preface: When Roy Orbison died, The Traveling Wilburys were thinking of taking some of Elvis's demos and bringing them to life with the inimitable Wilbury voices.  But they decided not to go in that direction, because (in George's words), it was "too gimmicky".  (George didn't say, but rumor has it that the Wilburys were thinking of inducting Del Shannon into the group, but he took his life in 1990.)

But if I had to pick my favorite moment in the ninth episode, and therefore all nine episodes of this beautifully burnished Anthology, it would be Paul and George completing their incomparable three-part Beatles harmony with John's voice in the chorus of "Real Love".  It's been one of my favorite Beatles songs since I first heard it in the mid-1990s.  The song inspired me to write It's Real Life: An Alternate History of The Beatles (the video of Anne Reburn's cover of the song follows below -- she performed this in the radio play broadcast on Killerwatt Radio, adapted from the first chapter of my novel; "Real Life", by the way, was John's title for the song before he changed it to "Real Love").  Paul and George's voices being in such synch with John's recording, the harmony snapping into place, snapping into life, is a deeply acoustic proof to me that this uniquely satisfying sound will never die.  At that instant, the former Beatles became The Beatles again, and gave evidence that The Beatles will always be with us.


Powers that be often miss the immortality of what is all around them.  After Marshall McLuhan died in December 1980 (same year and month as John: their lives were intertwined: they both hit America big in 1964), I proposed a book about him to an editor at St. Martin's Press.  He laughed and told me no one cared about McLuhan any more. That book became my Digital McLuhan, which Routledge published in 1999.  I still receive royalties checks for sales of that book every year.   In the 1970s, I told my doctoral thesis advisor Neil Postman that I thought The Beatles, like Shakespeare, would be known and enjoyed for as long as there were human beings.  He laughed too.

Which brings me to the one criticism I have about episode 9.  Paul and Ringo are still alive.  Yes,The Beatles music including their harmonies will live forever.  But not the mortals who made it.  Wouldn't it have been wonderful to have another hour, or even just a few minutes, to have Paul and Ringo look back at 1995 from their vantage point right now?  Oliver Murray of course interviewed Paul and Ringo in the short film he made, Now and Then: The Last Beatles Song, that accompanied release of the single in 2023.  I guess that could be considered a coda to Anthology 2025, but wouldn't a few additional or more words from Paul and Ringo looking back at what they accomplished in 1994 (when "Free As A Bird" was made) and 1995 (when "Real Love" was made) have been just the perfect cup of sencha tea after the marvel we just took in?

Chris Willman asks Oliver Murray in an excellent interview in Variety why there are no contemporary 2025 voices in Episode 9.   Murray replies: "I didn’t really like the idea of Ringo [and Paul] in 2025 talking about an interview that he gave in 1995 about something that happened in 1965. It was all too nebulous to do that." I'm not sure I know what "too nebulous" means, in this context. "That is, I think I disagree".



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Saturday, October 4, 2025

Applying Marshall McLuhan to Our Current Predicaments



On September 30, 2025 I took part in a McLuhan Salon organized by Paolo Granata in Toronto.  The Salon was devoted to a consideration of some of the many issues Tom Cooper explored in his book Wisdom Weavers: The Lives and Thought of Harold Innis and Marshall McLuhan, published by Connected Editions on May 1, 2025.  The following is a slightly edited transcript of my responses to each of the three sections of Tom Cooper's presentation, in addition to my responses to two subsequent questions raised by members of the audience.  The audience in Toronto was present in-person with Paolo Granata at the event.  Tom Cooper and I attended via Zoom.

Part 1

I've been thinking increasingly in the last couple of years that the work of Marshall McLuhan and Harold Innis has never been more important to our world than it is now. As all of you up in Canada know all too well, the United States is being pulled apart by a President and his supporters, who seem to be happily marching increasingly towards a fascist government. And people who are upset and concerned about that are, among other things that they're doing, desperately struggling to understand how that happened, and what we can do, if we do understand how and why that happened, to stop and reverse that trend.

So, Tom Cooper contacted me in August of 2024 -- it seems now like about 10 years ago, because so much has happened since then -- to tell me about his book, Wisdom Weavers, an intellectual biography of Marshall McLuhan and Harold Innis, which he wanted to get published. By the way, it's worth noting that this book literally has been about half a century in the making, in the writing. And that's something that we all know, that books take a long time to write, and sometimes even longer to get published, but I think most of us can agree that 50 years is a very long time. But that's one of the great strengths of the book. And Tom had been working on this, and has been witness to all of the political upheavals in the United States.

And I have noticed, if you pay any attention at all to the news, in this struggle to understand how we got here -- we being we here in the United States, we being the United States and Canada, we being the whole world -- that increasingly, Marshall McLuhan's name comes up, because most people who understand anything about the history of communications and media, who at all have a sense that what we see and hear on television, listen to on the radio, talk about through our smartphones, and most importantly, what we do now through social media, are also aware that, well, there was this theorist Marshall McLuhan, who talked about a global village. Not in 2012, not in 2002, not in 1992, but way, way back in 1962.

And maybe some of the things that McLuhan talked about, and as we also know, when you delve into the history of Marshall McLuhan as a scholar and as a person, his awareness of and interaction with and reading the works of Harold Innis, maybe, maybe that has something that we can learn from and we can use to help us better contend with these momentous changes.

So when Tom contacted me and told me about his book, I immediately said, well, send it to me. And that very evening as I was reading it, I knew what a crucial gift this would be to our current world as we struggled to make sense of what was going on.

So I don't think that Harold Innis and Marshall McLuhan have ever been as important to the world as they are now, and I think we're very fortunate to have a book like Wisdom Weavers that can tell us so much about those two.

And I'm glad that I happen to have this publishing company, Connected Editions, that could publish this book. My wife Tina Vozick and I, back in the early 1980s, created an organization called Connected Education. Connect Ed or ConnectEd, for short, and what we were doing back then was offering online courses for academic credit. And we had arrangements with the New School for Social Research, with Bath Spa University, originally called Bath College over in England, with Pacific Oaks University out on the West Coast of the United States. And we had this program going for about a good 15 years -- before I got tired of teaching online and decided to go back to the classroom and teach in-person -- but one of the things that I thought our organization could benefit from was creating an online publishing company, and since we had Connected Education, I thought it would be good to have another Connect Ed company, in this case, Connected Editions.

That's how the publisher of Wisdom Weavers was created. And when we decided to wrap up Connected Education, we still kept Connected Editions going, because we'd published a few books, and we thought they were important books. But, Connected Editions was pretty much in the closet in 2024, so in addition to everything else, the timing was right, because when Tom and I had that conversation, and, I got off the phone, and Tina said who are you talking to? I said, well, you may recall Tom Cooper. And I immediately said, you know, maybe it's time to bring Connected Editions back into the forefront, back into the fight to not only get more people aware of the important things in the world, but in the fight that I think all of us who believe in freedom are now conscripted in the political army to fight.

Part 2

I'd like to talk about about the power of parasocial relationships. And here's a true story that concerns Marshall McLuhan.

It also concerns a very good friend of mine, someone who sat next to me in the Media Ecology Program at NYU, who completed his PhD, literally, in the same few months that I completed mine. His name may be familiar to some of you, Joshua Meyrowitz. And here is this true story which shows the power of parasocial relationships, which, by the way, Josh Meyerowitz, who's remains a very close friend of mine, investigated in his doctoral dissertation, No Sense of Place, which he eventually, I guess, 6 or 7 years after he finished his PhD, developed into the book No Sense of Place, which is on the verge of celebrating its 40th publication anniversary by Oxford University Press.

Anyway, as many of you, maybe all of you, know, December 1980 was a pretty grim time as far as the loss of people that many people in the world, for different reasons, regarded as absolutely essential to their understanding of the world.

One was Marshall McLuhan, who had suffered a stroke earlier in that year, but left us, finally, in December 1980. And at that point, I was pretty close friends with Eric McLuhan, Marshall's son. And with Corinne McLuhan, Marshall's wife -- and by the way, there's a lot about the women, who played such a big role in both Marshall's life and Harold Innis' life, in Tom's book.

But as soon as we heard about Marshall's passing, Tina and I knew that we were going to go up to Toronto to attend as much of his funeral and services as people who are not members of his family could attend. And that's what we did. And as we were getting ready to do this -- that is to go up to Toronto, Tina and I -- I called Josh, who at this point was teaching at the University of New Hampshire in Durham, New Hampshire. He was then married to Candy Leonard, who would go on to actually write a couple of books about the Beatles, a very significant author. And I said to Josh, by the way, are you and Candy going to come up to Toronto for Marshall's funeral?

But another tragedy had occurred in December. John Lennon was assassinated. And, as I've been telling people for a while, ever since I wrote a novel called It's Real Life, an Alternate History of the Beatles, in which John Lennon was not assassinated, that killing changed my life. The novel is fiction, science fiction. Which I enjoyed writing. But in our world, the reality is he was assassinated.

And so those two things happened in December 1980. And the point I'm getting to is that Josh said, no, we're not going to go up to Marshall's funeral much as we would want to.

And I said to Josh, well, why not?

And he said, well, there's an event in Manhattan. People are getting together to basically express their horror at what happened to John Lennon and their love of John Lennon and his music. And Candy and I decided that's what we're going to do. We're going to be traveling, but we're going to travel from New Hampshire to Manhattan, not from New Hampshire to Toronto.

And if you think about it, there you have a parasocial relationship so powerful, that even though Joshua Meyrowitz had met McLuhan -- in fact, one of the things that I was happy that Tom picked up on in Wisdom Weavers was the pot roast dinner that Tina made the night before the Tetrad conference that I organized at Fairleigh Dickinson University in the late 1970s, a dinner in which Marshall and Eric, Tina and I, were joined by Joshua Meyerowitz and Ed Wachtell, another media theorist -- but even though Josh had broken bread with McLuhan, sat across a dinner table with him, Josh and Candy decided to go to Manhattan because of their parasocial feelings for John Lennon.

So yes, Marshall was someone that Josh felt very close to. But the power of his parasocial relationship with John Lennon led him to attend that event in New York, even though he had never met John Lennon in person.  (By the way, I had met John Lennon in person once in a crowded elevator in a building in New York City.) So the parasocial is indeed an incredibly powerful force in all of our lives. We all interact with all kinds of media all the time. And we have very profound emotions about people who don't know us from Adam or Eve. And it's important to pay attention to that.

I wanted also to move to a slightly different topic to defend Marshall McLuhan and what he came up with, one of his most famous "probes," as he would call it. I would call it a concept, but it doesn't matter what the word is. But I'm talking about the "global village". And I think you have to give McLuhan enormous credit for that. In 1962, what got McLuhan to write about the global village, no doubt, was television. And if you think about it, there was nothing global about television back in 1962, and I'm old enough to remember that. And I can see, looking at the audience, that a few of you are old enough, too.

And, not only was it not global, what television created, it wasn't really a village either.

It was national in countries like the United States. Okay, that's a lot of territory, but TV did not create a village, because last time I checked, in a village, people could talk to each other, exchange ideas, across and throughout the village.

What television was ... well, it was basically a media environment of one-way wires. People watched television, but they couldn't communicate at all with the people who were on television. At most, they could communicate with people in their own families, and some friends, and maybe some business associates. At the proverbial water cooler.

So, in this environment, McLuhan talks about the global village. And the global village doesn't come into actual being until a good 30, 35 years later, when the Internet, the web, first came on the scene.

And obviously, the world we live in now is indeed a full-fledged global village, with all its benefits and all its dangers. So McLuhan may not have been entirely right about the global village, but you have to give him credit. You know, you talk about foresight, you talk about a perception that can span decades into the future. His understanding of human communication was so deep and rich that he was able to foresee -- not just predicting something, like some swami who might be able to say, I can predict the future, but no, McLuhan' notion of the global village was based on his insight into human communications, and I think that's one of his most signal accomplishments.

Last point I'll make, but very briefly, and maybe at some point in the future, at another conference, or maybe later at this event, I'll tell you more about it. Here it is: I'm not as worried about AI as many other people are. I think it's just another technology. Yes, it is going to have an enormous impact, it's going to have a good impact, it's going to have a bad impact, everything in between.

We do need to understand it better. But I'm not worried that as soon as this event is finished, there's gonna be a knock at my door, I'll open up the door, and I'll see Arnold Schwarzenegger saying, is Sarah Connor here? I'm not worried about that happening at all, at least not in our lifetimes.

Part 3

Let me pick up on what I was saying about artificial intelligence. It's done us, and is doing us, an enormous amount of good in areas like medicine, in areas like transportation, and this also relates to our health.

I'm old enough to remember, and again, I can see many people in our audience are old enough to remember, when, if you were going over a bridge or under a tunnel, you had to pay a toll. That's still the case, but there was usually some person in that toll booth, a collector, who was collecting your toll.

That person's job at least 8 hours a day, 5 days a week, was to sit there, collect tolls, and breathe in God knows how much carbon monoxide. You know, it's amazing that they lived long enough time to even get trained to be a toll collector. But, now, of course, we go over bridges, we go over tunnels, and we have an AI system keeping track of our tolls, and no one has to do that kind of job. And there are many other unhealthy jobs like that.

Yet I think it's a mistake, in many ways, to even call these systems, and AI in general, AI or artificial intelligence. I think a better word would be AS. And what I mean by that is artificial stupidity.

Because the systems are still not that bright. You know, I wrote a book, very small book, about 100 pages, called McLuhan in an Age of Social Media. I update it all the time. And I thought as I was preparing Tom's book for publication, I would get an idea of how adept an advanced AI program like ChatGPT, not the free version, but, even cheapskate that I am, I paid for a pretty sophisticated version. And so I figured I would do a test case. I would ask ChatGPT, could you prepare a name index for McLuhan in an Age of Social Media (like I might want you to do for Tom's book Wisdom Weavers).

And ChatGPT said, sure. And I uploaded the manuscript, and just a few hours later, it presented an index to me.

In which it missed about 30% of the names, and also included about 4 or 5 names that it pulled out of thin air. This is known as hallucinations in the AI field.

It did do one intelligent thing. I was talking about the billionaire who bought Twitter without mentioning Elon Musk's name, so to give the AI credit, it did put Musk's name in the index it prepared.

Anyway, I worked with that AI for about 2 weeks. It constantly promised that it was going to give me a better version.

Eventually, I said, look, enough is enough already. And I took what it gave me, went over the page by page with my own eyes, corrected the index, and now, finally, there is an index to that very short book. So, one of the reasons why I'm not too worried about AI is if it can't even do an index, a name-only index for a 100-page book. I don't see how much damage it can really do in the world.

And I know there are deep-fake videos and so on, but about that, I'll say, look, you know, we've been in that situation at least as long as since Abraham Lincoln was president. And if you take a look at another one of my books, Fake News in Real Context, you'll see a picture of Abraham Lincoln. It's actually a photograph of Abraham Lincoln. But it wasn't completely of Lincoln.

You see, the problem with Abraham Lincoln was -- he was a brave president, some people consider him America's greatest president -- but one of his problems was he didn't have very good posture. So, these photographers, these early photographers in the 1860s, took dozens of pictures of Lincoln. It was during the Civil War. They wanted to make those photos look as presidential as possible. But in every single picture, Lincoln was slouching. He didn't look comfortable.

So finally, what they did is, they came up with the brilliant idea, they lopped off Lincoln's head, and they took an older photograph of John Calhoun, an notorious Southern secessionist senator. And even though he believed in slavery, he did have one good thing about him, he had good posture.

So they took the photo of Lincoln's head and put it on top of a photo of John Calhoun's body, and that's the photograph of Lincoln that they circulated. And so Lincoln looked great.

In other words, that kind of hocus pocus of fake imagery began in the 1860s. That really is the beginning of fake news, you know, through imagery and videos, and now we have deep-fake videos. The solution to the problem is not to ban AI, or even denounce AI, it's just not to believe anything you see in a video, anything you see in a photograph. Don't believe it. You know, you just have to accept that it could be manipulated. And that pulls the fangs out deep-fake AI-manipulated videos.

And now a brief point about outer space, which Tom mentioned. Here's why I think going out into space beyond this planet is so important. A very simple, straightforward reason.

I'd like to know what the hell we're doing here.  That is what we as human beings, who can go out into space, who can communicate in the way we're doing right now, Tom in Honolulu, I'm up on Cape Cod, all of you are in Toronto, are all about. What is going on here? No other species can leave this planet. We marvel at the intelligence of great apes and dolphins. But last time I checked, none of them had an Isaac Asimov, none of them had a Niels Bohr or an Albert Einstein. Or a Marshall McLuhan. The great apes may be very intelligent, and all due respect to the great apes and other intelligent animals, but they don't have hold candle to our intelligence.

And not only that, we don't really know how everything was created, right? I mean, the Big Bang Theory doesn't explain it, because what created the Big Bang? What created the materials that made the Big Bang?

And as far as religions are concerned, okay, God created everything, but what created God? God created Him or Herself?

That's a clever, logical ploy, but it doesn't really answer our questions, does it? And I think the only way we're going to get a little bit better insight on what we're doing here in this world is to get beyond this pebble. Get beyond this planet where we happen to find ourselves, and see with our own eyes what is going on out there in the universe.

Obviously, not everyone agrees with me. I'll close with what my teacher, Neil Postman, probably the best teacher I ever had, but I disagreed with, like, 95% of his views, including what Neil Postman had to say about outer space. One day, when I made the same point to him that I just made to you about the need for human beings to go out into space, Neil turned to me and he said, "But Paul, you don't understand. There's no air out there."

So, you know, that was certainly true, but obviously we could travel in ships that give us air.

Part 4: Responses to Questions

(a) I think, by and large, that the only way we can improve our lives and our situations is through technology. Not only media, which are technology, but other technologies. So, one of the ways of dealing with not enough food to feed people is to have better agricultural technology -- or even, for example through genetic engineering, and I know that's very controversial in some places, but to make crops that are more resistant to natural ills, that can thrive in harsher temperatures, etc, etc.

And I see all of the concerns about the media need to be taken into a larger perspective of we're still a long way, as a species, from leading the lives we want to live. We, all of us, have disappointments that we see all around us, things which are not working well, and as I said, I can't think of any solution better than technologies which have extended our lives, have made parts of the world more conducive to human beings living there, and a whole series of other positive developments.

(b) Let me just say, I was already, before Trump became what he is today -- going back, actually,to the 1970s -- I was always very interested in the study of propaganda. How it's created and what it does. I studied it as a student in the Media Ecology program. It actually wasn't Neil Postman's specialty, it was Terry Moran's, somebody else in the NYU Media Ecology faculty, who doesn't get enough credit for his contribution to the program. And because of Terry Moran, I read the Institute for Propaganda Analysis, what that group did in their studies, which began in the late 1930s, continued into the early 1940s. And through that, and other research that I did, I became very well aware of what Joseph Goebbels and Adolf Hitler and his cronies did in Germany in the 1920s and 30s, and I became aware very early on that Joseph Goebbels was no dummy. It was Dr. Goebbels. The man had a PhD. He was a monster on an ethical basis, but he was highly intelligent, and he also understood human communication.

And the reason why I'm saying all this is it frightens me, and frighten is almost too weak a word, to see what's going on in the United States today, and in other parts of the world. Because, in many ways, it is following the exact same path that Hitler and Goebbels and their cronies followed in the Weimar Republic in the early 1930s, attacking comedians, rounding up immigrants and demonizing them. I mean, I could talk for an hour about all the things that are going on today in the United States, such as wanting to annex other neighboring countries. You know, one of the first things Trump said, after he was re-elected this second time, is, hey, he thinks Canada should become another state in the United States. I mean, this is, you know, like Hitler's Germany wanting to annex Austria, which he did, wanting to annex half of Czechoslovakia, which he did. And that finally led to World War II.

And so, this is a very real situation. And my best advice is, every single one of us needs to do whatever we can to stop that and fight that. I'm a professor, so fortunately, I have classrooms in which I can talk to my students about that. I have a blog in which I can write my head off about it. I have podcasts in which I can talk about it, I can talk about it even now to you, but every one of us who is concerned about this, well, the worst thing we can do is to keep quiet about it. We have to constantly oppose it and encourage other people to oppose it, and that was the mistake that people in Germany, well-meaning people in the 1930s, did. They didn't take Hitler seriously enough. They dismissed him as a clown. And all too often, I hear people dismiss Trump as a clown. Yes, he is, but he's far more dangerous than a clown, just as Hitler was.


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Andrey Mir presented  Tom Cooper's talk as a written post on Mir's Media Determinism blog on Substack on October 2, 2025.
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