Chuck Todd interviews me about alternate histories
Showing posts with label Helen Mirren. Show all posts
Showing posts with label Helen Mirren. Show all posts

Thursday, June 5, 2025

MobLand: The Godfather of Streaming Television



Just saw the finale of what will almost certainly be the first season of a tour-de-force series about warring crime families on the other side of the pond, i.e., the UK.  MobLand has everything -- a powerful, unpredictable story bristling with what The Godfather and its sequels did so well in movies.  That would be a potent, explosive blend of violence and family dynamics that can make your head spin.

Here I'll talk about two ingredients that brought this kick-in-the-solar-plexus across: the music and the acting,

First, MobLand has one of the best theme songs I've heard in years:  "Starburster" by Fontaines D.C.  I mean, I'm no expert in hip hop, but I know "Starburster" has powerful elements of it, and the recording suits the story to be told in every episode to a tee, as well as being instantly unforgettable mind candy. 

And that's just for literally starters.  In the finale alone, we get major songs by Johnny Cash (sung twice) and The Rolling Stones.  Like in The Godfather trilogy, Goodfellas, and all immediately classic crime family dramas, the music of MobLand is at once avant garde and classic.  

Now let's get to the acting.  Pierce Brosnan gave an astonishing performance as Conrad Harrington, the anti-hero crime boss whose gang is at the center of the action.  This man played two characters who were suave to the max -- Remington Steele and James Bond -- and in MobLand he trashes those icons and goes vehemently in the opposite direction, cursing and screaming and giving loud and withering vent to his anger and his other moods with the best of 'em.   Meanwhile,  Helen Mirren, a world-class actress, is every bit as vicious and violent in her role as Maeve Harrington, Conrad's wife..  Neither of them are youngsters, but I wouldn't want to meet either of them in a dark alley.  Or a lit one, either, for that matter.

And alongside these veritable criminal forces of nature -- Emmy-worthy spectacular -- we have Tom Hardy's portrayal of Harry, the Harringtons fixer (a lot of "Har"s in that sentence).  He's calm, contemplative but deadly when he needs to be.  Like Brosnan and Mirren, Hardy is a world-class actor, great in just about everything he does, but yet to establish himself in a role as luminary as James Bond, Vito Corleone, or Michael Corleone.  But his performance in MobLand could move Hardy into Al Pacino territory.

The lesser-known actors in MobLand were excellent, too.  Paddy Considine (House of the Dragon) as one of Conrad and Maeve's sons, gives a heart-rending performance, as does Joanne Froggatt (Downton Abbey), for different reasons, as Harry's wife.   The truth is, there's not a weak performance in this powerhouse of a series.

Hey, I managed to review MobLand without even a hint of a spoiler.  I'm going to listen to some more Fontaines DC music now.



Sunday, January 20, 2019

Prime Suspect 1973/Tennison: Excellent



My wife and I binged Prime Suspect Tennison on Amazon Prime - originally Prime Suspect 1973 which is when this story of the young Tennison, just beginning her police career, takes place.  The series has received some criticism for not measuring up to Prime Suspect in several ways.  I disagree (my wife does, as well).

Of course Stefanie Martini as the young Tennison is not as good as Helen Mirren, who defined the brilliant older role.  But who would be?  I doubt that even a young Helen Mirren, if she could be brought to the future by some time travel magic to play this role, would be as accomplished as her older self.

And, indeed, the part called for a less accomplished performance, since Tennison was just finding herself.  And whether or not Martini is also brilliant actress who delivered that performance, or is just less sure of herself, I couldn't say.  All I know is that she was excellent in the part.   As to the plot--

[spoilers follow, in case you haven't seen this yet]

But as to the plot, I thought this series also did a fine job of that.  We need to see how Tennison in 1973 began to become the older Tennison we all know, love, and appreciate.  And I think this series did that in two important ways, both involving DI Bradfield.

First, it's Bradfield who convinces her to lie on behalf of the detective who beat a suspect.  This is a crucial moment in the development of Tennison's persona.  She would never have risen so high in authority had she not learned to play the game.  Her being conflicted between telling the truth and being a team player, and deciding to go with the team, was played out perfectly,

Second,  Bradfield's death explains an awful lot about the older Tennison's outlook on life.  She lost someone she loved, and found out he was married with kids in the bargain.  Something like that is bound to harden anyone, and endow them with some degree of live for today.

So, good job 1973/Tennison, and I look forward to more (even though it's been "confirmed" that there won't be a second series).

 


Friday, December 23, 2011

Prime Suspect Locked Away

NBC broadcast one of the final episodes of its short-lived new series, Prime Suspect, last night.

Too bad.  The show has a stellar cast - Maria Bello (ER), Brían F. O'Byrne (Brotherhood, Flashforward), Kirk Acevedo (Fringe!), Kenny Johnson (The Shield!!), to name just a few.  You can't get much better than that.  And the dialog has been sharp, humorous, tough, crackling.

But, sad to say, the plots were nothing special.  With the exception of one superb episode - 1.8 - which brings Jane (Bello) and Reg (O'Byrne) upstate and into a series of escalation action sequences as gripping as you might find in a good movie - the individual episode stories were trite and lackluster,  in contrast to the edge-of-your-seat mysteries in the original British series, which started Helen Mirren.

And the continuing story, which had potential, never really went anywhere.   Jane's difficulties as a female detective in the still male-chauvinist NYPD detective world barely went beyond the conflicts and abrasions of the first episode.  And her personal affairs, in particular, the possibilities of life with Matt (Johnson), never really were developed, either.

But, don't get me wrong, I would have been very happy to pick up the show for the rest of a complete season in the New Year, and will miss it, with all of its flaws.   NBC has added another good show to its roster of what might have beens, if only given a little more time on the air.   The Black Donnellys, Kidnapped, and Friday Night Lights (which managed a bunch of seasons only because NBC brought in DirecTV), and now Prime Suspect ... NBC has great taste in getting shows on the air, but doesn't seem to know what to do to keep them there.

Just two episodes left - next Thursday night, and the week after.  I'll be watching both.

See also review of Prime Suspect premiere ...


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