Chuck Todd interviews me about alternate histories
Showing posts with label Ralph Brown. Show all posts
Showing posts with label Ralph Brown. Show all posts

Tuesday, December 4, 2007

Watch for Flood on Ion Television!

I realized the Brits had an eye for the human-scale disaster movie when I was pretty young - in 1962, when I saw Day of the Triffids. It's still one of the best horror-disaster movies ever made.

Triffids is about plants gone wild. Flood is about bad weather - hurricanes causing devastating floods, in particular.

Flood was first released in the UK in August. It will be shown here in the U.S. on Ion Television - a digital television network - as a four-hour mini-series debuting on December 16.

Don't miss it.

Flood
starts, at first, as an unsurprising post-Katrina movie, with maybe a little Jack Bauer mixed in. The establishment meteorologist misses the monstrosity of an approaching storm. An older scientist who predicted it could happen - or, if it did, that the precautions built to make sure it didn't wipe out London were insufficient - has been ignored, and is on the outs with his son, a marine engineer. Life's not the greatest for the son, either, insofar as he and his beautiful Canadian wife, heading up the Thames Barrier operation - designed to prevent flooding - are divorced.

But then the movie takes off - in two top-notch ways. First, Tom Courtenay (who starred in the classic Loneliness of the Long Distance Runner), puts in a superb performance as the father scientist, Leonard Morrison. Courtenay projects a perfect, quiet power rarely seen on television or in the movies. Joanne Whalley also puts in a powerful performance as the Metro Police Commissioner in London, as does David Suchet (Casino Royale!) as Deputy Prime Minster. Robert Carlyle - who was excellent in The Full Monty - is excellent as Leonard's son Rob, and Jessalyn Gilsig (Heroes' Meredith!) is fine as Rob's ex-wife and Thames Barrier chief, too.

And, a shout-out for Ralph Brown and Tom Hardy of Meadowlands. It was good to see them again in Flood.

So the acting is excellent - and better, in fact, than what we usually see in mini-series.

And the story of Flood is better than the usual disaster movie, too. The personal relationships really start to count as the movie proceeds, and the final half-hour had me fixed to my chair, hoping that ...

Well, I don't want to give any of it away. But I can tell you the scenes of London flooded are excellent, the action taut, and the mini-series all together satisfying.

Except - ok, there was one thing. Stuck about 2/3rds into the movie is a scene in which the Deputy Prime Minister is speaking to some American financial honcho with a German accent (Henry Kissinger?). The British DPM is saying the pound is taking a beating because of the flood, and can he count on the Americans to help. And the American creep with the German accent says, no, we can't, we have to make sure the dollar stays strong...

Two things wrong with that scene. One, who the cares about pounds and dollars at a time like this? And second, here's clue for you Brits: don't take gratuitous potshots at Americans, and portray us with German accents, and expect us to like it ... :)

Otherwise - I highly recommend Flood. Keep yours eyes out for it.






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Wednesday, July 11, 2007

Meadowlands: Episode 4

Meadowlands
A powerful - even brutal, in parts - episode of Showtime's Meadowlands on Sunday, in which Wintersgill tortures Danny, Evelyn gets a code to help him, Brenda is finding Mark more difficult to resist, and lusting Dr. York is up to his usual tricks with Evelyn. The ante is raised on all accounts.

I'm no fan of torture, either in real life or television, so I would have been just as happy not to see Wintersgill work Danny over. But the intensity of those scenes calls our attention to a continuing question: just who is this guy, Wintersgill (for that matter, who is everyone in Meadowlands), but who is Wintersgill that he can get away with such brutality? Is a he a real cop on the Meadowlands beat, or a denizen of the strange town, under some kind of witness protection, who once was a cop and is now just going through the brutal motions? Why doesn't Samantha just take him out? (I'm expecting she will - but we don't really know too much about Samantha, either...)

And speaking of Danny's handlers from the outside, why did they take the circuitous route of giving Evelyn the code - a word that Danny could speak to enable him to get the better of Wintersgill, but letting Wintersgill know that Danny knows something about W's past? Why not just stop Wintersgill outright?

Interesting, interesting....

Meanwhile, true love is trying to flourish in its diced-up Meadowlands way in other parts of town. Mark seems to be making some headway with Brenda, almost old enough to be his grandmother. Hey, who am I to judge, I always wish a guy well in these circumstances.

But I'll draw the line at Dr. York, who tells Evelyn that Danny's infertile - of course he does, the doc would like to father her baby, the old-fashioned time-honored way... I don't believe him....

You know, I was talking about Meadowlands to our graduate work study student Josh at Fordham University yesterday, and he offered the view that Meadowlands is really like a soap opera in pace and storyline.

He may be right, but, whew ... I don't remember ever seeing anything like this on Peyton Place, Dallas, or even Days of Our Lives ... and I'm looking forward to what next week as in store on Meadowlands...

Fine acting all around as always on this episode - but special applause for Ralph Brown for the harrowing Wintersgill.

Intriguingly Miasmic Meadowlands

reviews of other episodes: Meadowlands Opens - with Tongues and Grooves ... Episode 2 ... Episode 3 ... Episode 5 ... Episode 6 ... Episode 7 ... Episode 8






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"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book
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