The Lip-Synching Scene in David Lynch's Blue Velvet as a Touchstone Transcendent Moment

David Lynch is 76 years old today -- happy birthday!  That made me think about my favorite scene in all of David Lynch's great work, and, for that matter, probably in any movie I've ever scene: Dean Stockwell lip synching Roy Orbison's "In Dreams" in Blue Velvet back in 1986, with Dennis Hopper doing a fine job as that deeply sick guy, who tries to join in the lip-synching, but whose demons won't allow him the succor of dreams.

That scene also represents what I think of as a nexus in popular culture, with several different careers revived and propelled in that one scene.  Dean Stockwell had been a moderately important star, playing angry and sensitive young men, in the 1950s and 1960s.   Lynch had begun using him in Dune in 1984, but his performance in that Blue Velvet lip synching was incandescent and brought him to everyone's attention, including the people who cast him in a co-starring role in Quantum Leap.  Blue Velvet had nothing to do with science fiction, but that Roy Orbison moment would forever and anon and make Stockwell a science fiction icon.

Meanwhile, Orbison's career, which also had been flagging, suddenly skyrocketed in the next few years. His voice in The Traveling Wilburys was one of the most prominent parts of their signature sound, and made them the best supergroup ever, surpassing Crosby, Still, and Nash, the previous holders of that position, in my humble opinion.  Orbison's solo 1989 "You Got It" was also at least a minor masterpiece. And here I always mention Anne Reburn (and her clones)' cover of "You Got It" as a high water mark of music video production.

Science fiction and rock music have been my life's two cultural passions.  Blue Velvet the movie was neither, but it gave rebirth to careers and soaring performances in both,  and made David Lynch an enduring hero well before Twin Peaks and all the rest.

The Kid in the Video Store - science fiction about the 1988 

Roy Orbison and Friends, A Black and White Night concert

Twin Peaks: The Return 1.3.-4: Coffee and Cole

The second installment of Twin Peaks: The Return - aka episodes 3 and 4 - continued tonight in the unmitigated gonzo, steampunk, B-movie style to which we became accustomed last week.

Let me also say that one of the high points - perhaps the highest points - of David Lynch's work have been the singers on stage at one point or another in the narrative.  The Dean Stockwell character lip synching Roy Orbison's "In Dreams" in Blue Velvet, with Dennis Hopper's self-tortured character trying to sing along but taking the needle off the record, and Kyle MacLachlan's character in shock in the small, standing audience in the room, was so powerful that I've wanted to write a book about that scene as a transcendent moment in popular culture for years.  As it is, it's easily one of the best scenes in any movie.

Performances of original songs by unknown (to me) musicians and singers have ended every episode of Twin Peaks: The Return so far, and they've all been excellent.  But that Everly Brothers-like performance at the end of 1.3 was superb and to my ears and eyes already a classic.

Back to Kyle MacLachlan, the central story in episodes 1.3-4 was Agent Cooper's return to this planet.  It's unsurprisingly no easy return.  Part of the difficulty makes sense.  Cooper can't talk or think normally because he's been in that insane, other-dimensional room for 25 years.  Part of it, like all Lynch works, doesn't - or doesn't quite make sense.  Apparently, Cooper was "tricked," and his doppelgänger is still out and about on Earth, though soon locked up.  But the real Cooper seems to be making at least a little bit of progress, responding well to a cup of coffee in the morning, put on his breakfast table by his doppelgänger's wife (played by Naomi Watts, who starred in Mulholland Drive, generally recognized as David Lynch's second-best work - high praise - and I agree).

And speaking of Lynch, it was good to see him return as FBI Deputy Director Cole these two episodes (he was actually an FBI Regional Bureau Chief in the original), which got me thinking: how about Cole as Comey's replacement, now that Lieberman has bowed out?

Hey, if that actually happened, it would be a lot less strange than some of the developments in Twin Peaks: The Return, which I'll be back to offer a few more paragraphs about next week.

See also Twin Peaks: The Return 1.1-2: Superluminal Sans Cherry Pie

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