Chuck Todd interviews me about alternate histories
Showing posts with label Kindle. Show all posts
Showing posts with label Kindle. Show all posts

Sunday, December 27, 2015

The Bookstore with Just One Book

The Guardian carried an article the other day by Alison Flood about a bookstore in Japan that stocks and displays only one book at a time - and I couldn't help thinking about McLuhan's observation that new technologies turn outmoded technologies into art forms.

This has always been one of my favorite of Marshall McLuhan's discoveries.  In his day, the impact of motion pictures on the theater, once a mass medium, now the "legitimate," i.e., culturally elite stage, was a prime example.  As was penmanship, once a necessity, converted by the typewriter into an admirable talent.   And, of course, poetry, in Homer's time a pneumonic necessity, had since the invention of easy writing with the alphabet long since become a high-art form.

Examples abounded.  In my Digital McLuhan, I offered some of my own.  Delicatessen, once treated with spices and preservatives natural and artificial to preserve the meat, became in the age of refrigeration something to be sought after for its taste.   And speaking of cool, the convertible car, once driven so the driver and people in the car could be physically cool, was transformed by air conditioning into something driven to look, i.e., be culturally, cool.

Which brings us to the bookstore in Japan, which just opened this past May.   Japan has long been known as a place in which single paintings are hung a wall, so they can be admired without competition, and eventually replaced by another painting.  Under the pressure of the Kindle, which makes a myriad of books all but instantly available, the printed book has now become something more than it once was - an object to be displayed, like a work of art, before it is read.  The Kindle, in other words, has turned the printed book into an art form - at least, in Japan.

For further application of McLuhan's thinking to our current age, see

Monday, October 26, 2015

McLuhan in An Age of Social Media




Just written last Thursday - already #1 on
Amazon Computers and Technology Top 100

last updated 22 November 2016



This essay can be considered a new chapter in my book Digital McLuhan, published in 1999, or before the advent of Twitter, Facebook, YouTube, and the social media of our age. Marshall McLuhan's ideas, including hot and cool, the medium is the message, and the tetrad, are applied to help us understand selfies, tweeting, iconic television shows such as The Sopranos and Mad Men, the Arab Spring, the U.S. Presidential election of 2016, and the Kindle revolution itself.



Tuesday, March 31, 2015

The Experiment with "The Other Car"

Hey, I don't usually talk much inside baseball here about my science fiction writing  - how and why I make decisions to get my stories published in this place or that, or try to get them published - but I thought you might enjoy a little of the story behind the story of my recently published The Other Car, which I put up as an ebook on Amazon about two weeks ago.

First, as some of you may know, this is the not way I've ever published my short stories.  All of the 40 short science fiction and fantasy stories I've published since 1991 - you can see a list of most of them here, at the Internet Speculative Fiction Data Base  - were published the good old-fashioned traditional way.  I sold the story to a magazine - whether print, or more recently, online, or both - for a payment per word, usually 5 to 10 cents per word.   For example, my most recent sale of this sort was for my 5500-word story, "The Wallet," to Sci Phi Journal #4, which was just published last month.   The Sci Phi Journal paid me 5-cents per word for this story.

"The Other Car," which I just wrote a little over two weeks ago, is coincidentally almost the same length, and is in the same slipstream, new weird, science fantasy corner of the science fiction genre.  I describe it as follows:
James Oleson is beginning to see everything in perfect duplicate - two identical models of cars which are the same down to scuff marks and license plate, two old philosophy books with the same torn pages and inscription in old ink, and twin mail men. Is he losing his mind, or experiencing the birth of a new alternate reality via binary fission?
I decided, as an experiment, to publish this right away as a short story ebook on Amazon Kindle.  I got my friend, world renown illustrator Joel Iskowitz, to do a cover - see below.   The satisfaction to an author in getting a work immediately out to the public is enormous.   But would I make anything close to the money I would have made had I sold "The Other Car" to a magazine?    I priced the short story at $0.99, and as an author I by no means see all of that money, but so far "The Other Car" is off to a pretty good start.  Here's where it was about a week after its publication on Amazon, on its Top 100 science fiction short story list:



But the story still has a long way to go to reach what I would have earned had I sold the story for 5-cents a word, let alone 10-cents or more a word, to a magazine.   I'm going to give this experiment a year, and see where I stand then on the story's earnings.  I'll be sure to report the results right here.

In the meantime, I'll list reviews and any other good news about "The Other Car" that may come along, right here as well:

  • 28 March 2015: 1st review of "The Other Car" on Ignite Books - "the end was stunning"
  • 28 March 2015: 2nd review of "The Other Car" on Amazon - "my draw dropped"
  • 28 March 2015: "The Other Car" on SFSignal's "140+ Excellent Science Fiction, Fantasy and Horror eBook Deals – All Priced Under $4 Each"
  • 31 March 2015: "The Other Car" on Speculative Fiction Showcase's "Indie Speculative Fiction of the Month for March 2015"
  • 3 April 2015: 3rd review of "The Other Car" on timetowritenow  "an inspiring break from working on my taxes"
  • 4 April 2015: 4th review of "The Other Car" on Amazon - "brain tease extraordinaire"
  • 2 May 2015: I raised the price of "The Other Car" to $2.99 - I'll keep it there for a few months, and see if I make more money (70% of $2.99) than at the original price (30% of $0.99) at what will likely be fewer sales at the higher price.

Monday, December 1, 2014

The Newsroom 3.4: McLuhanesque "Books Are Like the New Art"

The Newsroom 3.4 was especially McLuhanesque tonight, as the guy who wants to buy ACN comments that "books are like the new art," because we like to look at them on a shelf, and do our reading on Kindles.   If printed books are indeed becoming a new kind of art, this would be a great example of Marshall McLuhan's observation that outmoded technologies become art forms.   When I first heard this years ago, the first thing I thought of was the convertible car, which was first invented to keep the driver physically cool, but, with the advent of air conditioning in cars, became stylistically cool for the driver to drive in.  Then I thought about delicatessen - the spices first introduced to extend the shelf life of meat, now used, in an age of refrigeration, because we like the way the spiced meat tastes.  But the Kindle turning the printed book into an art form is an excellent contemporary example.

As for the central story of tonight's episode of The Newsroom, it was customarily good, if a bit overplayed.  Certainly Will being taken away in handcuffs the moment after he and MacKenzie are married was a strong dramatic moment.  But how Will got to be found in contempt of court seems strained to me.  Either he believes in the First Amendment being inviolable or he doesn't.   He says that he does and I believe him.  So why doesn't he mount a more spirited defense - indeed, any defense - when the judge asks him to?   It's a weakness in the plot when the best reason I can think of is the show wants the dramatic tension of his going to jail.

Further, if I'm understanding the AP getting the secret and incriminating files, then what happened in court with Will being held in contempt for not revealing the source is kind of moot anyway, right?   Because, presumably that source will be more discoverable in the documents, and the Feds will go after the AP in any case.

So here's my prediction for the ending - now, sadly, only two episodes away.   Will and MacKenzie will be together, and likely most of the other couples we've come to know and enjoy as well.  But ACN will be taken over, dissolved, or otherwise made unrecognizable, as the inexorable force of money closes the door on our heroic enterprise.   Because, alas, although the First Amendment can and should protect the delivery of the news from government control, it can't protect that delivery from the ravages of money.



analysis of the first two seasons

See also The Newsroom 3.1: Media on Media ... The Newsroom 3.2: Ethics in High Relief ... The Newsroom 3.3: Journalism at the Barricades

And see also The Newsroom Season 2 Debuts on Occupy Wall Street and More ... and (about Trayvon Martin) If Only There Was a Video Recording ... The Newsroom 2.2: The Power of Video ... The Newsroom 2.7: Autopsy of a Bad Decision ... The Newsroom 2.8: The Course of True Love ... The Newsroom Season 2 Finale: Love, Triumph, and Wikipedia

And see also The Newsroom and McLuhan ... The Newsroom and The Hour ...The Newsroom Season 1 Finale: The Lost Voice Mail

 
a little civil disobedience in this story too

#SFWApro


Thursday, August 7, 2014

The Medium of the Book: Fifty Years After Understanding Media

In case you're in Waco, Texas on September 25, 2014, come see my Keynote Address at Baylor University's symposium, to mark the 50th anniversary of the publication of Marshall McLuhan's Understanding Media.

An abstract of my Keynote follows.   My lecture will be recorded, and up on YouTube and other venues sometime after.

The Medium of the Book: Fifty Years after Understanding Media


A half century after the publication of McLuhan’s Understanding Media seems like a good time to examine the recent evolution of the book itself as a medium.   In Understanding Media, McLuhan quotes the French poet Alphonse de Lamartine’s circa 1830 observation that “the book arrives too late”.  Today, in a revolution as important as the introduction of Gutenberg’s press, books can arrive instantly anywhere in the world, via Kindles and other ebooks. But the most significant part of this development may pertain not to readers but authors, who can now can publish books without a publisher and within an hour or less after the book has been written.  The advantages and disadvantages of this bypassing of the traditional gatekeeper for authors and the world at large will be explored -- they are mostly advantages -- as well as the decline of gatekeeping in other media. Current conflicts, such as the dispute between Amazon and the traditional publisher Hachette will be examined. Connections between the evolution of the book and other facets of writing on the Web will be traced, including the capacity of readers to communicate directly and easily with authors, in modes akin to the “intelligent writing” that Socrates yearned for in the Phaedrus.

Friday, August 24, 2012

"Author's Cut" Kindle Edition of The Silk Code published by JoSara MeDia



I'm delighted to announce that JoSara MeDia has just published Kindle and ePub editions of my first novel, The Silk Code.

The Silk Code, originally published by Tor Books, won the Locus Award for best first novel of 1999, and reached #8 on the Locus paperback Best Seller list in February 2001. The novel received praise from The New York Times, The San Francisco Chronicle, and reviews in dozens of other places.

I'm especially excited about this new edition because it is an “author’s cut” of The Silk Code. The Tor edition, like all books brought out by big publishers, went through extensive copy editing. In this new eBook edition, I reinstated a lot of my original wording, which I always liked better. I see such author’s cuts as a major step forward in publishing. The Silk Code is not only available as a Kindle, but as an eBook on Barnes & Noble and all the digital outlets.

The Silk Code ebook sports a new cover, created especially for the novel by Joel Iskowitz, whose designs have appeared on stamps around the world, US coins, and NASA murals.

I chose JoSara MeDia because I wanted for The Silk Code a savvy, small publisher, unencumbered by baggage from the pre-digital age. JoSara MeDia has published award-winning authors in multiple formats, including print, eBook, and enhanced eBooks in the form of iPad and Android applications. JoSara MeDia also works with non-profit organizations, such as the Texas State Historical Association, assisting them with strategies and solutions to get their content available in these multiple formats.



FREE SAMPLE of The Silk Code


Read more of The Silk Code -  Kindle US ... Kindle UK  ... Kindle France ... Kindle Spain ... Kindle Italy ... Kindle Germany ... Kindle Japan ... Kindle India ... Nook US ... Nook UK ... Kobo

What the critics said:

"As a genre-bending blend of police procedural and science fiction, The Silk Code delivers on its promises." -- Gerald Jonas, The New York Times Book Review

"As twisted as a double helix. " -- Wired

"D'Amato is an appealingly savvy character, and Levinson brings a great deal of invention to the endeavor." -- San Francisco Chronicle

"It is hard to put down, easy to pick up again, and an interesting read. " -- San Diego Union-Tribune

"Mixes up-to-the-minute biotechnology with ancient myth, science fiction with police procedure, and prehistory with the near future. It's an impressive debut." -- Joe Haldeman

"Forensic detective Phil D'Amato is one of my favorite characters, and the puzzles he solves are always imaginative, ingenious, and addictive, but Paul Levinson really outdoes himself this time in a mystery involving murders, moths, mummies, the Silk Road, poisons, fireflies, and forensics, all woven into a mystery only D'Amato could solve! A marvelous book!" -- Connie Willis

"This damn book has everything: interesting science, suspense, characters that live on the page - and that we like! -- and it debuts a new series hero, Dr. Phil D'Amato, forensic detective. I couldn't put The Silk Code down. I'll wager you won't be able to either. Oh, and this is the kicker: The Silk Code is Paul Levinson's first novel. " -- Jack Dann

"At last we get Paul Levinson's superb forensic sleuth, Phil D'Amato, in a full-length novel. If you know Phil from his previous appearances, I need say no more. If you don't, kick back and enjoy a mystery that spans the ages." --Jack McDevitt

"The Silk Code is an intriguing story refreshingly rich not only in action but in ideas. Seldom have I seen a story so engagingly weave together so many seemingly disparate (dare I say it?) threads." --Stanley Schmidt, editor of Analog

"Paul Levinson is an exceptional new writer, behind whose work stands an impressive body of knowledge and a great deal of human understanding. His first novel signals a writer to watch for the provocation and pleasure that he will bring to thoughtful readers. The Silk Code is smoothly written, evocative, and spicy! Highly recommended." -- George Zebrowski

"The Silk Code is a splendidly imaginative novel that explores worlds of ideas both scientific and philosophical, while carrying the reader effortlessly across countries, times, and cultures." -- Charles Sheffield

"The Silk Code is science fiction in the classic style, with an innovative mystery that breaks new ground. Acclaimed for his short fiction and insightful writing on the computer age, Paul Levinson now brings his many talents to a complex novel that will keep you guessing until the last page. " -- Catherine Asaro

"... sheer conceptual verve" -- Robert K. J. Killheffer, The Magazine of Fantasy and Science Fiction

"...cerebral but gripping" -- Booklist

"Combining Neanderthals and mechanical looms, cantaloupes and coded butterflies, Levinson's debut novel...offers a flurry of amazing prehistoric technologies, demonstrating that the mysteries of our past can be just as fruitful as those of our future... Levinson creatively explains gaps in both ancient history and biology... providing more wonders than many a futuristic epic." -- Publishers Weekly

"...well-informed and imaginative" -- Kirkus Reviews

"...spins an ingenious web of genetic manipulation and anthropological evidence" --Library Journal

"A rare thriller that actually achieves its goals as a detective tale and a work of boldly speculative sf." -- Gary K. Wolfe, Locus Magazine

"I read this book quite a few years ago but I felt compelled to re-read it because parts of the story have been so firmly wedged in my brain that I needed to experience the entire thing again." -- Cannonball Read

"This is one I don't hesitate to recommend." - Jandy's Reading Room

"Paul Levinson's The Silk Code is inventive. I can't said I'd ever read another SF novel that included Neanderthals, bioengineering and the Amish." - Kristin's Book Log

"I found the genetic manipulation that Levinson describes absolutely fascinating." - Silk Screen Views 
"Levinson's first novel - already brilliant." -Jaroslav Bláha

and ... "Daddy, this is the best book I ever read!" -- Molly Vozick-Levinson, 12 years old at the time


FREE SAMPLE of The Silk Code

The Life and Times of Dr. Phil D'Amato, hero of The Silk Code ...

The Silk Code on The History Channel




The Life and Times of Phil D'Amato
The Life and Times of Phil D'Amato 100 members for fans and would-be fans of Dr. Phil D'Amato, the fictional NYPD forensic detective



View this group on Goodreads »

Thursday, September 24, 2009

Amazon, Big Brother, and the Kindle

My latest book, New New Media, was published by Penguin Academics on September 5, 2009.  As I point out on the first page, the book is about media so new that some of them - such as Twitter and YouTube - did not even exist five years ago.   I wrote the book as close to the bone of current events as possible.   The use of Twitter by protestors in Iran in June 2009, for example, is prominently included in the book's Twitter chapter.

But I turned the book's final revisions into the publisher in July, and the pace of important developments in the world of media has of course not slackened in the slightest.   This blog post is the first of a running series I will be posting here, there, and everywhere about these newest of new developments.

One of the most significant of such developments occurred in mid-July, when Amazon abruptly reached into the Kindles of every Kindle owner and removed George Orwell's 1984, which Amazon said it discovered it did not have the legal right to sell.   Kindle owners and the online world at large were furious, especially because annotations which Kindle owners had made on their purchased copies of 1984 were removed with the book.   If Amazon had wanted to demonstrate that the Big Brother information control in 1984 was alive and kicking in our digital age, it could not have put forth a better example.

Amazon founder and CEO Jeff Bezos soon apologized, calling its solution to the copyright problem "stupid, thoughtless, and painfully out of line with our principles."  Amazon offered to either refund the $30 which the Kindle edition cost, or re-delver the copy of 1984, along with any absconded annotations.

But this series of events provides an instructive example of the difference between new media and new new media, which I discuss throughout the book.  "New" media exist on the Web, alongside of new new media.   But "new" media often operate in accordance with older, top-down principles of information control.   In the case of a newspaper online, such as The New York Times, the older approach is manifest in the selection of stories by editors.   In true new new media, stories are selected and even written by readers - that is the case in any personal blog.   In the case of iTunes and Amazon, consumers are charged for the content.  In new new media such as Twitter and YouTube, the content is free.

Amazon took a huge step into the past by not only charging for its Kindle books, but removing one of them after it had been purchased.   Its apology was certainly welcome.   But the lesson endures that there is a very big difference between older ways of doing business on the web, and the newer more liberated ways of new new media.
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