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Showing posts with label Neville Brothers. Show all posts
Showing posts with label Neville Brothers. Show all posts

Monday, June 7, 2010

Treme 1.8: Passions and Dreams

I had a tough time deciding which musical performance I liked best in Treme 1.8 on HBO last night - pretty much a tie between McAlary singing "Battle of New Orleans" at his family gathering and Janette delivering a fine version of "Iko Iko" in one of the myriad of threads to the Mardi Gras tapestry - I guess I'd give Janette the edge.    And lots of other great music, including a version of the Nevilles' "Tell It Like It Is," and a few of the Nevilles showing up for another gig.

Lots of good passion in the streets, too.   Sonny getting hot, long, deep kisses from two beauties on a float, and Antoine and Ladonna having another go at it.  This after Antoine and his current woman talk about his "perimeters" after she says he should go forth and have a good time.  She makes clear that the parameters do not including sleeping with another woman, but, hey, Antoine is irrepressible (not only with women, but in stiffing cabbies).

Ladonna is still keeping her brother's death from her family, and it's fair to say she's not completely in her right mind on this day.   None of our characters ever quite are in Treme, but, then again, is anyone really anywhere?  Annie and Sonny are still performing well together, but that's only in their music.  By the end of the episode, Annie and McAlary are talking and walking together, and they could make a pretty good couple.

The only person outright unhappy on this day is not even Albert, who's in jail, but Creighton.   In a soft, searing YouTube diatribe, he talks about the dream that was always New Orleans now being no more than a dream of a dream.

But if Treme shows us anything, it is that the people and the music and the food are as real as it gets, a joy in life that defies the most damaging catastrophe.   The parallels to the current oil spill are unavoidable, and the message is that one way or another the people in this beautiful part of the world will somehow prevail in the end once again.


5-min podcast review of Treme

See also Treme! ... Treme 1.2: "If you ain't been to heaven" ... Treme 1.3: Fine Sweet and Sour ... Treme 1.4: New Orleans, New York, Nashville ... Treme 1.5: Delicious!


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The Plot to Save Socrates



"challenging fun" - Entertainment Weekly

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"Sierra Waters is sexy as hell" - curled up with a good book

Wednesday, March 21, 2007

The Wire's "Way Down in the Hole" - Enjoying the Disappointment

I was thinking about HBO's The Wire, how much I love its theme song - Tom Waits' "Way Down in the Hole". It's probably my favorite tv song of all time.

Not just because you can't compare it to catchy light-weights like the Friends' theme song, or the many fine instrumentals like Lalo Schifrin's music for Mission: Impossible.

"Way Down in the Hole" is even better than The Sopranos's "Woke Up this Morning" (by A3)...

It's had an amazing life on the show.

Sung by four different artists, in four different ways, in each of The Wire's four seasons.

I loved the first rendition, by the Blind Boys of Alabama. Slow, soulful, melodic and harmonic. I couldn't believe how good it was.

And I couldn't believe it when they replaced it in Season 2 with Tom Waits' own version. I mean, ok, he wrote it, sure, and I like his voice ... but I really missed the Blind Boys' singing ... for maybe about three episodes, and then I was lovin' Waits' performance.

So, you can imagine how unhappy I was with the Neville Bros' version instead of Waits' (which by this time had become the standard for me) at the start of Season 3. The Nevilles - what I can say? I've been crazy about their singing since I first heard "Tell It Like It Is" in the 1960s. And I'll just throw in that Aaron Neville's voice can make a skyscraper sway, though I don't think he was singing on the Neville's version of "Hole".

Which I quickly came to think was my favorite of all the recordings, too.

Which is why I was so upset to hear DoMaJe singing the song in Season 4 - you'd think I would've learned by now - but, no, I was almost as irritated by DoMaJe's choppy version as I was that Idris Elba's Stringer Bell was no longer on the show (and I was plenty unpleased about that)...

But I came to be crazy about DoMaJe, too (and yeah, I thought Season 4 was outstanding - even though I still miss Stringer). And after the season was over, I listened to all four versions, and thought maybe I liked DoMaJe's the best...

But no, not really, I love them all ... each of them ... the hallmark of a brilliant song, brilliantly performed...

And I'm really looking forward to being really disappointed, yet again, when I hear what they've got going on "Way Down in the Hole" for Season 5...

See also Looking Back At The Wire






The Plot to Save Socrates


"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book


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