Chuck Todd interviews me about alternate histories
Showing posts with label Saul Rubinek. Show all posts
Showing posts with label Saul Rubinek. Show all posts

Monday, January 5, 2026

The Copenhagen Test: Don't Try to Pass It, Watch It



Binged The Copenhagen Test -- eight episodes -- on Peacock the past the two nights.  It's billed as a spy thriller, which it certainly is.  But in as much as Alexander Hale (powerfully played by Simu Liu, pretty much first time I've seen him, ok I saw him in Barbie) is a spy who discovers he's been hacked -- everything he sees and hears is streamed by his brain to whomever has the receiver -- I'd say The Copenhagen Test easily qualifies as cyberpunk, a well-known branch of science fiction.  I mean, I guess this kind of neural hack is related to Elon Musk's Neuralink, but that's a very first step, and the hack in The Copenhagen Test is already serious big business for the Orphanage, the US spy agency that monitors the CIA, the FBI, etc.

Now, I'm not going to tell you anything about the plot, because one of the many strengths of The Copenhagen Test are the twists and turns which multiply faster than Frank the Bunny in Donnie Darko.  Indeed, just when you think you've been told the whole story, you're dealt another curve ball, and the only way to really know the story is over is when the eighth episode is completed, and even then, well ,,,

Along the same lines, the morphing of heroes into villains and vice versa is the most I've seen or read in any story.   But it all makes pretty much sense in the end, and my only regret is that The Copenhagen Test didn't have the Beach Boys' "Heroes and Villains" as its theme song.

About the acting:  As I said, Simu Liu was superb.  So was Brian d'Arcy James as Peter Moira, someone pretty high up in the Orphanage, whom my wife immediately recognized from The Family McMullen, which we saw last week.  Sinclair Daniel and Melissa Barrera were both indelible in their parts, and you can't go wrong with Saul Rubinek, especially when there's so much action in his character's restaurant.

And trust me, if you're a fan of spy narratives and cyberpunk, even if you're not, you can't go wrong with The Copenhagen Test.

 




Sunday, July 26, 2009

The Bones in Warehouse 13

Warehouse 13 is off to a good start on the SyFy (formerly SciFi) Channel.

Bering (Joanne Kelly) and Lattimer (Eddie McClintock) have a lot of the chemistry of Bones and Booth in Bones, and the couples even look a lot like each other (Lattimer a little more like Booth). And Artie Nielsen (Saul Rubinek), while we're into comparisons, reminds me of Walter on Fringe.

But the comparisons end there, and if you relish science fiction, as I do, the stories on Warehouse are more intriguing than those on Bones. The warehouse houses off-the-track artifacts from various times in the past, my favorite being a neat-looking mobile videophone from the 1920s - which still works just fine, and is used by Bering and Lattimer - and is said to have been invented just after television. This is actually an historically sound premise, because the first famous display of television was actually a two-way connection, between then Secretary of Commerce Herbert Hoover in Washington talking to AT&T President Gifford in NYC in 1927.

And the warehouse is clearly informed by and sprinkled with the work - known and unknown, real and hypothesized - of the likes of Edison and his rival Tesla. This puts the series in an historically and scientifically grounded kind of science fiction that I usually prefer to the alternate dimensions of Fringe.

But the potential also exists in Warehouse for it to blur its focus with genies in bottles, and, in fact, the premier episode had a bit too much of that.

So we'll just have to see. But if the series remains true to its Asimovian, nearly factual roots, Warehouse could well be worth browsing through and looking at for years to come on SyFy.





5-min podcast review of Warehouse 13










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