Chuck Todd interviews me about alternate histories
Showing posts with label John Lennon. Show all posts
Showing posts with label John Lennon. Show all posts

Wednesday, July 8, 2026

The Fix: A Short Film with a Crucial Story



I first met Amanda Greer nearly a decade ago, in 2017, after I saw her performance as Marilyn Monroe in Anthony Marinelli's play, Max & Domino, which was playing at The Duke on 42nd Street in Manhattan.  I had first gotten to know Anthony some years before, when he asked me if I thought he got Marshall McLuhan's concept of "acoustic space" right in the play Anthony wrote (later made into a movie) of the same name (Anthony did get it right).  And I first got to see Denise Reed, with Amanda, in Marinelli's production of Sartre's No Exit in 2020, and I saw the two again in Anthony's wise and hilarious Why I Had to Kill You While You Slept in 2023.  Denise also played an important role in an episode of FBI on CBS in 2024, and joined Amanda and Anthony and me in a dramatic reading taken from my 2024 novel It's Real Life: An Alternate History of The Beatles at Big Red Books in Nyack, NY in 2025 (Anthony and Amanda are real-life characters in the novel).

I tell you all this because when I heard that Amanda and Denise had formed a production company -- The Abbey, Stories Worth Telling By Women, For Women -- I couldn't wait to see one of their movies.  And The Fix, an 18-minute short (co-written by Chelsea Hattan and Anthony Marinelli, from a story by Amanda Greer), is one powerhouse of a film -- a brutal,  scathing, heartbreaking, hopeful, all-too-real portrait of what it means to be a woman addicted to heroin.

The heartbreak and horror of heroin addiction has been depicted in feature-length films like Trainspotting (1996) which also tried to leaven its message with dark humor.  The Fix has no time for that.  There's nothing funny about its smiles.   Anyone who thinks there's an easy exit out of this kind of hell will be quickly disabused.  Indeed, the creative work that comes closest to the The Fix in tone and message is something even shorter than this movie, John Lennon's "Cold Turkey", a song 5 minutes and 1 second long.

Speaking of cold turkey, of course in reality there are ways out of heroin addiction.  But all are life shaking.  Is The Fix wrong to vividly portray such a painful situation?  No, because it's also a testament to sheer human willpower, how the part of us that strives to save our lives can triumph over the part that seeks to blissfully self-destruct -- they're two sides of the same human coin.  Anything that shows people this reality is eminently worth seeing.  The Fix been making the film festival rounds -- garnering 16 nominations and 9 wins -- and will be at the 32nd Annual San Antonio Film Festival later this month of July.

Here's the trailer.




Friday, March 27, 2026

For All Mankind 5.1: On the Intersection of Alternate and Real Histories



For All Mankind is back on Apple TV with the debut first episode of its 5th Season.

As has been usual with the more recent seasons, my favorite part of this season was the alternate history set up which we see at the beginning of this first episode of this new season.  As a reminder, the alternate history split in this series hinges on the Soviet Union beating us to the Moon back in the late 1960s.  Among the profoundly important consequences for the human species is that we have a much more active ensuing space program, as we vie with the Soviets for a predominant position off our planet.

My favorite alternate history flourishes in the 2004-2012 years that are the foundation of this 5th season are:

  • John Lennon and Jay Z have a joint concert in this period, because, as was already established in an earlier season, Lennon was not assassinated at the end of 1980 in this alternate history.  Readers of my blogs will know this is so important to me: I wrote a short story, made into a radio play, then expanded into a novel in which John Lennon was not assassinated and The Beatles are still together in the mid-1990s.  I think that most assassinations are errors in the cosmos, and I feel especially good when an alternate history corrects them.
  • I also loved the fact in this alternate history that JFK Jr is expected to run for President in 2012, meaning he didn't die in the plane that fell into the sea with his wife Carolyn Bessette and her sister, as they did in our all too often so cruel reality we apparently all inhabit off-screen.  In the alternate history portrayed in For All Mankind, former President Ted Kennedy -- yes, he's elected President in this series in 1972 -- Chappaquiddick didn't happen -- but dies a few years before 2012 of a brain tumor.  A good alternate history always mixes in some elements of real history to make the fiction convincing.  In our real history, Teddy died of a brain tumor in 2009.  
Now, on this last point of JFK Jr being expected to run for President in 2012, I just yesterday completed my review of Love Story, the nine-episode narrative of JFK Jr's relationship with Carolyn Bessette, and how it ended so terribly tragically.   Talk about about the intersection of alternate and real history, you couldn't ask for a better example of the first episode of this season of For All Mankind debuting the day after Love Story concluded.

***

You'll notice that I haven't said anything about the story that continued after the alternate history Intro in For All Mankind 5.1.   That's because I didn't find anything of really exceptional interest in the ensuing story.   But not to worry -- I intend to keep watching and reviewing every episode.

See also For All Mankind 4.1: Back in Business and Alternate Reality ... 4.2: The Fate of Gorbachev ... 4.3-4.4: The Soviet Union in the 21st Century, On Earth and Mars ... 4.5: Al Gore as President and AI ... 4.6: Aleida and Margot ... 4.7: Dev on Mars ... 4.8: Sergei and Margot ... 4.9: Progress ... 4.10: Earth vs. Mars

And see also For All Mankind 3.1: The Alternate Reality Progresses ... 3.2: D-Mail ... 3.3-3.4: The Race

And see also For All Mankind, Season 1 and Episode 2.1: Alternate Space Race Reality ... For All Mankind 2.2: The Peanut Butter Sandwich ... For All Mankind 2.3: "Guns to the Moon" ... For All Mankind 2.4: Close to Reality ... For All Mankind 2.5: Johnny and the Wrath of Kahn ... For All Mankind 2.6: Couplings ... For All Mankind 2.7: Alternate History Surges ... For All Mankind 2.8: Really Lost in Translation ... For All Mankind 2.9: Relationships ... For All Mankind 2.10: Definitely Not the End

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Saturday, November 29, 2025

(Beatles) Anthology 2025: The Highs and the Highs (and the One Low)



My wife and I watched the renewed and expanded Beatles' Anthology on Disney+ the past three nights. I'd seen and heard bits and pieces of various lengths of the original eight episodes -- on YouTube, The Beatles Channel on Sirius XM, and everything in between -- which originally aired on ABC-TV in 1995, but we somehow had managed not to have seen that original on the unsmart TV in our family room.  It was more than wonderful to see and hear what 2025 director Oliver Murray did with the 1995 eight episodes -- uncovering/discovering new footage as well as calling upon Peter Jackson and his elves to bring to current vibrant life what was done in 1995 (just as Jackson had done so miraculously with The Beatles: Get Back in 2021) -- but the real treat for me (treat is too weak a word) was seeing the new ninth episode.

I'll go over some of highlights of the first eight episodes, and then delve into the wonders of ninth episode, and the one problem I had with it.

About the first eight episodes:

  • It was great to see Murray the K get his due (just as he had in Martin Scorsese's Beatles '64 last year).  I worked with Murray the K when he was at WNBC Radio in New York City in 1970s.  He hired me after he read my article "Murray the K in Nostalgia's Noose" in The Village Voice in 1972 (my second-ever published work -- my first was "A Vote for McCartney" a year earlier, my response to dyspeptic critic Robert Christgau's attack on Paul and his early post-Beatles work).  Murray never got the credit he deserved back then in ushering in The Beatles, and before then on WINS with Alan Freed, and after when he was on WOR-FM helping to invent the FM radio format. I had such a good time working with him on NBC, I even wrote and recorded a song about him -- "Murray the K's Back in Town" -- which he played on the air.  (The late Pete Fornatale -- protagonist of my It's Real Life: An Alternate History of The Beatles -- played that song on his Mixed Bag on WFUV Radio in the early 2010s.)
  • Great shots that I hadn't seen before of The Beatles in their 1964 Washington, DC concert!
  • There was a spectre, a foreshading, of what would happen to John at the end of 1980. George worries throughout about the exposure of The Beatles in a country in which John F. Kennedy had just been assassinated.  (The sick devotion to guns in this country is still claiming lives.)  John himself notes after the DC concert that "some bloody animal cut Ringo's hair".
  • I was reminded again what a uniquely almost  extraterrestrial person Ed Sullivan was.  I mean, no one here on Earth had his accent or his delivery.  Even in Japan, the Beatles are introduced in Japanese (of course), and the host concludes in English with "Ladies and Gentlemen, The Beatles!" -- delivered in a pretty good mimic of Ed.
  • I find it hard to believe that "Pennylane" didn't go to #1 in the UK. Beaten out by Engelbert Humperdinck's "Release Me"? Maybe if it was "Les Bicyclettes de Belsize" ...
  • John -- after The Beatles had broken up and at odds with Paul -- objects to Sgt Pepper being called a "concept" album, saying "Mr. Kite" and all the songs on the album other than the Peppers could easily have been on any other Beatles' LP.   (George also critiques Sgt Pepper.)  As far as I'm concerned, I think Sgt Pepper is indeed a concept album and what John says is also true.  There's really no contradiction here, both are true.  And I'll also say how happy I was to find the following poster in an antique shop my wife and I were in, must've been, the late 1970s.  It's hanging on a wall outside our bedroom.  Every time I walk by it, I smile.  It reminds me of Sgt Pepper.


Now, about the new ninth episode:

It was not only heartwarming (to see the three surviving Beatles still making such superb music) and heartbreaking (because now George is gone), it was chock full of fascinating and important information.  My favorite example: I had always heard, regarding the genesis of "Free As A Bird", "Real Love", and "Now and Then", that the transformation projects began when Yoko Ono gave Paul a tape with some of John's demo recordings from the 1970s.  But in episode 9 of Anthology, George tells us about a crucial preface: When Roy Orbison died, The Traveling Wilburys were thinking of taking some of Elvis's demos and bringing them to life with the inimitable Wilbury voices.  But they decided not to go in that direction, because (in George's words), it was "too gimmicky".  (George didn't say, but rumor has it that the Wilburys were thinking of inducting Del Shannon into the group, but he took his life in 1990.)

But if I had to pick my favorite moment in the ninth episode, and therefore all nine episodes of this beautifully burnished Anthology, it would be Paul and George completing their incomparable three-part Beatles harmony with John's voice in the chorus of "Real Love".  It's been one of my favorite Beatles songs since I first heard it in the mid-1990s.  The song inspired me to write It's Real Life: An Alternate History of The Beatles (the video of Anne Reburn's cover of the song follows below -- she performed this in the radio play broadcast on Killerwatt Radio, adapted from the first chapter of my novel; "Real Life", by the way, was John's title for the song before he changed it to "Real Love").  Paul and George's voices being in such synch with John's recording, the harmony snapping into place, snapping into life, is a deeply acoustic proof to me that this uniquely satisfying sound will never die.  At that instant, the former Beatles became The Beatles again, and gave evidence that The Beatles will always be with us.


Powers that be often miss the immortality of what is all around them.  After Marshall McLuhan died in December 1980 (same year and month as John: their lives were intertwined: they both hit America big in 1964), I proposed a book about him to an editor at St. Martin's Press.  He laughed and told me no one cared about McLuhan any more. That book became my Digital McLuhan, which Routledge published in 1999.  I still receive royalties checks for sales of that book every year.   In the 1970s, I told my doctoral thesis advisor Neil Postman that I thought The Beatles, like Shakespeare, would be known and enjoyed for as long as there were human beings.  He laughed too.

Which brings me to the one criticism I have about episode 9.  Paul and Ringo are still alive.  Yes,The Beatles music including their harmonies will live forever.  But not the mortals who made it.  Wouldn't it have been wonderful to have another hour, or even just a few minutes, to have Paul and Ringo look back at 1995 from their vantage point right now?  Oliver Murray of course interviewed Paul and Ringo in the short film he made, Now and Then: The Last Beatles Song, that accompanied release of the single in 2023.  I guess that could be considered a coda to Anthology 2025, but wouldn't a few additional or more words from Paul and Ringo looking back at what they accomplished in 1994 (when "Free As A Bird" was made) and 1995 (when "Real Love" was made) have been just the perfect cup of sencha tea after the marvel we just took in?

Chris Willman asks Oliver Murray in an excellent interview in Variety why there are no contemporary 2025 voices in Episode 9.   Murray replies: "I didn’t really like the idea of Ringo [and Paul] in 2025 talking about an interview that he gave in 1995 about something that happened in 1965. It was all too nebulous to do that." I'm not sure I know what "too nebulous" means, in this context. "That is, I think I disagree".



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Added February 10, 2026: Check out this new episode of Rock Talk Studio

Saturday, November 15, 2025

One to One: John & Yoko: As They Really Were



My wife and I just finished watching One to One: John and Yoko, the 2024 documentary, 141 minutes, comprised of never-seen-before and newly restored footage, of John and Yoko and others, singing and talking, now on HBO.  It takes place mostly in New York City, in the early 1970s.   For all kinds of reasons, I thought it was one of most powerful, effective documentaries I've ever seen.

Here are some of the reasons, in no particular order:

  • Yoko has a beautiful singing voice.  I don't know why, but just about everything I've heard her sing up until One to One has Yoko wailing, often off-key.  But that obviously was a deliberate performance.   In fact, she was a fine, sensitive singer.
  • Speaking of performances, I always thought John and Yoko's interlacing campaigns for peace, justice, women's rights, and just plain decency were some combination of real commitment and performative art.  I thought the real commitment was most of it, but after seeing One to One, I think it was all of it.  John Lennon may have wanted to have hit records in the 1970s, but they were all on behalf of deeply worthy causes.
  • And Lennon's singing sounded better than ever.  His performance at the One to One Concert put on to help kids at Willowbrook and kids with other disabilities was dynamite magic, at least as good as what he sounded like with The Beatles, with songs ranging from "Mother" to "Give Peace a Chance" and of course "Imagine" with lyrics that were more profound and important than anything The Beatles sang (as brilliant as so many of their songs are).
  • The documentary makes John and Yoko's love for New York palpable. It pulsates through the screen.
But that brings me to the end of the movie, which rolls with the joy that Lennon felt when he beat the deportation charges that Nixon brought against him (Nixon, the worst American President until he was usurped by the current holder of that office).  But we who lived past the end of 1980 know that this celebration of a happy ending was tragically premature.  The bullets that One to One showed crippling George Wallace in his Presidential campaign in 1972 would go on in 1980 to take the life of John Lennon.  The same bullets, in as much as they shouldn't have gotten into the guns that got in the hands of the sicko psychos who pulled the triggers.  This was America.  It still is.

But that's another true story.  For tonight, my advice is see this documentary, and learn who John Lennon and Yoko Ono really were.

Further reading:

Audio:

  • “It’s Real Life” radio adaptation of the first chapter of the novel … here’s the radioplay on Killerwatt Radio … here’s the audiobook

  • my appearance on the Rock Is Lit podcast



  • check out the Rock Talk Studio podcast


Videos:

Saturday, October 4, 2025

Applying Marshall McLuhan to Our Current Predicaments



On September 30, 2025 I took part in a McLuhan Salon organized by Paolo Granata in Toronto.  The Salon was devoted to a consideration of some of the many issues Tom Cooper explored in his book Wisdom Weavers: The Lives and Thought of Harold Innis and Marshall McLuhan, published by Connected Editions on May 1, 2025.  The following is a slightly edited transcript of my responses to each of the three sections of Tom Cooper's presentation, in addition to my responses to two subsequent questions raised by members of the audience.  The audience in Toronto was present in-person with Paolo Granata at the event.  Tom Cooper and I attended via Zoom.

Part 1

I've been thinking increasingly in the last couple of years that the work of Marshall McLuhan and Harold Innis has never been more important to our world than it is now. As all of you up in Canada know all too well, the United States is being pulled apart by a President and his supporters, who seem to be happily marching increasingly towards a fascist government. And people who are upset and concerned about that are, among other things that they're doing, desperately struggling to understand how that happened, and what we can do, if we do understand how and why that happened, to stop and reverse that trend.

So, Tom Cooper contacted me in August of 2024 -- it seems now like about 10 years ago, because so much has happened since then -- to tell me about his book, Wisdom Weavers, an intellectual biography of Marshall McLuhan and Harold Innis, which he wanted to get published. By the way, it's worth noting that this book literally has been about half a century in the making, in the writing. And that's something that we all know, that books take a long time to write, and sometimes even longer to get published, but I think most of us can agree that 50 years is a very long time. But that's one of the great strengths of the book. And Tom had been working on this, and has been witness to all of the political upheavals in the United States.

And I have noticed, if you pay any attention at all to the news, in this struggle to understand how we got here -- we being we here in the United States, we being the United States and Canada, we being the whole world -- that increasingly, Marshall McLuhan's name comes up, because most people who understand anything about the history of communications and media, who at all have a sense that what we see and hear on television, listen to on the radio, talk about through our smartphones, and most importantly, what we do now through social media, are also aware that, well, there was this theorist Marshall McLuhan, who talked about a global village. Not in 2012, not in 2002, not in 1992, but way, way back in 1962.

And maybe some of the things that McLuhan talked about, and as we also know, when you delve into the history of Marshall McLuhan as a scholar and as a person, his awareness of and interaction with and reading the works of Harold Innis, maybe, maybe that has something that we can learn from and we can use to help us better contend with these momentous changes.

So when Tom contacted me and told me about his book, I immediately said, well, send it to me. And that very evening as I was reading it, I knew what a crucial gift this would be to our current world as we struggled to make sense of what was going on.

So I don't think that Harold Innis and Marshall McLuhan have ever been as important to the world as they are now, and I think we're very fortunate to have a book like Wisdom Weavers that can tell us so much about those two.

And I'm glad that I happen to have this publishing company, Connected Editions, that could publish this book. My wife Tina Vozick and I, back in the early 1980s, created an organization called Connected Education. Connect Ed or ConnectEd, for short, and what we were doing back then was offering online courses for academic credit. And we had arrangements with the New School for Social Research, with Bath Spa University, originally called Bath College over in England, with Pacific Oaks University out on the West Coast of the United States. And we had this program going for about a good 15 years -- before I got tired of teaching online and decided to go back to the classroom and teach in-person -- but one of the things that I thought our organization could benefit from was creating an online publishing company, and since we had Connected Education, I thought it would be good to have another Connect Ed company, in this case, Connected Editions.

That's how the publisher of Wisdom Weavers was created. And when we decided to wrap up Connected Education, we still kept Connected Editions going, because we'd published a few books, and we thought they were important books. But, Connected Editions was pretty much in the closet in 2024, so in addition to everything else, the timing was right, because when Tom and I had that conversation, and, I got off the phone, and Tina said who are you talking to? I said, well, you may recall Tom Cooper. And I immediately said, you know, maybe it's time to bring Connected Editions back into the forefront, back into the fight to not only get more people aware of the important things in the world, but in the fight that I think all of us who believe in freedom are now conscripted in the political army to fight.

Part 2

I'd like to talk about about the power of parasocial relationships. And here's a true story that concerns Marshall McLuhan.

It also concerns a very good friend of mine, someone who sat next to me in the Media Ecology Program at NYU, who completed his PhD, literally, in the same few months that I completed mine. His name may be familiar to some of you, Joshua Meyrowitz. And here is this true story which shows the power of parasocial relationships, which, by the way, Josh Meyerowitz, who's remains a very close friend of mine, investigated in his doctoral dissertation, No Sense of Place, which he eventually, I guess, 6 or 7 years after he finished his PhD, developed into the book No Sense of Place, which is on the verge of celebrating its 40th publication anniversary by Oxford University Press.

Anyway, as many of you, maybe all of you, know, December 1980 was a pretty grim time as far as the loss of people that many people in the world, for different reasons, regarded as absolutely essential to their understanding of the world.

One was Marshall McLuhan, who had suffered a stroke earlier in that year, but left us, finally, in December 1980. And at that point, I was pretty close friends with Eric McLuhan, Marshall's son. And with Corinne McLuhan, Marshall's wife -- and by the way, there's a lot about the women, who played such a big role in both Marshall's life and Harold Innis' life, in Tom's book.

But as soon as we heard about Marshall's passing, Tina and I knew that we were going to go up to Toronto to attend as much of his funeral and services as people who are not members of his family could attend. And that's what we did. And as we were getting ready to do this -- that is to go up to Toronto, Tina and I -- I called Josh, who at this point was teaching at the University of New Hampshire in Durham, New Hampshire. He was then married to Candy Leonard, who would go on to actually write a couple of books about the Beatles, a very significant author. And I said to Josh, by the way, are you and Candy going to come up to Toronto for Marshall's funeral?

But another tragedy had occurred in December. John Lennon was assassinated. And, as I've been telling people for a while, ever since I wrote a novel called It's Real Life, an Alternate History of the Beatles, in which John Lennon was not assassinated, that killing changed my life. The novel is fiction, science fiction. Which I enjoyed writing. But in our world, the reality is he was assassinated.

And so those two things happened in December 1980. And the point I'm getting to is that Josh said, no, we're not going to go up to Marshall's funeral much as we would want to.

And I said to Josh, well, why not?

And he said, well, there's an event in Manhattan. People are getting together to basically express their horror at what happened to John Lennon and their love of John Lennon and his music. And Candy and I decided that's what we're going to do. We're going to be traveling, but we're going to travel from New Hampshire to Manhattan, not from New Hampshire to Toronto.

And if you think about it, there you have a parasocial relationship so powerful, that even though Joshua Meyrowitz had met McLuhan -- in fact, one of the things that I was happy that Tom picked up on in Wisdom Weavers was the pot roast dinner that Tina made the night before the Tetrad conference that I organized at Fairleigh Dickinson University in the late 1970s, a dinner in which Marshall and Eric, Tina and I, were joined by Joshua Meyerowitz and Ed Wachtell, another media theorist -- but even though Josh had broken bread with McLuhan, sat across a dinner table with him, Josh and Candy decided to go to Manhattan because of their parasocial feelings for John Lennon.

So yes, Marshall was someone that Josh felt very close to. But the power of his parasocial relationship with John Lennon led him to attend that event in New York, even though he had never met John Lennon in person.  (By the way, I had met John Lennon in person once in a crowded elevator in a building in New York City.) So the parasocial is indeed an incredibly powerful force in all of our lives. We all interact with all kinds of media all the time. And we have very profound emotions about people who don't know us from Adam or Eve. And it's important to pay attention to that.

I wanted also to move to a slightly different topic to defend Marshall McLuhan and what he came up with, one of his most famous "probes," as he would call it. I would call it a concept, but it doesn't matter what the word is. But I'm talking about the "global village". And I think you have to give McLuhan enormous credit for that. In 1962, what got McLuhan to write about the global village, no doubt, was television. And if you think about it, there was nothing global about television back in 1962, and I'm old enough to remember that. And I can see, looking at the audience, that a few of you are old enough, too.

And, not only was it not global, what television created, it wasn't really a village either.

It was national in countries like the United States. Okay, that's a lot of territory, but TV did not create a village, because last time I checked, in a village, people could talk to each other, exchange ideas, across and throughout the village.

What television was ... well, it was basically a media environment of one-way wires. People watched television, but they couldn't communicate at all with the people who were on television. At most, they could communicate with people in their own families, and some friends, and maybe some business associates. At the proverbial water cooler.

So, in this environment, McLuhan talks about the global village. And the global village doesn't come into actual being until a good 30, 35 years later, when the Internet, the web, first came on the scene.

And obviously, the world we live in now is indeed a full-fledged global village, with all its benefits and all its dangers. So McLuhan may not have been entirely right about the global village, but you have to give him credit. You know, you talk about foresight, you talk about a perception that can span decades into the future. His understanding of human communication was so deep and rich that he was able to foresee -- not just predicting something, like some swami who might be able to say, I can predict the future, but no, McLuhan' notion of the global village was based on his insight into human communications, and I think that's one of his most signal accomplishments.

Last point I'll make, but very briefly, and maybe at some point in the future, at another conference, or maybe later at this event, I'll tell you more about it. Here it is: I'm not as worried about AI as many other people are. I think it's just another technology. Yes, it is going to have an enormous impact, it's going to have a good impact, it's going to have a bad impact, everything in between.

We do need to understand it better. But I'm not worried that as soon as this event is finished, there's gonna be a knock at my door, I'll open up the door, and I'll see Arnold Schwarzenegger saying, is Sarah Connor here? I'm not worried about that happening at all, at least not in our lifetimes.

Part 3

Let me pick up on what I was saying about artificial intelligence. It's done us, and is doing us, an enormous amount of good in areas like medicine, in areas like transportation, and this also relates to our health.

I'm old enough to remember, and again, I can see many people in our audience are old enough to remember, when, if you were going over a bridge or under a tunnel, you had to pay a toll. That's still the case, but there was usually some person in that toll booth, a collector, who was collecting your toll.

That person's job at least 8 hours a day, 5 days a week, was to sit there, collect tolls, and breathe in God knows how much carbon monoxide. You know, it's amazing that they lived long enough time to even get trained to be a toll collector. But, now, of course, we go over bridges, we go over tunnels, and we have an AI system keeping track of our tolls, and no one has to do that kind of job. And there are many other unhealthy jobs like that.

Yet I think it's a mistake, in many ways, to even call these systems, and AI in general, AI or artificial intelligence. I think a better word would be AS. And what I mean by that is artificial stupidity.

Because the systems are still not that bright. You know, I wrote a book, very small book, about 100 pages, called McLuhan in an Age of Social Media. I update it all the time. And I thought as I was preparing Tom's book for publication, I would get an idea of how adept an advanced AI program like ChatGPT, not the free version, but, even cheapskate that I am, I paid for a pretty sophisticated version. And so I figured I would do a test case. I would ask ChatGPT, could you prepare a name index for McLuhan in an Age of Social Media (like I might want you to do for Tom's book Wisdom Weavers).

And ChatGPT said, sure. And I uploaded the manuscript, and just a few hours later, it presented an index to me.

In which it missed about 30% of the names, and also included about 4 or 5 names that it pulled out of thin air. This is known as hallucinations in the AI field.

It did do one intelligent thing. I was talking about the billionaire who bought Twitter without mentioning Elon Musk's name, so to give the AI credit, it did put Musk's name in the index it prepared.

Anyway, I worked with that AI for about 2 weeks. It constantly promised that it was going to give me a better version.

Eventually, I said, look, enough is enough already. And I took what it gave me, went over the page by page with my own eyes, corrected the index, and now, finally, there is an index to that very short book. So, one of the reasons why I'm not too worried about AI is if it can't even do an index, a name-only index for a 100-page book. I don't see how much damage it can really do in the world.

And I know there are deep-fake videos and so on, but about that, I'll say, look, you know, we've been in that situation at least as long as since Abraham Lincoln was president. And if you take a look at another one of my books, Fake News in Real Context, you'll see a picture of Abraham Lincoln. It's actually a photograph of Abraham Lincoln. But it wasn't completely of Lincoln.

You see, the problem with Abraham Lincoln was -- he was a brave president, some people consider him America's greatest president -- but one of his problems was he didn't have very good posture. So, these photographers, these early photographers in the 1860s, took dozens of pictures of Lincoln. It was during the Civil War. They wanted to make those photos look as presidential as possible. But in every single picture, Lincoln was slouching. He didn't look comfortable.

So finally, what they did is, they came up with the brilliant idea, they lopped off Lincoln's head, and they took an older photograph of John Calhoun, an notorious Southern secessionist senator. And even though he believed in slavery, he did have one good thing about him, he had good posture.

So they took the photo of Lincoln's head and put it on top of a photo of John Calhoun's body, and that's the photograph of Lincoln that they circulated. And so Lincoln looked great.

In other words, that kind of hocus pocus of fake imagery began in the 1860s. That really is the beginning of fake news, you know, through imagery and videos, and now we have deep-fake videos. The solution to the problem is not to ban AI, or even denounce AI, it's just not to believe anything you see in a video, anything you see in a photograph. Don't believe it. You know, you just have to accept that it could be manipulated. And that pulls the fangs out deep-fake AI-manipulated videos.

And now a brief point about outer space, which Tom mentioned. Here's why I think going out into space beyond this planet is so important. A very simple, straightforward reason.

I'd like to know what the hell we're doing here.  That is what we as human beings, who can go out into space, who can communicate in the way we're doing right now, Tom in Honolulu, I'm up on Cape Cod, all of you are in Toronto, are all about. What is going on here? No other species can leave this planet. We marvel at the intelligence of great apes and dolphins. But last time I checked, none of them had an Isaac Asimov, none of them had a Niels Bohr or an Albert Einstein. Or a Marshall McLuhan. The great apes may be very intelligent, and all due respect to the great apes and other intelligent animals, but they don't have hold candle to our intelligence.

And not only that, we don't really know how everything was created, right? I mean, the Big Bang Theory doesn't explain it, because what created the Big Bang? What created the materials that made the Big Bang?

And as far as religions are concerned, okay, God created everything, but what created God? God created Him or Herself?

That's a clever, logical ploy, but it doesn't really answer our questions, does it? And I think the only way we're going to get a little bit better insight on what we're doing here in this world is to get beyond this pebble. Get beyond this planet where we happen to find ourselves, and see with our own eyes what is going on out there in the universe.

Obviously, not everyone agrees with me. I'll close with what my teacher, Neil Postman, probably the best teacher I ever had, but I disagreed with, like, 95% of his views, including what Neil Postman had to say about outer space. One day, when I made the same point to him that I just made to you about the need for human beings to go out into space, Neil turned to me and he said, "But Paul, you don't understand. There's no air out there."

So, you know, that was certainly true, but obviously we could travel in ships that give us air.

Part 4: Responses to Questions

(a) I think, by and large, that the only way we can improve our lives and our situations is through technology. Not only media, which are technology, but other technologies. So, one of the ways of dealing with not enough food to feed people is to have better agricultural technology -- or even, for example through genetic engineering, and I know that's very controversial in some places, but to make crops that are more resistant to natural ills, that can thrive in harsher temperatures, etc, etc.

And I see all of the concerns about the media need to be taken into a larger perspective of we're still a long way, as a species, from leading the lives we want to live. We, all of us, have disappointments that we see all around us, things which are not working well, and as I said, I can't think of any solution better than technologies which have extended our lives, have made parts of the world more conducive to human beings living there, and a whole series of other positive developments.

(b) Let me just say, I was already, before Trump became what he is today -- going back, actually,to the 1970s -- I was always very interested in the study of propaganda. How it's created and what it does. I studied it as a student in the Media Ecology program. It actually wasn't Neil Postman's specialty, it was Terry Moran's, somebody else in the NYU Media Ecology faculty, who doesn't get enough credit for his contribution to the program. And because of Terry Moran, I read the Institute for Propaganda Analysis, what that group did in their studies, which began in the late 1930s, continued into the early 1940s. And through that, and other research that I did, I became very well aware of what Joseph Goebbels and Adolf Hitler and his cronies did in Germany in the 1920s and 30s, and I became aware very early on that Joseph Goebbels was no dummy. It was Dr. Goebbels. The man had a PhD. He was a monster on an ethical basis, but he was highly intelligent, and he also understood human communication.

And the reason why I'm saying all this is it frightens me, and frighten is almost too weak a word, to see what's going on in the United States today, and in other parts of the world. Because, in many ways, it is following the exact same path that Hitler and Goebbels and their cronies followed in the Weimar Republic in the early 1930s, attacking comedians, rounding up immigrants and demonizing them. I mean, I could talk for an hour about all the things that are going on today in the United States, such as wanting to annex other neighboring countries. You know, one of the first things Trump said, after he was re-elected this second time, is, hey, he thinks Canada should become another state in the United States. I mean, this is, you know, like Hitler's Germany wanting to annex Austria, which he did, wanting to annex half of Czechoslovakia, which he did. And that finally led to World War II.

And so, this is a very real situation. And my best advice is, every single one of us needs to do whatever we can to stop that and fight that. I'm a professor, so fortunately, I have classrooms in which I can talk to my students about that. I have a blog in which I can write my head off about it. I have podcasts in which I can talk about it, I can talk about it even now to you, but every one of us who is concerned about this, well, the worst thing we can do is to keep quiet about it. We have to constantly oppose it and encourage other people to oppose it, and that was the mistake that people in Germany, well-meaning people in the 1930s, did. They didn't take Hitler seriously enough. They dismissed him as a clown. And all too often, I hear people dismiss Trump as a clown. Yes, he is, but he's far more dangerous than a clown, just as Hitler was.


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Andrey Mir presented  Tom Cooper's talk as a written post on Mir's Media Determinism blog on Substack on October 2, 2025.

Saturday, May 24, 2025

Dylan Debuts His Cover of Ricky Nelson's "Garden Party"

 

I just saw Bob Dylan singing Ricky Nelson's "Garden Party" in San Diego (on May 15, 2025) a few hours ago on YouTube.  I posted a link to it on all my social media.  But I had to say more.  In no order of importance (because I think all of these points are important):

  • Dylan's voice is outstanding.  I mean, his voice was already sounding better in his 2020 Rough and Ready LP (with a standout performance in his "Murder Most Foul" lament about the assassination of JFK), but his vocal in "Garden Party" has a real depth and subtlety, hitting some notes with a fluency almost approaching that of "Lay Lady Lay".
  • This cover shows, again, how Dylan is a mentch.  He must have greatly appreciated (1) when Ricky Nelson did a fine cover of Dylan's "She Belongs to Me" and (2) probably even more so when Dylan heard his name in "Garden Party" ("Mr. Hughes hid in Dylan's shoes").   This was, after all, certainly more appealing than what John Lennon said about Dylan explicitly in "God", and a whole lot better than Lennon's put down of Dylan (without mentioning his name) in The Beatles' "I Dig A Pony" (it was no doubt no consolation that Lennon also put down The Rolling Stones in that great song as well).
  • There's something very, I don't know, comforting, in reciprocal covers.  It shows, at least to me, that there's something fair and good about this cultural universe we all inhabit.  That's an important discovery, because the universe as we all know deals out all sorts of disappointments and betrayals (especially in show business, but more recently even more obvious in politics and its tentacles).
Dylan, when he broke through in the 1960s, was an absolute master of lyrics, at the zenith of that craft.  Cole Porter previously held that position, and Lennon, McCartney, and Harrison were often close seconds, but I've always thought that Dylan held and still holds that position alone.  It's good and gratifying to now see him make his mark in the increasingly important micro-genre of covers.


And here are Ricky Nelson's twin sons talking about Dylan's cover of their father's song (begins about 3 mins into the video):




See also It's Real Life: An Alternate History of The Beatles (chapter 8), where Ricky Nelson dies in 1996. ...


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