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Showing posts with label The Good Wife. Show all posts
Showing posts with label The Good Wife. Show all posts

Sunday, December 8, 2019

Evil 1.9: The Deposition



As is well known, the creators of Evil - Robert King and Michelle King - achieved their greatest previous success with The Good Wife, which would be up there on any all-time Top 20 network television series list, maybe higher.  For that matter, Mike Colter, who plays the leading role of David in Evil, played a leading role in The Good Wife, too.  In episode 1.9 of Evil, we get the most explicitly legal episode.  It had the least amount of logically inexplicable demons and supernatural about it - little more than a cat, and even that is debatable.  That was one reason I liked it the best of any episode of Evil so far (though, actually, I admit to liking the supernatural at least a little).

David and the Church are being sued by the woman that David, against Kristen's best advice, performed an exorcism on a few episodes back. In 1.9, she must figure out a way to outwit the sharp attorney - Ms. Lemonhead - played by Jennifer Ferrin, a fine actress who had a great role in Hell on Wheels, in case you remember.   (By the way, giving characters crazy but suitable names was another characteristic of The Good Wife.)  Kristen succeeds (always well played by Katja Herbers, but I don't think she was in The Good Wife), with the help of the Church's attorney, Renée (played by Renée Elise Goldsberry, who also was in The Good Wife), who, guess what, has the hots for David (another characteristic of The Good Wife, but I'll stop doing this).  But most of these scenes do take place in a series of legal depositions.

And, then, in a very nice wrap-up, Renée not only gets David and the Church off the hook, but her desire for David would have kept him from being killed.  She seduces him when he has a meeting at his church.  That meeting would've been shot up by the sicko that Leland has been training to do this.  Fortunately for everyone - except Leland, who's infuriated by this result - the sicko kills himself rather than opening fire in the church.

This leaves open the question of who, exactly, is Leland?  He has some connection to the 60 daemons - he gets one of them, apparently, to train the kid to kill.   So this makes Leland, what?  The Devil?

We'll just have to see.  And now that I'm all caught up, I'll try to review each new episode of Evil on a more timely basis.



Tuesday, November 7, 2017

The Girlfriend Experience 2.1-2: Two for One

Well, The Girlfriend Experience has returned to Starz for its second season, and its very different from the first.

To begin with, each hour contains two separate half-hour stories, with different characters, which so far have no connection to each other.  And no discernible connection to the first season, either.

And the specific storylines are also different in tone and texture from the compelling attorney/call girl (the same person) who was the central character in the first season.  Now we have a political story in the first - maybe, I don't know, like The Good Wife, or its political parts.   And in the second we have a Homeland kind of story, or at least a call girl (actually two) put into some type of high-tech witness protection set-up on an offshore island.

The common thread, of course, is all the call-girls are providing girlfriend experiences, or will provide them, for whatever reason.  And this still makes the stories more interesting than just a call-girl or prostitute story (not that those can't be interesting, too, as demonstrated by The Deuce this year on Showtime).  But the desire for not just sex but a girlfriend for the money makes the men inherently more unusual, ranging from almost verging on decent to sick sadistic bastards.

It's tough to be new or original on television these days, with so much already done, and so much new coming out on every streaming service, as well as cable and the ancient networks.  But Starz is giving us a good run for its (or rather, our) money, and The Girlfriend Experience is part of this, and looks to still be well worth watching.

See also The Girlfriend Experience: Eminently Worth It (my review of Season 1)

 

It all started in the hot summer of 1960, when Marilyn Monroe walked off the set of The Misfits and began to hear a haunting song in her head, "Goodbye Norma Jean" ...

Monday, February 20, 2017

The Good Fight 1.1-2: Great Show!

CBS teased with the pilot of The Good Fight tonight - and just for good measure, put up the second episode on CBS All Access, its new streaming service, that you pay for like Netflix, Amazon, and Hulu.  My wife and I saw both hours and loved them.

In case you've been on Pluto (it's indeed a planet) and didn't know, The Good Fight is a sequel series to The Good Wife, one of the best all-time lawyer series ever on television.  (How good?  Right up there with Perry Mason and Petrocelli.)  It was always current, brilliant, funny, and stylish.

The Good Fight, minus Alicia and Peter, has all of that.  It even manages to start with Diane watching, aghast, as Trump is inaugurated.   And it takes off from there, with Diane caught up in a Madoff scheme, Lucca on hand, and some great new characters such as Maia (played by Rose Leslie from Game of Thrones) and Robert (played by Delroy Lindo, who always puts in a commanding performance).

The mix, like The Good Wife, is high octane, but The Good Fight looks like it will have a charm all its own.   Diane-centered episodes were always especially welcome on The Good Wife, and we'll get more of that on The Good Fight.  (Christine Baranski is better than ever.)   Maia makes an appealing new-minted attorney, and the three - Diane, Lucca, and Maia - are a powerful triad of the bar, in both the courtroom and the office.

Will The Good Fight be enough get CBS All-Access flying, along with a new Star Trek series coming soon?  Tough call.  Cheapskates that we are, we don't like paying for anything, especially sequels of series we've come to know and admire for free.   But we're happily paying for Netflix and Amazon Prime now, so you never know.


Monday, May 9, 2016

The Good Wife True Goodbye

The Good Wife concluded last night, and I was totally satisfied with the ending, ambiguous though it was.

But look, ambiguity is a part of life, and one of the real strengths of The Good Wife was always that it was so true to life.   And the ending was true to what we saw over the years of Alicia's life, in particular.

Of course she would choose to save her husband Peter over loyalty to Diane's love life, ok, marriage. Diane, although she has many worthy qualities, always did what was best for Diane, ahead of the law firm and individual people in that firm, anyway.  She was a feminist only insofar as it coincided with her personal goals.   Nothing wrong with that - but no reason that Alicia should have been bound by that, either.

Alicia always was entitled to pursue what was best for her own life, and, in this case, that was Peter not going to prison.  For if he had, she indeed would not have been able to break totally free of him, and be with Jason.

Further, it makes sense that Will was and will always will be the truest love of her life - not least because he can no longer do anything to tarnish that love.   He played a perfect role in this finale, including Alicia being able to tell him she will always love him.

As for Jason - and for viewers who wanted a more definitive ending - well, no one told him to leave town or whatever like that, in the end.  He's not an easy lover, and it makes sense that Alicia will have to go through some effort to get him back, if that on balance is what she really wants.

As for the series, it ends being among the very best ever to have been on television, and I'm glad to have seen every minute of it.

See also The Good Wife 7.1: Shake-Up ... The Good Wife 7.6: Hillary, Trump, and Alicia ... The Good Wife 7.10: Selfish Eli ... The Good Wife 7.19: Elusive Happy Endings

And see also The Good Wife 6.4: Run-up to Running ... The Good Wife 6.10: Cary's Fate ... The Good Wife 6.11: Kalinda for Cary

See also I Dreamt I Called Will Gardner Last Night

And The Good Wife 5.1: Capital Punishment and Politicians' Daughters ... The Good Wife 5.5: The Villain in this Story ... The Good Wife 5.9: Reddit, Crowd Sourcing, and the First Amendment on Trial ... The Good Wife 5.11: Bowling Bowls and Bogdanovich ... The Good Wife 5.13: NSA on Television ... The Good Wife: 5.15: Stunner! ... The Good Wife 5.19: Tying Up Loose Ends ... The Good Wife Season 5 Finale: Musical Chairs


#SFWApro


                                   the Sierra Waters trilogy

Sunday, May 1, 2016

The Girlfriend Experience: Eminently Worth It

If it had to pick the best new 2016 television series on any medium - network TV, cable, or streaming - it would be The Girlfriend Experience on Starz.   And though it's hard to compare The Girlfriend Experience to the science fiction, crime, and historical drama I usually review here, it may well be the best series now on television, period.

What's it about?  Well, the girlfriend experience is offered by call girls who not only provide sex, but companionship, dinner, affection, conversation, attentive listening during the time that is purchased, for a thousand dollars or more an hour.   The purveyor of the experience thus needs to be not only beautiful, but intelligent and empathetic.

In order for a series like this to work, the lead actress has to not only be gorgeous, but convey that intelligence and sensitivity.  That would be Riley Keough, who gives a virtuoso performance as Christine Reade.   She's Elvis Presley's granddaughter, by the way.   I don't how she sounds on record, but she has more acting talent than everyone in her family combined - and I liked Elvis in Jailhouse Rock, and Priscilla was pretty good in Dallas, too.  But their granddaughter is something else again on screen.

The story's excellent, too.   Christine has a day job as a law student and legal intern - which is also why she needs to be so intelligent - and this puts The Girlfriend Experience on a continuum with Secret Diary of a Call Girl on Showtime (about a straight-up prostitute) and every lawyer show ever on television, including The Good Wife, and for that matter in a different way with Girls on HBO and The Devil Wears Prada in the movies, too.

But the subject of The Girlfriend Experience is something all its own, and the narrative does a good job of mining its possibilities and complications. Christine's clients range from obsequious to savvy, from brutal to sweet to even sometimes cool.   One of them realizes he can't afford to continue shelling out the big bucks for this and asks for a discount.   Another drops dead (off camera).   A third craves the jealousy part of any real relationship, and asks Christine to set that up.

The pacing in the 13-episode season, each 30 minutes, took a little getting used to, and wasn't helped by the fact that Cablevision didn't have all the episodes up on Starz On Demand as advertised - maybe I should pay for a more satisfying cable experience (wait, I thought I was already doing that) - but in the end and in retrospect I rather like the way the story is rolled out, especially the unconventional season finale.

There's astute use of media in the story, with smartphones and videos playing crucial roles, thus giving the media scholar a great excuse to watch this.

But you don't need an excuse.  The Girlfriend Experience is brilliant, provocative, appealing television, and a unique addition to the screen.

 

#SFWApro






Monday, April 18, 2016

The Good Wife 7.19: Elusive Happy Endings

As The Good Wife winds down with the first of its four very last episodes - 7.19, on last night - we can naturally expect wrap-ups of some slightly secondary though important stories.

We had a nice example of that last night with Diane and her husband Kurt, replete with her calling him out about his predilection for hot young Republican blondes, and cursing out a game example of same when she strolls into Diane's office with an insistence on keeping the cushy deal Kurt made with her for his company.   But the important thing about this little set piece is that it tells us Diane and Kurt have a good chance of living happily ever after - hard to come by and good to see in life in general and this narrative in particular.

The same, unsurprisingly, can not yet be said about Alicia.   Though Peter's going back to prison and Alicia standing by him has a nice ironic poetry to it, as both acknowledge near the end of the hour, it's not what we want to see for either of them.   Alicia can't be happy with the father of her children in jail, however much she may want to leave Peter in the past.

So how will she get Peter out of this mess?   I'm thinking we haven't seen the last of the at-turns dangerous and buffoonish NSA and how it can unintentionally be of help to Alicia.   If there's anything in the NSA recordings of Alicia relevant to Peter, she might be able to use that, and the NSA's understandable obsession with secrecy, to get Peter out of the clutches of the Feds.   I certainly hope so - and, if not that, for something else that will keep Peter out of lock-up.

But is that enough of a happy ending for Alicia?  She keeps insisting she loves and wants Jason, and he seems to feel the same, but for some reason I can't quite see that working out, either.   In the end, I just don't think she loves him as much as she loved Will, and since he can't come back from the dead, well, Alicia's future happiness remains far more questionable than does Diane's.

Another reason why I wish this unique show weren't ending, but, hey, I just watch and review the best of television, I don't create it, and the most I can do is eagerly await and regret the three final episodes soon to air on Sundays.


See also The Good Wife 7.1: Shake-Up ... The Good Wife 7.6: Hillary, Trump, and Alicia ... The Good Wife 7.10: Selfish Eli

And see also The Good Wife 6.4: Run-up to Running ... The Good Wife 6.10: Cary's Fate ... The Good Wife 6.11: Kalinda for Cary


See also I Dreamt I Called Will Gardner Last Night

And The Good Wife 5.1: Capital Punishment and Politicians' Daughters ... The Good Wife 5.5: The Villain in this Story ... The Good Wife 5.9: Reddit, Crowd Sourcing, and the First Amendment on Trial ... The Good Wife 5.11: Bowling Bowls and Bogdanovich ... The Good Wife 5.13: NSA on Television ... The Good Wife: 5.15: Stunner! ... The Good Wife 5.19: Tying Up Loose Ends ... The Good Wife Season 5 Finale: Musical Chairs


#SFWApro


                                   the Sierra Waters trilogy

Monday, February 15, 2016

The Good Wife 7.14: "Target on His Back"

Now that the non-continuing of The Good Wife after this season has been announced, everything we see from now on in this final season is inevitably viewed through the lens of how will this lead to the end of this superb series?

Indeed, the big storyline of episode 7.14 tonight makes no sense, other than as prelude and foundation for an ultimate ending.  Peter was beaten badly in the Iowa caucuses.   Ok.   But why should that put a "target on his back," as Ruth explains to Eli, who in turn explains that to Alicia?   Yeah, we've known all along that Peter has not been completely kosher in his politics,  but why, other than that leading up to some dramatic ending, should that now provoke an FBI investigation aimed at the jugular?

My wife, when she first heard that the show would not be continuing, thought that Peter might drop dead in the next or next-to-last episode, with the result that Alicia would be appointed his successor as governor.   I suppose that could still happen - especially given the high blood pressure that will come from this investigation.   But would Alicia be likely to appointed Peter's successor if he's under some Federal indictment?  (Not to mention that wouldn't the Associate Governor or whoever the second-in-command was be the one to step into the Governor's office?)

I'll tell you one thing I don't like about television - how sometimes you can see the external requirements of a series, having nothing to do with the internal logic of the storyline, seeping into the narrative.   This is inevitable when an actor dies - or leaves, as Josh Charles did.

I thought The Good Wife handled that pretty well.  Maybe even very well - I haven't really missed Will too much at all.   But so far, The Good Wife is not off to a very good start in handling its self-imposed cancellation.

Which is a shame.  And maybe it will wrap up with some outstanding story after all,  But the truth is I would really rather it didn't end at all - at least, not this year, on such little notice.

See also The Good Wife 7.1: Shake-Up ... The Good Wife 7.6: Hillary, Trump, and Alicia ... The Good Wife 7.10: Selfish Eli

And see also The Good Wife 6.4: Run-up to Running ... The Good Wife 6.10: Cary's Fate ... The Good Wife 6.11: Kalinda for Cary

See also I Dreamt I Called Will Gardner Last Night

And The Good Wife 5.1: Capital Punishment and Politicians' Daughters ... The Good Wife 5.5: The Villain in this Story ... The Good Wife 5.9: Reddit, Crowd Sourcing, and the First Amendment on Trial ... The Good Wife 5.11: Bowling Bowls and Bogdanovich ... The Good Wife 5.13: NSA on Television ... The Good Wife: 5.15: Stunner! ... The Good Wife 5.19: Tying Up Loose Ends ... The Good Wife Season 5 Finale: Musical Chairs


#SFWApro


                                   the Sierra Waters trilogy

Thursday, December 31, 2015

My List of the Top 10 Television Series of 2015

This is the first time I've made a list, which includes television on network, cable, and streaming.   Runners-up - superb but not quite making this list - include Chicago Fire (NBC) and Vikings (History Channel). Also worthy of Honorable Mention this year are Empire (Fox) and American Crime (ABC). But here's my Top 10 for 2015:

10. Deutschland 83 (Sundance): An unwilling East German spy undercover as a West German soldier at the height of the Cold War, i.e., 1983, and much easier to buy than The Americans. Outstanding.

9. Humans (AMC): The best android story ever on television, and likely in the movies.  Isaac Asimov would've loved this.

8. Rectify (Sundance): He has the heart of a poet and the native literacy of a Dylan.  Is there any chance he's guilty of the murder for which he's been released from death row on a technicality?

7. Mr. Robot (USA Network): A hacker show in a class by itself, that'll keep you on the edge of your seat in extreme suspense when you're not chuckling at the dark humor.

6. House of Cards (Netflix):  Not its best season, but still a masterpiece of political intrigue including murder.

5. Nashville (ABC): What can I say?  I just love the music.

4. The Good Wife (CBS): Easily the best show on network television, mixing up-to-date 2016 Presidential politics, NSA, courtroom drama, and romance, with its best season so far (sorry Will).

3. Fargo (FX):  Very loosely derived from the movie, but staking out a wacked-out intensely compelling territory all of its own.   This past season, for example, which had little in common with the first, had Ronald Reagan and a UFO as crucial parts of the story (well, the UFO anyway).

2. The Affair (Showtime):  The writerly life as realistically as it's ever been portrayed on television - plus a top-notch whodunnit, and then there's that hot affair.

1. The Man in the High Castle (Amazon):  Philip K. Dick's masterful alternate history of the Nazis and Japan winning World War II brought to the screen so effectively that, when you look away, you can almost believe that the reality we're now living in is the dream.

Monday, December 14, 2015

The Good Wife 7.10: Selfish Eli

Well, The Good Wife wrapped up the first part of Season 7 - 7.10 - with an episode which could blast everything apart.   Actually, not the episode as a whole, but just the last few minutes - which, if you're going to put in a bombshell, is always the best place.

Eli, despondent over losing his nascent love, unburdens to Alicia and tells her he erased Will's confession of love to Alicia, lodged on her cell phone a few years back, before she had a chance to hear it.  Alicia is justifiably beyond furious.

Make no mistake about it.  This is not a magnanimous act by Eli.  His confession can do Alicia no real good, seeing as how Will is dead.  Yes, it should gladden her heart that Will did love her, but she already knew this.  So the gist of what this will bring to Alicia is heartbreak, over what could have been, what we/she really wanted, and now it turns out Will wanted as well.

Eli's confession helps him, in unburdening his conscience.  But his relationship with Alicia, rocky already, will never be the same.   And up in the air now is what Alicia will be willing to do for Peter in his campaign for the Presidency (hey, I wouldn't mind seeing him take some shots at Donald Trump).

Kudos to Alan Cumming for a tour-de-force performance as Eli.  He's always excellent.  But the expressions on his face, the almost tears in eyes, were just perfect as he made his guilty declaration to Alicia.

Looking forward to the continuing story, back on the air in early January.


See also The Good Wife 7.1: Shake-Up ... The Good Wife 7.6: Hillary, Trump, and Alicia

And see also The Good Wife 6.4: Run-up to Running ... The Good Wife 6.10: Cary's Fate ... The Good Wife 6.11: Kalinda for Cary

See also I Dreamt I Called Will Gardner Last Night

And The Good Wife 5.1: Capital Punishment and Politicians' Daughters ... The Good Wife 5.5: The Villain in this Story ... The Good Wife 5.9: Reddit, Crowd Sourcing, and the First Amendment on Trial ... The Good Wife 5.11: Bowling Bowls and Bogdanovich ... The Good Wife 5.13: NSA on Television ... The Good Wife: 5.15: Stunner! ... The Good Wife 5.19: Tying Up Loose Ends ... The Good Wife Season 5 Finale: Musical Chairs


#SFWApro


                                   the Sierra Waters trilogy

Monday, November 9, 2015

The Good Wife 7.6: Hillary, Trump, and Alicia

An excellent episode 7.6 of The Good Wife last night.  It's been great all season - I don't miss Will at all - and it's been especially cool in picking up the prevailing winds and managing to stay current in the 2016 campaigns for President.

I don't know when last night's episode was written or recorded, but it talked about Hillary Clinton (not surprising) and Donald Trump (a little more surprising).   What would The Good Wife do if Carson surges even more in the pools, and Trump, unhappy with being in second place, throws in the towel?

That's unlikely, I think - that Carson will surge more, and that Trump will leave if he does - but the uncertainty and excitement of real politics has given The Good Wife a real edge this season.   Peter's announcing his run for President actually makes sense in our reality.   Martin O'Mallley is at three percent in the polls, which means there's a lot of room between him and Bernie.

Alicia likes that possibility, too.  The best scene in the episode is the look in Eli's eyes when he sees Alicia standing next to Peter on that announcement stage.  Eli realizes how much Alicia is enjoying and inhabiting the moment.  Peter and Alicia on stage have been iconic heralds of where the narrative is going from the very beginning and throughout the series.    Just about every time there's a major moment in their lives, Alicia on that stage has set the agenda with her expression and nonverbal tone.

And now she's setting the agenda again.  She's contemplating what it would be like to be First Lady, and she likes it.   Apropos Hillary, Alicia knows just where that could lead - she could be announcing a run for the White House someday, too.

In a way, The Good Wife has always been another retelling of the Bill and Hillary story.   But there's still a long way to go.   Peter can't win the Presidency in an election on television, in which Hillary, who's running in real life, is also a character who's running for President.   But, until Hillary in real life actually chooses a VP running mate, that fictional path is open to Peter.

Hey, I'm hoping we'll see Hillary herself have a conversation with Peter and Alicia.   Impossible? Not at all - equivalent things have been happening on The Good Wife and throughout the history of television at least as far back as Walter Cronkite putting in an appearance on the Mary Tyler Moore show.

See also The Good Wife 7.1: Shake-Up

And see also The Good Wife 6.4: Run-up to Running ... The Good Wife 6.10: Cary's Fate ... The Good Wife 6.11: Kalinda for Cary

See also I Dreamt I Called Will Gardner Last Night

And The Good Wife 5.1: Capital Punishment and Politicians' Daughters ... The Good Wife 5.5: The Villain in this Story ... The Good Wife 5.9: Reddit, Crowd Sourcing, and the First Amendment on Trial ... The Good Wife 5.11: Bowling Bowls and Bogdanovich ... The Good Wife 5.13: NSA on Television ... The Good Wife: 5.15: Stunner! ... The Good Wife 5.19: Tying Up Loose Ends ... The Good Wife Season 5 Finale: Musical Chairs


#SFWApro


                                   the Sierra Waters trilogy


Monday, October 5, 2015

The Good Wife 7.1: Shake-Up

The Good Wife was back for its seventh season last night with a better-than-ever episode - which is, to say, great indeed - that featured a real twist in the story.

Given what has already happened on The Good Wife the previous six seasons, one might think it would be hard to be surprised in this narrative.   But something totally unforeseen shook and reshuffled the deck, leaving us with: Eli and Peter at bitter odds.

Whether Peter would have allowed Eli to be pushed out by Peter's new campaign manager Ruth is somewhat questionable.   But what's undeniable is the electricity and power this already powerhouse series has been given by the move.   Peter needs Alicia in his run for national office.  He therefore can't deny Alicia her chosen chief of staff - Eli - whatever Ruth may otherwise want.   So the stage is set this season for Eli devoting all of his obsessive brilliance to destroying Ruth, and maybe even Peter, though on that he says he's not completely sure.   How's that for an opening of a new season?

And that's not the only thing unexpected.  It looks by the end of the episode as if Alicia will be having some kind of professional alliance with Canning, whom Alicia rightly says is the devil.  But she'll need him to fight the remaining power of her original firm.   It feels like a dying dinosaur, but one which could still do a lot of damage in this tale with its thrashing tail.

And there's a good new character in play - Lucca, who comes to Alicia's defense in bail court, and then helps Alicia win a big case - which is always nice to see as a series progresses.

This couldn't be a better year for the political threads in The Good Wife - it being the year before our Presidential election and all - and I'm looking forward to more.

See The Good Wife 6.4: Run-up to Running ... The Good Wife 6.10: Cary's Fate ... The Good Wife 6.11: Kalinda for Cary

See also I Dreamt I Called Will Gardner Last Night

And The Good Wife 5.1: Capital Punishment and Politicians' Daughters ... The Good Wife 5.5: The Villain in this Story ... The Good Wife 5.9: Reddit, Crowd Sourcing, and the First Amendment on Trial ... The Good Wife 5.11: Bowling Bowls and Bogdanovich ... The Good Wife 5.13: NSA on Television ... The Good Wife: 5.15: Stunner! ... The Good Wife 5.19: Tying Up Loose Ends ... The Good Wife Season 5 Finale: Musical Chairs


#SFWApro


                                   the Sierra Waters trilogy


Monday, September 7, 2015

Masters of Sex 3.9: Calling Hugh Hefner

The last two episodes of Masters of Sex have been pretty good, but there were at least two things that annoyed me.

First, in episode 3.8 last week, there's talk about not drinking if you're pregnant. This is 1966, and at least 15-20 years before that limitation became common practice.  This follows the talk, in episode 3.7, of humans and apes being almost 99% the same - another anachronism, said on the show decades ahead of its time.

But in both episodes 3.8 and 3.9, and especially last night's 3.9, I'm finding it hard to believer that Virginia is falling so hard for perfume-exec Dan Logan.  He's well enough played by The Good Wife's Josh Charles, and the weekend fling in 3.8 made some sense, but Virginia's falling in love with him in 3.9 and out of love with poor Bill doesn't add up.

Yes, she's had her frustrations with Bill, but these have been there all along, but if anything Bill recently has been far more considerate of her than he's been in the past.  Yes, his attempts at finding out what's wrong are lame, but this is also nothing new, and no reason why Virginia should suddenly be pulling away emotionally and faking orgasms with Bill.

And Dan Logan just isn't that good.  He's bright enough, and more attentive than Bill, but he's no Bill, not by a long shot.  One of the problems with Masters of Sex is that we don't know where the real history leaves off and the fiction begins.  We've been told that the narratives involving the children are all fictitious, but was Virginia really involved with this perfume guy or someone like him?  (See this little essay in Bustle, which says that Logan is indeed based on a real person - if so, then I guess the truth of history is stranger than fiction in this case.)

Virginia aptly tells Bill that Logan was his choice to bring into their work, and that she wanted Playboy's Hugh Hefner.   Him I could believe Virginia would fall for, or at least get addicted to having sex with.

See also Thomas Maier: Masters of Sex and Biography Come to Life ...Masters of Sex 3.1: Galley Slaves ... Masters of Sex 3.2: The Shah, the Baby, and the Book ... Masters of Sex 3.3: The Bookstore ... Masters of Sex 3.7: Going Ape

#SFWApro





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