Chuck Todd interviews me about alternate histories
Showing posts with label Léa Seydoux. Show all posts
Showing posts with label Léa Seydoux. Show all posts

Wednesday, July 27, 2022

No Time to Die: Quibbles about that Death



My wife and I finally saw the new (to us) final Daniel Craig as James Bond movie -- on Amazon Prime. We very much enjoyed it.  In fact, although it has its flaws, I'd say No Time to Die is certainly among best James Bond movies ever made.

[Spoilers follow, of course.]

Let's begin with that shocker of an ending: Bond dies.  I didn't like to see that as it was happening --not at all -- but it is a highly original way of ending a Bond movie, and deserves credit for that.  It does explode or reveal as a myth the fact that Bond never dies.  Those around him die, and he must suffer that.  But not Bond himself.

The words on the screen at the end of the movie assure us that we'll see Bond again, and this will no doubt occur the way it's been presented in every transition to a newly acted Bond since it first happened back in Sean Connery's reign, actually twice, once for one time with George Lazenby, and then for a new series of Bond movies with Roger Moore.  In those and every subsequent case, the new Bonds were introduced with no mention of the fact that they looked different from their predecessor.  The same logic says the new post-Craig Bond can be introduced with no reference to his predecessor being killed.  What this, I suppose, means is that Bond's death at the end of No Time to Die is no big deal -- even though it meant the world in the context of that movie.

I did have two quibbles about the two characters must crucial to that death.  Rami Malek was superb as the arch-villain Safin who engineered Bond's death -- no one can match Malek's way of delivering powerful lines in a soft voice and a nearly expressionless face.  But given the profundity of Bond's death, I would have rather seen it done by a life-long adversary, like Blofeld, who's not able to step up to that role because he's earlier been killed by Bond in another nefarius Safin move on the lethal chessboard.  Similarly, although Madeleine (well-played by Léa Seydoux) with a most worthy love of Bond's life. we unfortunately don't meet her until the beginning of this very movie.  I would have rather seen someone we already got to know in previous movies.  Of course, since Vesper was already killed, it would have been difficult to pull someone out of the earlier Craig as Bond movies, but, nonetheless, that would have added a special gravitas in No Time to Die.  Bond's daughter was a really nice part of this movie, and had a gravitas of its own, but a mother with a history of Bond loving her before this story began would have added more.

Otherwise, I thought every other aspect of the movie was outstanding.  I especially loved the reprise of Louis Armstrong's "We Have All the Time in the World" at the end of No Time to Die.  The reprise, of course, was from Her Majesty's Secret Service, where it was also played at the end of the movie.  In other words, the death of Bond's true love, and then all these years later, the death of Bond, get the same musical aftermath.  Unless you're made of stone, that song is bound to bring a tear to your eyes.

Thinking about what the next Bond movie will bring, we have  the question of how many of the agents and administration in No Time to Die with survive.  I see no reason why all of them can't, deprived of course of any grief at the loss of the Bond played by Craig.  I've seen and really enjoyed every Bond movie ever made, pretty much in the year in which they were released, and I'm looking forward to more.




See also The New James Bond -- Without the Golden Pun ... It's Not HBO -- It's a Quantum of Solace

Monday, December 26, 2011

Mission Impossible 4: Ghost Protocol

Mission Impossible is back with its 4th movie, and one of the best - well, better than the 3rd, which was pretty good, but I'm not sure about the 1st and 2nd movies in the franchise, which were each in their own ways superb.

Alias, Lost, and Fringe fans (I'm a big one, though not of the ending of Lost), will be glad to know that J. J. Abrams is back, this time getting top producer credit (he directed MI3), and Josh Holloway puts in an appearance at the beginning.    The antes are raised nicely in MI4, with the Kremlin blown up, the US Defense Secretary killed (played by major actor Tom Wilkinson, making the death even more surprising, and all-out nuclear war at stake between the US and Russia.  This had an appealing retro flavor, and was refreshing in view of so many Islamic terrorists in movies and on television.

The MI slight-of-hand devices and impersonations were also in fine display - with a projector that makes the guard think he's looking at a far wall with no one in the room, even though Ethan and Benji are actually walking right by the guard into the guarded room - and a cool double feint in which the team splits up and fools two of the villain groups at the same time, keeping in touch via the comm at their disposal.  

As in all the MI stories, there are a couple of escapes that fall a little short of believability - Brandt's survival in the wind tunnel or whatever that was is the one that most comes to mind.  But these were balanced by the MI plans and strategies which don't work out - including failure to stop the launch of the Russian nuclear warhead toward the US - which gives the movie a good smack-in-the-face plausibility.

And the acting, including and especially Tom Cruise as Ethan, was excellent.  Jane (Paula Patton) and Sabine (Léa Seydoux) were both dangerous in different ways and good to look at.   The team - which was ghosted or put into non-existence when wrongly held responsible for the Kremlin bombing - accomplishes its mission in the end, and will clearly be back, as Ethan's new team, for another romp, I hope not too far in the future.


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