Chuck Todd interviews me about alternate histories
Showing posts with label Josh Charles. Show all posts
Showing posts with label Josh Charles. Show all posts

Sunday, September 6, 2020

Away: Relationships and Reality in Space



My wife and I just finished binge-watching Away, a 10-episode series, on Netflix. I can't recall a better movie or television series about missions to Mars or early human settlements on Mars, and that includes contenders like The Martian, The Martian Chronicles, and Total Recall.

The great strength of Away, that puts it in a class of its own, is its attention to families and loved ones of astronauts back on Earth, and relationships among the five space travelers in the Atlas.   These include Hilary Swank in one of the best performances of her career as U. S. Commander Emma Green and Mark Ivanir, whom I don't think I've seen before, as the Russian cosmonaut Misha with the most previous experience in space.  Vivian Wu as Lu (Chinese), Ray Panthaki as Ram (from India), and Ato Essandoh as Kwesi (from Africa, and devoutly Jewish, which adds a religious dimension to the story) round out the international crew.  Each one of has a special combination of talents, and powerful personalities which are often abrasive, vulnerable, and usually devoted to the mission, which makes for a compelling tableau of a first mission to Mars narrative with humans aboard.

Missions to any world off this planet are inherently perilous just about every moment, and Away conveys these dangers unsparingly and harrowingly.  Fortunately, The Good Wife's Josh Charles plays Emma's husband Matt, who is good at both taking care of their understandably very worried teenaged daughter Alexis (well-played by Talitha Eliana Bateman) and coming up with some ingenious solutions to the Atlas's problems in space.  But none of these solutions are easily implemented, and to watch the ten episodes of Away is to be treated to a continuing set of close encounters with failure and death, often stunningly presented, and making you feel that you're in a front-row seat somehow somewhere in space or on the ship, watching the incredible events unfold.

Two minor quibbles.  One, MSNBC's Rachel Maddow puts in an appearance as herself early on, and she looks exactly as I just saw her last night on MSNBC.  Since Away must be taking place at least a decade or two in the future, what did Rachel do, drink some immortality tonic in the next year or so?  Second, the Atlas crew talk to people back on Earth via instant smartphones for the first half of the journey, and then normal phone conversations become impossible.  In reality, the capacity to have a conversation should have deteriorated gradually and continually throughout the voyage to Mars.

But there are small quibbles indeed, and I very much hope there's another season.




my Summer 2015 interview with John  Glenn

Monday, September 7, 2015

Masters of Sex 3.9: Calling Hugh Hefner

The last two episodes of Masters of Sex have been pretty good, but there were at least two things that annoyed me.

First, in episode 3.8 last week, there's talk about not drinking if you're pregnant. This is 1966, and at least 15-20 years before that limitation became common practice.  This follows the talk, in episode 3.7, of humans and apes being almost 99% the same - another anachronism, said on the show decades ahead of its time.

But in both episodes 3.8 and 3.9, and especially last night's 3.9, I'm finding it hard to believer that Virginia is falling so hard for perfume-exec Dan Logan.  He's well enough played by The Good Wife's Josh Charles, and the weekend fling in 3.8 made some sense, but Virginia's falling in love with him in 3.9 and out of love with poor Bill doesn't add up.

Yes, she's had her frustrations with Bill, but these have been there all along, but if anything Bill recently has been far more considerate of her than he's been in the past.  Yes, his attempts at finding out what's wrong are lame, but this is also nothing new, and no reason why Virginia should suddenly be pulling away emotionally and faking orgasms with Bill.

And Dan Logan just isn't that good.  He's bright enough, and more attentive than Bill, but he's no Bill, not by a long shot.  One of the problems with Masters of Sex is that we don't know where the real history leaves off and the fiction begins.  We've been told that the narratives involving the children are all fictitious, but was Virginia really involved with this perfume guy or someone like him?  (See this little essay in Bustle, which says that Logan is indeed based on a real person - if so, then I guess the truth of history is stranger than fiction in this case.)

Virginia aptly tells Bill that Logan was his choice to bring into their work, and that she wanted Playboy's Hugh Hefner.   Him I could believe Virginia would fall for, or at least get addicted to having sex with.

See also Thomas Maier: Masters of Sex and Biography Come to Life ...Masters of Sex 3.1: Galley Slaves ... Masters of Sex 3.2: The Shah, the Baby, and the Book ... Masters of Sex 3.3: The Bookstore ... Masters of Sex 3.7: Going Ape

#SFWApro





Monday, March 24, 2014

The Good Wife 5.15: Stunner!

If you haven't seen The Good Wife 5.15, don't read any further.   If you have:

Shocker!   It all happened because Josh Charles wanted out of the series.   And as sometimes happens when an actor or actress wants to leave, the producers decide to grant the wish, with a vengeance, and have the character leave not only the series, but life on the series, completely.   Last year, at the end of the  season of Downton Abbey, Matthew got this treatment.

And, tonight, Will Gardner got it in on The Good Wife.   The character had already lost twice in the past year.  First, he lost Alicia, as a lover, when she went back to Peter - even though Alicia still loved him on some deep level.  Second, he lost Alicia as a partner in law, when she left the firm.  Tonight he lost a third and final time - he lost his life.

Will reacted far worse to the second than the first loss, but both vexed him and shaped his personality this year.   Nonetheless, as tonight's episode clearly showed us, he was still a brilliant attorney, and the best one on the show at that.

How will the series continue without Will?   It can survive the loss of the romantic tension between him and Alicia, because some of that was gone already.   It can also survive the antagonism between him and Alicia about her leaving the firm, because that was getting a little tired anyway.

One positive result of Will's death is that the case against Peter, which could have ripped Alicia and Will further apart, not to mention what it could have done to Peter, will have no longer have Will as a possible witness, which was the best and likely only real shot the integrity guy had of nabbing Peter. So that's to the good.

But the series will lose one of the best attorneys ever to plan a strategy and argue in a courtroom in television drama.   Will Gardner is right up there with Perry Mason and Petrocelli - Victor Sifuentes and Bobby Donnell, too.

And since one of the most enjoyable and riveting parts of The Good Wife has always been the law, the superb series will be weaker for that.

Still, it will be well worth watching.

See also I Dreamt I Called Will Gardner Last Night

And The Good Wife 5.1: Capital Punishment and Politicians' Daughters ... The Good Wife 5.5: The Villain in this Story ... The Good Wife 5.9: Reddit, Crowd Sourcing, and the First Amendment on Trial ... The Good Wife 5.11: Bowling Bowls and Bogdanovich ... The Good Wife 5.13: NSA on Television


#SFWApro



Like police fiction in Chicago?   See The Consciousness Plague ...

Sunday, February 3, 2008

In Treatment on HBO

HBO premiered a brilliant original show last week - original in both structure and content. Anyone who thinks HBO is running out of steam as a pioneer in the cable form should take a look at In Treatment.

The show consists of a 30-minute segment every weekday evening. Psychotherapist Paul, played by the always memorable Gabriel Byrne, sees a different patient Monday through Thursday. And on the 5th day, Friday, he sees his own therapist, Gina (played by Dianne Wiest) and becomes a patient himself.

Don't confuse this with Tell Me You Love Me. The talk on In Treatment is much more intense and intelligent. In fact, it's so good, that all almost you get on In Treatment is talking, and that was more than enough to keep my wife and me hanging on almost every word.

Monday's patient thinks she's falling in love with Paul - erotic transference, as the shrinks call it. Laura's beautiful and smart - she's an anesthesiologist - and the real question is whether Paul is falling in love with her (we find out on Friday that all's not well with his wife). Laura's played by Melissa George - Vaughn's wife on Alias - and she won't be putting anyone to sleep - at least, not in the viewing audience.

Blair Underwood plays Tuesday's patient, Alex - I've been enjoying his performances since LA Law. Here he plays a Navy pilot with a complex story of guilt and power and possible attraction to his running partner, who is a gay man. Alex also has a heart attack, running, and nearly dies. Paul's patients clearly all live life to the hilt.

On Wednesday Paul sees a 16-year girl, Sophie, played by Mia Wasikowska. Mia, like Melissa and Blair, puts in a tour-de-force performance. Sophie, a gymnast, may or may not suicidal.

Josh Charles as Jake and Embeth Davidtz as Amy come to the doctor's office on Thursday, as a married couple in real distress. I suppose this is the least original of the four stories, and the most reminiscent of Tell Me You Love Me, but the acting is powerful and the story still captivating.

Four different stories having no real connection except their excellence as narratives and the excellence with which they are acted - and Paul as the psychotherapist they all see. And on Friday, Paul reverses his role, and Gabriel Byrne puts in just as powerful a performance as patient. There's a nice symmetry here as Paul as patient goes through many of same acts of his patients - wondering why he came to his therapist, threatening to leave, verbally attacking his therapist.

In Treatment looks a highly successful experiment in TV drama, that definitely bears more watching.

PS: Steve Levinson is the Executive Producer. He is, alas, no relation...

See also In Treatment 2: Scalding ...3. Triangle ... 4. Love and Death ... 5. Paul's Greatest Strength ... 6. Paul's Boat ... 7. Alex in the Sky with Diamonds ... 8. A Princely Performance ... In Treatment Concludes: For Now








The Plot to Save Socrates


"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book


more about The Plot to Save Socrates... good reading if you're in a doctor's office...


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Read the first chapter of The Plot to Save Socrates
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