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Showing posts with label Sons of Anarchy. Show all posts
Showing posts with label Sons of Anarchy. Show all posts

Wednesday, October 17, 2018

Mayans M. C. 1.7: The Conversation



An excellent episode 1.7 of Mayans M. C. last night, the most significant part of which, I thought, was a conversation between "Felipe" (in quotes because it's not his real name) and "Adelita" (not her real name, either) who comes to kill him.  (Last week's episode 1.6 was outstanding, too, but I didn't have a chance to review it.  Please don't tell the Club.)

Back to Adelita and Felipe, she comes to kill him on a mission of revenge, to kill the traitor who sold out her father, resulting in his murder and along Adelita's mother and brother.   Felipe sets her straight.  He was her father's partner.   But there was a third partner, and he was the one who sold Adelita's father out.   The conversation ends with the two of them pledging to pool their resources.  This could be the most important new alliance so far in Mayans M. C.   And the mixing of prior and current generations and secrets revealed is consistent with the motif of Sons.

As a result of this new alliance, Galinda and his son are released, and the family is joyfully reunited.  But their joy is short lived.  Lincoln Potter and his team descend upon the Galindas like a nest of angry hornets, and the episode ends with Galinda in far worse shape than he was in the Mexican prison.

This is also consistent with what was so compelling in Sons of Anarchy: our heroes (or anti-heroes, and heroines) never run out of mortal enemies.  They come from rivals, from presumed and/or former friends and allies, from family, from the past, and of course from the law itself.  This means that every one of our characters is in a state of perpetual jeopardy.  The only way you can be liberated from that - other than being killed - is to leave the area, as some main characters did in Sons, especially at the end.   But it doesn't look like anyone is about to do that in Mayans, which means we're in for some pretty powerful viewing in the episodes and seasons ahead.


Wednesday, October 3, 2018

Mayans M. C. 1.5: "Not Fredo" - "Putas and Plata"



One of my favorite parts of Mayans M. C. are the conversations - cool and wise, literate and tough, all at once.  Episode 1.5 last night had plenty of this, especially in the conversations between E. Z. and Angel, the brothers Reyes.

Talking about The Godfather, E. Z. says he wouldn't want to be Fredo.  Can't argue with that.  But the deeper import of that conversation is the meta-point that Mayans M. C. is another retelling of The Godfather story, just as Sons was a retelling of Hamlet.

And, in another highlight, Angel tells E. Z. that if they succeed in their plans, they'll have "putas and plata".  Nothing more I can say about that great line, except how's that alliteration.

Another conversation, one I won't tell you too much about, features Angel holding up a severed head - shades of a different part of Hamlet - and telling E. Z. and Coco what he'd like to do with it.  (Yeah, it's better scene than described.)

But I will tell you that I thought the rescue of Adelita was a fine piece of work.   And the closing scene, in which Miguel and Emily go at it, and she's fantasizing about E. Z. in Miguel's place, was a fine scene, too.  In fact, Mayans M. C. is top notch in just about every scene, with only three more episodes left this season (hey, did you see the news?  it's been renewed for a second season).

So far, no really major characters - ones we've come to know and love or hate - has meet his or her fate.   I find all of these characters so compelling that I almost hope none of them do.  But that's not likely to happen.   And, like Chucky - good to see this Sons alumnus in his second Mayans appearance - I'll be somewhere on the sidelines watching, though totally off-screen.


Friday, September 7, 2018

Mayans M. C. 1.1: Pulling Us In



Hey, the Mayans M. C. debut, Kurt Sutter's latest, was good, and may well have the makings of great.   My wife and I enjoyed it.

A little context.  Sutter is best-known for his series, Sons of Anarchy, also on the FX Channel.  I first heard about Sons when I was teaching a graduate course about "Television and New Media" at Fordham University in 2013.  Each student was required to choose a TV series, and follow its reception in social media.  Most students chose high-concept, sophisticated series that I was already was watching, like The Americans.  One guy picked Sons.  I'd never heard of it, but he was a bright student, so I said sure.  His reports got me interested in the series.

But I still didn't get around to watching it - which of course required watching all of the earlier seasons (Sons of Anarchy debuted in 2008), and I wasn't quite ready to make that commitment.  Our daughter, telling us about a year later that SOA was one of the best series she'd ever seen, pushed us over the top.  We watched and devoured every episode of Sons of Anarchy, and consider it one of the very best shows ever on TV of any kind.  It was indeed high concept and sophisticated and so much more.

Mayans take place in the same place as Sons, and indeed we saw some of the Mayans in Sons.  But that means Mayans has huge burden - it's in effect competing with SOA, where there was so much powerful content that I won't even summarize.  The first episode shows that Mayans could be on track to doing that.

For Sam Crow fans, we got a quick view of Gemma (Katey Sagal), in an eight-years earlier scene with E. Z. (J. D. Pardo) in prison.  And Les Packer, a character played by Robert Patrick who appeared in a couple of episodes of Sons, leads a group Sons in support of a Mayans operation.  The Mayans and SAMCRO were by and large allies in Sons of Anarchy, so that makes sense.

It's too soon to tell if Mayans will achieve the Shakespearean heights of Sons of Anarchy, but there are already some strong and tempestuous family relationships on hand in Mayans, including father and son, and brother to brother.  Sutter wove his magic in SOA, the unlikely but irresistible mix of violence and humor, and after the first episode of Mayans, we're more than ready to give this new series a shot.

Monday, April 6, 2015

Mad Men 7.8: Don, Rachel, and the Waitress

Mad Men was back for its final half-season bow - episode 7.8 tonight - with a fine surrealistic, watercolor story, suitably blurred by longings for what was lost and cannot be regained.

Rachel was one of the best characters in that first season that seems so long ago now, in that summer right after The Sopranos had ended.  Maggie Siff's character didn't work out, and she went on to portray Tara in a brilliant performance on Sons of Anarchy.  It was great to see Rachel back tonight, if, sadly but significantly, only in Don's dream.

She can never be in more than a dream now because, as Don soon learns, she died last week.  This is a crucial moment not only for Don's character, but the story as a whole, because it makes the point yet again, having been made so many times already on this show, that you can't go home again.  Don couldn't go home to his earlier pseudo-life, nor could any of the other characters, having realized they wrongly discarded something earlier, ever been able to double back and be happy.   Maybe human beings can, sometimes, but not those who build dreams for others in advertising.   Maybe that's because their own lives are in large part dreams, which evaporate all too fast in the light of new days.

But Don does manage to capture something of Rachel, in a waitress who looks a lot a like her, and whom Don manages to sleep with, in part because she's grateful that Roger, now sporting a mustache, left her a hundred dollar tip the night before.  (The waitress's looking like Rachel is no doubt what triggered Don's dream.  Roger's mustache had nothing to do with that, but this seemed the best place in the review to work that in.)   Possibly Don will initiate a long range affair with this waitress, and the two will live happily ever after - nah, that's not likely to happen, it's too much even for a dream.

The other big news involves Ken Cosgrove aka Ben Hargrove, who is fired from Don's firm by Roger, and who may be taking up his calling to become a renown science fiction writer, like Alfred Bester, who also had a career in advertising.   But that dream was also not to be, and, instead, Ken winds up putting one over on Roger and Pete - something is always being put over on Pete - when Ken becomes the very client over whom he was fired.

We're not out of the age of blatant male chauvinism on Mad Men yet by any means - some would say we're not in 2015, either - and Joan gets a  taste of it from clients who are more interested in her "pair" than anything she or Peggy have to say.  Interestingly, Peggy is not very sympathetic, later in the elevator, prompting a great comeback by Joan that Peggy could never understand what Joan has to go through with men.   Meanwhile, Peggy's love life verges on a dream - or a day dream - to complete the arc of bubbles that explode in daylight.

I'm going to really miss this series when it's over - there's been nothing like it on television, and not likely ever to be.

See also Mad Men 7.1: Vignettes and Playboy ... Mad Men 7.2:  Flowers and the Hung-Up Phone ... Mad Men 7.3: "Lunch with Rod Serling" ... Mad Men 7.4: Computer! ... Mad Men 7.5: Retrofit Paranoia ... Mad Men 7.6: The Dance ...  Mad Men Mid-Season 7 Finale: Telescope vs. Television

And see also Mad Men 6.1-2: The Lighter and the Twist ... Mad Men 6.3: Good Company ... Mad Men 6.4: McLuhan, Heinz, and Don's Imagination ... Mad Men 6.5: MLK ... Mad Men 6.6: Good News Comes in a Chevy ...  Mad Men 6.7: Merger and Margarine ... Mad Men 6.8: Dr. Feelgood and Grandma Ida ... Mad Men 6.9: Don and Betty ... Mad Men 6.10: Medium Cool ... Mad Men 6.11: Hand in the Cookie Jar and Guy de Maupassant ... Mad Men 6.12: Rosemary's Baby, Dick Cheney, and Sunkist ... Mad Men Season 6 Finale: Beyond California

And see also Why "You Only Live Twice" for Mad Men Season 5 Finale ... Mad Men Season Five Finale

And see also Mad Men Season 5 Debut: It's Don's Party  ... Mad Men 5.3: Heinz Is On My Side ... Mad Men 5.4: Volunteer, Dream, Trust ... Mad Men 5.5: Ben Hargrove ... Mad Men 5.6: LSD Orange ... Mad Men 5.7: People of High Degree ... Mad Men 5.8: Mad Man and Gilmore Girl ...Mad Men 5.9: Don's Creativity  ... Mad Men 5.10: "The Negron Complex" ... Mad Men 5.11: Prostitution and Power ... Mad Men 5.12: Exit Lane

And from Season 4: Mad Men 4.1: Chicken Kiev, Lethal Interview, Ham Fight ... 4.2: "Good Time, Bad Time?" "Yes." ... 4.3: Both Coasts ... 4.4: "The following program contains brief nudity ..." 4.5: Fake Out and Neurosis ... 4.6: Emmys, Clio, Blackout, Flashback  ... 4.7: 'No Credits on Commercials' ... 4.8: A Tale of Two Women ... 4.9: "Business of Sadists and Masochists" ...4.10: Grim Tidings ... 4.11: "Look at that Punim" ... 4.12: No Smoking!  ... Mad Men Season 4 Finale: Don and -

And from Season 3: Mad Men Back for 3 and 3.2: Carvel, Penn Station, and Diet Soda and 3.3: Gibbon, Blackface, and Eliot and 3.4: Caned Seats and a Multiple Choice about Sal's Patio Furniture and 3.5: Admiral TV, MLK, and a Baby Boy and 3.6: A Saving John Deere and 3.7: Brutal Edges ... August Flights in 3.8 ... Unlucky Strikes and To the Moon Don in 3.9 ... 3.10: The Faintest Ink, The Strongest Television ... Don's Day of Reckoning in Mad Men 3.11 ... Mad Men 3.12: The End of the World in Mad Men ... Mad Men Season 3 Finale: The End of the World

And from Season Two: Mad Men Returns with a Xerox and a Call Girl ... 2.2: The Advertising Devil and the Deep Blue Sea ... 2.3 Double-Barreled Power ... 2.4: Betty and Don's Son ... 2.5: Best Montage Since Hitchcock ... 2.6: Jackie, Marilyn, and Liberty Valance ... 2.7: Double Dons... 2.8: Did Don Get What He Deserved? ... 2.9: Don and Roger ... 2.10: Between Ray Bradbury and Telstar ... 2.11: Welcome to the Hotel California ... 2.12 The Day the Earth Stood Still on Mad Men ... 2.13 Saving the Best for Last on Mad Men

And from Season One: Mad Men Debuts on AMC: Cigarette Companies and Nixon ... Mad Men 2: Smoke and Television ... Mad Men 3: Hot 1960 Kiss ... Mad Men 4 and 5: Double Mad Men ...Mad Men 6: The Medium is the Message! ... Mad Men 7: Revenge of the Mollusk ... Mad Men 8: Weed, Twist, Hobo ... Mad Man 9: Betty Grace Kelly ... Mad men 10: Life, Death, and Politics ...Mad Men 11: Heat! ... Mad Men 12: Admirable Don ... Mad 13: Double-Endings, Lascaux, and Holes


Saturday, January 31, 2015

Banshee 3.4: Burton and Rebecca

I'm a little late with my review of Banshee 3.4 - sorry - because I've been binge watching Sons of Anarchy.   The two shows actually have lot in common, both mainly taking place, as they do, in fictional small towns which seem to attract every kind miscreant and bad guy in the book.  An episode 3.4 of Banshee even had a biker.

But the main action in the episode took place in three other theaters.

Siobhan knows the truth about Hood.  Will she turn him in?   Unless the series were to undergo a change of brain, this of course can't happen.   Nor can Hood leave Banshee, as he tells Job, Carrie, and Dava he will, because that would also totally change the show.  So when Siobhan says she won't out him at the end, that's no surprise.  And we can also rest assured that something will happen between her demand that Hood resign and his resigning - which indeed happens at the very end with Chayton attacking the sheriff's headquarters.  Still, the scenes between Hood and Dava, and Hood and Carrie, were powerful.   But I just hope Hood's continuing as the law in Banshee isn't made possible by Siobhan dying as a result of Chayton's attack.

Chayton's understandably upset about the reversals his people and plans have been taking of late, most lately at the hands of Burton and Rebecca, in the best scene of the hour.  The expressions on their two faces as she accelerates the car, not to mention that Burton's now willing to work with her, are just priceless.   Will be fun to see where that goes from here.

The other big fight of the evening, between Proctor and Hood, I don't know what to say about.  But I will.  First, Hood's motivation is not completely clear.  He thinks he's leaving town, and he views Proctor as the main threat to the people he loves, so he wants to get him behind bars?   Seems a little forced as a motive.  And in the fight, it takes Hood about to wield a hammer to Proctor's head to win? That certainly doesn't feature Hood at his best, but maybe that's the point.

Back to Samcro, and I'll be back here next Friday with a review of the next episode of Banshee, which promises to be even more explosive than usual.

See also Banshee 3.1: Taking Stock ... Banshee 3.2: Women in Charge ... Banshee 3.3: Burton vs. Nola




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Wednesday, February 20, 2013

Cool Television Reviews by Other Writers

Following are some blogs with cool, savvy reviews - not written by me - of some excellent television shows -
Enjoy! 
InfiniteRegress.tv