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Showing posts with label The Dark Knight. Show all posts
Showing posts with label The Dark Knight. Show all posts

Friday, July 20, 2012

Thoughts about The Dark Knight Massacre

Some thoughts about the horrendous shootings in the Colorado movie theater showing The Dark Night 3 last night:

1. The single most effective way of preventing such tragedies in the future, or reducing their likelihood, is for President Obama and Congress to step up and restore the ban on assault (semi-automatic) weapons.  No law-abiding citizen should have need for them.  Their banning would not violate the Second Amendment - which, unlike the First Amendment, does not say "Congress shall make no law".  Rather, the Second Amendment says government should not "infringe" upon the rights of people to bear arms.  The banning of a weapon of mass killing would not infringe on the right of citizens to bear other kinds of guns. (Just a ban on sale of assault weapons to anyone under 30 years of age would help - it would have prevented the attack on Rep. Giffords last year, the murders at Virginia Tech, and what happened in Aurora.)

2. The notion that violence in the movies or in any medium triggers this kind of real-life violence is not supported by the facts:  Millions and millions of people have watched violent movies and television, and played violent video games - and, thank goodness, mass killings have happened just handfuls of times.  (See my debate with Jack Thompson a few years ago about violent video games for more.)

3. But motion picture theaters need to think of ways to make their premises more safe.  Movies - especially horror movies - have for decades sought to give the viewer tingles of fear by showing people on the screen menaced and killed by monsters and psyschos in the darkness.  With what happened in Aurora, Colorado making this a reality, the motion picture industry may need to rethink such movies, or at very least provide increased means of protection in theaters, such as metal detectors. Motion picture theaters have in effect been on the ropes since the rise of television in the 1950s.  The ease today of also viewing movies on tablets and smart phones is only putting more pressure on theaters.  Unlike schools, where attendance is required, movie-going is strictly optional.  The public needs to feel that exercising this option is safe.

4. The Batman franchise - in particular, The Dark Knight trilogy - will likely forever be associated with the tragedy of Aurora.  The Batman story, at its core, is about the darkness in the human soul (which Batman is able to overcome, or channel into doing good).  The spilling over of this darkness from fiction into our reality - where it of course already exists - is a signal moment in the history of movies, and even story-telling in general.   What impact this will have on Batman's place in our popular culture is hard to say - it will likely make the masked crusader both more and less intriguing - but we can be sure that Batman will never be seen the same.

   

Monday, September 1, 2008

Mad Men 2.6: Jackie, Marilyn, and Liberty Valance

Another moody, powerful, jingle-jangling episode of Mad Men tonight.

But first my obligatory movie celebration brought on by the show: Pete spoils The Man Who Shot Liberty Valance for Peggy by telling who shot him. Don't worry, I won't tell you, I'm not as much of a cad as Pete. But I will tell you it was great to hear that title again, not only of a great movie, but the even better song by Gene Pitney.

Peggy has a good comeback, after Pete insincerely apologizes. No problem, you saved me 50 cents, she says. (I'm pretty sure I paid a quarter to see the movie at the Allerton Theater in Bronx, but prices were a little higher in Manhattan and maybe in Brooklyn where Peggy lives.) Peggy doesn't do so well with the other men at Sterling Cooper, though, who shut her out of their planning of a bra campaign. It's based on the premise that all women want either to be Jackie Kennedy or Marilyn Monroe, and Peggy looks like neither. Joan - unknowingly building on Bobbi's good advice from last week - sets Peggy straight. Stop dressing like a little girl if you want to be taken seriously, Joan tells Peggy. And, lo and behold, Peggy gets taken very seriously after she takes that advice, and visits the Playtex guys and Sterling Cooper gang at a strip bar later that night.

That's about the lightest part of the episode. Duck behaves horribly to his dog, Don isn't too nice to Betty, and, for that matter, not too nice to Bobbi, either (Melinda McGraw - last seen in The Dark Knight, and two choice episodes of Journeyman - is giving her a great, sultry portrayal) ...

And in a wrenching last scene - again reminiscent of The Sopranos (high praise in my book) because you can't quite say just why it's wrenching - we see Don looking in the mirror and starting to come to terms with something.

But what? His past and present lives? His double-timing Betty? Is there something physically wrong with him?

Well, he did cough a little before that scene, but I'm thinking the crisis he's facing is all or mostly in his roiling mind...



See also: Mad Men Returns with a Xerox and a Call Girl ... 2.2: The Advertising Devil and the Deep Blue Sea ... 2.3 Double-Barreled Power ... 2.4: Betty and Don's Son ... 2.5: Best Montage Since Hitchcock ... 2.7: Double Dons ... 2.8: Did Don Get What He Deserved? ... 2.9: Don and Roger ... 2.10: Between Ray Bradbury and Telstar ... 2.11: Welcome to the Hotel California ... 2.12: The Day the Earth Stood Still on Mad Men




And listen to my fabulous 20-minute interview last Fall with Rich Sommer (Harry Crane) at Light On Light Through



The Plot to Save Socrates


"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book


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Friday, July 18, 2008

The Dark Knight Transcends

I just got back from seeing The Dark Knight, and it is eons better than any previous Batman movie, or, for that matter, any Superman or other movie made of a comic book character. In fact, The Dark Knight is as far away from comic book tropes and exaggerations as The Grapes of Wrath is to a nursery rhyme.

Heath Ledger as The Joker was stunning and unforgettable - more like Brad Pitt in 12 Monkeys than Jack Nicholson's Joker in a previous Batman movie, and Nicholson was pretty good. A fitting last bow for Ledger indeed, and all the more tragedy that he won't be with us for more.

But Ledger's was not the only brilliant performance. Gary Oldman is truly in a class of his own in acting, playing radically different characters in different movies with the same ease and also unforgettable perfection. This time Oldman was James Gordon - and Gordon and the audience never had it so good.

Aaron Eckhart as the "White Knight" Harvey Dent was powerful, Maggie Gyllenhaal as Batman's and Harvey's love was perfect, and you can never miss with Michael Caine and Morgan Freeman (whose Lucius Fox takes a stand against Orwell's Big Brother). Lost's Richard (Nestor Carbonell) plays the Mayor, and our real Senator Patrick Leahy even puts in a nice cameo.

Christian Bale as Batman/Bruce Wayne was fine - but I wouldn't put him ahead of George Clooney and Val Kilmer's performances of the role.

But the story was so powerful, the supporting acting so extraordinary, that Bale really shined, too. I'm rarely surprised in a movie - I did guess one minor bad guy sitting in the driver's seat - but the complex story of The Dark Knight was packed not only with punches but real twists and surprises.

Most of all, despite its advertised "darkness," the movie had hope and soul. When you see it, I think you'll agree that the real heroes were the people of Gotham, and in a soft-spoken, understated, but memorable and heart warming way. I don't know, is it too much to say they evinced a distinctly Democratic, humane capacity, resisting the baser impulses of a people under attack? Yes, they did. Gotham - that mixture of New York and Chicago, the quintessential American city - shown bright in The Dark Knight tonight.








The Plot to Save Socrates


"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book


more about The Plot to Save Socrates...

Get your own at Profile Pitstop.com



Read the first chapter of The Plot to Save Socrates
.... FREE!
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