Chuck Todd interviews me about alternate histories
Showing posts with label Sense8. Show all posts
Showing posts with label Sense8. Show all posts

Monday, July 29, 2019

The Rook 1.5: The Home Secretary



The Home Secretary came into focus in The Rook 1.5 last night.  No figure head, she, but a crucial player, who's been having an affair with Conrad, and wants to be Prime Minister.  And she's well played by Gina McKee, whom I first noticed in The Borgias.

But the big news is Farrier, who's not only fired by the Home Secretary, but displays some powerful super powers of her own.  Unless I haven't been paying attention, this is the first time we've seen them.   As this series progresses, it's apparent that there are more EVAs than first met the eye.

I've said the show reminds me of Heroes.  It also has threads of Sense8.  The Gestalts, indeed, are closely related Sense8 clusters - born on the same day, in powerful telepathic connection, the only difference being the Sense8 cluster members are not physical twins.  But the cluster members come from all around the world, and the back story of Nazim brings home the global distribution of EVAs.

The resonances of The Rook with other series - in reviewing it in the past weeks, I've mentioned Heroes, Counterpart, and Sense8 - is actually its great strength.   Because although it bears resemblances to these and other shows, there's something about The Rook that's all its own.  Something in the pacing, or the characters, or both.  Take the Home Secretary, for instance.

She's having an affair with Conrad, and the rules say they either now must break it off or go public with it.   Jennifer (that's her name) breaks it off, because she thinks the Prime Minister is vulnerable and thus open to Jennifer becoming the PM.  So, I'm wondering - is she also an EVA of some sort, and if she becomes PM, wouldn't that be a provocative development?  (Hey, the current Prime Minister in our real world is ... well, let's not go there.)

See also:  The Rook 1.1: Dickian Pastiche ... The Rook 1.2: Live Details ... The Rook 1.3: Gestalts ... The Rook 1.4: The Bristol Stomp


They're coming out into the open, for the first time in centuries ....

Saturday, June 9, 2018

Sense8 Season 2 Finale: Love



The name of the 2 and 1/2 hour Season 2 finale of Sense8 on Netflix, Amor Vincit Omnia or Love Conquers All - or, more precisely, passionate, erotic love - was indeed the dominant theme of this powerful and joyful episode, though it inevitably had plenty of violent threads of human nature as well. 

Actually, erotic love was always the theme of this extraordinary and deeply original series.  People who literally share each other's thoughts have to be in some kind of love with one another, and if we're talking about a cluster of eight such people, the possibilities are beyond counting.   In Sense8, these entail most combinations known to humans, with the additional overlay of homo sensate and homo sapiens in many of the relationships.

Indeed, the clear message of Sense8, all along, is that we humans on the other side of the screen, we viewers, would do better if we exulted in or at least accepted all kinds of erotic love.   Given the world we live in today, love in any form is certainly something we could use more of (sounds like that Jackie DeShannon song), and there's no reason that could not include carnal pleasure.

Meanwhile, the dialog has its customary wit. "I've been staring at the screen so long even my glasses are sore," Nomi says early on.  But when the screen with Sense8 was done, my eyes were yearning for more of it.  There a lots of fun examples of a better life through telepathy, such as Will speaking French through Riley, later reciprocated by Riley knowing how to use guns via Will.  And sex isn't the only pleasure of the flesh in this luscious episode - there was a scene of eating pizza in Napoli, and I would've run out and gotten any kind of pizza, the pizza in the scene looked so good, but it was too late.

As for the violence, it was enjoyable, as always, to see our team utilize each other's talents in the battles.  But in case you haven't yet seen this, I won't tell you who survives or what happens to the bad guys of both sexes.

I will say that this ends with some great music, and an orgy, and hey, you can't go wrong with that.  As I said in my very first review (see links below), telepathy is rarely shown in science fiction movies or TV shows, and Sense8 would've been welcome for that reason, alone.  But the series did much more than that and I predict it will become a classic.


Sunday, January 14, 2018

Philip K. Dick's Electric Dreams 1.5 The Hood Maker: Telepathy and Police



Telepathy is another favorite but not-as-well-known-as-some-other themes of Philip K. Dick - appearing in the aforementioned (i..e, mentioned in my review of episode 1.3 of Electric Dreams) "Beyond Lies the Wub" in 1952 - and its combination with police procedural in Philip K. Dick's Electric Dreams episode 1.5, The Hood Maker, makes for a classic Dick amalgam.

It's also a great story, compellingly rendered.  Honor is a telepath or TEEP teaming with Agent Ross to maintain order, which includes controlling the TEEPs, whose ability to read normal human minds sows unease and disorder (understandable).  The situation is brought to a boil by the "hood maker" who makes hoods which, when donned, block out the TEEP probes. 

The Hood Maker is smartly written for television by Matthew Graham (who also wrote the TV adaption of Childhood's End and the British version of Life on Mars, much better than the American, by the way), and he has Honor saying such memorable things as "I could read people before I could read books" and Ross telling Honor "you can read minds but you can't read my heart".  I just love quintessentially science fictional lines like those.

And there's a nice symmetry between Holliday Grainger (from The Borgias) playing Honor and Richard Madden (from Medici) playing Ross.  Good directing, too, by Julian Jarrold.

I've been a sucker for telepathy in fiction every since I read Alfred Bester's Demolished Man as a kid at the end of the 1950s (which, by the way, was also a police story).   And I put Sense8 as #1 on my list of best 2017 television series for the same reason (it also has a strong telepathy and police element).  I put The Hood Maker in the same company,

See also Philip K Dick's Electric Dreams 1.1 Real Life: Mutually Alternate Realities ...  1.2 Autofac: Human v Machine ... 1.3 Human Is: Compassion or Alien? ... 1.4 Crazy Diamond: DNA Batteries ... 1.6 Safe & Sound: This Isn't A Drill ... 1.7 The Father Thing: Dick from Space ... 1.8 Impossible Planet: Eye of the Beholder ... 1.9 The Commuter: Submitted for Your Approval ... 1.10: Kill All Others: Too Close for Comfort



not quite telepathy, but some strange mental powers at large here



Wednesday, December 13, 2017

My List of the Top 10 Television Series of 2017

Continuing the tradition - just started two years ago - here is my Top 10 list for 2017,  from who knows how many series I've seen this past year on network television, cable, and streaming (Netflix, Amazon, Hulu, Acorn):

Honorable mention (narrowly not making the list, for a variety of reasons):  On the list last year: Vikings was on my Top 10 list last year (that would be season 3).  Season 4 was excellent, but not quite as good in previous seasons.  (Season 5 has just begun, and I'm already liking it a little more than Season 4.) Returning in honorable mention: Chicago Fire is still superb, but still suffers from the limitations of network television.   Apples and oranges: Veep is still hilarious, but it's impossible to rank a comedy with dramas, so I put it here in honorable mentions. Same for the return of Curb Your Enthusiasm, which is in an hilarious class of its own. Closest runners-up: Twin Peaks: The Return (Showtime): sequels, especially broadcast years later, are always a difficult proposition, but Twin Peaks did this insanely well, literally;  Game of Thrones (Season 7) (HBO): best season so far, we finally got to see the dragons in action; Ozark (Netflix): an original, engrossing crime drama in an unlikely place; The Break (Netflix): top-notch Belgian noir, The Crown (Netflix): peerless drama of the first years of Queen Elizabeth II;  Mindhunter (Netflix) think Criminal Minds, unhindered by network mores

-> 17 December 2017 shoutout to Erased, a charming, very different kind of time travel series on Netflix, which I just saw last night.  It will definitely be on my Top 10 list next year.

-> 28 December 2017 I just finished streaming Travelers 2 - the first season was on my Top 10 list last year (2016) - Travelers 2 will surely be on my Top 10 list next year.

And now the Top 10:

10. 19-2 (final season, Acorn): back on the list from last year, one of the best cop shows ever on television; sorry to see it conclude

9. The Deuce (HBO): a gritty, in-your-face look at prostitution and the dawn of the porn industry in 1970s New York City, as only HBO can do it

8. Big Little Lies (HBO): sly, well-acted, delicious, brutal, and criminal

7. Four Seasons in Havana (Netflix): Cuban noir, based on four novels, about the exploits of detective with a secret life as a writer - you can't go wrong with this gem

6. Narcos (Season 3) (Netflix): 3rd year in a row on my Top 10 list, you can't beat the pace, the realism, and the sarcasm of the DEA-agent narrator

5. Dark (Netflix): there was a lot of time-travel on television in 2017 (12 Monkeys, Timeless, Time After Time, Somewhere Between, Outlander), but this German outing was the best, and wove at least half a dozen major paradoxes into the story

4. The Orville (Fox): the closest thing ever on television to the original Star Trek series, with some of The Next Generation on board with equivalent characters; and The Orville is often laugh-out-loud funny

3. Fauda (Netflix): a brilliant, riveting Mossad spy story, swat-team narrative, which treats Israelis and Arabs with almost equal sensitivity

2. Longmire (final season, 6) Netflix: this series just got better and better every every season, and saved the best for last with a truly satisfying story that tied up most of the loose ends

1. Sense8 (season 2) Netflix: telepathy is a relative rarity in science fiction, and Sense8 did it masterfully and memorably; destined to become a classic which will be watched for decades to come

See also My List of the Top Ten Television Series of 2015 and My List of the Top Ten Television Series of 2016

Sunday, May 28, 2017

Sense8 Season 2: Sense8tional



[Note added June 13, 2017: Sense8 was cancelled, according to Netflix, because "A big, expensive show for a tiny audience is hard even in our model to make that work very long" (quoted in Polygon).  The following, written in May before the series was cancelled,  is as good a reason as any why Netflix made a bad decision.]

I realized a while ago that binge-watching, like all human activities, isn't the perfect strategy for all television watching.  It's almost never preferable to wait a week before the next episode of a compelling series is available, but sometimes watching a complete season in one or two seasons is not the best way to go, either.  Sometimes you want to savor each episode a little longer, let it slosh around in your mind a little, until it settles into some place or maybe keeps quietly percolating.
I'd intended to watch all of Sense8 season 2 in one swoop - that is, all the episodes after the Christmas special which aired late last year - but decided, after the first two new episodes (2.2-3), that I wanted it to last a little longer.
We saw and learned lots of things in these two episodes.  Among the most profound is that when one of the cluster is nearly hung -- that is, nearly choked to death at the end of the rope - the other members of the cluster start to lose consciousness, too.  This raises a crucial question: if Sun had indeed died in that noose -- if her cellmate hadn't rescued her (in a great scene) -- would the rest of the cluster had died, too?  I can't recall exactly what happens when one of the cluster falls asleep, but my impression is the others, though aware that one member is sleeping, stay awake.  If that's the case, why would the near-killing on Sun so viscerally affect the rest of the cluster?
The question is whether the effect is just mental, or physical as well.  Of course, mental and physical are always intertwined -- what we think and feel in our heads inevitably affects our bodies -- but in the case of the sense8s, is this so much in play that the violent death of one will kill the others?  I'd think not, but if this possibility remains open, our sense8s are even more vulnerable than we realized.
But they're making good progress in these two episodes -- Sun is free, Whispers is set back, and the sense8s continue to bring their talents to bear when one or two of them needs help, even in a difficult conversation with reporters.   And we're beginning to learn more about homo sensorium, and the deeper evolutionary significance of the sense8s.
***
One of the most significant secondary themes of Sense8 is the personal relationships our sense8s have to sapiens, as we humans are now increasingly known and referred to in the series. These range from significant other partnerships, as in Lito and Hernando, Nomi and Amanita, and Kala and her devoted but lackluster husband, to lifelong friends such as Wolfgang and Felix, to mortal enemies as in Sun and her monster-in-sheep's-clothing brother. 

These couplings in effect represent the hope and perils for sense8/sapiens on the planet-wide, species level. So far, we've seen only the perils for sense8s, and the general unawareness that our species has about the very existence of sense8s. But, as of the end of episode 2.5, that appears set to dramatically change. 

In some ways even more crucial to the story are the relationships members of our cluster have to other sense8s. The decision to go public as a way of vanquishing their mortal enemies stems from Will's realization that there must be, if not a myriad of sense8s, a number large enough to attract such powerful enemies. 

My favorite new sense8 in season 2 is Lila, and not only because she appears totally nude in an attempt to seduce Wolfgang. She earlier tempts Wolfgang when he's telepathically communicating with Kala, providing a fine example of a simmering, tempestuous triangle, totally sense8-style. Love flows in all kinds of ways in this story.

***

Every action movie, every police drama, every thriller needs a shootout. Since Sense8 is all three and much more, it gets a one-of-a-kind, multi-valent shoutout in 2.6, and it's a thing of violent beauty to behold.
The cinematography, always a splendid eyeful in Sense8, is especially good in that bar, where it all begins with Wolfgang and Lila across the table. Her new seduction attempt erupts into a gunfight, between Wolfgang and Lila in physical space, and their clusters whirling like dervishes and firing away in mental space at every opponent they can see.   The shots of the two clusters, menacingly walking behind their live anchors, drawing closer together, almost into a single line, then spreading apart and shooting, makes for a veritable gunfight at the OK coral, Sense8-style.
Just to be clear -- though that's never really completely possible, given the speed of thought and the inherent multiplicity of the story -- there are players in the bar who are on Lila's team (though whether sense8 or sapien not completely clear).  So Wolfgang is physically outnumbered, and he and his/our cluster have to fight not only Lila but other physical people in the room bent on killing him.
The upshot: both Wolfgang and Lila survive, and we learn that locating other clusters can just as easily be death as salvation for our sense8s. Not only are some sapiens out to kill sense8s, but some sense8s are out to kill our sense8s, too.
At some point, not in the bar, another sense8 not in our cluster remarks that sapiens invented Google in the 1990s, but sense8s were instantly communicating worldwide (what Marshall McLuhan and I would call a global village) back in prehistoric times.  Earlier this season, someone explained that just as homo sapiens exterminated Neanderthals, so our kind sought to eradicate homo sensoriums aka sense8s.
Which got me thinking -- what if in our reality, some Neanderthals had survived?  Hmm ... there's an idea for a novel.
***
Sense8 season 2 came to a cliff-hanging, mid-scene conclusion, with a smart turning-of-the-tables on the sense8 strategy in their battles against sapiens and sense8s.
That strategy, deployed throughout the series, and one of the key and especially enjoyable mechanisms of the story, entails one sense8, under physical attack or in some kind of social crisis, deploying the talents and powers of the other seven sense8s to succeed or at least get an upper hand.  In the final few episodes, we see this done to excellent effect in one of the best scenes of the series -- a car chase -- as Sun tries to put away her evil brother.  And we see what happens when one of the sense8s -- Will -- is not able to pour his talents into the action, as Capheus almost loses his life in a campaign-rally riot in Kenya.
So it was particularly smooth to find that Will's declaration of war on BPO and Whispers is a physical declaration, with Will and the other six sense8s and their allies literally on the way to mounting an in-person attack in their efforts to free Wolfgang.   It begins with Will surprising and getting the better of Whispers by being actually physically in the room with him, and ends with ... well, we'll need to wait for Season 3.
One question is why doesn't Will just kill Whispers and be done with it, but part of the answer to that is that people - that is, sense8s - don't seem to completely die in Sense8.   In fact, not only do they not die, but they seem to change sides -- reverse loyalties -- in a way that harkens back to one of the mainsprings of the Dune saga.
I've seen it said that Sense8 is enjoyable if you don't pay too much attention, but I'd say it's just the opposite: the complex, multi-dimensional and multi-layered narrative works best when you give its elements careful consideration. Indeed, one of the joys of the second season, which I thought was better than the first (high praise, since I liked that one, too), is that it is beginning to uncover some of what Noam Chomsky might call the deep structure of sense8 grammar.
And I'll be back here some time in the future with reviews of season 3.

Tuesday, January 3, 2017

Sense8 2.1-2: The Mental, the Digital, and the Palpable

I caught the first two episodes - Christmas special - of Sense8, Season 2, on Netflix last night. Thoroughly enjoyable and thought-provoking - just like the first season.

Among the best scenes, as in the first season, are the all-eight events, including in the two new episodes, a birthday celebration (all eight in the cluster have the same birthdate), a Christmas celebration, and an eight-person orgy.   All were moving - especially the Christmas celebration, topped off with a beautiful rendition of the recently late Leonard Cohen's "Hallelujah".  Christmas scenes are difficult to do in an original way, but Sense8 did this quite memorably (that is, in an un-trite and emotionally powerful way).

The fight scenes were also good, as also in the first season.  These scenes, in which members of the cluster with martial arts skills take over the fight of someone else in the cluster who doesn't quite have them, are a fresh perspective to martial arts gambits and are always welcome to see.

The science in the story was furthered, too, with Jonas helpfully explaining that, for sense8s, memories are transmitted along with genetic material to offspring.   This gives sense8s a valuable cognitive connection to the past, in addition to members of their cluster.

The main threat remains Mr. Whispers, who now has an in with Bill.  Fortunately, Whispers, though despicably powerful, is not without some flaws, which Bill, aided by Riley and the others, may be able to exploit.  Riley and Will are now the most interesting couple in the group, because, as they both say as they physically hug each other, they're now able to hold in their arms what they previously had held only in the minds.

That, in effect, captures the essence of the series - the intersections of the mental (throw in digital, too) and the palpable physical, and I'm looking forward to more in May.

See also Sense8: Vibrant, Profound, Dangerous ... Sense8 Season 2: Sense8tional


                               another kind of human species


Monday, January 2, 2017

Sense8: Vibrant, Profound, and Dangerous

I binged the first season of Sense8 from 2015 the past few nights.  I started watching the December 2016 special, but seeing as how the first season is a remarkable narrative in itself, I thought I'd review it now, and come back with a review of the 2nd season Christmas special in a few days (and here it is).

Remarkable - and welcome - Sense8 was.   Telepathic connections used to be a big theme in science fiction through the 1950s, but for some reason hasn't made much of an appearance in the past 50 years.   Sense8 does a great job of this, and presents a story that not only needed to be told on screen rather than page, but over 12 episodes rather than a few-hour movie.

The story - of eight people around the world, in their 20s (all born at the same instant), who suddenly discover they are telepathically connected, and then find that elements of the rest of humanity are hunting and trying to exterminate them - has roots in the late lamented Heroes.   But that series had many heroes with many different powers, and, given the limitations of traditional network television (NBC), we saw very little of the world on those screens.

Netflix has liberated all kinds of storytelling, and the world panorama it affords Sense8 provides a literally vivid and pulsating environment for the story, which takes place not only in the United States, but Iceland, India, Africa, South Korea, London, and Germany.  And not only do we get a vibrantly rainbow mix of nationalities and cultures in Sense8, but a portrayal of just about every mutually consenting sexual activity, presented with sensitivity, style, and humor.

The different talents of the eight sense8s become the basis of the action sequences, with each of the eight characters being available to contribute her or his talents - martial arts, medical knowledge, computer savvy, etc - via telepathic input when another is in danger or dire need.   These rescuing visitations, even though we come to expect them, remain surprising and satisfying through the ending.   And there's much more than fight scenes in Sense8 - one of the most memorable, indeed in all of television, is a scene in which one of the sense8s is singing, and the others are hearing and joining in in their own ways around the world.   To describe this almost seems corny; to see it is beautiful and breathtaking.

The deeper metaphysics or science fictional premises of the story are plausible and well handled well. We are correctly told, at a crucial point in the story, that just as only a fraction of our DNA separates humans from chimps, so a fraction could engender the difference between sense8s and the rest of us humans.

Sense8 is a creation of  J. Michael Straczynski and the Wachowskis (Lana and Lilly), and their best work in years.  Highly recommended for a different, bright and colorful and profound and dangerous, kind of science fiction.

See also Sense8 2.1-2: The Mental, the Digital, and the Palpable ... Sense8 Season 2: Sense8tional


another kind of human species
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