"I went to a place to eat. It said 'breakfast at any time.' So I ordered french toast during the Renaissance". --Steven Wright ... If you are a devotee of time travel, check out this song...

Saturday, March 31, 2018

Time Travelers: Old Friends

Just caught this 30-minute short on Amazon Prime, listed as from 2012 on IMDB and 2017 on Amazon Prime.  Well, it is about time travel.

Speaking of which - this has to be about the worst title for a time travel movie - short or long - I've ever come across.  What happened, the producers got tired?

But otherwise, it's pretty good.  The scenario of two old friends in a conversation - not old chronologically but rather old in length of friendship - is a natural for time travel.  In fact, although there's a bit of action in this story, the flavor of Time Travelers is a lot like Primer, a now classic time-travel movie in which talk was the main medium (other than the time travel itself).

And the story has some good meta elements, with mentions of not only of time travel but H. G Wells and other writers of the human condition who didn't deal with time travel per se.  That's because (at least) one of the two friends is a writer, a science fiction writer, in fact, and the two discuss the thorny issue of plagiarism - thorny, that is, in its largest philosophical context, which is whether anything is really ever truly original.

Names of known and lesser-known works of science fiction are thrown into the conversion.  I was happy to hear "Loose Ends" at least half a dozen times - ok, it was just "loose ends," without the caps - since "Loose Ends" was a triple-nominated 1997 novella of mine (for Hugo, Nebula, and Sturgeon Awards), later expanded into a four-part novel.

And there's jealousy not only of writing but love, with one of the two sleeping with the other's wife, which provides a handy motive for murder.  But, ok, I've said enough.  See the short, try to forget about the title, and enjoy.  There's good acting, by the way, by Elliot V. Kotek and Gabe Bettio.



Wednesday, March 28, 2018

The Americans 6.1: Elizabeth vs. Philip



Well, The Americans, never more relevant to the current news than it is today, was back tonight with the first episode of its final season.  And the story it set in motion was relevant indeed.  It's the story of Gorbachev and the perestroika and glasnost he set in motion verses the KGB forces and the older, harder liners who opposed him in what would be the final few years of the Soviet Union.  History tells us he won - but not completely.  And, eventually, those KGB forces took power again, in the form of Vladimir Putin.

But back in the late 1980s - with Bork just nominated to the Supreme Court - Putin was not yet in command or control.  And the battle between Gorbachev and the KGB was played out with other people.  Including ...

Here in the U.S., Philip recruited from retirement on behalf of Gorbachev to keep an eye on what the KGB-loyal forces are doing here.  Which include Elizabeth.   In other words, the couple we've followed for the past five seasons are not only no longer working together.  They're working against each other.  With a directive to Philip to kill Elizabeth if necessary.  It's that serious.  The Americans has always been as serious as it gets, but never more so than now.

At least, that's the set-up for now.  Philip tries to tell Elizabeth, but she's too exhausted to listen.  Emotionally drained.  As indeed she should be.  She just killed a young naval security guard who's offense was to take Paige's ID - more out of flirtation than anything else.  But Elizabeth can't take any chances.  She never could.  Killing is always her ready option.  She may agonize about it.  But unlike Philip, she gets over it.  One might even call her a kind of psycho.

This binary opposition - Elizabeth vs. Phillip - was in the cards all along.  It's exciting to see it finally come out on the table in this final season.  And I'll be back here next week with more.






Monday, March 26, 2018

The Crossing: Lost Again but OK

I somehow caught the pilot of The Crossing - a new time-travel series starting in April on ABC - on Hulu, and I came back to file this little report.

Here's what's good about this - The Crossing has echoes of Lost and Flashforward, both on ABC, you will recall.  There's a guy who doesn't look like Sawyer but he has something of Sawyers demeanor, especially when he first comes into view sitting not that far from a beach under an umbrella.  And while we're at it, there's even a main character who reminds me a little of Kate.

As to the story, it's about a group of people who wash up on shore in the northwest, many but not all dead.  The ones who are living say they're from the future.  And the Sawyer-like guy says that people from their future have previously come to our time and earlier.   Before the hour is over, we get to meet one of them, an FBI guy.  (Why didn't Trump fire him?)

And it turns out that some of the folks from the future are genetically enhanced or advanced and have super-strength and who knows what else.

But if this sounds a little trite - because it is - this first hour was nonetheless well-played with a couple of good surprises and a somewhat interesting, idiosyncratic set of characters - especially Steve Zahn as the sheriff (I last saw him on Treme, where he was also memorable).  So that, along with the fact that I'm always willing to give a time travel story a chance means that I'll definitely try the next few episodes ... and, if I had to bet, I'd say I'll stick with it.



Timeless 2.3: Orson, Hedy, and Lucy

A thoroughly satisfying Timeless 2.3 tonight, which featured, among other good things: Orson Welles (or, at least Citizen Kane), Hedy Lamarr, Lucy singing "You Made Me Love You," Lucy and Wyatt finally together, Flynn out of prison via an inter-temporal gambit, and a surprise ending I won't mention until the end in case you don't like spoilers (which, by the way, were mentioned, literally, in this fine episode - as was, come to think it, "fake news," too).

Now Lucy and Wyatt finally in bed together is something that's almost happened a bunch of times already, so that was no big surprise.  But it was nice to see, anyway.  And the same for Flynn out of prison, but it happening via time travel - or, at least, the means of his escape - was a nice touch, too.

But Lucy singing and therein declaring her love to Wyatt was unexpected and great.  Kudos to Abigail Spencer for singing the part, and don't tell me it wasn't really her singing, I won't believe you.  And Orson Welles, even though we didn't actually see him, is a worthy subject of any tine travel story (I thought this so much that I made him the central character of the third novelette in my Ian's Ions and Eons series.)

And now to the ending:  after Wyatt and Lucy make tender love which left both happy and even more in love, what does Timeless do?  It somehow allows Wyatt to find his lost - as in deceased - love.  Very much alive.  Poor Lucy!

But, hey, this makes for a good story.  And we also have some significant developments with Jiya, which I didn't mention in the first paragraph because I wasn't sure what they meant.  A doctor tells her off-camera that she's in fine condition - in better condition, even, then before she started having the visions of the future and passing out, because she had a heart murmur before then which is now gone.  But is Jiya telling the truth?  I think so.  Was her doctor telling her the truth (and who was he or her)?  Impossible to say, because we didn't see this doctor.

So ... though Timeless made some great progress with Lucy and Wyatt, the future is by no means bright for them, and Jiya is more unknown in her future than ever.  I'll be back after the next episode to tell you what I think about where this series - now undeniably much better than in its first season - goes with all of this.

See also Timeless 2.1"Mein Kampf, by Philip K. Dick" ... Timeless 2.2: The Nod

And see also Timeless 1.1: Threading the Needle ... Timeless 1.2: Small Change, Big Payoffs ... Timeless 1.3: Judith Campbell ... Timeless 1.4: Skyfall and Weapon of Choice ... Timeless 1.5: and Quantum Leap ... Timeless 1.6: Watergate and Rittenhouse ... Timeless 1.7: Stranded! ... Timeless 1.8: Time and Space ... Timeless 1.9: The Kiss and The Key ... Timeless 1.10: The End in the Middle ... Timeless 1.11: Edison, Ford, Morgan, Houdini, and Holmes (No, Not Sherlock)! ... Timeless 1.12: Incandescent West ... Timeless 1.13: Meeting, Mating, and Predictability ... Timeless 1.14: Paris in the 20s ... Timeless 1.15: Touched! .... Timeless 1.16: A Real Grandfather Paradox Story


Sunday, March 25, 2018

Homeland 7.7: Meets 24

There was a lot of 24 in this episode of Homeland - 7.7, just finished on Showtime tonight - not surprising, given Howard Gordon's role as Executive Producer for both masterful series.

But tonight's episode of Homeland really felt like 24 - the best of 24 - with a President beset on all sides, America at its greatest risk since 9/11 according to Saul, and our agent both hunting and sleeping with the apparent enemy agent.

Let's look a little more closely at that last point.  Carrie and Dante almost slept with each other last week.  But he passed out from Carrie's drugging before that happened.  Tonight they're - well, in flagrante delicto - I just love that phrase - when the CIA under Saul's knowing supervision (that is, he knows Carrie and Dante are literally together) busts in and breaks them apart to arrest Dante.  (Not only that, but the ruthless Saul - or at least, more ruthless than he's been in past seasons - knows that Carrie's daughter Franny's in the next room, too.  Like I said, Saul is ruthless.)

Now Dante, unless I'm missing something, is an interesting character indeed - more inscrutable and complex, with a more seamless and thus appealing mix of good and evil than in any character we've seen on Homeland since Brody himself.   On the good side, Dante really seems to be attentive to Franny (who, as many reviewers have aptly remarked, really looks like her late father Brody).  He even seems somewhat protective of Carrie.

On the bad side, Carrie learns (if Dante's ex-wife is telling the truth) that Dante has had a negative obsession with Carrie for years.   And he has apparently played Carrie in the Russians aiming to bring down the Elizabeth Keane Presidency thing.   Or at least, that's what Saul and I guess we the audience are supposed to believe.

But I'm not so sure.  There seems something stubbornly good about Dante - more than if we just add up the good things that he's done.  In the end, Brody himself turned out to be a hero who redeemed himself.  I'm guessing, more on hunch than evidence, that's we'll see the same with Dante.

Meanwhile, though on the one hand it's good to see Saul take such charge - much better than the wimp he's sometimes been in parts of previous seasons - I don't like seeing him be, well, such a dick to Carrie either.   Without Carrie, Saul would not be where he now is.  And vice versa.  The two are mutually dependent, in usually a good way.

We'll see what happens next week.







And see also  Homeland on Showtime ... Homeland 1.8: Surprises ... Homeland Concludes First Season: Exceptional



Saturday, March 24, 2018

Sneaky Pete Season 2: Excellent, Beats the First, Slightly



I slow-binge watched Sneaky Pete Season 2 on Amazon Prime the past two weeks - mainly because a a great trip to Grand Rapids Community College in Michigan to talk about fake news intervened - and I've gotta say this second season is a little better than the first.  High praise, given that I thought the first was outstanding, an unusual and appealing mix of con-art crime, fast-paced peril, and laugh-out humor bubbling under the surface.

The second season improves on this, slightly, by introducing at least one important new character, and placing "Pete" really Marius in situations in which his real identity is almost revealed and then ... Well, I don't want to give too much away.  But if you'd rather know nothing about about either season, don't read it on.

If you do, or don't care, here's the necessary background for the second season: Marius is released from prison.  He assumes the identity of his cellmate, Pete, who has talked his head off in prison - or enough for Marius, a past master of a conman, to go to Pete's family farm and impersonate Pete to Pete's family.  (He's been gone a long time, and they look somewhat similar, and some in the family sort of realize that something's not right but can't put it all together.)

In the second season, the real Pete is released from prison and comes back to see/reunite with his family.And the real Pete's mother reappears - she's a kind of con-woman, too.  (I'd say this a slightly unlikely coincidence, but the narrative's otherwise so good, I don't really mind it.)

Marius, being the genius at his work that he is, and also the recipient of lots of good luck - hey, some people do have good luck - manages to navigate through most of this unscathed, while pursuing his goal from the first season of using his new family connection to pull off some huge score.  But he also has to steer clear and outwit an East European crimes boss who's reminiscent of the East European crime boss from Banshee, if you can relate to that reference.

What really puts Season 2 over the top, though, are the genuine surprises and twists upon twists as the story develops.  If you're a fan of this genre - and who without a pulse isn't - you'll love this.

(Great acting, by the way, by Giovanni Ribisi and everyone else, just like the first time.)

See also Sneaky Pete: True Win (review of season 1)

   

Monday, March 19, 2018

Timeless 2.2: The Nod

Timeless has always had a good sense humor about time travel, and it comes through tonight in episode 2.2 with ... "the nod".

That's "A Subtle Lowering of the Head You Give to Another Black Person in an Overwhelmingly White Place" - see Medium - and that's what Rufus does to Wendell Scott (a real African-American stock car driver) in overwhelmingly white south of the Mason Dixon America in the 1950s.  Hey, that's the second week in a row in which Rufus had a key line or move - last week it was his description of the Rittenhouse Manifesto as like "Mein Kampf, by Philip K. Dick" - and tonight it turns out that the nod is not only funny but Rufus may have been the one to implant it in our culture.  Just think about it: had it not been for tonight's episode of Timeless, there may not have been an episode #3 of Black-ish in 2014 with a literal nod that title.

It's enough to give Lucy a headache, but I like it, and that's because she's actually time traveling on television and I'm just writing about it.  And tonight's episode had some other good ingredients, including Flynn reluctantly helping and Jiya seeing the future (which will no doubt figure in some very important way later this season) and Connor moving towards ... I don't quite know what.

But on that point, it almost seems as if Connor might be headed towards some villainy, given his frustrations.  That would be an interesting plot development, given his superior knowledge of time travel.  We'll have to see.

Meanwhile, Emma continues to be a stand-out despicable character - as Annie Wersching is in every role she plays (that is, stand-out) - ever ready to kill, seemingly beyond redemption, and always ready with a sarcastic cut for anyone around her, whatever side they may be on.

Looking forward to next week, and seeing if Rufus still has the best line.

See also Timeless 2.1: "Mein Kampf, by Philip K. Dick"

And see also Timeless 1.1: Threading the Needle ... Timeless 1.2: Small Change, Big Payoffs ... Timeless 1.3: Judith Campbell ... Timeless 1.4: Skyfall and Weapon of Choice ... Timeless 1.5: and Quantum Leap ... Timeless 1.6: Watergate and Rittenhouse ... Timeless 1.7: Stranded! ... Timeless 1.8: Time and Space ... Timeless 1.9: The Kiss and The Key ... Timeless 1.10: The End in the Middle ... Timeless 1.11: Edison, Ford, Morgan, Houdini, and Holmes (No, Not Sherlock)! ... Timeless 1.12: Incandescent West ... Timeless 1.13: Meeting, Mating, and Predictability ... Timeless 1.14: Paris in the 20s ... Timeless 1.15: Touched! .... Timeless 1.16: A Real Grandfather Paradox Story

-> and see also (evidence of original reality):  Time After Time, Timeless, and Frequency Now in the Dustbin of History (and the altered reality): NBC Reverses Decision and Renews Timeless: Lessons for Time Travel




Sunday, March 18, 2018

Homeland 7.6: Meets The Americans, Literally

Whew, a powerful Homeland 7.6 tonight which does what Homeland always does best, an episode which changes everything.  Plus this one had some other good features -

Such as Costa Ronin, showing up tonight in a role that he does best - a Russian spy (Oleg in The Americans, Yevgeny in Homeland) in the U.S.  Except Yevgeny has little of the humanity of Oleg, as he makes clear in the speech he gives to his older fellow spy, Ivan, who is wedded to the Soviet ways of spying.  They kept the world safe, Ivan says.  Yeah, but it destroyed our country, Yevgeny truthfully says.  And he therein is the clearest spokesperson for Putin we've yet to see in the real news, fake news, or just plain narrative fiction.

But there was nothing plain about tonight's episode 7.6.  It also featured Carrie drugging and seducing the FBI agent Dante whom she thought was her ally, but was really playing her for his profoundly nefarious plan.

And that's the plan that changes everything.  Because this FBI guy is in fact in cahoots with Wellington's mistress to set him (Wellington, the President's Chief of Staff) up, with an eye towards bringing the President down.  So the twist here is President Elizabeth Keane is a not a Trump in woman's clothing after all - Keane is really Hillary, and Putin's operatives here in America are indeed trying to bring her down.

I'm happy to see this, because I didn't like Keane acting like Trump in even the slightest way.  She's much more convincing, sympathetic, and real as a Hillary Clinton kind of President.

I said in my review of an earlier episode this season that I was a little disappointed in Homeland.  I'm glad I kept watching.  Tonight's 7.6 was one of sharpest to come down the pike in the entire series.







And see also  Homeland on Showtime ... Homeland 1.8: Surprises ... Homeland Concludes First Season: Exceptional


Counterpart 1.9: The Spy Who Came In From The Fold

With all the killings these days of expatriate Russians in London - presumably on Putin's orders but what do I know - the doings in Counterpart, and its facsimile to Cold War East and West Berlin, seem ever closer to our own reality.

Not to mention the harrowing massacre in the our-side offices near the end of the episode - brilliant as as a piece of fiction, all too reminiscent of the massacres in places much more innocent than spy centrals in our own world.

And if that isn't enough, we now have Baldwin set against Howard-prime.  They haven't fought it out yet, but when they do, that should be something to see.

All of which is making Counterpart a prime piece of spy-game fiction.  As I said in my review of Hard Sun last week - another meld of crime and science fiction story - the crime is diamond-hard in Counterpart, and the science fiction soft and blurry.  We have no idea how the alternate reality was  brought into being - not even a nod to the science that somehow made that happen.  Which means the series, strictly speaking, is not science fiction at all.  It's science fantasy.

But who cares?  Labels are not the most important thing in this or any reality.  That would be the contents in the package, the narrative that the labels seek to describe.  And whatever you want to call it, Counterpart is one superb spy-ride of a story, and I'll be back here with a few thoughts on the season finale after it's aired two weeks from today.

   

Thursday, March 15, 2018

Thank You Stephen Hawking

Stephen Hawking was an inspiration to numerous people, so it's no surprise his work has had a pivotal impact on my own life and work.

The dream of most fiction writers - I'd assume, having not taken a formal poll - is to have their work made into movie.  So far, that's happened to me just once.  And it's because of Steven Hawking's work.

In 1994, Wired Magazine published a short article by me, Telnet to the Future, in which I argued that time travel was impossible.   Shortly later, I received a note from Jack Sarfatti, a physicist who believed the opposite.  But he acknowledged that none other than Stephen Hawking apparently agreed with me, having recently published about his "chronology protection conjecture," which allowed that, even were time travel physically possible, the Universe would not allow it, and would act in defense against its own unraveling by time travelers to stop any time travel from happening.

In my always slightly deranged mind, a science fiction murder mystery immediately suggested itself, and resulted in The Chronology Protection Case, which Stan Schmidt was good enough to publish as a novelette in Analog Magazine in 1995.  It's been nominated for the Nebula Award, been reprinted half a dozen times, and has been a required text in a writing class in the Midwest for a going on a decade now.

And Jay Kensinger made it into a high concept, low budget movie, which screens at science fiction conventions around the country, has been a finalist in several film festivals, and for the past two years has been available for free viewing on Amazon Prime.

If we ever come out with a new version - which we did in 2013 for the original movie made in 2002 - I'll be sure to thank Stephen Hawking - not just for inspiring this little movie, but for work and a life that has inspired millions and will no doubt continue to do so until the end of time.

Monday, March 12, 2018

Homeland 7.5: "The Russian Angle"

Homeland 7.5 - about as current as current can be - features Saul investigating "the Russian angle," that is, whether the fake news that unleashed last week's Waco-style attack by the FBI was part of a Russian operation to destabilize the United States by fanning our already close-to-the-boil hatreds.

It's acknowledged as fact - even by the former Russian operative Saul visits out in Wyoming - that the Russians did this, used fake news stories, to meddle in our election.  That would be the election that resulted in Trump as President in our reality and Keane as President in Homeland's.  But the two Presidents, real and fictional, have little in common.

Keane is no paragon of virtue, but she does evince more decency in her "Charlottesville" than Trump did in ours.  Keane is not above manipulating events and people to get her way.  But she is portrayed as having no interest in playing footsie with the Russians, or in any way allowing herself to benefit from their dissemination of fake news - if, indeed, they are the source of the fake news stories that helped her win the election, or the fake news story that erupted last week on Homeland.

The retired Russian operative makes a pretty persuasive case that they're not - that is, not behind the bogus report that the white supremacist's boy was being left to die - but, again, he does this by saying it would be too soon after the Russian use of fake news to influence the election in Keane's favor, and that makes no sense.

Maybe the Russians tried to tip the Homeland election in favor of Keane's opponent?  If so, we need more information to make sense of that.   The upshot is that, in our reality, fake news is a very complex issue.  Homeland therefore needs to treat this a little more carefully, and with a little more logic, than it has been doing so far.  Throwing out concerns about the Russians as the source of the pivotal fake news event on the show may be current doesn't cut it.

More about fake news here ...







And see also  Homeland on Showtime ... Homeland 1.8: Surprises ... Homeland Concludes First Season: Exceptional

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