Chuck Todd interviews me about alternate histories
Showing posts with label Jim Belushi. Show all posts
Showing posts with label Jim Belushi. Show all posts

Monday, August 28, 2017

Twin Peaks: The Return 1.16: Finally!

Well, by the far the best episode of Twin Peaks: The Return - 1.16 - with the two-hour finale on tap for next week (though the inside the atom bomb episode was a nonpareil story in itself).  But tonight -

1. As I (sarcastically) said I was hoping last week - because I'd just about given up hope - that near electrocution indeed brought the good Cooper back to life on Earth, totally woken out of his stupor.  I couldn't agree more with that little man from the other dimension, Cooper's (and our) guide of sorts, who said "Finally". Yes, indeed.   It was great to Cooper back to his old, so deeply decent self, and my favorite line was when he said "I am FBI."  Close seconds were the Twin Peaks theme playing as good Cooper moved back into play, and Cooper saying goodbye to Janey-E, and she realizing that he was something different from her Dougie, and something very good to her and their boy.

2. The shoot-out in front of Dougie's house was also top-notch Lynch, also reminiscent of the Cohen Brothers.  (As I think I mentioned in an earlier review, Fargo the television series is certainly deeply indebted to Twin Peaks.)  But every single character in that shoot-out was perfectly played, especially by Tim Roth (who just played one character, but he was just right in a deadpan way.)

3. Jim Belushi, who's been just outstanding all season in one of his finest comedic roles, was also just right tonight.  I read somewhere that David Lynch was unhappy with some or one or whatever of Belushi's ad libs - I don't know what the ad lib was, but what was on the screen tonight was high camp deluxe.  (And Robert Knepper as his brother was 100%, too.)

4. Even the ending was the best so far: a double-ending, with Eddie Vedder (Edward Louis Severson II) doing an acoustic-guitar concluding song, unexpectedly followed by Audrey dancing and clearly awakening from a nightmare herself.

In fact, this whole Return could be seen as awakening from a nightmare, because that's what it is. And now I'm feeling a little bad that it all be over next week (and hoping our Cooper will indeed come back to Janey-E).  See ya next week.

See also Twin Peaks: The Return 1.1-2: Superluminal Sans Cherry Pie ... 1.3-4: Coffee and Cole ... 1.5: The Mod Squad Meets Big Love in the Diner ... 1.6: Red Door and Childish Scribbles ... 1.7: Lost and Not Lost ... 1.8: Atom Bomb and Mr. Homn ... 1.9: "I Don't See No Hidden Buttons" ... 1.10: "No Stars" ... 1.11: Double Cherry Pie and Viva Las Vegas ... 1.12: No Song - Slim Hope of Deliverance ... 1.13: Humor ...1.14: Painstaking Progress ... 1.15: Meditation on a Gas Station

FREE on Amazon Prime

Available on Prime

Monday, July 24, 2017

Twin Peaks: The Return 1.11: Double Cherry Pie and Viva Las Vegas

Well, Agent Cooper finally got a piece of cherry pie in Twin Peaks: The Return 1.11 last night - in fact, two slices! - as well as his life being spared by Jim Belushi's character and his dream.  But, alas, even this double cherry pie is not enough to rouse Cooper out of his stupor.  He needs to "wake up!" as that little man from the other dimension told him now some number of episodes ago.

Because there's a lot happening.   Cole was nearly sucked up into an alternate dimension wormhole in the sky or whatever that was.   I was glad to see he emerged unscathed, his too-loud voice intact.  For some reason, I really like that loud voice.   I'm not sure what it's supposed to mean or lampoon - maybe the hard of hearing, which is not nice - but for some reason it strikes me as especially funny.

The scene with Truman and his deputy was also interesting.  Like the FBI, they seem to be beginning to close in on the truth of what is happening here.  But their progress is so slow it's unclear if they'll make it by the end of this season.

The music, like the cherry pie, was doubly good in this episode.  First, I've always really liked Shawn Colvin's rendition of "Viva Las Vegas" (I'm listening to the long version right now.)  I just wish they'd played a little more of it.  Second, was that Burt Bacharach at the piano at the very end? Tough to tell and probably not - I'm sure someone reading this will let me know - but it was fun to see even someone looking like Burt on the screen last night.

And I'll be back here with another short review after the next episode next week.

See also Twin Peaks: The Return 1.1-2: Superluminal Sans Cherry Pie ... 1.3-4: Coffee and Cole ... 1.5: The Mod Squad Meets Big Love in the Diner ... 1.6: Red Door and Childish Scribbles ... 1.7: Lost and Not Lost ... 1.8: Atom Bomb and Mr. Homn ... 1.9: "I Don't See No Hidden Buttons" ... 1.10: "No Stars"


FREE on Amazon Prime

Available on Prime

InfiniteRegress.tv