Chuck Todd interviews me about alternate histories
Showing posts with label Stringer Bell. Show all posts
Showing posts with label Stringer Bell. Show all posts

Saturday, March 11, 2023

Luther: The Fallen Sun: The Risen Hero



I just saw Luther: The Fallen Sun -- the continuation of Idris Elba's Luther TV series, in a 2+ hour movie on Netflix, and thought it was excellent, in all sorts of ways, for all kinds of reasons.  In fact, minute for minute, I thought it was better than any of the many series we've seen of Luther since it came on the screen in 2010.

[I'll warn you here of spoilers, though you won't find too many here, other than what you see in the blurbs and the trailers.]

So, Luther's in prison, not because he was framed, but because of the corners he illegally cut -- what he "had to do" -- to get the criminals in the past.  His adversary is a brilliant sicko, Robey (played by Andy Serkis), who is adept on the Internet and in torturing and leaving his victims hanging, literally.  One of his victims is a young man, and Luther was on the case but unable to get Robey before Luther was incarcerated.  Fortunately for Luther, the storyline, and the ultimate resolution of this movie, DCI Raine, who is currently investigating Robey without much success, suffers her daughter being kidnapped by Robey.  This is fortunate for the story, because it obliges Raine, who starts out being adamant about not enlisting Luther, and keeping him in prison, to instead welcome him in the frantic hunt.

As most of you no doubt know, Idris Elba was at at one point being considered to play James Bond, but recently actors his age were ruled out of that running.  First of all, Elba looks young enough to me.  More important, he's an outstanding one-of-a-kind actor who played and defined the indelibly memorable Stringer Bell in The Wire and continues to do the same in Luther.  He would have done the same for Bond.   I mention this because the Luther is this story has Bondian aspects, especially in snow and ice-water action near the end of the movie.   The Luther in the TV series rarely if ever made it out of London, if I remember correctly.  The Luther in this movie is now both literally as well as figuratively a man of the world.

But apropos both Bond and previous Luthers, I did miss any love interest (such as Indira Varma's Zoe Luther) or even the partially erotic spark (with Ruth Wilson's Alice Morgan) in this Luther movie.  Maybe that's because two hours is a little too short for such relationships to really start, let alone play out, when there such a demonic psycho to be caught.  But that absence is yet another good reason to make another Luther movie.

See also Luther 5.1: Back in Fine, Depraved Form ... Luther 5.2: "A Chocolate Digestive" ... Luther 5.3: Bitter Fruit ... Luther 5.4: Lethal Love

And see also Luther: Between the Wire and the Shield ... Luther 3.1: Into the Blender ... Luther 3.2: Success ... Luther 3.3: The Perils of Being an Enemy ... Luther 3.4: Go Ask Alice

 

Tuesday, August 21, 2007

Weeds 3 Ep 2

WeedsIt may well be that the highpoint of Nancy's career was the brief-lived cartel and great crop she had last year ... before it all fell apart.

Last night's episode - the second of the new season - left no doubt that her current prospects are at least as grim as at the beginning, maybe even worse. Her crop is gone, drowned beyond redemption in her pool, courtesy of Celia. She's no longer in charge of anything, except struggling to pay off U-Turn. Whatever Conrad may feel for her, it's not enough to keep them together - not, of course, romantically, which they never really were, but in business.

I actually think these difficulties for Nancy make Weeds a better show. The humor is irrepressible - just about everything that comes out of Andy, Doug, and Dean is hilarious, not to mention Lupita - and U-Turn and his sidekick Marvin add both humor and realism. (And there's something about Page Kennedy's performance of U-Turn that sometimes reminds me a little of Idris Elba's Stringer Bell from The Wire - which is good).

But I'm missing some of the outright, in-your-face absurdity of the second season, and Nancy's insane marriage to Peter.

Too bad he was killed ... though ... I don't recall seeing him dead, not even shot ... and characters have come back from a lot less than that in television land...

see also Weeds in Perspective

and reviews of other Season 3 episodes: 1 ... 3: Appealing, Important Questions ... 4-5: Prius and Glutius ... 6. Ray of Hope ... 7. Conrad Rules! ... 12: Nancy and Conrad! ... 13. Shane Pays the Price ... 14. Just Nancy Thought Things Couldn't Get Any Worse ... 15. Finale: The Fire and the Clean Slate






The Plot to Save Socrates


"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book

Tuesday, March 20, 2007

looking back at The Wire (with spoilers)

Two blog posts from last year follow on The Wire - in particular, the unique contribution of the Stringer Bell character, played perfectly by Idris Elba. Also check out the two podcasts listed at the end of these two posts - featuring hip-soul and rap recordings by Idris, as well as further analysis from me.

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Sunday, August 13, 2006

~The Wire~ and The Wealth of Nations


The premier of Season 4 of The Wire on HBO is under a month away. I just finished Season 3 on DVD - 12 episodes in three sittings. It's the best show about the real world on television.

This means I'm not comparing The Wire to Battlestar Galactica or even 24 -- my two other favorite shows on tv -- which would be like comparing not apples to oranges, but maybe apples to androids or apples to adrenalin.

But The Wire has surpassed The Sopranos in the range, subtlety, intensity, and eloquence of the bad guys portrayed. Perhaps The Godfather, as well.

The cop part of the show is excellent, but we've pretty much seen it before on Homicide: Life on the Street, the 1990s NBC tour de force. The alcoholic detective, the political police chiefs, the heroic lieutenant are all played to perfection on The Wire, but we've been in those gritty precincts of Baltimore before.

Where we've rarely if ever been is next to D'Angelo Barksdale (played by Larry Gilliard, Jr.), the drug-dealer street manager with a serenity and a heart, or Stringer Bell (played by Ibris Elba), the drug-dealing second-in-command with an intellect and Adam Smith's Wealth of Nations on his bookshelf. "Who the fuck was I chasing?" Detective McNulty asks himself when he comes upon this book in Stringer's apartment in the next-to-last episode of the third season.

Who indeed? Someone like no other criminal you've met before. In between ordering murders, Tony Soprano watches the History Channel, Michael Corleone goes to the opera, and Stringer Bell goes to night school and reads classics in economics. Who is the more unusual, dangerous, perversely admirable?

If you've got a few days or weeks, do yourself a favor and find out in the first three Wires.

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Monday, October 30, 2006

~The Wire~ without Stringer

The 4th season of The Wire has been very enjoyable so far, with a good Baltimore political campaign that resonates well with this time of year. (Hey, I find the politicos on The Wire more real than those who talk on Chris Matthews' Hardball.)

But I gotta say that I'm beginning to feel that this will not be one of The Wire's best seasons, and the reason is Stringer Bell's absence.

The greatest strength of the show - its truest genius - always resided in the subtlety, intensity, and surprising humanity of its drug dealing bad guys. But most of the originals are gone. First, they killed off D'Angelo Barksdale (on Stringer's order). Then Stringer got his just desert - just for him, unjust for us the viewers, and our continuing enthrallment in the show. And Avon Barksdale, out and in and out and now back in prison again, is nowhere to be seen this year.

Marlo Stanfield, the new, young, drug kingpin, is good - that is, he seems unremittingly evil. But that's also the problem. Because he apparently has almost no redeeming qualities, he's much less intriguing than D'Angelo and Stringer. Omar, anti-hero of the show for all four seasons who preys upon the drug dealers - he helped killed Stringer - does have some heroically conflicted qualities. But will they be enough to carry the show?

Stringer Bell, played to perfection by Idris Elba, was more than heroically conflicted, more than a villain with redeeming qualities. He attended night school, had The Wealth of Nations on his shelf, saw clearly that he had put his money in something other than drugs if he wanted to survive, but couldn't quite do that in time to save himself. His death put him in the realm of Michael Corleone, and thus was brilliantly appropriate for the story arc - but it left the future of the show in the lerch.

Maybe that's ok. Maybe The Wire, having achieved that height with Stringer, can continue and succeed on a slightly lower level, which would still leave it a great show, far better than 99% of everything else on television (but not better than Battlestar Galactica this year.) We'll see...


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Useful links:

The Wire's "Way Down in the Hole" - Enjoying the Disappointment blogging about the best song in tv history

The Wire Without Stringer 20-minute podcast, featuring Idris Elba's hip-hop soul song, "Johnny Was"

The Wire Season 4 in 20 with Driis Speaking On Stringer 20-minute podcast, featuring Idris Elba's rap, Driis Speaks On Stringer

The Wire DVDs: First Season, Second Season, Third Season






The Plot to Save Socrates


"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book


more about The Plot to Save Socrates...

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