Chuck Todd interviews me about alternate histories
Showing posts with label Felicity Jones. Show all posts
Showing posts with label Felicity Jones. Show all posts

Wednesday, December 23, 2020

The Midnight Sky: Uplifting Downer


Well, you couldn't ask for a better movie than The Midnight Sky in these our Covid-ridden times.  An Earth, in the year 2049, in even far worse shape than ours.  Just about everyone on the planet dead, due to some kind of planet-wide catastrophe.  A spaceship returning home to Earth from a habitable moon of Jupiter, unaware of what they are returning to.  A very sick scientist on Earth, desperately marshalling his last energies to contact them, and tell the ship to turn around.

You know what?  I think this movie, directed by and starring George Clooney, was a superb movie, and would've been outstanding, in any time, Covid or not.  In other words, I strongly disagree with the one myopic critic, in Variety, I think, whom I happened to read yesterday, who panned the movie.

The idea of a spaceship returning to a dying Earth -- an Earth that was fine when the ship took off -- as at least as old Arch Oboler's 1956 Broadway play Night of the Auk.  That was a masterpiece, too.  It's a powerful theme, one that combines the heights and the deadly failures of human civilization.  I haven't read the 2016 novel by Lily Brooks-Dalton, Good Morning, Midnight, on which Mark L. Smith's screenplay is based, so I can't tell you who deserves credit for what.  But I can say the narrative was powerful and plausible, and very well directed by Clooney,

Truthfully, despite the many things that have gone very wrong in our world, in reality, I'm much more of an optimist about our planet's future than either Auk or Midnight Sky allow.  But I'm always up for a provocative downer like his, if it's done right.  Clooney was just right as Augustine.  The spaceship crew were just right, too -- Kyle Chandler as Mitchell, determined to go back so he can at least be close to his family, gave one of his best performances in years.  Felicity Jones, David Oyelowo, Damian Bichir (from The Bridge!), and Tiffany Boone as the rest of the crew were good, too.

[Spoilers below]

As to the fine point of the plot --  Sully on the ship is really Augustine's daughter, and the little girl who shows up and both inspires and protects Augustine is just his vision of her (my wife realized this early in the movie)-- well, sure, it was a little hoaky, but I think that worked very well, too.   And the remaining big questions, like what kind of life will Sully and Adewole have with their baby on that moon around Jupiter, are ok, too.  Because, I would recommend, if there is a sequel, that it turns out there are some humans alive with sophisticated tech back on Earth.

But, again I'm an optimist at heart.  I don't know if you are, but see The Midnight Sky, and see what you think.


first starship to Alpha Centauri ... and they only had enough fuel to get there

Tuesday, December 31, 2019

The Aeronauts: Science Fiction of the Past



As long as I'm reviewing good 2019 science fiction movies about traveling off of this planet - I reviewed Ad Astra here yesterday - I might as well throw in a review of The Aeronauts before the year runs out,

Part of the story is true history.  James Glaisher was a meteorologist and an "aeronaut" who traveled further off the Earth - around 9500 meters - than anyone before him, in 1862, in a balloon that lifted him.  But in real history, his co-pilot was Henry Tracey Coxwell, not even mentioned in the movie, which had as Glaisher's pilot the fictitious Amelia Rennes.

That's what makes the movie science fiction.  But there's nothing fictitious about the real emotions Felicity Jones shows us as Amelia, working through her demons born of the loss and trauma she experienced from an earlier trip to the sky.   Indeed, in her partnership in explorations above the clouds she shares with Glaisher, she is the strong one, both psychologically and even physically in some breathtaking scenes.  In real history,  Coxwell saved the day after Glaisher passed out in the high altitude, but I have no idea if those two had conversations as meaningful as between Amelia Rennes and Glaisher in the movie.

The fiction in this scientific history of a movie calls for, once again, the important proviso that should accompany all docu-dramas: they're not the same as documentaries, which are themselves not the same as real history, since a documentary only tells us the part of the story that the filmmaker wants us to see.  But docu-dramas go one big fictional step further - they make up conversations, what real-life people do, and sometimes even make up characters from whole cloth.

That's what The Aeronauts serves us, though Amelia is said to be a composite of real women who flew in balloons in those days.   As far as I'm concerned, I don't care what parts are real and what parts of the composite are fictional.  The Aernonauts is an uplifting, inspiring movie, and I highly recommend it.


                                             Welcome Up: Songs of Space and Time


                                                      Touching the Face of the Cosmos

Monday, August 6, 2007

Meadowlands Concludes: Long and Winding Road Leading...

MeadowlandsMeadowlands concluded its first of who knows how many seasons tonight on Showtime with a satisfying eighth episode.

Best tonight was the acting - especially of the core family. David Morrissey put in a top-notch performance, acting making Danny look happy when needed. Felicity Jones as Zoe and Harry Treadaway as Mark were the best they've been all season, too. And Lucy Cohu as Evelyn was excellent.

The writing was outstanding, too. Zoe probably had the best lines - my favorite was her "bullet in the sun feels the same as a bullet in rain" (sun being out of Meadowlands, rain being in) - but just about everyone had memorable zingers. Kudos to writer Robert Murphy.

The plot was good, too. We were treated to Brenda's back story tonight - and these back stories, as I mentioned last week, are making Meadowlands feel ever so slightly like Lost. Which is a high compliment, in my book.

And speaking of Lost ... Danny is told the truth of his non-paternity of Zoe and Mark (Evelyn tells him, because the awful Dr. York is drunk and really about to) ... Danny drives away from Meadowlands without Evelyn, Zoe, and Mark (after working hard to convince them to leave, after they didn't want to) ... and he drives and drives ... only to get to the end of the road, and find himself at a precipice looking out at some desolate who knows what territory ...

And Dr. Jack Shephard comes walking up a hill ...

No, only kidding about the last ... would have been a good twist, though.

So where does that leave us on Meadowlands?

It has its moments - mainly propelled by the attractive cast - their dialog as well as acting. But a lot of it was too soap-operish.

If there's a second season, I would vote for it being more like this final episode in pace and plot. Would I like to see a second season? Yeah - on balance the road, though long and windy, did offer some intriguingly miasmic possibilities...

reviews of other episodes: Meadowlands Opens ... with Tongues and Grooves ... Episode 2 ...
Episode 3 ... Episode 4 ... Episode 5 ... Episode 6 ... Episode 7






The Plot to Save Socrates


"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book

Monday, June 18, 2007

Meadowlands Opens - with Tongues and Grooves

Showtime's Meadowlands
Meadowlands opened on Showtime last night. I saw the first four episodes a few weeks ago, but watched the debut again last night, and enjoyed it even more...

This may be the summer of strange tv shows - well, there are at least two of them, Meadowlands on Showtime and John from Cincinnati on HBO - and so far Meadowlands is well ahead in power, intrigue, and cavalcade of bizarre and compelling characters (though I haven't given up on John yet).

The set-up is a family of four, the Brogans, put into something like a witness protection program - in Meadowlands.

Presumably, everyone else in Meadowlands - whatever their ostensible job - has been put there for some dangerous reason, too.

The MD - Dr. David York (Tristan Gemmill) - falls instantly love with Mrs. Brogan (Lucy Cohu). The cop in town - Bernard Wintersgill (Ralph Brown) - clearly has a taste for torture. (He also had a nice sharp tongue - when the Brogans apologize for squabbling in public, Wintersgill tells them, "Don't be sorry - be quiet!") Mark Brogan, the son (played broodingly well by Harry Treadaway), enjoys watching the talk-machine middle-aged neighbor undress, after she tells the Brogans that her daughter is devastatingly beautiful (we haven't see her yet). Danny Brogan (David Morrissey) - previously Eddie Foy, and apparently the reason for the (Foy) Brogans' relocation - struggles to get his family adjusted to this life, as it is, in the new town.

My favorite exchange in the premier episode takes place between the daughter, Zoe, played with sass and style by Felicity Jones, and the slightly sinister handy-man, Jack Donnelly, played in just the right unsettling way by Tom Hardy.

Jack comes over and whispers his first, introductory words to Zoe with his lips an inch from the back of her hair and neck. Zoe pulls back, but clearly likes this. By the time their brief conversation ends, Zoe has "Jack (Of All Trades) Donnelly"'s card and phone number, and Donnelly has told her that his speciality is "tongues and grooves" ... (This is actually a carpenter's term. I also liked that Zoe pronounces Jack's last name Done-ally - so the "Done" rhymes with stone, or Doan's Little Liver Pills - but maybe that's just me, and my American accent.)

There will be plenty more where this came from ... If you like your mysteries just a touch cracked, with shots at unexpected times of humor, plain and demented, and savagery, stay tuned to The Prisoner on Twin Peaks with maybe Dexter looking in ... in Meadowlands...

Useful links:

Intriguingly Miasmic Meadowlands

reviews of other episodes: Episode 2 ... Episode 3 ... Episode 4 ... Episode 5 ... Episode 6 ... Episode 7 ... Episode 8







The Plot to Save Socrates


"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book

Saturday, May 26, 2007

Preview ... Intriguingly Miasmic Meadowlands on Showtime

Showtime's Meadowlands
From Ancient Greece until late in the 19th century, it was thought that the swamps gave rise to poisonous vapors - miasmas - which tainted the air and caused all manner of illness and disorientation. The main alternate theory blamed human maladies on demons and devils. When you were sad, you were said to have the blue devils ... the origin of what we today call the blues.

Showtime's new 8-episode series Meadowlands premieres Sunday, June 17. I just saw the first four episodes. And while a doctor and music play important roles, this highly original darkling series is much more than that. In fact, it is so original - in pacing and story - that it almost defies categories.

For starters, think The Prisoner meets Twin Peaks meets Dexter meets any story about witness protection programs. The Brogans come to Meadowlands. We don't know why. But we do know that they better not leave. And we do know that not only the Brogans but everyone else in Meadowlands has some kind of story that maybe any well adjusted person is better off not knowing. Although it's not quite "The Monsters Are Due On Maplestreet," that Twilight Zone classic, there is a flavor of something ghostly, possibly supernatural or maybe just dreamlike, that is also just below the surface of Meadowlands.

The series has fine, attractive acting. David Morrissey - seen most memorably in Derailed with Jennifer Aniston and Clive Owen - plays Danny Brogan with just the right combination of power and vulnerability. Indeed, that combination of emotions is at play in every member of this family, and simmers in surprising ways in Danny's wife Evelyn (Lucy Cohu) and their two teenage kids - fraternal twins - Zoe (Felicity Jones) and Mark (Harry Treadaway). Felicity Jones, in particular, brings a real freshness to her role. And the background characters, the neighbors, are just what you would expect in a British series of this sort - each an exquisite nutter, some dangerous, some funny, some just strange, and each played to the hilt.

I put Dexter in the list of comparisons, not just because Meadowlands and Dexter are both Showtime series, but because both share a little gore. And maybe a touch of Arrested Development, too. But you'll know that these Meadowlands when zany are never light and breezy ... if you keep watching, you'll see blood and hear screams and get caught up in a compelling puzzle of a story....

Special sneak preview of the first episodes of Meadowlands ... password: secret

Look here for reviews of specific episodes of Meadowlands in June... ... Meadowlands Opens ... with Tongues and Groves ... Episode 2 ... Episode 3 ... Episode 4 ... Episode 5 ... Episode 6 ... Episode 7 ... Episode 8


InfiniteRegress.tv