The Guilty: Scalding Tour de Force

My wife and I just The Guilty, a scalding tour de force of a movie on Netflix.  I'm not going to give away much if any of the plot, definitely not the crucial parts.  I will say that nothing quite seems like it is.  And you've got to stay with this movie til the end.

Here's what I can tell you: almost all of the movie occurs on the phone.  Other than Jake Gyllenhaal, who puts in what may be the performance of his career as Officer Joe Baylor, on 911 phone duty because he did something wrong in the street on his job, we see just a few other minor characters.  Otherwise, everyone else, including some very major characters, are voices on the phone.  This easily could have been a powerhouse play -- a play for the ages.  Just like the movie (based, according to IMDb, on a Danish movie).

Joe fields a variety of nuisance and crackpot calls.  And then gets a call from Emily, voiced by Riley Keough (The Girlfriend Experience and more).  We also get to hear from Abby (Emily's daughter), Henry (Emily's husband, voiced by Peter Sarsgaard), Rick (Joe's partner, voiced by Eli Goree who played Cassius Clay in One Night in Miami), Bill (Joe's boss, voiced by Ethan Hawke) and other notables.  But it's all pulled together -- and apart -- by Gyllenhaal's stunning performance, vaunting from exhausted sarcastic to high voltage shatter for a range of reasons.

Kudos to Antoine Fuqua for directing and Nic Pizzolatto for writing this unforettable package of narrative, Gyllenhaal on the screen, and other star power by voice.  I'm no particular friend of police on the edge, given what has been happening for multiple decades and is finally getting some long due attention.   But, well, see this movie and add it into your personal equation.

The Girlfriend Experience 2.13-14: One and One is Less than One

The Girlfriend Experience just concluded it's oddly double season tonight on Starz.

Erica and Anna end up both prone, but not together.  Erica's on the floor of some kind of building, utterly distraught and drunk, her life falling apart, her last defense gone, as the FBI has a recording proving she was lying.  Anna's on a bed on her back pretending to sleep, as a john takes off her high heels.   You could say Erica has gotten her just desert, after what she did to Anna, and Anna's doing what she loves.  But, still, it was sad to see.

Over in the Bria story we get, maybe, a better ending for her.  But it's not what she imagined when she's at the side of the lake, her white outfit suitably soaked in blood.  Because although she killed the bad guys, it's not at all clear what Ian and the authorities will now do to her.   Still, unlike Erica, at least Bria has a fighting chance.

Bria's story was always stronger than Erica and Anna's, but even Bria's wasn't as good as the first season of The Girlfriend Experience.  And two stories are not the kind of thing you can add together and say they're better than one, unless each or at least one of them is better than the one you're comparing them to.  (Same for the performances of Anna Friel and Louisa Krause and Carmen Ejogo, which were all good, but not as good as Riley Keough's in the first season. But the comparison is also apples and oranges, because the season 2 acting had much less screen time than first.)

So, although I'd watch another season of The Girlfriend Experience, and admire the outrageous chances it takes and the style with which it shows us all of this, I'd recommend and hope that a third season returns to a single, more focused story.

See also  The Girlfriend Experience 2.1-2: Two for One ...  The Girlfriend Experience 2.3-4: Hard to Come By ... The Girlfriend Experience 2.5-6: In and Out ... The Girlfriend Experience 2.7-8: Sundry Seductions ... The Girlfriend Experience 2.9-10: The End of Illusions

And see also The Girlfriend Experience: Eminently Worth It (my review of Season 1)

 

It all started in the hot summer of 1960, when Marilyn Monroe walked off the set of The Misfits and began to hear a haunting song in her head, "Goodbye Norma Jean" ...

The Discovery: Worth Finding

The Discovery (2017, Netflix)  is a strange, edgy, powerfully soft-spoken movie about a scientific attempt to find, map, and understand the afterlife.  As such, it bears some resemblance to Kiefer Sutherland's 1990 Flatliners (coincidentally remade in 2017, but I haven't yet seen it).  The Discovery sports Robert Redford in a quite central role, with Jason Segel, Rooney Mara (House of Cards), Jesse Plemons (Friday Night Lights), and Riley Keough (first season of The Girlfriend Experience) in leading and strong supporting roles.

As for the plot, it's somewhat murky - as I guess befits afterlife stories - and manages to combine the ambience of grade-B 1950s science fiction/horror, replete with a hokey laboratory, more than reminiscent of the Frankenstein-monster set-up, and the more modern retelling of early events and dialogue in the movie, near the end, in a way which makes the beginning make more sense, though it wasn't all that opaque in the first place.

Redford is the scientist who thinks/claims he has discovered evidence of an afterlife. His son (played by Segel) resists this because it's somehow tied up with the death of his mother.   He in turns falls for Mara's character, who has a complex story of her own.  I won't tell you more, lest I give too much away.  In other words, I'd like to see this movie have an afterlife.

All in all, I'd say the best part about it is the at-once jarring, compelling, and subtly controlled way in which the movie was shot, including a long speechless scene with Rooney on camera, thinking about something, sitting next to Segel on the beach, about to tell him a crucial piece of this story.  That kind of pacing is realistic and hard-to-find in science fiction. Kudos to film maker Charlie McDowell.

 

It started in the hot summer of 1960, when Marilyn Monroe walked off the set of The Misfits and began to hear a haunting song in her head, "Goodbye Norma Jean" ...

The Girlfriend Experience: Eminently Worth It

If it had to pick the best new 2016 television series on any medium - network TV, cable, or streaming - it would be The Girlfriend Experience on Starz.   And though it's hard to compare The Girlfriend Experience to the science fiction, crime, and historical drama I usually review here, it may well be the best series now on television, period.

What's it about?  Well, the girlfriend experience is offered by call girls who not only provide sex, but companionship, dinner, affection, conversation, attentive listening during the time that is purchased, for a thousand dollars or more an hour.   The purveyor of the experience thus needs to be not only beautiful, but intelligent and empathetic.

In order for a series like this to work, the lead actress has to not only be gorgeous, but convey that intelligence and sensitivity.  That would be Riley Keough, who gives a virtuoso performance as Christine Reade.   She's Elvis Presley's granddaughter, by the way.   I don't how she sounds on record, but she has more acting talent than everyone in her family combined - and I liked Elvis in Jailhouse Rock, and Priscilla was pretty good in Dallas, too.  But their granddaughter is something else again on screen.

The story's excellent, too.   Christine has a day job as a law student and legal intern - which is also why she needs to be so intelligent - and this puts The Girlfriend Experience on a continuum with Secret Diary of a Call Girl on Showtime (about a straight-up prostitute) and every lawyer show ever on television, including The Good Wife, and for that matter in a different way with Girls on HBO and The Devil Wears Prada in the movies, too.

But the subject of The Girlfriend Experience is something all its own, and the narrative does a good job of mining its possibilities and complications. Christine's clients range from obsequious to savvy, from brutal to sweet to even sometimes cool.   One of them realizes he can't afford to continue shelling out the big bucks for this and asks for a discount.   Another drops dead (off camera).   A third craves the jealousy part of any real relationship, and asks Christine to set that up.

The pacing in the 13-episode season, each 30 minutes, took a little getting used to, and wasn't helped by the fact that Cablevision didn't have all the episodes up on Starz On Demand as advertised - maybe I should pay for a more satisfying cable experience (wait, I thought I was already doing that) - but in the end and in retrospect I rather like the way the story is rolled out, especially the unconventional season finale.

There's astute use of media in the story, with smartphones and videos playing crucial roles, thus giving the media scholar a great excuse to watch this.

But you don't need an excuse.  The Girlfriend Experience is brilliant, provocative, appealing television, and a unique addition to the screen.

 

#SFWApro