Chuck Todd interviews me about alternate histories
Showing posts with label Kevin Bacon. Show all posts
Showing posts with label Kevin Bacon. Show all posts

Wednesday, June 19, 2019

City on a Hill: Possibilities



I saw the first episode of City on a Hill on Showtime.  I'll probably keep watching - mainly because its story and characters are nothing we haven't seen before, in movies and on TV, but very well paced and acted.

Kevin Bacon is back playing another FBI man, this time a seasoned and cynical agent in Boston in the 1990s.   He forms an unlikely alliance with a gung-ho DA in Boston by way of Brooklyn, played by Aldis Hodge, last seen by me in Turn.   (The two B's always did have a lot in common, though less so since the Brooklyn Dodgers decamped to LA in the late 1950s.)  As I said, the narrative is well acted.  Another Kevin - Chapman - who has played a cop or detective well in countless television shows, is back doing the same again.

The antagonists are a family of bank robbers (actually, armored car, to be more precise), who, like most of these Boston capers, aren't exactly Brinks robbery calibre.  But it's good to see a Boston crime family again, in full Boston accents, replete with leaders, dummies, and traitors.

The 1990s setting is the most original element in the series, and good to see.   But I thought the commentary was a bit too obvious.  I don't recall anyone especially talking about JFK in the 1990s, even in Boston.   On the other hand, yeah, it is Boston, so if he was talked about anywhere in the 1990s, that would be where it was.   And he did give the famous "City on a Hill" speech there as President-elect in 1961.

There's a great twist at the end of the episode, which of course I'm not going to tell you about.   But it was enough to get me off the fence and decide to watch at least the next episode.  Hey, I'm on Cape Cod right now, in almost shouting distance from Boston, and that's the least I can do.

 

Wednesday, May 20, 2015

The Following Ends

The Following concluded its three-year run on Monday, and I gotta say I was sorry to see it go. Though it started off slowly this season, it ended on one of its most riveting notes, a lot better, in fact, than anything in the second season.

Michael Ealy as Theo was a great sociopathic brilliant villain, in many ways better than Joe, though James Purefoy's performance as Ryan Hardy's signature nemesis was unassailable.  Max really came into her own in the end, with her radiant smile and love for Mike, and it would have good to see them finally together for a while next season.   Kevin Bacon as Hardy was outstanding throughout.

So where did The Following go wrong this final season?   Too little Joe, too late in the story.  Too much Mark, who should either have been killed last season or very early in this.   And too many heads of the unit or whatever they're called in the FBI - just one or two would made for a more appealing character.

The ending of The Following was excellent.  Ryan himself now living in the shadows - to protect his new family - and, for all we know, Theo alive, too.   This seems like more than enough for a new season, and maybe there'll be one, if Netflix or Amazon or some other streaming service come to the rescue.

But with the death of Joe Carroll,  the story won't quite be about a following any more.  Theo is brilliant - but, as far we've seen, has inspired nothing like the following that worked so well under Joe's leadership in the first season.  Still, the Ryan, Max, and Mike characters are different from what we usually see on television, and compelling.   And Theo is clearly one of the most ruthless, ingenious villains we've yet seen on TV, running rings around the psychos of Criminal Minds and even The Blacklist.

Hey, I'll be back here for sure with more reviews if The Following's back somewhere, sometime.


And see also The Following Is Back for Its Second Season ... The Following 2.2: Rediscovering Oneself ... The Following 2.3: Coalescing ... The Following 2.4: Psycho Families and Trains ... The Following 2.5: Turning Tides ... The Following 2.8: Coalescing? ... The Following 2.9: The Book Signing ... The Following 2.11: Lily not Joe ... The Following 2.13: The Downfall of Mike ...The Following 2.14: Twists and Deaths ...  The Following Season 2 Finale: The Living

And see also The Following Begins ... The Following 1.2: Joe, Poe, and the Plan ... The Following 1.3: Bug in the Sun ... The Following 1.4: Off the Leash ... The Following 1.5:  The Lawyer and the Swap ... The Following 1.7: At Large ... The Following 1.9: All in a Name, Or, Metaphor in the Service of Murder ... The Following 1.13: At Last Something of a Day for the Good Guys ... The Following Season 1 Finale: Doing Dead

#SFWApro


Like a Neanderthal serial killer in the current world? Try The Silk Code
   


Monday, February 3, 2014

The Following 2.3: Coalescing

The Following finally got down to brass tacks in 2.3 tonight - meaning it finally set all of the pieces in dangerous motion, stripping away a main mask, and reestablishing relationships on both sides of the good and evil divide that animates the series.

On the unmasking: I was a little suspicious of Lily from the beginning, because she did she manage to survive that subway attack.  And my wife pointed out that that's the way the Followers work - get Ryan to start falling in love with, or at least liking, someone, as a way of getting to him and getting him to drop his guard.  (See my review of last week's episode.) And that's just what Lily did.

Great acting from Kevin Bacon as Ryan gives Lily a look after he's figured her out, and the best chase scene I've seen in a while on television as Ryan goes after her on foot - unsuccessfully but he gave her a good run for his money.  Of course, Ryan's not paid as yet, and everything he's been doing  has been fueled by his justified obsession about Joe.

But Mike and Ryan are finally beginning to work on the same side, and that's good to see.  Although the episode ended tonight with Ryan on the outside, he and Mike are least mostly on the same page, and that's the only chance the good guys have to get Joe.   But for that to happen, Mike has to be convinced that Joe is still alive.

Joe's of course very much alive down South, and the way he extricates himself from that situation was not only one fine sick piece of work in itself, but important to the plot by giving Joe a new follower, someone he could wind up closer to than any of the followers up in New York, including Emma.

She's now with the gang who did the subway attack, and they know - as Ryan now does too - how Joe escaped alive from the last scenes of last year's season.   This ties up another dangling end, and provides another testament to Joe's genius.

So the pieces are in motion and The Following's set to bust out all over.  Bring it on.

See also The Following Is Back for Its Second Season ... The Following 1.2: Rediscovering Oneself

And see also The Following Begins ... The Following 1.2: Joe, Poe, and the Plan ... The Following 1.3: Bug in the Sun ... The Following 1.4: Off the Leash ... The Following 1.5:  The Lawyer and the Swap ... The Following 1.7: At Large ... The Following 1.9: All in a Name, Or, Metaphor in the Service of Murder ... The Following 1.13: At Last Something of a Day for the Good Guys ... The Following Season 1 Finale: Doing Dead

#SFWApro


 photo THECONSCIOUSNESSPLAGUE5_zps8e1b18e3.jpg

Tuesday, January 22, 2013

The Following Begins

A nasty night of entertainment on Fox tonight, with a dark episode of Bones followed by the premiere of a much darker  series - as in a serial killer just one or so steps below Hannibal Lecter - called The Following.

James Purefoy, best known to the American audience as Mark Antony in Rome, plays the erudite serial killer Joe Carroll.  He was an English professor with a poorly selling first novel (uh oh) and an obsession with Edgar Allan Poe.   He breaks out of death row, and that brings his arresting officer, Kevin Bacon's Ryan Hardy, back into play.

Except Ryan is much more than an arresting officer.  He was an intrepid FBI agent who against all odds nabbed Carroll some years ago, and was nearly killed in the process.  He's retired due to his wounds, and an alcoholic (though he maybe was that way before).  He also wrote a book, has a following of at least one young FBI guy, who is thrilled to be working with Ryan on this new Carroll case.

Except Carroll is much more than a literate serial killer.  While he was in prison, he somehow attracted a cadre of blindly devoted followers, women and men, who will do anything he commands.  Hence the name of the show.

So what starts out as a show about a brilliantly, sickeningly demented serial killer who thinks women look their most beautiful when dead and who takes out his victim's eyes - ala Poe - and prides himself on all the ocular muscles he expertly severs, segues into a show more about a Charles Manson writ large.  Or, what might have happened had Charles Manson been able to command a following even once he was behind bars.

It's a frightening prospect, powerfully acted by both Purefoy and Bacon, and I'll be watching the rest of the harrowing story this season with one eye on the screen and one on the door.


                                                        


Friday, November 18, 2011

Fringe 4.7: The Invisible Man

The Invisible Man has been a great staple of science fiction since H. G. Wells' novel (1897) of the same through Hollow Man (the fine 2000 movie starring Kevin Bacon).   He - or another version of an invisible guy - returned tonight in Fringe (episode 4.7), which exells in bringing classic science fiction onto today's television screens.

The specifics of the story are less important than what they do to Olivia.  The invisible man - struggling to become visible, literally dying to do that - became that way due to a genetic condition, treated by a predecessor of Massive Dynamic, with Bell and Nina in residence.  This has two effects:

1. Olivia gets more in touch with the treatment Walter and Bell subjected her to.

2.  Even more importantly, this gets Olivia to go see Nina.   Which sets up the ending: Olivia is knocked out (white gas under her door), and injected with something that will remove her memories from the two hours.  In some sense, Nina is now a villain.

But to what purpose?  What did Olivia see, think, do, feel in the previous two hours that Nina, for whomever or whatever she may be working for, wants Olive (as Nina calls Olivia in their meeting) to forget?  We'll have to wait until January to find out more, but I'm thinking Nina may be working in concert with Walternate.

We haven't seen too much of the alternate universe in Fringe this Fall, but the coming attractions show it will be back in the action.

Both ours and the alternate universe have been changed by Peter's absence, and it's important to bear in mind in which ways the alternate universe has been changed and unchanged from what we knew of it last season (we've seen this season how much our universe has been changed by Peter's absence).  Since Peter "died" in the crossing on the iced-over lake, Walternate may hate our universe and Walter even more than in the reality in which Peter at least lived on our side.   From Walternate's point of view in this double-universe without Peter, Walter not only kidnapped Peter but killed him.

The resolution has to come down to Peter, now, who is the only witness (other than the Eternal Bald Obersvers) to what we the audience saw the first three seasons.  He gives Lincoln a new pair of glasses - to make him more attractive to Olivia? - but the metaphoric implications of this are huge.  What's going on in Fringe is how to improve everyone's vision, so they see the truth.  Somehow, that reality - ours and Peter's (who is also an invisible man) - has to become visible.

Hey, check out my essay The Return of 1950s Science Fiction in Fringe in this new anthology




See also Fringe Returns for Season 4: Almost with Peter
... Fringe 4.2: Better and Worse Selves ... Fringe 4.3: Sanity and Son ... Fringe 4.4: Peter's Back, Ectoplasm, and McLuhan ... Fringe 4.5: Double Return ... Fringe 4.6: Time Slips

See also Fringe 3.1: The Other Olivia ... Fringe 3.2: Bad Olivia and Peter ... Fringe 3.3: Our/Their Olivia on the Other Side ... Fringe 3.5: Back from Hiatus, Back from the Amber ... Fringe 3.7: Two Universes Still Nearing Collision ... Fringe 3.8: Long Voyages Home ... Fringe 3.10: The Return of the Eternal Bald Observers ... Flowers for Fringenon in Fringe 3.11 ... Fringe 3.12: The Wrong Coffee  ... Fringe 3.13: Alternate Fringe ... Fringe 3.14: Amber Here ... Fringe 3.15: Young Peter and Olivia ... Fringe 3.16: Walter and Yoko ... Fringe 3.17: Bell, Olivia, Lee, and the Cow ... Fringe 3.18: Clever Walternate ... Fringe 3.19 meets Inception, The Walking Dead, Tron ... Fringe 3.20: Countdown to Season 3 Finale 1 of 3 ... Fringe 3.21:  Ben Frankin, Rimbaldi, and the Future ... Fringe Season 3 Finale: Here's What Happened ... Death Not Death in Fringe 
 
See also reviews of Season 2: Top Notch Return of Fringe Second Season ... Fringe 2.2 and The Mole People ... Fringe 2.3 and the Human Body as Bomb ... Fringe 2.4 Unfolds and Takes Wing ... Fringe 2.5: Peter in Alternate Reality and Wi-Fi for the Mind ... A Different Stripe of Fringe in 2.6 ... The Kid Who Changed Minds in Fringe 2.7 ... Fringe 2.8: The Eternal Bald Observers ... Fringe 2.9: Walter's Journey ... Fringe 2.10: Walter's Brain, Harry Potter, and Flowers for Algernon ...  New Fringe on Monday Night: In Alternate Universe? ... Fringe 2.12: Classic Science Fiction Chiante ... Fringe 2.13: "I Can't Let Peter Die Again" ... Fringe 2.14: Walter's Health, Books, and Father ... Fringe 2.15: I'll Take 'Manhatan' ... Fringe 2.16: Peter's Story ... Fringe 2.17: Will Olivia Tell Peter? ... Fringe 2.18: Strangeness on a Train ... Fringe 2.19: Two Plus Infinity ... Fringe the Noir Musical ... Fringe 2.21: Bring on the Alternates ... Fringe 2.22:  Tin Soldiers and Nixon Coming ... Fringe Season 2 Finale: The Switch

See also reviews of Season One Fringe Begins ... Fringe 2 and 3: The Anthology Tightrope ... 4: The Eternal Bald Observer ... 7: A Bullet Can Scramble a Dead Brain's Transmission ... 8. Heroic Walter and Apple Through Steel ... 9. Razor-Tipped Butterflies of the Mind ... 10. Shattered Pieces Come Together Through Space and Times ... 11. A Traitor, a Crimimal, and a Lunatic ... 12, 13, 14: Fringe and Teleportation ... 15: Fringe is Back with Feral Child, Pheromones, and Bald Men ... 17. Fringe in New York, with Oliva as Her Suspect ... 18. Heroes and Villains across Fringe ... Stephen King, Arthur C. Clarke, and Star Trek in Penultimate Fringe ... Fringe Alternate Reality Finale: Science Fiction At Its Best


                 Special Discount Coupons for Angie's List, Avis, Budget Car, Garden.com, eMusic




The Plot to Save Socrates

"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book




Enjoy listening to audio books? Get a free audio book copy of The Plot to Save Socrates - or any one of 85,000 other titles - with a 14-day trial membership at Audible.com ...



Tuesday, August 18, 2009

Finding Killers vs. Hearts on The Closer

A tender episode 5.11 of The Closer last night, with Sosie Bacon (real life daughter of Kyra Sedgwick and Kevin Bacon) once again playing a crucial role as Brenda's niece Charlie (spunky, compassionate ... a lot like Brenda). I'm hoping Charlie will become a permanent resident on the show.

Brenda comes upon a double shooting in a school yard, as she's driving Charlie. One of the boys is dead, the other wounded. Brenda asks Charlie to keep an eye on the wounded boy (Jake) in the hospital. He's about Charlie's age, the two strike up a conversation and the beginning of a relationship. Jake - well played by Philip Ettinger - tells Charlie he was "dumped" by his girlfriend. "Why?" Charlie asks - in a perfect tone of incredulity, which tells us and Jake that she likes him.

But Jake takes a turn for the worse - the shrapnel that hit him creates virulent infections - and it soon becomes clear that he won't live though the night. Brenda knows this from the doctor. Charlie, now at home, does not. Brenda needs to question Jake one more time to find the killer, and this again pitches her into a conflict between doing her job (finding the killer) and doing the right thing for someone she cares about. Charlie wants to come to the hospital to see Jake again, and Brenda says no.

She later explains to Charlie, after Jake has died, that she didn't know how much time Jake had left, and she needed that time uninterrupted, so she could ask her questions. Significantly, she doesn't lie to Charlie - she could have said that she didn't know Jake was that close to death.

And so Brenda's difficult tightrope walk between finding killers and finding her heart continues. With Charlie in the picture, the stakes are expanding beyond Fritz.








5-min podcast review of The Closer


See also Brenda Leigh's Niece and Libby from Lost on The Closer and Tom Skerritt on The Closer and Det. Richard Tracy on The Closer and Pres. Laura Roslin vs. Chief Brenda Leigh Johnson







The Plot to Save Socrates


"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book


more about The Plot to Save Socrates...

Get your own at Profile Pitstop.com



Read the first chapter of The Plot to Save Socrates
.... FREE!
InfiniteRegress.tv