Chuck Todd interviews me about alternate histories
Showing posts with label Leonard Nimoy. Show all posts
Showing posts with label Leonard Nimoy. Show all posts

Friday, December 30, 2016

Star Trek Beyond: The Rescue of Optimism

Continuing with my reviews of important 2016 movies, which I certainly should have seen and reviewed much earlier - in this case, July - but, hey, time itself has always been somewhat malleable in science fiction, especially Star Trek,

Star Trek Beyond is the lucky 13th movie in the Star Trek movie series - lucky to be released around the 50th anniversary of the first appearance of Star Trek on television in 1966, now known as Star Trek: The Original Series or ST: TOS for short.  ST Beyond is third in the reboots, in which  J. J. Abrams re-presented the original Kirk, Spock, McCoy et al crew, beginning a little earlier in time than TOS, somewhat before and during their time as trainees in Starfleet Academy.

In a brilliant move, the 2009 Star Trek reboot also brought into play the original Spock from TOS, older, played by Leonard Nimoy, via an alternate universe gambit.   I mention this, not only to praise it again, but because in some ways my favorite single part of Beyond was Zachary Quinto's Spock looking at a photo of his alternate, older self (Nimoy) near the beginning of the movie, and the whole original crew, again, near the end.   It was a satisfying way to again to make a connection to what started fifty years ago.

And it had a special pull on the heart because Leonard Nimoy is no longer with us, having died at 83 years of age in 2015.  The fact that Quinto's Spock not only knew but loved his alternate self, whom we also had come to know and love, has given Nimoy even more of a continuing place and life in our ongoing popular culture.

There was, indeed, a lot of the past in Beyond, with an earlier starship, the USS Franklin, playing a major role in the story.  It's a Warp 4 ship, which puts it a notch below the Warp 5 speeds of the Enterprise in the Star Trek: Enterprise series, which depicts voyages of the first Starfleet starship.   This immersion in the past was good to see, continuing a tradition which goes back to TOS itself, and its making an episode - "Menagerie" - out of its pilot episode, in which Kirk was not even yet Captain of the ship.

In fact, I'd go so far as to say the optimistic view that underlies all of Star Trek - in contrast, to say, Star Wars - comes from Victorian times, and lasted until a little beyond the middle of the 20th century, when it was assaulted but not destroyed by the cynicism and pessimism that hold so much sway today.   I've just begun reading a great anthology of the writings of Hugo Gernsback (compiled and with a pathbreaking introduction by Grant Wythoff), and his unbridled but well considered optimism about how we could and would improve our lot via science and technology (I'll be reviewing it here soon).  I share that view - and certainly Star Trek did as well.

And the inspiration of the Star Trek reboots, continuing with Beyond, is that it still does.  The stories are exciting, the repartee between Kirk and Bones and Spock is clever and fun, but it's the joy in the prospect of humans out in there in the stars that was always the beacon of Star Trek - a beacon drawing us to it and drawing us out there.  Star Trek has rescued that optimism that animated Jules Verne and Hugo Gernsback, and I look forward to its continued presentation as it pursues its bold, new voyages on the screen in our 21s century.

See also Star Trek: Reborn, Reset, Resplendent and Star Trek Into Darkness: Echoes, Resonances, and Great


Friday, February 27, 2015

Vikings 3.2: Leonard Nimoy

News of Leonard Nimoy's passing came just as I was starting to write a review of the excellent episode 3.2 of Vikings, on the History Channel last night.   In many ways, the spirit of going beyond the well-trodden universe depicted so well in Star Trek, with Leonard Nimoy's Spock at the intellectual helm, is derived from the real Vikings in our history, whose story is now being told so compellingly in the TV series.

Of course, the Starship Enterprise never approach a planet or a shore with heads of their vanquished enemies hanging from their ship.  This was one of the most powerful scenes, not just in last night's episodes but in the entire series, because it showed, without words, just how brutal and frightening our Vikings could be.

Who would be the Spock in our Vikings crew?  He would have to be Floki, who has a lot of Spock's smarts, but is far crazier than Spock, except during the Vulcan Pon Farr mating frenzy.   But Ragnar is closer to Kirk, more violent than the Enterprise captain, but equally strategic and brilliant, and probably better adjusted, emotionally, in terms of wives and families.   Back to Floki, he also bears a resemblance to Scotty, since Floki's knowledge of boat craft helped launch our Vikings across the waters in the first season.

Other than the heads on the ships, the most memorable scenes in last night's episode were of women, in various stages of dawning love and other emotions.  My favorite, for some reason, was of Althelstan, practically being propositioned by conventions of that time.  I'm wishing nothing but the best for him. Meanwhile, Lagertha and Ecbert are clearly moving closer together, and there's some sort of early chemistry between Princess Kwenthrith and Ragnar.

One of the big difference between Star Trek and Vikings is that women have much more major and active roles in Vikings.   This reflects the difference, not in the past and the future, but in the 1960s and the 2010s - or the time the two series were and are being created.   Were Viking women really that prominent in our history?   Probably not, but they're great to see in this series, as exhilarating and cosmic in its own way as  Star Trek.  I hope both live long and prosper.

See also Vikings 3.1. Fighting and Farming

And see also Vikings 2.1-2: Upping the Ante of Conquest ... Vikings 2.4: Wise King ... Vikings 2.5: Caught in the Middle ... Vikings 2.6: The Guardians ...Vikings 2.7: Volatile Mix ... Vikings 2.8: Great Post-Apocalyptic Narrative ... Vikings Season 2 Finale: Satisfying, Surprising, Superb

And see also Vikings ... Vikings 1.2: Lindisfarne ... Vikings 1.3: The Priest ... Vikings 1.4:  Twist and Testudo ... Vikings 1.5: Freud and Family ... Vikings 1.7: Religion and Battle ... Vikings 1.8: Sacrifice
... Vikings Season 1 Finale: Below the Ash

 
historical science fiction - a little further back in time

#SFWApro



more about Star Trek in this anthology:  Boarding the Enterpise

Saturday, May 5, 2012

Fringe 4.21: Shocks

Having closed the bridge between the two realities last week, how could Fringe have topped itself this week, in 4.21 the first of a two-part season finale?  Fringe did this in at least four ways:

1.  First,  let's bear in mind that the two realities we've been watching this season are not the two realities of previous seasons.  The two Season 4 realities are realities in which alt-Peter was not successfully rescued by Walter and drowned in Lake Reiden.  Our (alt) Peter did indeed come back to our reality, as an adult, in mid-season, but differences between the two realities of Season 4 and earlier seasons can continue, and indeed are ...

Take William Bell, for example.  He apparently died in the Season 1-3 two realities.  But he need not have died in Season 4's, and indeed he did not.   And, he's not only alive, but apparently the evil mastermind behind David Robert Jones.  (I never took seriously the report that Leonard Nimoy was never going to play Bell again - an actor can change his mind.)  Bell tells Jones that in order for Bell's plan to succeed (presumably, to become creator and master of a new universe), the "bishop" on the chessboard has to be removed (killed).

2.  When I first heard that, I just had a feeling that Bell was talking about Jones removing himself, but my wife pointed out that Walter is a Bishop, and she had a point.  For that matter, Peter is a Bishop, too, and it looked as if Jones was planning to eliminate Peter - setting a trap for him and Olivia - and indeed comes close to overpowering Peter when Olivia helps Peter dispose of Jones.  In his dying breath, Jones realizes that he, Jones, was really the bishop to be eliminated.

3.  The way that Olivia helps Peter against Jones was also cool and noteworthy - Cortexiphan has now given Olivia telekinetic powers (moving objects at a distance via sheer mental will and direction), and she directs Peter, on a nearby rooftop, to literally beat Jones.   He falls back into an electric grid and is electrocuted.


4. But there's one last stunner.  When Bell's bad guys get the drop on Walter and Astrid (whom Walter has a little earlier called "Alex"), she pivots into ass-kicking FBI mode - great to see - knocks down a bunch of villains - and then is apparent shot dead.  


I certainly didn't see this  coming, and have to hand it to Fringe to still surprise and shock, just when you think you have it figured. Looking forward to Part 2 next week.

Hey, check out my essay The Return of 1950s Science Fiction in Fringe in this new anthology








See also Fringe Returns for Season 4: Almost with Peter ... Fringe 4.2: Better and Worse Selves ... Fringe 4.3: Sanity and Son ... Fringe 4.4: Peter's Back, Ectoplasm, and McLuhan ... Fringe 4.5: Double Return ... Fringe 4.6: Time Slips ... Fringe 4.7: The Invisible Man ... Fringe 4.8: The Ramifications of Transformed Alternate Realities ... Fringe 4.9: Elizabeth ... Fringe 4.10: Deceit and Future Vision ... Fringe 4.11: Alternate Astrid ... Fringe 4.12: Double Westfield / Single Olivia ... Fringe 4.13: Tea and Telepathy ... Fringe 4.14: Palimpsest ... Fringe 4.15: I Knew It! ... Fringe 4.16: Walter Likes Yiddish ... Fringe 4.17:  Second Chances ... Fringe 4.18: Broyled on Both Sides ... Future Fringe 4.19 ... Fringe 4.20: Bridge

See also Fringe 3.1: The Other Olivia ... Fringe 3.2: Bad Olivia and Peter ... Fringe 3.3: Our/Their Olivia on the Other Side ... Fringe 3.5: Back from Hiatus, Back from the Amber ... Fringe 3.7: Two Universes Still Nearing Collision ... Fringe 3.8: Long Voyages Home ... Fringe 3.10: The Return of the Eternal Bald Observers ... Flowers for Fringenon in Fringe 3.11 ... Fringe 3.12: The Wrong Coffee  ... Fringe 3.13: Alternate Fringe ... Fringe 3.14: Amber Here ... Fringe 3.15: Young Peter and Olivia ... Fringe 3.16: Walter and Yoko ... Fringe 3.17: Bell, Olivia, Lee, and the Cow ... Fringe 3.18: Clever Walternate ... Fringe 3.19 meets Inception, The Walking Dead, Tron ... Fringe 3.20: Countdown to Season 3 Finale 1 of 3 ... Fringe 3.21:  Ben Frankin, Rimbaldi, and the Future ... Fringe Season 3 Finale: Here's What Happened ... Death Not Death in Fringe 
 
See also reviews of Season 2: Top Notch Return of Fringe Second Season ... Fringe 2.2 and The Mole People ... Fringe 2.3 and the Human Body as Bomb ... Fringe 2.4 Unfolds and Takes Wing ... Fringe 2.5: Peter in Alternate Reality and Wi-Fi for the Mind ... A Different Stripe of Fringe in 2.6 ... The Kid Who Changed Minds in Fringe 2.7 ... Fringe 2.8: The Eternal Bald Observers ... Fringe 2.9: Walter's Journey ... Fringe 2.10: Walter's Brain, Harry Potter, and Flowers for Algernon ...  New Fringe on Monday Night: In Alternate Universe? ... Fringe 2.12: Classic Science Fiction Chiante ... Fringe 2.13: "I Can't Let Peter Die Again" ... Fringe 2.14: Walter's Health, Books, and Father ... Fringe 2.15: I'll Take 'Manhatan' ... Fringe 2.16: Peter's Story ... Fringe 2.17: Will Olivia Tell Peter? ... Fringe 2.18: Strangeness on a Train ... Fringe 2.19: Two Plus Infinity ... Fringe the Noir Musical ... Fringe 2.21: Bring on the Alternates ... Fringe 2.22:  Tin Soldiers and Nixon Coming ... Fringe Season 2 Finale: The Switch

See also reviews of Season One Fringe Begins ... Fringe 2 and 3: The Anthology Tightrope ... 4: The Eternal Bald Observer ... 7: A Bullet Can Scramble a Dead Brain's Transmission ... 8. Heroic Walter and Apple Through Steel ... 9. Razor-Tipped Butterflies of the Mind ... 10. Shattered Pieces Come Together Through Space and Times ... 11. A Traitor, a Crimimal, and a Lunatic ... 12, 13, 14: Fringe and Teleportation ... 15: Fringe is Back with Feral Child, Pheromones, and Bald Men ... 17. Fringe in New York, with Oliva as Her Suspect ... 18. Heroes and Villains across Fringe ... Stephen King, Arthur C. Clarke, and Star Trek in Penultimate Fringe ... Fringe Alternate Reality Finale: Science Fiction At Its Best


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The Plot to Save Socrates

"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book




Enjoy listening to audio books? Get a free audio book copy of The Plot to Save Socrates - or any one of 85,000 other titles - with a 14-day trial membership at Audible.com ...



Saturday, April 16, 2011

Fringe 3.19 meets Inception, The Walking Dead, and Tron

Weelllll ... what a Fringe 3.19 tonight ... certainly original and surprising in plot, but highly derivative in its structure, or on the other hand paying homage to a fine recent movie, a top-notch current television series, and a classic movie which has come back with more stories recently.

The surprise is Bell, last seen and still in residence in Olivia's body, now a cartoon figure in Olivia's mind - or rather, the way that Fringe represents the contents of Olivia's mind is, mostly, through animated figures.   Walter and Peter discover this when they enter Olivia's mind in search of Olivia, which is necessary to get Bell to leave so Olivia can take charge of her body once again.  And when Walter and Peter find Bell, a cartoon, in Olivia's mind, they turn into virtual cartoon figures, too.

So, at this point, we have Inception (entering someone's mind) and Tron (the move from physical to virtual worlds - a Second Life right before our eyes.   How does The Walking Dead come in?  In this world of Olivia's mind, first some flesh-and-blood zombies (or maybe they're alive) and then some cartoon zombies who are 100% zombies chase our heroes.   Totally unnecessary plotwise, but, hey, I'm a fan of The Walking Dead, and the TV series is after all an adaptation of the comic book series.

On the subject of homages, Bell aka Leonard Nimoy also says "aye, aye, Captain" to Walter, in a sly reprise of Spock to Kirk.

Also worthy of note are the WTC Twin Towers.  Why would they be in Olivia's mind?  I thought at first that maybe the mind was Fauxlivia's, but an equally good explanation is Olivia recently saw the WTC when she was "over there".

As to plot: Bell apparently takes his final leave, but since he doesn't like goodbyes, anything is possible in the future.  In the more immediate up ahead, Olivia thinks someone will kill her ... but how she got knowledge of her own future is anyone's guess...


5-min podcast review of Fringe

See also Fringe 3.1: The Other Olivia ... Fringe 3.2: Bad Olivia and Peter ... Fringe 3.3: Our/Their Olivia on the Other Side ... Fringe 3.5: Back from Hiatus, Back from the Amber ... Fringe 3.7: Two Universes Still Nearing Collision ... Fringe 3.8: Long Voyages Home ... Fringe 3.10: The Return of the Eternal Bald Observers ... Flowers for Fringenon in Fringe 3.11 ... Fringe 3.12: The Wrong Coffee  ... Fringe 3.13: Alternate Fringe ... Fringe 3.14: Amber Here ... Fringe 3.15: Young Peter and Olivia ... Fringe 3.16: Walter and Yoko ... Fringe 3.17: Bell, Olivia, Lee, and the Cow ... Fringe 3.18: Clever Walternate

See also reviews of Season 2: Top Notch Return of Fringe Second Season ... Fringe 2.2 and The Mole People ... Fringe 2.3 and the Human Body as Bomb ... Fringe 2.4 Unfolds and Takes Wing ... Fringe 2.5: Peter in Alternate Reality and Wi-Fi for the Mind ... A Different Stripe of Fringe in 2.6 ... The Kid Who Changed Minds in Fringe 2.7 ... Fringe 2.8: The Eternal Bald Observers ... Fringe 2.9: Walter's Journey ... Fringe 2.10: Walter's Brain, Harry Potter, and Flowers for Algernon ...  New Fringe on Monday Night: In Alternate Universe? ... Fringe 2.12: Classic Science Fiction Chiante ... Fringe 2.13: "I Can't Let Peter Die Again" ... Fringe 2.14: Walter's Health, Books, and Father ... Fringe 2.15: I'll Take 'Manhatan' ... Fringe 2.16: Peter's Story ... Fringe 2.17: Will Olivia Tell Peter? ... Fringe 2.18: Strangeness on a Train ... Fringe 2.19: Two Plus Infinity ... Fringe the Noir Musical ... Fringe 2.21: Bring on the Alternates ... Fringe 2.22:  Tin Soldiers and Nixon Coming ... Fringe Season 2 Finale: The Switch

See also reviews of Season One Fringe Begins ... Fringe 2 and 3: The Anthology Tightrope ... 4: The Eternal Bald Observer ... 7: A Bullet Can Scramble a Dead Brain's Transmission ... 8. Heroic Walter and Apple Through Steel ... 9. Razor-Tipped Butterflies of the Mind ... 10. Shattered Pieces Come Together Through Space and Times ... 11. A Traitor, a Crimimal, and a Lunatic ... 12, 13, 14: Fringe and Teleportation ... 15: Fringe is Back with Feral Child, Pheromones, and Bald Men ... 17. Fringe in New York, with Oliva as Her Suspect ... 18. Heroes and Villains across Fringe ... Stephen King, Arthur C. Clarke, and Star Trek in Penultimate Fringe ... Fringe Alternate Reality Finale: Science Fiction At Its Best


                 Special Discount Coupons for Angie's List, Avis, Budget Car, eHarmony, eMusic, Mozy, Zazzle






The Plot to Save Socrates




"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book




Enjoy listening to audio books? Get a free audio book copy of The Plot to Save Socrates - or any one of 85,000 other titles - with a 14-day trial membership at Audible.com ...
 

Friday, May 21, 2010

Fringe Season 2 Finale: The Switch

A superb finale to the second season of Fringe last night, in which the series has reinvented itself into the best science fiction series on the air, and one of the best of the decades.   The story and the action all centered around the two realities, in particular, the adventures of our Walter and Olivia in the alternate reality.   Among the crucial developments -
  • We learn much more about William Bell, who has been living and working on the other side.  His alternate self died in car crash years ago, and so there was never an Walternate-alternate Bell collaboration.   Bell reveals that he took out pieces of Walter's brain at Walter's request.  And in a great final act, Bell uses the mercurial atoms of his physical existence - rendered super-kinetic due to all of his travels between the realities - to keep the door to the two realities open long enough for our people plus one to get back home.  Outstanding, energetic performance by Leonard Nimoy, by the way, and the scenes between him and Walter - the conversations - were instantly classic.  (My wife said they reminded her of Spock and Kirk.)
  • More details on the alternate reality, including there was no Lindbergh kidnapping, JFK still alive (we saw this last year), and Obama is President (which we already knew).   This world also has dirigibles in the air (so, presumably, no Hindenburg disaster), advances in a variety of technologies (including a great little touring aircraft that Peter takes around New York City), and a rash of warped areas across the United States, including a lot of the Harvard campus, where people have been frozen in amber.   These are the result of the intermingling of the two realities - caused by our Walter - and account in part for why their Walter is such an angry, militaristic dude.   The intermingling had a much worse impact over there.  And their Walter of course hates our Walter because our Walter stole his Peter.   (Excellent acting by John Noble as Walternate, and his coldness in comparison to our Walter.)
  • Peter and our Olivia on the other side finally passionately kiss.   I've been saying since last year that I expected the two to get together.   One of the best lines of the finale was Olivia telling Peter, "you belong with me," after Peter says he belongs in neither reality.
  • But there's no happy ending here.  After our Olivia gets a lot of mileage out of dyeing her hair red, and pretending to be alternate-Olivia -  Peter says he likes Olivia better with red hair, and I agree - alternate-Olivia uses the the identical appearance to come back with Walter and Peter to our reality.  This, it turns out, is as per Walternate's plan, and the last scene shows our Olivia in a cell on the other side.
Alternate-Olivia will not be able to keep up the pretense too long - Peter will no doubt soon sense the emotional difference (he'll feel something's missing with alternate-Olivia), and so will Olivia's niece, sister, Walter, and even Broyles.    The only question is exactly how will this happen, and with what consequence.   (I guessed that alternate-Olivia had made the switch - she was too quiet on the other side.)

And this will be just part of the fun on Fringe this Fall and beyond.


5-min podcast review of Fringe 2 finale

See also Top Notch Return of Fringe Second Season ... Fringe 2.2 and The Mole People ... Fringe 2.3 and the Human Body as Bomb ... Fringe 2.4 Unfolds and Takes Wing ... Fringe 2.5: Peter in Alternate Reality and Wi-Fi for the Mind ... A Different Stripe of Fringe in 2.6 ... The Kid Who Changed Minds in Fringe 2.7 ... Fringe 2.8: The Eternal Bald Observers ... Fringe 2.9: Walter's Journey ... Fringe 2.10: Walter's Brain, Harry Potter, and Flowers for Algernon ...  New Fringe on Monday Night: In Alternate Universe? ... Fringe 2.12: Classic Science Fiction Chiante ... Fringe 2.13: "I Can't Let Peter Die Again" ... Fringe 2.14: Walter's Health, Books, and Father ... Fringe 2.15: I'll Take 'Manhatan' ... Fringe 2.16: Peter's Story ... Fringe 2.17: Will Olivia Tell Peter? ... Fringe 2.18: Strangeness on a Train ... Fringe 2.19: Two Plus Infinity ... Fringe the Noir Musical ... Fringe 2.21: Bring on the Alternates ... Fringe 2.22:  Tin Soldiers and Nixon Coming

See also reviews of Season One Fringe Begins ... Fringe 2 and 3: The Anthology Tightrope ... 4: The Eternal Bald Observer ... 7: A Bullet Can Scramble a Dead Brain's Transmission ... 8. Heroic Walter and Apple Through Steel ... 9. Razor-Tipped Butterflies of the Mind ... 10. Shattered Pieces Come Together Through Space and Times ... 11. A Traitor, a Crimimal, and a Lunatic ... 12, 13, 14: Fringe and Teleportation ... 15: Fringe is Back with Feral Child, Pheromones, and Bald Men ... 17. Fringe in New York, with Oliva as Her Suspect ... 18. Heroes and Villains across Fringe ... Stephen King, Arthur C. Clarke, and Star Trek in Penultimate Fringe ... Fringe Alternate Reality Finale: Science Fiction At Its Best

Special Discount Coupons for Angie's List, Avis, Budget Car, eHarmony, eMusic
 






The Plot to Save Socrates




"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book

Tuesday, May 12, 2009

Fringe Alternate Reality Finale: Science Fiction at its Best

A superb, jolting alternate reality finale to the first season of Fringe tonight, which kicked us into all sorts of incredible things, including that we'll be seeing a second incredible season of Fringe starting this Fall.

Here's what we saw and learned -

[[HUGE SPOILERS FOLLOW]]




1. Jones, the teleporting cruel scientist who dominated a lot of the action in the first part of the season, is trying to go into an alternate dimension, where he can presumably cure himself and/or confront Bell. Olivia and Walter stop that - with a device Walter has, which he had years ago, which plugs up the portal. Jones is stopped halfway into the portal. He dies, as his body is literally sawed in half between two realities...

And that's the least incredible thing we learn tonight...

2. The two realities are more or less the same, with some "minor" differences. We learn, in a powerful scene with Walter at a grave site, that his son Peter died in 1985, as a little boy. Ergo, the Peter Bishop we have come to know this season must be Peter from the alternate reality, whom Walter presumably kidnapped years ago.... leaving the other Walter bereft of a son? ... We'll no doubt learn more about this next season...

3. And the most incredible, daring part of this alternate reality of all: Olivia goes into this alternate reality to meet William Bell - played by Leonard Nimoy. That's not the incredible part - we already knew that....

But Olivia sees a newspaper - its headline says "Obamas set to move into new White House..."*

And when she looks out of the window of the skyscraper ... and the camera moves out the window and shows us where she is ... We see she is one of the World Trade Center Towers, apparently not destroyed in this reality ... (perhaps the White House was, and that's why it's being rebuilt?)

And so we're left with a brilliantly provocative ending ... Applause to Fringe for daring to do this. Science fiction at its very best. (I said in my review of Fringe's episode last week that I expected to see some glimmering connection between the finale of Fringe and the new Star Trek movie ... it's the mixing of alternate realities....)

*And here's a screen shot of that New York Post front page ... looks in the upper left corner as if JFK might not have been assassinated in this reality!







See also Fringe Begins ... Fringe 2 and 3: The Anthology Tightrope ... 4: The Eternal Bald Observer ... 7: A Bullet Can Scramble a Dead Brain's Transmission ... 8. Heroic Walter and Apple Through Steel ... 9. Razor-Tipped Butterflies of the Mind ... 10. Shattered Pieces Come Together Through Space and Times ... 11. A Traitor, a Crimimal, and a Lunatic ... 12, 13, 14: Fringe and Teleportation ... 15: Fringe is Back with Feral Child, Pheromones, and Bald Men ... 17. Fringe in New York, with Oliva as Her Suspect ... 18. Heroes and Villains across Fringe ... Stephen King, Arthur C. Clarke, and Star Trek in Penultimate Fringe


10-min podcast review of Fringe 1 Finale









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The Plot to Save Socrates



"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book


more about The Plot to Save Socrates...

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Thursday, May 7, 2009

Star Trek: Reborn, Reset, Resplendent

Star Trek, since its birth in our popular culture in 1966 on NBC television, has led a remarkable life. Canceled after three seasons due to an insufficiently large audience - of which my wife (then my girlfriend) and I were devotedly among - Star Trek went on to break the hold of network television, with a series of series beginning with Star Trek: The Next Generation that went directly into successful syndication. As I pointed out in How Star Trek Liberated Television, this in retrospect was the beginning of television entertainment on cable and the Internet which is still burgeoning today. Along the way, Star Trek had some of best time travel stories (City on the Edge of Forever in the original series, Yesterday's Enterprise in The Next Generation) - keep that in mind - as well as some of the best humans meet alien stories ever told. I truly believe that when we eventually get beyond our solar system with faster-than-light travel in centuries to come - who knows, maybe decades - we will still be inspired by Star Trek as we navigate our way through the cosmos.

Star Trek also inspired other works in popular culture, including a whole bunch of movies, most of which were not as good, not even close, to best of Star Trek television. This is the challenge that J. J. Abrams and his colleagues took up when they set out to make a new Star Trek movie.

They decided to make a movie about the original crew and characters - Kirk, Spock, McCoy, Scotty, Uhura, Sulu, Chekov - before and during their first meeting up on the Enterprise. A movie about Star Trek Academy, detailing some of these budding relationships, had been talked about for decades. Abrams could have made such a movie, and it would no doubt have been excellent, a real delight for the fans, and everyone.

Instead, J. J. Abrams decided to something better. The reason, I'm sure, is that he didn't want to be locked into telling the same stories we already saw on television all those years ago, once again, now, on the big screen, if this movie succeeded. Nor did he want to be confined to filling in the gaps of what we already know about Kirk, Spock, et al....

So .... Abrams did something very different indeed. And here the story of the new Star Trek begins....

[[[SPOILERS BELOW HERE]]]




Kirk's father dies at the hands of Romulans, as Kirk's mother, pregnant with James T., escapes in a shuttle. The father has been Captain for all of 12 minutes. Some 25 years later, James Tiberius Kirk and Dr. Leonard "Bones" McCoy do meet up at Starfleet Academy. Uhura, whom Kirk has unsuccessfully flirted with, is there, too. And, of course, so is Spock, who is ahead of Kirk, and puts him to a famous test-

But the Romulans attack again - this time, Planet Vulcan. Star Fleet sends out a whole bunch of ships - including the Enterprise with Captain Pike in command, and Spock the science officer. By the time they get to Vulcan, Pike is in Romulan hands, and despite the best heroic efforts of Kirk and Sulu, and Spock, now in command, Planet Vulcan is destroyed, and along with it, Spock's mother-

Wait a minute! Vulcan destroyed? But didn't we see the planet, numerous times, in various episodes of various series of Star Trek? And Spock's mother, too?

Yes, of course we did! So, what's going on?

J. J. Abrams, in the sharp script written by Roberto Orci and Alex Kurtzman (all three of current Fringe fame), are giving us a splendid time travel story (shades of Lost). We get this spelled out to us in detail when young Kirk meets old Spock - played by Leonard Nimoy - who explains that Romulans killed Kirk's father after being whipped back in time from a future in which old Spock failed to save the Romulan home world.... And old Spock has been pulled back through time, too.

Now, if I were a sufficiently versed fan, I would have noticed at the beginning that this was another Star Trek universe - not quite the one we have seen on television and in theaters all of these years. Because no one ever said in a word in those about Kirk's father dying a few seconds after he was born. But Vulcan destroyed was more than enough to wake even me up that we were seeing something very different and daring here in which ...

Everything is new, to some lesser or greater extent, except old Spock, who has seen everything that we have on the screens over the years. Young Spock, smartly played by Heroes' Zachary Quinto, is also a new Spock - who has lost his mother and his planet, just as the new Kirk, perfectly played by Chris Pine, has lost his father. And young Spock (call him Spock 2) now lives in the same version of reality (call it Universe 2) as does old Spock (call him Spock 1). Old Spock's story along side of young Spock's story makes this Star Trek a sequel as well as a prequel.

There are other nice differences in this new reality. Spock 2 has a romantic relation with - Uhura, who's given a winning, sassy, refreshing performance by Zoe Saldana. But McCoy, wonderfully played by Karl Urban, is just and sarcastically funny as he should. And Simon Pegg's Scotty, John Cho's Sulu, and Anton Yelchin's Chekov are also fine and satisfyingly in character and ambiance - though poor Chekov, only 17 in the movie, and on the Enterprise earlier than he was in the original television series, is still stuck with that laughable Russian accent.

But Abrams has done the seemingly impossible, and done it with style and savvy - he has given us a genuinely new Star Trek, from the very beginning, with a genuinely new story - and even given us a witness to the original that we all grew up with, in the person of the original, older Spock. The story will live long and prosper indeed.

See also How Star Trek Liberated Television





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Photos: Front row at the Star Trek Premiere…see the photos on TV.com


15-min podcast review of the new Star Trek

Wednesday, April 29, 2009

Heroes and Villains Across Series in Fringe

A literally hot lethal woman on Fringe tonight, who's infected with something that turns her into a vampire-like predator who picks up men to drink ... not their blood, but their spinal fluid. Not Twilight meets Spinal Tap, but the odds twists on horror and science fiction that is Fringe.

The deeper story, as always, is what is most of interest. Our predator became that way because ZFT - the teleporting and whatnot-producing terrorist organization - punished the woman's husband for not cooperating with them, and turned her into this nerve-wracking stalker.

We've seen ZFT before in this series, and next week we'll find out more about the secret revealed at the end of tonight's episode: William Bell, head of Massive Dynamics, is also a player in ZFT.

And that's not all we'll find out next week, or soon after. Leonard Nimoy, who will be making some sort of appearance in Star Trek (produced, as is Fringe, by J. J. Abrams), will be William Bell. So Zachary Quinto, who plays mostly bad guy Sylar on Heroes, will be playing the main, younger Spock on Star Trek, and Leonard Nimoy, who plays the bad in some way William Bell on Fringe, will reprise his classic Spock in the same new Star Trek. Nice mix of heroes and villains across series.

Meanwhile, back on Fringe, it looks as if the eternal bald observer will be teleporting into Walter's lab next week to collect him to go somewhere. But, don't forget, he has a cow...

See also Fringe Begins ... Fringe 2 and 3: The Anthology Tightrope ... 4: The Eternal Bald Observer ... 7: A Bullet Can Scramble a Dead Brain's Transmission ... 8. Heroic Walter and Apple Through Steel ... 9. Razor-Tipped Butterflies of the Mind ... 10. Shattered Pieces Come Together Through Space and Times ... 11. A Traitor, a Crimimal, and a Lunatic ... 12, 13, 14: Fringe and Teleportation ... 15: Fringe is Back with Feral Child, Pheromones, and Bald Men ... 17. Fringe in New York, with Oliva as Her Suspect






The Plot to Save Socrates


"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book


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Tuesday, April 21, 2009

Fringe in New York, with Olivia Her Suspect

Fringe had a top notch, thoughtful, mind-tingling episode 1.17 in New York tonight - with Olivia as her own suspect.

The action starts in Grand Central Terminal, a favorite of mine in reality and in my fiction (GTC played a significant role in my 2004 novel, The Pixel Eye). The story is that Olivia is dreaming herself killing people. The science fiction explanation - a nice one - is that, actually, a reverse empath is killing the people (killing them by exporting his feelings to them rather than sensing what they are feeling), and Olivia is for some reason being pulled into this as an observer in her dreams.

Ultimately we find out that Olivia has been given a drug, and has been part of this experiment, since her childhood. And guess who's doing the experimentation - Walter, and a gravelly voiced associate who is no doubt William Bell.

There was some speculation throughout the season that Bell is really Walter - but unless Walter was talking to himself, and putting on a different voice on the tape we heard tonight, Bell is not Walter. Well ... ok, I wouldn't put it past Walter to be talking to himself. But, on the other hand, everyone and their grandparents are saying Leonard Nimoy will play Bell, and Nimoy and John Noble are certainly two different people.

So we should be in for some good revelations, as Fringe moves into the final episodes of what I hope are just the first of many seasons....

In the meantime, here's a nice clip on tv.com about tonight's episode of Fringe.

See also Fringe Begins ... Fringe 2 and 3: The Anthology Tightrope ... 4: The Eternal Bald Observer ... 7: A Bullet Can Scramble a Dead Brain's Transmission ... 8. Heroic Walter and Apple Through Steel ... 9. Razor-Tipped Butterflies of the Mind ... 10. Shattered Pieces Come Together Through Space and Times ... 11. A Traitor, a Crimimal, and a Lunatic ... 12, 13, 14: Fringe and Teleportation ... 15: Fringe is Back with Feral Child, Pheromones, and Bald Men






The Plot to Save Socrates


"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book


more about The Plot to Save Socrates...

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