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Showing posts with label Paddy Considine. Show all posts
Showing posts with label Paddy Considine. Show all posts

Thursday, June 5, 2025

MobLand: The Godfather of Streaming Television



Just saw the finale of what will almost certainly be the first season of a tour-de-force series about warring crime families on the other side of the pond, i.e., the UK.  MobLand has everything -- a powerful, unpredictable story bristling with what The Godfather and its sequels did so well in movies.  That would be a potent, explosive blend of violence and family dynamics that can make your head spin.

Here I'll talk about two ingredients that brought this kick-in-the-solar-plexus across: the music and the acting,

First, MobLand has one of the best theme songs I've heard in years:  "Starburster" by Fontaines D.C.  I mean, I'm no expert in hip hop, but I know "Starburster" has powerful elements of it, and the recording suits the story to be told in every episode to a tee, as well as being instantly unforgettable mind candy. 

And that's just for literally starters.  In the finale alone, we get major songs by Johnny Cash (sung twice) and The Rolling Stones.  Like in The Godfather trilogy, Goodfellas, and all immediately classic crime family dramas, the music of MobLand is at once avant garde and classic.  

Now let's get to the acting.  Pierce Brosnan gave an astonishing performance as Conrad Harrington, the anti-hero crime boss whose gang is at the center of the action.  This man played two characters who were suave to the max -- Remington Steele and James Bond -- and in MobLand he trashes those icons and goes vehemently in the opposite direction, cursing and screaming and giving loud and withering vent to his anger and his other moods with the best of 'em.   Meanwhile,  Helen Mirren, a world-class actress, is every bit as vicious and violent in her role as Maeve Harrington, Conrad's wife..  Neither of them are youngsters, but I wouldn't want to meet either of them in a dark alley.  Or a lit one, either, for that matter.

And alongside these veritable criminal forces of nature -- Emmy-worthy spectacular -- we have Tom Hardy's portrayal of Harry, the Harringtons fixer (a lot of "Har"s in that sentence).  He's calm, contemplative but deadly when he needs to be.  Like Brosnan and Mirren, Hardy is a world-class actor, great in just about everything he does, but yet to establish himself in a role as luminary as James Bond, Vito Corleone, or Michael Corleone.  But his performance in MobLand could move Hardy into Al Pacino territory.

The lesser-known actors in MobLand were excellent, too.  Paddy Considine (House of the Dragon) as one of Conrad and Maeve's sons, gives a heart-rending performance, as does Joanne Froggatt (Downton Abbey), for different reasons, as Harry's wife.   The truth is, there's not a weak performance in this powerhouse of a series.

Hey, I managed to review MobLand without even a hint of a spoiler.  I'm going to listen to some more Fontaines DC music now.



Monday, September 5, 2022

House of the Dragon 1.1-1.3: Drawing Me In


It's been almost a month since I posted any reviews here -- I've been busy expanding my alternate history story, It's Real Life, in a novel, and helping put together a radioplay of the story -- and I figured House of the Dragon would be a good series to resume my reviewing.  I saw the first three episodes, and I really enjoyed them.  Indeed, I liked them more than some of Game of Thrones.  Here are some non-spoiler reasons:

1.  The dragons are handled very well.  Their scorching fire is very effective and great to have on your side, but the dragon and especially its rider are not invincible.  They can even be hit by well-aimed arrows.  We saw some of this in Game of Thrones, but that action was in momentous battles, and in House of the Dragon it's just a fact of war.

2. I like the way the story just in the first few episodes jumps ahead a few years.  This seems like an excellent way to tell such a big story.

3. There a far fewer pieces and physical places in House of the Dragon so far than in Game of Thrones, and I like that, too.  There were times when GoT had so many moving pieces, the narrative was hard to follow.

4. House of the Dragon at times almost has a Walt Disney Cinderella-like quality -- look at that coach that carries the King in episode 1.3 -- and I sorta like that, too.

Now for some spoilers ...

5. Matt Smith's Daemon is a great character.  He's defeated in that joust in the first episode, but he comes back like gangbusters in the third episode.  True, he wouldn't have made it on his own, but he single-handedly wiped out enough of the bad guys to make it possible for the cavalry to come in and save the day.

6.  Rhaenyra (Milly Alcock) and Alicent (Emily Carey)'s  stories are both a little obvious and predictable at this point, but they're well played and interesting enough to keep me watching.

7. Same for King Viserys (Paddy Considine), whom I didn't much like in the first episode, but he's growing on me, and could have the makings of a really pivotal, unpredictable character, after all.

So count me in as a fan, and I'll keep watching and reviewing.



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