Dune, Part One: Half the Movie, Twice the Power of Most Other Complete Films

The first half of Dune -- over two-and-a-half hours of almost a six hour movie -- came up on HBO Max late yesterday.  It's also in theaters, and an expert critic or two proclaimed that it can't be fully or really appreciated unless you see it on the big screen.  Maybe my mind is prone to see in cinematic vistas, but I liked the movie just fine on my Mac Airbook.

In fact, I thought this first half of a movie was superb, far better than most other complete films, including David Lynch's 1984 brave attempt to do Dune (the only thing I remember about that movie was Sting).  The new 2021 first half of the movie was true in all important respects to the original Frank Herbert novel, very well acted and staged, with desert scenes that made me thirsty.  The sandworm and the Fremen were especially effective, and all the major characters shined (well, I guess you can't say that about the Harkonnen, who were nauseating, but that's exactly what they're supposed to be).

I've told people over the years who are thinking of starting the Dune book series -- I first read the novel in the mid-1970s, about ten years after Frank Herbert's masterpiece was finally published -- that they just need to suspend their judgement for the first third or more of the book, which is dense and often boring, and hold out for the tour-de-force it becomes as the story progresses.  That origin of Dune, that template that director Denis Villeneuve had to work with, makes his accomplishment even more impressive.  And in addition to the movie narrative, the battle scenes and the music are powerful, too.

Jason Momoa was outstanding -- he should talk in his roles in plain English more often.  His character Duncan Idaho has a great future ahead, and Momoa got him off to a good start.  I also liked Jason Bardem as Stilgar, and Zendaya was stirring as Chani the short time she was on the screen.  Oscar Isaac, who was powerful in Scenes of a Marriage, delivered the same as Duke Leto in Dune.

I first saw Rebecca Ferguson in Reminiscence earlier this year, and was struck by her performance.  She was fine in the crucial role of Lady Jessica in Dune.  I thought I saw some cheap shot at Timothée Chalamet in some review I glanced at and didn't read.  He was fine in the even more important, pivotal role of Paul.  I'm looking forward to seeing him with blue eyes.

That will happen in Part Two, when with any luck we'll also meet Alia, (maybe) see what happened to Duncan Idaho, see more of the Bene Gesserit, meet the Emperor, and who knows what else.  And I'll be back here when that movie is released with another review.

See also Dune, Part Two: Not As Good as Part One

Podcast Review of Sweet Girl

Welcome to Light On Light Through, Episode 190,  in which I review the movie Sweet Girl.

• written review of Sweet Girl
• thank you Phil Merkel for the Public Service Announcement about Music Beats Cancer
• more on Music Beats Cancer here

Check out this episode!

Sweet Girl: Pretty Good

Once again: panned by myopic critics, liked by me.  Just to be clear: I don't think Sweet Girl is a great movie.  But I thought it was pretty good.

Jason Momoa is a father bent on vengeance and justice for a slick high-tech pharmaceutical company that withholds a life-saving treatment for his wife, who dies.  He's Jason Momoa.  Don't expect Marlon Brando or even Liam Neeson.  Momoa delivers his lines and is an imposing presence on the screen.

Isabela Merced is the daughter, of course also aggrieved, and bent on both helping her father and keeping him from going too far, i.e., endangering what's left of the family, her and her father.  I thought Merced, whom I recall from Sicario, put in a strong, convincing performance.

Now as to the plot ...

[BIG SPOILERS AHEAD]

True, we've seen it before, but it was done pretty well in Sweet Girl.  The "it" being that a lot of the time we saw Jason Momoa in action (playing the father, Ray Cooper), it was really Isabela Merced (playing his daughter Rachel Cooper, who could be called Ray for short).  Now this is a bit of a stretch, for sure.  Rachel was that good, that competent in all kinds of combat?  Well, since she certainly had the element of surprise in close hand-to-hand combat -- her opponents didn't expect that much from her -- maybe her success was at least somewhat well founded.

Anyway, it worked for me.  Rachel is a sharp witted, empathetic character, with now well-honed combat skills, and it would be fun to see her in another movie.