22 December 2024: The three latest written interviews of me are here, here and here.
Showing posts with label Noah Wyle. Show all posts
Showing posts with label Noah Wyle. Show all posts

Tuesday, May 21, 2019

The Red Line Finale: Realism and Optimism



As I've said before in my review of The Red Line, I give CBS-TV a lot of credit for airing this sensitive and important mini-series.  It's the kind of series you'd expect to find on cable or streaming, and its presence on an old, traditional network at once tells us that this network isn't so old or traditional, after all.

[spoilers follow] ....


The ending was realistic and optimistic, a tough combination to find anywhere these days.  The cop, Paul Evans, gets off without a grand jury indictment, which still happens all too often when a white cop is caught on video killing a black man, without justification.  In other words, murdering him.

But Tia wins the election as Alderman.   Even though the corrupt DA also wins.  And, in the end, Evans resigns.  He recognizes that he's racist.  That's progress and optimistic indeed.

The gay thread of this vivid drama was handled very well, too.  Jira's biological father has found her, and that's heart-warming.  But he also found God, years ago, and his devout beliefs tell him a man and a man being husband and husband is wrong.  Jira, as much as she wants a relationship with her biological father, tells him to leave.  All of this is very realistic.

I know The Red Line is billed as a mini-series, but I would tune in immediately if there was a sequel.  And there's ample room for that.  I want to see how Tia does in office.  I want to see how Daniel does with Liam.  And speaking of Daniel - if Noah Wyle doesn't at least get nominated for an Emmy, I'll be stunned.  And, though there have been lots of other strong male performances in short series, I'd say he has a strong chance of winning, as well.

 See also The Red Line 1.1-4: Bursting with Crucial Lessons for Our Age

Videos in which I talk about Black Lives Matter:  here and here

 



Saturday, May 11, 2019

The Red Line 1.1-4: Bursting with Crucial Lessons for Our Age



My wife and I caught up with the first four episodes of The Red Line - shown on two evenings - and found the mini-series powerful and important, addressing more than one crucial issue of our time.  I was going to say that The Red Line is especially good for a non-cable traditional network - it's on CBS - but the truth is it's especially good for all television media, including cable and streaming services.

The trigger that starts the story is a young white cop in Chicago shooting and killing a black MD in a convenience store, mistakenly believing the MD, who was actually trying to help the store owner, was about to kill him.   This opens a wrenching black-lives-matter narrative (see my two videos that address that subject, here and here.)   But there's much more to this story.

Harrison, the MD who is killed, is not only African-American.  He's gay, and happily married to Daniel, a white high school teacher.  They have an adopted daughter, and we soon learn that Jira, also African American, now has a special need to get to know her mother.   She's the only one that Jira can relate to as an African-American living in Chicago.   This brings us into another significant part of this story - parent-child relationships, and their special complexity when the child is adopted, even more  complex when adopted by parents who are gay, and one is black and the other white.

But there's even more.  Jira's mother, Tia, is running to be on the Chicago City Council - a position as Adlerman - and this pitches us into no-holds-barred Chicago politics.   Her opponent has been there for decades, and is not only a grand old man, but someone willing to do anything to keep his seat.

The three threads - fast-on-the-trigger Chicago cops, family relationships, and down-and-dirty big city politics - are woven together well, with Tia meeting her daughter at memorial event for Harrison at which Daniel is speaking, Tia being threatened by white cops who don't appreciate her criticism of the CPD, etc.   The acting is superb, with special creds to Noah Wyle as Daniel, Emayatzy Corinealdi as Tia, and Aliyah Royale as Jira.  This is a series bursting with lessons necessary for our age.  Highly recommended.

I'll be back here in the weeks ahead with more reviews.  There are a lot of questions yet unanswered in this compelling series, a lot of relationships as yet unexplored or even revealed.  On that last point, I'll hazard a prediction.  We don't yet know the identity of Jira's biological father.   I'm thinking it would be a wild but logical twist if her biological father was none other than Harrison.

 

Monday, August 31, 2015

Falling Skies Concludes

Well, although everything up to the ending in this, the very last episode of Falling Skies, was more of the recent same - which is to say, not very interesting or original - the series managed to pull off a memorable conclusion in its last few minutes.

Memorable because, against all odds, there was real change and optimism in that last scene.  Tom giving a speech, maybe prelude to his becoming President, Weaver cleaned up, and everyone looking a little older and very good.  And Tom's last words, that we learned that we're not alone, were just right for the conclusion of this difficult series.

Difficult because, well, how many times, how many ways, can you tell the story of we humans somehow surviving against overwhelming, all but impossible odds?   And our success, based on the premise that if you can destroy the queen, you can wipe out the whole civilization, is not only cliche but was introduced out of the blue just a few episodes ago.

Still, Noah Wylie's acting, and his character Tom Mason and his three boys, and throw in Will Patton's Weaver, especially in this and the previous season, have made an indelible contribution to the science fictional genre of invasions from outer space.   It comes down from Wells' War of the Worlds, through Heinlein's The Puppet Masters and Clarke's Childhood's End  and Damon Knight's "To Serve Man," which was also a great Twilight Zone episode - all of which were much better stories than Falling Skies. But Falling Skies, because of somehow the realness, the uniqueness, of the Mason family, or the impact of this overwhelming invasion on this family, and its stubborn carrying of hope when everything was against them, deserves to be counted among those incredible narratives.

Perhaps we'll discover alien beings out there in the universe tomorrow - or, if our luck turns really bad, be attacked by them.  But till then, Falling Skies will be a fiction worth watching and recalling, with all of its flaws.

See also Falling Skies 5.1: Still Worthy of Viewing ... Falling Skies 5.2: Hybrid ... Falling Skies 5.7: Back Up There ... Falling Skies 5.9: Plummeting

And see also Falling Skies 4.1: Weak Start ... Falling Skies 4.2: Enemy of my Enemy ... Falling Skies 4.3: Still Falling ... Falling Skies 4.5: Cloudy ...Falling Skies 4.7: Massacre Indeed ... Falling Skies 4.8: Spike ... Falling Skies Espheni: How to Pronounce? ... Falling Skies 4.9: To the Moon, Anne, To the Moon ... Falling Skies 4.10: Lexi ... Falling Skies Season 4 Finale: Self-Sacrifice and Redemption

And see also Falling Skies 3.1-2: It's the Acting ... Falling Skies 3.3: The Smile ... Falling Skies 3.4: Hal vs. Ben ... Falling Skies 3.6: The Masons ...Falling Skies 3.7: The Mole and a Likely Answer ... Falling Skies 3.8: Back Cracked Home ... Falling Skies Season 3 Finale: Dust in Hand

And see also Falling Skies Returns  ... Falling Skies 2.6: Ben's Motives ... Falling Skies Second Season Finale

And see also Falling Skies 1.1-2 ... Falling Skies 1.3 meets Puppet Masters ... Falling Skies 1.4: Drizzle ... Falling Skies 1.5: Ben ... Falling Skies 1.6: Fifth Column ... Falling Skies 1.7: The Fate of Traitors ... Falling Skies 1.8: Weaver's Story ... Falling Skies Concludes First Season

#SFWApro


no aliens, but definitely insects

Tuesday, July 22, 2014

Falling Skies 4.5: Cloudy

Well, I took a break from reviewing Falling Skies last week, hoping my opinion of this season would rise, but it hasn't.  Indeed, when the news broke that Falling Skies was renewed by TNT for its fifth and final season a few days ago, I wasn't surprised, given the weak and cliched story lines the series has descended to this season.

The biggest action for Tom in episode 4.5 was his falling in with a pair of brothers who seem to be good, but raise his suspicions when they talk about getting booze from a Mormon home (Mormons refrain from drinking).  They soon turn out to be not so good, lie to Tom about killing Matt, and in the end get killed themselves after coming pretty close to killing Tom.  Sound familiar?  This is the exact same thread already spun a dozen times on The Walking Dead, and spun much better, because sometimes the bad humans do lasting damage on that show to our heroes, which makes for a much more compelling story.

Meanwhile, the Lexi story is proceeding at such a snail's pace that I'm beginning to think there's some alien snail DNA at large in the people who make the show.  We've suspected to the point of knowing since last season that Lexi's father was an alien.   Anne had to know it, too.   So the big reveal last night was ... what?

Hal continues to be a somewhat interesting character, if only because it's unusual to have a son be almost exactly like his father in voice intonation and delivery of lines.   Drew Roy, who plays Hal, is seriously a good Noah Wylie (Tom) study.

As I've said before, this is sad.   Although post-apocalypse stories are as common as dandelions on television these days, alien invasion stories are not, and Falling Skies started out as something much better than Defiance.   Optimist that I am - about our ultimately beating the aliens in story lines, and about failing series beating the odds and coming up with a good resolution nonetheless - I'm still hopeful that Falling Skies can somehow come up with a good ending this season and next.

See also Falling Skies 4.1: Weak Start ... Falling Skies 4.2: Enemy of my Enemy ... Falling Skies 4.3: Still Falling

And see also Falling Skies 3.1-2: It's the Acting ... Falling Skies 3.3: The Smile ... Falling Skies 3.4: Hal vs. Ben ... Falling Skies 3.6: The Masons ...Falling Skies 3.7: The Mole and a Likely Answer ... Falling Skies 3.8: Back Cracked Home ... Falling Skies Season 3 Finale: Dust in Hand

And see also Falling Skies Returns  ... Falling Skies 2.6: Ben's Motives ... Falling Skies Second Season Finale

And see also Falling Skies 1.1-2 ... Falling Skies 1.3 meets Puppet Masters ... Falling Skies 1.4: Drizzle ... Falling Skies 1.5: Ben ... Falling Skies 1.6: Fifth Column ... Falling Skies 1.7: The Fate of Traitors ... Falling Skies 1.8: Weaver's Story ... Falling Skies Concludes First Season

#SFWApro



get Season 4 of Falling Skies on

Wednesday, June 12, 2013

Falling Skies 3.1-2: It's the Acting

Falling Skies was back with its two-hour Season 3 premiere on Sunday.   The show continues to be an appealing amalgam of trite parts that somehow add up to something pretty good.

The Earth attacked by superior aliens is of course a trope most made famous by H. G. Wells more than a century ago.   The addition of aliens fighting amongst themselves, with some allying with us, is also something we've seen before.  So are the mechs, recently seen to best effect as the toasters in Battlestar Galactica.   A new component in this season's Falling Skies is the star child, a human-alien hybrid who grows more quickly than humans and has superior powers - last seen in the late lamented V on ABC-TV a few years ago.

The child in Falling Skies is Tom and Anne's, which raises the question of where she - the baby girl - is getting her powers.  Possibly this has something to do with the time Tom was on the alien ship, in between seasons 1 and 2.   Meanwhile, Tom's relationship with his three sons also continues to be well depicted, with Ben, the middle son who was freed from alien harness, still of greatest interest, though Hal's relationship with his former girlfriend, now a bad-alien leader, has potential.

The locus of the action has shifted from the road and make-shift headquarters to something more substantial in Charleston, where Tom has been elected President of a fledging United States.  This makes for a refreshing touch with Weaver, now a Colonel, calling Tom "Sir,"  but the move to genteel Southern cities is also something we've seen in other post-apocalyptic dramas, including Revolution and even a bit in The Walking Dead.   And a resurgent United States after the apocalypse also popped up in Revolution's season 1 finale.

So what makes Falling Skies appealing?  It's the acting, most notably Noah Wyle as Tom.  And with Gloria Reuben as Tom's aide and House's Robert Sean Leonard as an eccentric scientist (what else?) this season, I'm definitely in for the run.

See also Falling Skies Returns  ... Falling Skies 2.6: Ben's Motives ... Falling Skies Second Season Finale

And see also Falling Skies 1.1-2 ... Falling Skies 1.3 meets Puppet Masters ... Falling Skies 1.4: Drizzle ... Falling Skies 1.5: Ben ... Falling Skies 1.6: Fifth Column ... Falling Skies 1.7: The Fate of Traitors ... Falling Skies 1.8: Weaver's Story ... Falling Skies Concludes First Season


 

#SFWApro

Monday, July 25, 2011

Falling Skies 1.7: The Fate of Traitors

An excellent Falling Skies 1.7 last night, the best so far in the series.  I've said that before, which means the series is getting better and better.  Among the main things we learned last night -

  • Ben is thoroughly with us.  His time harnessed has given him greater than his previously human endurance - in running as well as push-ups - but his loyalties are still with his family and species.  Indeed, he's one of the heroes in last night's story.
  • Not so much Mike's son Rick, who was also liberated from the harness, but, apparently, only physically.  At the end of last night's episode, he reveals his continuing alien loyalties - especially disquieting, in view of his father's death at the hands of the humans in business with the aliens,
  • But Pope is back in action, and he's heroic, too, as he saves Hal from death.  (Fine acting by Drew Roy as Hal, by the way - his intonations are just like Noah Wyle's, who plays his father.)
But back to the humans doing business with the aliens - giving them our children in return for the traitors' own safety - one thing I didn't like at the end of last night's episode was letting them go free.  In reality, I'm against the death penalty (because of the danger of innocent people wrongly convicted).  But in this fiction of an alien invasion, they - the human adults we saw working with the aliens - deserved the firing squad.

Looking forward to the last two episodes of this season.

See also Falling Skies 1.1-2 ... Falling Skies 1.3 meets Puppet Masters ... Falling Skies 1.4: Drizzle ... Falling Skies 1.5: Ben ... Falling Skies 1.6: Fifth Column



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The Plot to Save Socrates


"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book





Enjoy listening to audio books? Get a free audio book copy of The Plot to Save Socrates - or any one of 85,000 other titles - with a 14-day trial membership at Audible.com ...

Friday, June 24, 2011

Falling Skies

Caught the first two episodes of TNT's Falling Skies.  Quite good.

More like The Walking Dead and The Terminator than V - much closer to the ground - Falling Skies is probably most like H. G. Wells' War of the Worlds.  Steven Spielberg had a hand in both the 2005 movie version of War of the Worlds and the new Falling Skies, which so far looks considerably better than the movie.

It's good to see Noah Wyle back on television, best known for his great work in ER.  Moon Bloodgood, in such shortlived science fiction gems as Daybreak and Journeyman - seriously - and on the cover of Maxim, too, plays a pediatrician with the freedom fighters.  The rest of the cast is also good and believable.

The most-of-humanity-wiped-out motif is not an easy one to bring to a television series, despite the success of The Walking Dead, at least so far.  Come to think of it, Battlestar Galactica succeeded with this, too - except out in space not with alien invaders down on Earth - though its success, unfortunately, was more with critics than big numbers of viewers.   If television's prime advantage is to provide a little relief and release from the hard day, you can see why apocalyptic stories have such a tough time of it.  On the other hand, it's not as if Criminal Minds is such a joy ride, and it's generally a winner in the ratings.

Well, I'll be watching Falling Skies even its ratings fall, which, with any luck, will move in the opposite direction.


                 Special Discount Coupons for Angie's List, Avis, Budget Car, Garden.com, eMusic





The Plot to Save Socrates

"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book





Enjoy listening to audio books? Get a free audio book copy of The Plot to Save Socrates - or any one of 85,000 other titles - with a 14-day trial membership at Audible.com ...

Friday, April 3, 2009

ER Ends Softly

There is more than one good way to end a television series. One of my favorites is the camera pulls back, our characters recede, and we take our leave of them, along with the irresistible impression that they are continuing their lives and business as usual, lives and work which we have been privileged to see. The last scene of Star Trek: The Next Generation did a great job of that, with the camera pulling away from Picard and his top officers playing cards around a table. ER did that last night with John Carter and newer characters responding to an all-out out emergency...

ER started much the same way in 1994, except John Carter was just a med student back then. The series was immediately appealing, with its multiple stories and criss-crossing, fast-moving camera trajectories. This was a new mode of story telling on television, and, actually, still is.

The intense linear story lines of the Sopranos, the Wire and 24, the incredible, compelling complexities of Lost and Battlestar Galactica, the idiosyncratic brilliance of House and Bones - what I've been calling the new golden age of television drama - blew by ER, and left it spinning like a top...

Except, ER was already spinning, with a pace and style all of its own, from the very beginning. The doctors and students all jockeying for position, but all devoted to saving lives ... drinking in and pumping out adrenalin ... and you never knew exactly when the door would swing open with another life-and-death emergency, except you knew that it surely would.

I wrote here several weeks ago how good it was to see Doug Ross (George Clooney) and Carol Hathaway (Julianna Margulies), Peter Benton (Eriq La Salle), John Carter (Noah Wylie), and lots of the original nursing staff back for an episode. Benton and Carter were back again last night, as well as Susan Lewis (Sherry Stringfield), Kerry Weaver (Laura Innes), and Elizabeth Corday (Alex Kingston). It was also heartwarming to see Mark Greene's daughter Rachel (Hallee Hirsh), now in her 20s, seeking to join the ER team, picking up for her late father, and poised to pick up the John Carter role as medical student. The eternal cycle continues. John Wells, executive producer - show runner - of the series since its beginning, wrote both episodes.

The two-hour finale will air again on NBC this Saturday - well worth seeing if you've ever been a fan of the show. A last chance to see the life-savers outside of Chicago County General, as the ambulances swoop in, and the scene moves one last time from the pace on the screen to the soft recesses of our memories.






Saturday, March 14, 2009

George Clooney and Eriq La Salle Back on ER

Here's a rarity in Infinite Regress - a review of an episode of ER!

The long-running NBC series - which began in 1994 - is coming to an end this year, with a sequence of superb, heart-warming episodes that bring back some of the original, long-gone characters. My wife and I watched the show religiously until about five years ago, when 24, Lost, The Sopranos, and what I call the new golden age of television pulled us away. (Hey, I watch an enormous amount of television - but I have to leave a least a little time for writing....) 1994 was a long long time ago for popular culture - not only was there no blogging, the Web was about a year away from becoming a phenomenon.

This week, ER had a perfectly written, wonderfully acted show that brought back two of its all-time major characters - Dr. Doug Ross (played by George Clooney) and Dr. Peter Benton (played by Eriq La Salle).

Ross was Clooney's break-out role in the 1990s, and remains one of the best doctors ever on television. He was pediatrician who cared more about his patients than the hospital rules, and in that sense was a precursor of House. But Ross was the complete antithesis of House in the charm and way with people Ross easily had, and in the commitment Ross had to his patients (House is more committed to solving the medical puzzle).

Often when stars return to their television roles in special appearances, they smile or scowl and say a few words, and that's it. Ross actually had a wordless reappearance about nine years ago. But Ross had a major role in Thursday's episode, which required all of his empathy (it was also great to see Clooney acting with Susan Sarandon).

Peter Benton was a very different kind of doctor - a tough, brilliant surgeon in the Ben Casey tradition. As a black man who fought hard for everything he attained, Benton had little in common with John Carter (played by Noah Wylie), rich, white, and his fourth-year medical student. Benton drove Carter mercilessly, all ostensibly in the name of giving Carter a good education.

Benton was back this week to help with Carter's kidney transplant (that is, the kidney that Carter needed as a patient). Eriq La Salle has aged a little, and he invested Benton with that mellowness which worked just right for the character. Benton is still tough, but his humanity, and his concern for Carter, are finally, after all of these years, out up front. It was gratifying to see.

There are a few more episodes of ER coming up, with more old friends returning. This week's episode convinced me completely that, after the series goes off the air, Ross and Benton and all of those great doctors and nurses will continue their daily struggle to save lives. If only there was someway I could get through the television screen, and thank them personally...







InfiniteRegress.tv