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Showing posts with label ABC Television. Show all posts
Showing posts with label ABC Television. Show all posts

Thursday, September 18, 2025

The Firing of Jimmy Kimmel: The Latest Step on the Road to Fascism



The firing of Jimmy Kimmel by ABC -- which is exactly what his "suspension" is -- is the latest step in the road to fascism being paved by the current President of the United States and his allies.  It began with the hounding out of their jobs of  FBI and other people who lawfully investigated Trump's instigation of the January 2021 attack on the Capitol, the pressure on universities to end DEI and other policies distasteful to MAGA Americans and their theorists, and of course the firing of another late-night host, Stephen Colbert, by another cowardly media operation, CBS.  (William Paley must still be turning over in his grave.)

In the case of Kimmel, rumblings were being made about the FCC doing something about him.  I've thought the FCC was blatantly unconstitutional as soon as I was old enough to think.  It violated the First Amendment's clear proscription on the government "abridging the freedom of speech or of the press" -- what else would any honest person say a late-night comedian, ridiculing Trump and his policies, was doing?  The only crime in that would be how easy it was to make those jokes, because the threat to our democratic way of life was so obviously no joke indeed.

FDR, certainly one of our greatest Presidents, jeopardized our democracy when he signed the Communications Act of 1934 into law.  So did Felix Frankfurter in the 1943 Supreme Court decision "NBC v the US," which he wrote, which ratified the FCC's power to regulate broadcasting.  Ironically, that was in the middle of our war with Nazi Germany which FDR was so instrumental in winning, not to mention that Frankfurter was a founder of the American Civil Liberties Union in 1920.

I started teaching at universities in the 1970s, and the danger of the FCC has always been a part of my courses about the media and their impact.  My main point has always been: imagine the FCC under the control of a President bent on willfully superseding our democracy and its protections from dictatorship (see, for example, my 2005 Media Ecology conference Keynote address transcript and video The Flouting of the First Amendment).  I take no satisfaction and indeed am saddened and deeply concerned to see this patent threat to our democracy so vividly realized by this President and the many people who support him.

Note added September 24, 2025:  Last night: Jimmy Kimmel's sage, hilarious opening monologue

 

To the fascist enablers that prevented this show from being aired in 20% of its markets, I hope you go out of business soon; to fascist enabler Paramount/CBS: reverse your decision to end The Late Show w/ Stephen Colbert]; to everyone: I'll be recording a conversation w/ Frank LoBuono about this in a few hours for his Being Frank podcast


Monday, July 25, 2011

Falling Skies 1.7: The Fate of Traitors

An excellent Falling Skies 1.7 last night, the best so far in the series.  I've said that before, which means the series is getting better and better.  Among the main things we learned last night -

  • Ben is thoroughly with us.  His time harnessed has given him greater than his previously human endurance - in running as well as push-ups - but his loyalties are still with his family and species.  Indeed, he's one of the heroes in last night's story.
  • Not so much Mike's son Rick, who was also liberated from the harness, but, apparently, only physically.  At the end of last night's episode, he reveals his continuing alien loyalties - especially disquieting, in view of his father's death at the hands of the humans in business with the aliens,
  • But Pope is back in action, and he's heroic, too, as he saves Hal from death.  (Fine acting by Drew Roy as Hal, by the way - his intonations are just like Noah Wyle's, who plays his father.)
But back to the humans doing business with the aliens - giving them our children in return for the traitors' own safety - one thing I didn't like at the end of last night's episode was letting them go free.  In reality, I'm against the death penalty (because of the danger of innocent people wrongly convicted).  But in this fiction of an alien invasion, they - the human adults we saw working with the aliens - deserved the firing squad.

Looking forward to the last two episodes of this season.

See also Falling Skies 1.1-2 ... Falling Skies 1.3 meets Puppet Masters ... Falling Skies 1.4: Drizzle ... Falling Skies 1.5: Ben ... Falling Skies 1.6: Fifth Column



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The Plot to Save Socrates


"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book





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Friday, January 28, 2011

Flowers for Fringenon in Fringe 3.11

My favorite part of Fringe 3.11 tonight is Walter trying to recover the intelligence that Bell took from him - not intelligence as in information, but intelligence, literally, as in  our brain cells.   Bell took out parts of Walter's brain at Walter's request, so Walter would not turn into Walternate.  Now Walter wants the intelligence back, so he can figure out all and exactly what Walternate is doing.

Just as in Daniel Keyes' classic "Flowers for Algernon" - probably the best standalone science fiction short fiction ever written - it ain't easy.   Walter does a little better than the mouse and the protagonist in "Flowers for Algernon," but he doesn't get his lost intelligence back yet either.   He's taken the chimp DNA that Bell had experimented with, not Walter's own.

Still, Walter's sharp enough to come up with a good name for alternate, bad Olivia on the other side - Fauxlivia.   So we now have a nice evil pair over there - Walternate and Fauxlivia.

The other part of the story tonight concerns Peter and the ultimate weapon, and shape-shifter soldiers from the other side, over here, who are getting snuffed.   The shape-shifters were never my favorite part of Fringe - they're poor man's Terminators - and neither is the ancient, ultimate weapon.  Not that I don't like mining ancient vastly advanced civilizations - see a little of my 1999 novel, The Silk Code - but their involvement in this all-powerful weapon threatening us now is a little comic-bookish.

On the other hand, Peter's role in bringing forth this weapon is much more intriguing.  We see, tonight, that it's turning him into a different kind of person - especially ironic and compelling, since Olivia seems to have gotten over Peter and Fauxlivia, and all but tells him she's ready to resume their relationship....


See also Fringe 3.1: The Other Olivia ... Fringe 3.2: Bad Olivia and Peter ... Fringe 3.3: Our/Their Olivia on the Other Side ... Fringe 3.5: Back from Hiatus, Back from the Amber ... Fringe 3.7: Two Universes Still Nearing Collision ... Fringe 3.8: Long Voyages Home ... Fringe 3.10: The Return of the Eternal Bald Observers

See also reviews of Season 2: Top Notch Return of Fringe Second Season ... Fringe 2.2 and The Mole People ... Fringe 2.3 and the Human Body as Bomb ... Fringe 2.4 Unfolds and Takes Wing ... Fringe 2.5: Peter in Alternate Reality and Wi-Fi for the Mind ... A Different Stripe of Fringe in 2.6 ... The Kid Who Changed Minds in Fringe 2.7 ... Fringe 2.8: The Eternal Bald Observers ... Fringe 2.9: Walter's Journey ... Fringe 2.10: Walter's Brain, Harry Potter, and Flowers for Algernon ...  New Fringe on Monday Night: In Alternate Universe? ... Fringe 2.12: Classic Science Fiction Chiante ... Fringe 2.13: "I Can't Let Peter Die Again" ... Fringe 2.14: Walter's Health, Books, and Father ... Fringe 2.15: I'll Take 'Manhatan' ... Fringe 2.16: Peter's Story ... Fringe 2.17: Will Olivia Tell Peter? ... Fringe 2.18: Strangeness on a Train ... Fringe 2.19: Two Plus Infinity ... Fringe the Noir Musical ... Fringe 2.21: Bring on the Alternates ... Fringe 2.22:  Tin Soldiers and Nixon Coming ... Fringe Season 2 Finale: The Switch

See also reviews of Season One Fringe Begins ... Fringe 2 and 3: The Anthology Tightrope ... 4: The Eternal Bald Observer ... 7: A Bullet Can Scramble a Dead Brain's Transmission ... 8. Heroic Walter and Apple Through Steel ... 9. Razor-Tipped Butterflies of the Mind ... 10. Shattered Pieces Come Together Through Space and Times ... 11. A Traitor, a Crimimal, and a Lunatic ... 12, 13, 14: Fringe and Teleportation ... 15: Fringe is Back with Feral Child, Pheromones, and Bald Men ... 17. Fringe in New York, with Oliva as Her Suspect ... 18. Heroes and Villains across Fringe ... Stephen King, Arthur C. Clarke, and Star Trek in Penultimate Fringe ... Fringe Alternate Reality Finale: Science Fiction At Its Best





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The Plot to Save Socrates



"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book
 

Sunday, September 12, 2010

Sneak Preview Review of Dexter Season 5 - No Spoilers

I had the pleasure of seeing the first three episodes of Dexter Season 5 last night - courtesy of a Showtime screener DVD.   The season is set to premier on September 26, and let me tell you, you won't be disappointed.   The metaphysics, torment, black humor, and vivid characterization of a serial killer who preys on other serial killers is more powerful and wrenching than ever.

Here's what I can tell you:  the new season picks up right where the last season ended.  After finally dispatching the Trinity killer, Dexter comes home to find his baby Harrison sitting in a pool of Rita's blood.   She's been killed, apparently by Trinity, before Dexter got to him.   Although Dexter was a few years older than Harrison when Harry rescued Dexter from his own mother's pool of blood, the parallels between the father and son are compelling.

Dexter is shattered, and, as always, must juggle keeping his own secret from Deb and those around him, as he struggles to come to terms with what has happened to him and get back to a "normal" life if possible.  (As part of what we see of this struggle, there are also some great scenes of Dexter and Rita first meeting.)  The other cops at the precinct are as trenchant as ever, and this especially includes Quinn, Laguerta, and Batista.   As always, they not only are struggling to stay out of or dive into the vortex of the central murder case - that now being Rita - but they have commanding subsidiary stories of their own.

I was thinking, as I was watching these three episodes, just where I would be put Dexter in the pantheon of all-time great television shows.  The heart strings the show pulls, the adrenalin it gets going, the intellectual concentration it requires and rewards, put it at the very very top.


See also
Dexter Season 4: Sneak Preview Review ... The Family Man on Dexter 4.5 ... Dexter on the Couch in 4.6 ... Dexter 4.7: 'He Can't Kill Bambi' ... Dexter 4.8: Great Mistakes ... 4.9: Trinity's Surprising Daughter ... 4.10: More than Trinity ... 4.11: The "Soulless, Anti-Family Schmuck" ... 4.12: Revenges and Recapitulations

See also reviews of Season 3: Season's Happy Endings? ... Double Surprise ... Psychotic Law vs. Sociopath Science ... The Bright, Elusive Butterfly of Dexter ... The True Nature of Miguel ... Si Se Puede on Dexter ... and Dexter 3: Sneak Preview Review

Reviews of Season 2: Dexter's Back: A Preview and Dexter Meets Heroes and 6. Dexter and De-Lila-h and 7. Best Line About Dexter - from Lila and 8. How Will Dexter Get Out of This? and The Plot Gets Tighter and Sharper and Dex, Doakes, and Harry and Deb's Belief Saves Dex and All's ... Well

See also about Season 1: First Place to Dexter









The Plot to Save Socrates



"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book
 


Tuesday, August 24, 2010

Lie to Me 2.20: Dr. Burns

Well, we finally learn the fate of Dr. Dave Burns and Dr. Gillian Foster in Lie to Me 2.20, in another strong episode that pits Dr. Cal Lightman and his talents against Gillian's lover, and thus to some extent against Gillian and her talents, too.  A tale of three doctors.

Dave Burns works for the DEA - which we learned at the end of an episode a few weeks ago, when Gillian discovered that Burns wasn't telling the truth about himself.  Now Burns get taken hostage by the son of a drug boss who has been killed, apparently by a DEA agent.

The question Lightman - and the kidnapper - must answer is: who killed the father (Moon).  Was it Burns or his female partner?   All that Lightman knows for sure is that Burns is once again lying about something big.

Turns out that Burns' partner was made pregnant by Moon, when she was obliged to go deeply undercover.  Does this make her more or less likely to have killed Moon, and what does it say about Burns and his motives?   Lightman also raises suspicion that the killer was actually one of Moon's men ...

I won't tell you the ending, but let's just say that it leads to Burns being sent into witness protection, which means he and Gillian are effectively over (good arc by Max Martini aka Mac from The Unit).   Since Lightman and beautiful Clara as a possible romantic interest also ended a few weeks ago, the field is now open for Lightman and Foster to finally get together.

I'm told by fans that this has about as much likelihood as House and Cuddy - but, wait, didn't they finally get together at the end of last season?

See also my reviews of Lie to Me and Bill O'Reilly, Saddam Hussein, and Ben Reynolds in Lie to Me 2.6 and Lie to Me 2.7: The Redeeming of Loker and Lie to Me 2.8 in Afghanistan and Viva Lightman and Las Vegas in Lie to Me 2.9 ... Lie to Me 2.11: Double Feature ... Lie to Me 2.12:  The One Prevarication ... Lie to Me 2.13: The Whole Truth and Rep Joe Wilson ... Lie to Me 2.14: Paranoids Can Have Real Enemies ... Lie to Me 2.15: Melissa George and Shawn Ryan ... Lie to Me 2.16: Ria's Sister ... Lie to Me 2.17: 'Poling on the Campaign Trail' ... Lie to Me 2.18: Lightman on the Darkside ... Lie to Me 2.19: The Shield Reunion



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The Plot to Save Socrates


"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book

Friday, April 30, 2010

Hot Blooded Bones 5.19!

The guitar not only wailed on Bones 5.19 last night - as Bones and Booth did a kick-ass few lines from Foreigner's Hot Blooded (one of my favorite all-time scenes from Bones) - but the guitar also weeped, and not gently, as it murdered not only our inhibitions as it always does in rock 'n' roll, but the poor victim, whose skull and other parts turned up in a too-gooey soak in a washing machine.

Actually, the victim wasn't poor, or worthy of our pity.  He was an obnoxious rich dude who was to play with a famous guitarist at Rock 'n' Roll Fantasy Camp.   His killer, who wielded a guitar, was outstanding on stage, pumping out a first and final devastating performance as Booth prepared to take him away in handcuffs.

The guitar was a Gibson Les Paul  - creme de la creme and worth huge bucks - and this gave us another delightful chance to her Angela talk about her father (none other than Z Z Top - only on Bones!)  Nothing further with her and Jack last night, but the coming attractions promise something promising for next week.

There were lots of balls (not the eye kind) and romance in the air, as Arastoo and Jack talk about baseball (and Bones offers an explanation for its popularity - boys like to hit things - but my favorite line was Bones saying to Booth, with lips almost quivering, "our partnership is still important to me"), and Cam finally has a love interest (her daughter's gynecologist - though of course not for long).   But Dr. Linder looks good for Cam.

But to get back to my favorite scene.   What more could you ask if you're a fan:  Bones and Booth up at the microphone, tie (that Catherine gave him) wrapped around his head, Bones playing guitar, and both belting out Hot Blooded.   Bones even leans down, over, and up to the microphone,  right next to Booth, in what was in many ways the hottest scene between them in the series.   Long live sex and rock 'n' roll!

Bones: Hilarity and Crime and Bones is Back For Season 5: What Is Love? and 5.2: Anonymous Donors and Pipes and 5.3: Bones in Amish Country and 5.4: Bones Meets Peyton Place and Desperate Housewives and Ancient Bones 5.5 and Bones 5.6: A Chicken in Every Viewer's Pot and Psychological Bones 5.7 and Bones 5.8: Booth's "Pops" and Bones 5.9 Meets Avatar and Videogamers ... Bad Santa, Heart-Warming Bones 5.10 ... Bones 5.11: Of UFOs, Bloggers, and Triangles ... Bones 5.12: A Famous Skeleton and Angela's Baby ... Love with Teeth on Bones 5.13 ... Faith vs. Science vs. Psychology in Bones 5.14 ... Page 187 in Bones 5.15 ... Bones 100: Two Deep Kisses and One Wild Relationship ... Bones 5.17: The Deadly Stars ... Bones Under Water in 5.18





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The Plot to Save Socrates



"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book

Thursday, March 4, 2010

Memo to Cablevision and ABC TV: Stop Threatening Your Viewers and Come to Terms

Noted added 03/07/10, 8:45pm:  Oscars back in NY on Cablevision-ABC, which still owes New York area an apology for loss of 15+ minutes.

Note added 03/07/10, 12:01am:  ABC just went black on Cablevision.   A pox on both their houses!  If service isn't restored in time for the Oscars tonight, I predict consumers will punish both of these greedy corporations and take their eyes elsewhere.

Original post, 03/04/10:

Here in the New York area,  we've been harassed by dire warnings from both Cablevision and ABC-TV about their contract ending this coming Sunday, and our having to do with no ABC-TV if terms are not reached.   At stake are the Oscars on Sunday night, Lost on Tuesday, Grey's Anatomy later in the week, Fashforward later in the month, and, well, you get the picture about the pictures we won't be seeing.

Both sides, of course, say it's other side's fault.   Each points fingers at the other side's greed.   Senator John Kerry has called for FCC intervention.

As most of my readers know, I don't want the FCC intervening in anything.   The agency is an unconstitutional affront to the First Amendment and freedom of expression.

But Cablevision and ABC better get their act together.  The public is sick and tired of being threatened.   We want to watch our television in peace.   And if we don't get it from Cablevision and ABC, we'll get it from someplace else - such as the Internet.


3-min podcast: Memo to ABC & Cablevision: Stop Extorting Your Viewers

Monday, May 4, 2009

24 Season 7 Hour 21: Execute and Forgive

Let's start with my favorite scene in tonight's Episode 21 of Season 7 of 24: Olivia - the President's daughter - has arranged for a hit-man to kill Hodges. She has to pay him. She's poised at her computer, the funds all set to be transferred. All she has to do is ... click on the "Execute" icon. I like that ... execute the fund transfer, execute Hodges. A nice little piece of television that Hitchcock would have liked.

But Olivia can't go through with it, and hits "Cancel," instead. And Hodges is blown up in a car, anyway.

So we have another mystery on our hands. Certainly the villains that Tony is working for have a motive. But I'm thinking ... I don't know, maybe Aaron. I know, he's a straight arrow. But Olivia did blurt out to Aaron last week that she wanted Hodges dead. And we did see more than usual of Aaron tonight. We'll see....

Bear in mind, though, that my powers of prediction have not been that good about 24 this season. I've been holding out for Tony being good, but I can't see much hope of that now.

Jack, though, is getting more humane than ever. In another fine scene, Jack has a conversation with an Imam whom Jack had come close to roughing up. He learns the Imam is innocent. Jack apologizes. The Imam forgives him. Jack says he "gave up on that a long time ago" ... Shades of Clint Eastwood and The Unforgiven.

A compelling scene in a powerful, strange, transformative season of 24, with only 3 hours left...



See also: Hours 1 and 2 ... Hours 3 and 4 ... Hour 5 ... Hour 6 ... Hour 7 ... Hour 8 ... Hour 9 ... Hour 10 ... Hours 11-12 ... Hour 13 ... Hour 14 ... Hour 15 ... Hour 16 ... Hour 17 ... Hour 18 ... Hour 19 ... Hour 20






The Plot to Save Socrates


"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book


more about The Plot to Save Socrates...

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Read the first chapter of The Plot to Save Socrates
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Friday, February 13, 2009

Battlestar Galactica Final 5: (Almost) All Explained

After the shoot-em-up breathtaking final episodes of the past few weeks, Battlestar Galactica put on a riveting, soft spoken intellectual powerhouse of a Final Episode #5 tonight, with deep, real answers ... and, of course, a question or two.

This was mostly Ellen and Cavil (John)'s episode on the Cylon ships, and Sam's on Galactica. They both tell the story ...

Ellen created Cavil (she calls him John, much to his displeasure) and together they created the rest of the Cylons who look and walk like humans. Cavil hates his human body. Ellen considers him and all the humanoid Cylons a triumph, the best of both beings. They have free will and love...

This conversation between mother and rebellious son is one of the best in the entire series. It rivals the conversations Isaac Asimov wrote between R. Daneel and his human associates. (Added Feb 14: And in responding to a comment below by Livia, I realized that Cavil's speech about the exploding star was also reminiscent of Rutger Hauer's great musings about what he had experienced as an android, in Bladerunner.) We learn a lot about Cavil - he's the oldest looking skin job, but in many ways is still the youngest.

Back on Galactica, Sam's wound to the head has decanted his memories - of just about everything we need to know. The counterpoint of Ellen and Cavil, and Sam and his listeners, takes us through every season and century of BSG.

But ... Kara still doesn't know how she came back from Earth and the dead.

And now that the Final Five have been ID'ed in these final episodes, why not introduce one last product of Ellen's genius - Daniel, a humanoid Cylon rendered extinct by Cavil.

Who is he? Gaeta? It also turns out that the final five have no memories of earlier existences, and, therefore, relationships...

Cylons and humans have become even more intertwined, and this may come to include the Galactica herself. She's cracking, and Tyrol suggests an organic resin which will grow with the ship. Adama resists - at first - and then agrees...

And so the spiral cycle continues ... with a brand new beginning or bumper for the show. Pretty daring in itself, this far into the series and this close to the end...

See also: Battlestar Galactica, Final 1: Dee, Ellen, and Starbuck ... Final 2: Baby and Mutiny Make Three ... Final 3: Galactica Alamo! ... Final 4: Shout-Outs to Lampkin, Lee, Tyrol ... Final 6: The Necessity of Hybrid ... Final 7. 'Since I Died in Your Arms' ... Final 8. Father of a Million ... Final 9. 'Every Man and Woman Over the Age of 15' ... Finale: Not Goodbye But See You Around







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The Plot to Save Socrates



"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book


more about The Plot to Save Socrates...

Get your own at Profile Pitstop.com



Read the first chapter of The Plot to Save Socrates
.... FREE!

Saturday, February 7, 2009

Battlestar Galactica Final 4: Shout Outs to Lampkin, Lee, Tyrol

Battlestar Galactica continues to deliver some its best episodes ever in its Final series, and last night's #4 was one of the best.

Where to start? There wasn't an unelectrifying moment in the show.

1. Zarek surpasses Gaeta in evil - BSG's ultimate statement, which it's been implying all along, that soulless political leaders can be far worse than depraved military. But Gaeta still manages to order the firing squad to kill Admiral Adama, who, fortunately, by then, has led a great counter-rebellion and has turned the tables on the firing squad.

2. Shout-out to Lampkin - great to see him and hear his accent again. (A stand-out, memorable performance in this series by Mark Sheppard.)

3. Lee was in great form, too, shooting 'em up with Starbuck - they make a bad-ass team.

4. Laura - motivated by love of Adama - is back in top-notch, take-command action.

5. Sam is badly wounded. One of the best scenes of the night was Starbuck shouting at Lee to go save his father. I hope Sam makes it.

6. And how about Tyrol! He's become one of the all-time great FTL starship engineers, right up there with Scottie and Geordie - in some ways, as is the case with all BSG comparisons with Star Trek, even better.

And now Adama and Tigh (who didn't die) have regained control of Galactica, the fun's just beginning.

Ellen, the 5th of the Final Five, returns next week, in the 5th of this fine Final series of episodes.



See also: Battlestar Galactica, Final 1: Dee, Ellen, and Starbuck ... Final 2: Baby and Mutiny Make Three ... Final 3: Galactica Alamo!






The Plot to Save Socrates


"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book


more about The Plot to Save Socrates...

Get your own at Profile Pitstop.com



Read the first chapter of The Plot to Save Socrates
.... FREE!

Monday, December 8, 2008

Give Shuster a Shot at MSNBC's 1600 Pennsylvania Ave

Politico.com reports that David Gregory, who will be taking the helm on Meet the Press, will be moving on from 1600 Pennsylvania Avenue, formerly Race to the White House, on MSNBC. David Shuster will be filling in for this week, or until a successor is announced.

First, I'll miss David Gregory on Pennsylvania Ave/Race - his show was one of the most crisp, informative on all of television, low in histrionics, high on the exposition and debate of useful opinions. In many ways, it's been my favorite on all of TV.

But David Gregory therefore certainly merits his promotion to Meet the Press, where his talent for cool, intelligent interview will well serve the classic show and the American people.

And what's to become of 1600 Pennsylvania Avenue? I'm watching David Shuster on the show right now, and he's doing a fine job. Indeed, though he had at least one misspeak in the two years we have just concluded of election coverage - regarding Chelsea Clinton's campaigning for Hillary - that wasn't the end of the world, and Shuster came back to do consistently excellent, top-notch reporting and hosting (of regular afternoon programs, and subbing for evening programs, like 1600). Shuster has shown himself tough, able to ask big politicians incisive questions, and do this with style and humor.

I don't know who else MSNBC is considering, but I say, give Shuster a shot at 1600 Pennsylvania MSNBC job.

Monday, October 13, 2008

Complete Premier Episode of Life on Mars in America - Here on Infinite Regress

In case you missed it, or want to see it again, ABC TV was good enough to provide Infinite Regress with this complete first episode of Life on Mars - in New York City... Enjoy...


And here's my review ... Life on Mars Debuts in America






The Plot to Save Socrates


"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book


more about The Plot to Save Socrates...

Get your own at Profile Pitstop.com



Read the first chapter of The Plot to Save Socrates
.... FREE!

Monday, September 1, 2008

Mad Men 2.6: Jackie, Marilyn, and Liberty Valance

Another moody, powerful, jingle-jangling episode of Mad Men tonight.

But first my obligatory movie celebration brought on by the show: Pete spoils The Man Who Shot Liberty Valance for Peggy by telling who shot him. Don't worry, I won't tell you, I'm not as much of a cad as Pete. But I will tell you it was great to hear that title again, not only of a great movie, but the even better song by Gene Pitney.

Peggy has a good comeback, after Pete insincerely apologizes. No problem, you saved me 50 cents, she says. (I'm pretty sure I paid a quarter to see the movie at the Allerton Theater in Bronx, but prices were a little higher in Manhattan and maybe in Brooklyn where Peggy lives.) Peggy doesn't do so well with the other men at Sterling Cooper, though, who shut her out of their planning of a bra campaign. It's based on the premise that all women want either to be Jackie Kennedy or Marilyn Monroe, and Peggy looks like neither. Joan - unknowingly building on Bobbi's good advice from last week - sets Peggy straight. Stop dressing like a little girl if you want to be taken seriously, Joan tells Peggy. And, lo and behold, Peggy gets taken very seriously after she takes that advice, and visits the Playtex guys and Sterling Cooper gang at a strip bar later that night.

That's about the lightest part of the episode. Duck behaves horribly to his dog, Don isn't too nice to Betty, and, for that matter, not too nice to Bobbi, either (Melinda McGraw - last seen in The Dark Knight, and two choice episodes of Journeyman - is giving her a great, sultry portrayal) ...

And in a wrenching last scene - again reminiscent of The Sopranos (high praise in my book) because you can't quite say just why it's wrenching - we see Don looking in the mirror and starting to come to terms with something.

But what? His past and present lives? His double-timing Betty? Is there something physically wrong with him?

Well, he did cough a little before that scene, but I'm thinking the crisis he's facing is all or mostly in his roiling mind...



See also: Mad Men Returns with a Xerox and a Call Girl ... 2.2: The Advertising Devil and the Deep Blue Sea ... 2.3 Double-Barreled Power ... 2.4: Betty and Don's Son ... 2.5: Best Montage Since Hitchcock ... 2.7: Double Dons ... 2.8: Did Don Get What He Deserved? ... 2.9: Don and Roger ... 2.10: Between Ray Bradbury and Telstar ... 2.11: Welcome to the Hotel California ... 2.12: The Day the Earth Stood Still on Mad Men




And listen to my fabulous 20-minute interview last Fall with Rich Sommer (Harry Crane) at Light On Light Through



The Plot to Save Socrates


"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book


more about The Plot to Save Socrates...

Get your own at Profile Pitstop.com



Read the first chapter of The Plot to Save Socrates
.... FREE!

Monday, August 18, 2008

Mad Men 2.4: Betty and Don's Son

At least three powerful story lines in tonight's episode (2.4) of Mad Men ... Peggy's relationship with her jealous sister and a young priest ... American Airlines of course falls through after Sterling Cooper pulls out all the stops for a pitch on Good Friday ... but the story that I found the most winning was Bobby's (Don and Betty's sweet, highly intelligent, little boy).

Betty's been on Bobby's case all season, growing increasingly intolerant of the little lies and things that little boys do. It comes to a head tonight, as Betty, in her least attractive moment (emotionally, she still looked beautiful) urges Don to spank Bobby and be a better disciplining father.

Don's relationship with his own father, and the beatings he endured, makes him averse to any kind of punishment for Bobby, let alone a spanking. In a superb scene with the two of them, Don explains this to Bobby, who notes that Don's father is dead, and Don could use a new one. Don hugs him. An outstanding performance by the two of them - but special kudos to seven-year old Aaron Hart, and a really classic, heart-warming rendition of little Bobby. I'd give Aaron an Emmy just for that.

Meanwhile - what's got into Betty? Why is she acting so, well, cruel to her son? The Freudian answer is that she's taking out the resentment she has for Don on Bobby ... Well, Freud's a little obvious, but more so now then back in 1962.

Children of course played a major role in The Sopranos, Matthew Wiener's other great work (in a supporting creative role with David Chase). And so did at least one priest, and his interaction with Carmela. The priest in tonight's Mad Men, and the hint of the romantic relationship he might have imagined with Peggy, resonated a little with The Sopranos.

That's a good thing. Both The Sopranos and Mad Men are among the best stories ever to be told on television.





See also: Mad Men Returns with a Xerox and a Call Girl ... 2.2: The Advertising Devil and the Deep Blue Sea ... 2.3 Double-Barreled Power ... 2.5: Best Montage Since Hitchcock ... 2.6 Jackie, Marilyn, and Liberty Valance ... 2.7: Double Dons ... 2.8: Did Don Get What He Deserved? ... 2.9: Don and Roger ... 2.10: Between Ray Bradbury and Telstar ... 2.11: Welcome to the Hotel California ... 2.12: The Day the Earth Stood Still on Mad Men




And listen to my fabulous 20-minute interview last Fall with Rich Sommer (Harry Crane) at Light On Light Through



The Plot to Save Socrates


"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book


more about The Plot to Save Socrates...

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Tuesday, August 12, 2008

Nancy Has Limits: Weeds 4.9

Well, we've finally come upon one of Nancy's limits - in the excellent 4.9 of Weeds.

Shane's been masturbating to those full frontal nudity pix of Nancy that Judah took of her years ago. That's too much even for Uncle Andy, who has had a good time with this picture over the years himself. Andy tells Nancy, who is also trying to deal with Silas' hot affair with MILF Lisa (played by Lost's Sarah - Julie Bowen). Nancy finally sits down with the two boys, and gives them her point of view. (Actually, though both involve boys and older women, Shane's is much more over the top. Possibly Nancy would not have reacted that much to Silas's doings, had she not been so understandably appalled by Shane.)

Meanwhile, Andy is El Andy in Mexico, a great coyote with great lines. Over the years, Andy, brilliant played by Justin Kirk, has had the best lines in the series.

Mary-Louise Parker's putting in an especially superb, saucy performance as Nancy this year herself. It's good to see her and Esteban together - I think they're an even better couple than Nancy and Conrad (Nancy certainly seems more happy). I hope Weeds doesn't break her heart by getting him killed...



See also: Showtime's Sassy Hour of Sin ... Weeds 4.3: Nancy by the Endless Sea ... Sitting Shiva on Weeds and Laughing: 4.4 ... Nancy Gets Spanked and Likes It: 4.8 ... Shane and Two Girls: 4.10 ... Nancy Turns a Corner: 4.11 ... The First Bitter Fruit of Telling Till: 4.12







The Plot to Save Socrates


"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book


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Friday, July 11, 2008

Sitting Shiva on Weeds and Laughing: 4.4

No, Weeds hasn't died - in fact, its sitting shiva episode was the best yet of Season 4, bursting with energy, humor ... and life.

Except for grandma. She may have survived being taken off life support in Episode 3, but not Nancy's pillow, applied off-camera. The pillow, by the way, is a good example of why no technology is inherently always evil or good. The evil gun can save lives and help us hunt for food, the good pillow can be used for murder and euthanasia (ok, not as bad as murder, but I'm just saying).

Now, in the Jewish religion, the custom is for the immediate family of the departed loved one to sit at home, on wooden boxes (not comfortable), for seven days - "shiva" is Yiddish for seven. You can't play, you can't work, you can't prepare or buy food. So compassionate friends and relatives bring it to you. It's tough going - when I was kid, I thought it was sitting "shiver".

You can talk, though. And the seven little clips of the Botwins talking for seven days were hilarious. One of the best sequences in all of the seasons.

In the aftermath:

Lenny takes Nancy's money and decamps - we may not see him again.

And Doug is moving in permanently.

Trading Lenny for Doug. Not bad ... but I'm going to miss Albert Brooks as Lenny. A classic performance.

See also: Showtime's Sassy Hour of Sin ... Weeds 4.3: Nancy by the Endless Sea ... Nancy Gets Spanked and Likes It: 4.8 ... Nancy Has Limits: 4.9 ... Shane and Two Girls: 4.10 ... Nancy Turns a Corner: 4.11 ... The First Bitter Fruit of Telling Till: 4.12







The Plot to Save Socrates


"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book


more about The Plot to Save Socrates...

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Read the first chapter of The Plot to Save Socrates
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Saturday, March 15, 2008

Obama and the Demented "Uncle"

Barack Obama said on MSNBC's Countdown tonight that the Rev. Jeremiah A. Wright Jr. - pastor of Obama's Church, and a longtime religious mentor - was akin to an "uncle," a member of the family, who says something that "you really disagree with"...

Here's some of what this "uncle" has said ... September 11 was "chickens coming home to roost" for America ... "God damn America" ... and, about the Clintons, "Bill did us, just like he did Monica Lewinsky. He was riding dirty." (You can see it all on YouTube videos.)

Obama has said he deplores those statements. He says he was not present at the sermons in which they were made. Wright, as of this evening, no longer has any connection to Obama's campaign.

Where does that leave us?

1. Obama and Wright are not the same person. Nor did Obama ever endorse any of Wright's statements. And Wright's statements never went out under Obama's name (as racist statements did under Ron Paul's).

2. But the fact that this raving hater was Obama's mentor for so long remains a concern. Obama's denunciation of Wright's statements is welcome, but it does not explain or excuse their long spiritual relationship.

Human beings are flawed - including those who run for President. No President or candidate for President has ever been perfect. Obama's gifts are no less inspirational today than they were last week.

But Barack Obama has taken a hit from the vicious, intolerant statements of his pastor. He will have to work that much harder to prove he is the best person for President.

Thursday, February 21, 2008

Obama Shines in CNN Debate with Clinton in Texas

Hillary Clinton needed a knock-out punch in the debate tonight with Barack Obama on CNN in Texas. Not only did she not do that, but Barack Obama gave the best debate he has given so far, with lots of specifics about his plans, experience, and policies, ranging from his work on "googling government" legislation to make government spending and programs more transparent and available to public scrutiny, to the reasons why his opposition to our going to war in Iraq was so important, and so significant an indicator of the kind of judgment he would bring to his Presidency.

Hillary Clinton spoke well and with specificity, as she usually does, and gave a moving final statement about how the crises in her life do not compare with those faced by many Americans. But her performance was also marred and diminished by cheap shots she took at Obama, including a line about Obama being for "hope we can xerox" - a reference to that nonsense about Obama using a line in his speech earlier used by Deval Patrick. (It's nonsense because all candidates and Presidents - including JFK - have speech writers, and all that happened here was a very minor lack of acknowledging that Obama's handful of words on the issue of the importance of words had been used in a speech by Patrick before.)

Obama's response to these jabs was also presidential. Rather than getting into an exchange of insult with his opponent, he chose to talk instead about issues. He spoke right on the money about immigration, health, and why he would have no problem meeting with the new leader of Cuba. (Hillary Clinton was not as clear on this important issue.)

I was for Obama before the debate. But seeing Obama's performance tonight makes me more confident than ever that he is on his way to becoming a great President.

Sunday, February 3, 2008

In Treatment on HBO

HBO premiered a brilliant original show last week - original in both structure and content. Anyone who thinks HBO is running out of steam as a pioneer in the cable form should take a look at In Treatment.

The show consists of a 30-minute segment every weekday evening. Psychotherapist Paul, played by the always memorable Gabriel Byrne, sees a different patient Monday through Thursday. And on the 5th day, Friday, he sees his own therapist, Gina (played by Dianne Wiest) and becomes a patient himself.

Don't confuse this with Tell Me You Love Me. The talk on In Treatment is much more intense and intelligent. In fact, it's so good, that all almost you get on In Treatment is talking, and that was more than enough to keep my wife and me hanging on almost every word.

Monday's patient thinks she's falling in love with Paul - erotic transference, as the shrinks call it. Laura's beautiful and smart - she's an anesthesiologist - and the real question is whether Paul is falling in love with her (we find out on Friday that all's not well with his wife). Laura's played by Melissa George - Vaughn's wife on Alias - and she won't be putting anyone to sleep - at least, not in the viewing audience.

Blair Underwood plays Tuesday's patient, Alex - I've been enjoying his performances since LA Law. Here he plays a Navy pilot with a complex story of guilt and power and possible attraction to his running partner, who is a gay man. Alex also has a heart attack, running, and nearly dies. Paul's patients clearly all live life to the hilt.

On Wednesday Paul sees a 16-year girl, Sophie, played by Mia Wasikowska. Mia, like Melissa and Blair, puts in a tour-de-force performance. Sophie, a gymnast, may or may not suicidal.

Josh Charles as Jake and Embeth Davidtz as Amy come to the doctor's office on Thursday, as a married couple in real distress. I suppose this is the least original of the four stories, and the most reminiscent of Tell Me You Love Me, but the acting is powerful and the story still captivating.

Four different stories having no real connection except their excellence as narratives and the excellence with which they are acted - and Paul as the psychotherapist they all see. And on Friday, Paul reverses his role, and Gabriel Byrne puts in just as powerful a performance as patient. There's a nice symmetry here as Paul as patient goes through many of same acts of his patients - wondering why he came to his therapist, threatening to leave, verbally attacking his therapist.

In Treatment looks a highly successful experiment in TV drama, that definitely bears more watching.

PS: Steve Levinson is the Executive Producer. He is, alas, no relation...

See also In Treatment 2: Scalding ...3. Triangle ... 4. Love and Death ... 5. Paul's Greatest Strength ... 6. Paul's Boat ... 7. Alex in the Sky with Diamonds ... 8. A Princely Performance ... In Treatment Concludes: For Now








The Plot to Save Socrates


"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book


more about The Plot to Save Socrates... good reading if you're in a doctor's office...


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Read the first chapter of The Plot to Save Socrates
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Sunday, January 27, 2008

Psycho FCC Proposes Fining ABC 1.4 Million Dollars Over Naked Backside

Talk about the golden ass ...

Hard to believe - or maybe not, given Congress and the FCC's increasing trampling of our First Amendment - but now the FCC is proposing to fine ABC 1.4 million dollars for repeatedly showing a woman's "nude buttocks" on its NYPD Blue police-drama back in 2003.

All right, perhaps "psycho" is not the right word. "Treasonous" would be more like it, because our First Amendment clearly says "Congress shall make no law ... abridging the freedom of speech," and, last time I checked, NYPD Blue was not silent television (and, even if it was, pictures are a kind of communication or "speech").

The FCC and Congress have been growing ever bolder in their flouting of the First Amendment since the Janet Jackson Superbowl incident of a few years ago (come to think of it, we're approaching its anniversary). I gave a keynote address about this at Fordham University in 2005 - here's a transcript - and am currently writing a book about it. (I'll also be giving another keynote address about this problem on April 30, at St. Peter's College in Jersey City - I'll post an announcement with details closer to the event.)

About the only possible remedy on the horizon is a new President who will (a) fire as many of the current batch of FCC commissioners as the law allows, and replace them with people who can read and understand the Constitution and (b) begin to appoint US Supreme Court justices who will similarly respect and enforce the supreme law of the land.
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