Chuck Todd interviews me about alternate histories
Showing posts with label V. Show all posts
Showing posts with label V. Show all posts

Wednesday, March 9, 2016

Colony 1.8: Moon Base and Transit Zones

A powerful Colony 1.8, which gives us two important new details -

1. There's a presumably alien base, presumably on the Moon.  It's viewable from Earth, if you know where to look with a strong telescope, and the episode begins with a great shot of what presumably is a prisoner workforce on the Moon, and a shot of the blue Earth marble in the black.  Very effective.

2, There are transit zones between the colonies on Earth, transversable via passes issued by whoever it is that's ultimately in charge, presumably, again, the aliens.  We sort of knew this already, but now it's explicitly spelled out.

These details are tantalizing and crucial, given to the viewership as if on a strict need-to-know basis. Unfortunately, I for one would like to know much more already.

Meanwhile, the action in the colony heats up with some well motivated deaths - that is, killings which make sense, however shocking they may be.   This makes Colony a taut narrative, even though the deaths of fairly major players is becoming somewhat predictable, in the way that they became in the final year of the original V series (not the preceding, superb mini-series) some decades ago.

There are only two episodes left this season, and the coming attractions promise that we'll finally find out just whom our heroes are fighting.  It's notable and even amazing that we haven't seen any alien in the flesh so far - just presumably their super ships and now the Moon base.   Maybe they're not flesh-and-blood - maybe they're robots.  Or maybe they're not really aliens but some advanced kind of humans.

I'm looking forward to the next two weeks.


See also Colony 1.1: Aliens with Potential ... 1.2: Compelling ... 1.5: Questions ... 1.6: The Provost ... Colony 1.7: Broussard


not exactly aliens, but strange enough ...  The Silk Code

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Tuesday, December 15, 2015

Childhood's End 1.1: Familiar Territory

The first of the three-part Childhood's End mini-series began on the SyFy Channel tonight with a statement that Arthur C. Clarke's 1954 novel of that name changed and influenced science fiction for decades.   That's true.   When I read the novel a few years after its publication, it certainly changed my view of science fiction, making it more relevant to human life than even the great works by Isaac Asimov and Robert Heinlein, which I still enjoyed more.  But the quietly breathtaking revelations of Childhood's End and the questions they raised were not to be matched.

The problem, though, as far as tonight's mini-series is concerned, was the pervasiveness of the influence of Childhood's End and its story of an alien visitation on Earth - a pervasiveness in all forms of science fiction, but especially on the television screen.  Damon Knight's "To Serve Man" on The Twilight Zone a few years later, The Invaders with Roy Thinnes the next decade, V at its beginning and best in decades after that, all drew upon the story of Childhood's End in different and memorable ways.   And that, inevitably, makes Childhood's End on television tonight less original, and therefore a little less compelling than it was as a novel in 1954.

Still, it was pretty good.  I knew the truth of what the Overlords looked like, but their unveiling was still a strong moment, and I'd imagine especially so and more so for anyone who hadn't read the novel.   I'm interested enough to see where this goes, and if the mini-series diverges in any way from the novel, whose ending was something that I didn't much like back then.

But it will be tough going.  Unlike The Man in the High Castle, whose daring, stunning alternate history was something we haven't seen at all on any television screen, Childhood's End is too familiar, too reminiscent of too many science fiction motifs, to be great - at least, so far.  And we'll see how the next two days go.

See also Childhood's End 1.2: Losing My Religion and Childhood's End 1.3: Literally



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Saturday, January 24, 2015

Helix 2.2: 15 Months Pregnant

Helix continued its second season in episode 2.2 last night, on a higher, better plane than the first season.  I guess I like lush islands better than forbidding Arctic tundra.  But the story this year is also more creative.

For example, we learn near the end of the episode that Sarah is 15-months pregnant with Alan's baby. We've seen alien-human hybrids on all kinds of televisions series before - such as V - but in the context of Helix, and the partial transformation of Sarah into a more healthy human, her being with child is especially pregnant with possibilities.

The parallel narrative across 30 years continues to work well, with buildings decaying and regenerating in quick time on the screen.   I wasn't at all surprised that Alan wasn't buried in the grave with his name - he's too important a character to waste - and this raises the question of where he is 30 years from now.

A meeting between Caleb, Julia, and Alan in the future is bound to happen sooner or later, and raises the question of who is Caleb?  Is he connected to someone we've already seen in 2015?  My best guesses at this point would be he's Sarah's baby or maybe the boy who was sick and recovered in 2015.  I didn't get the boy's name, but even if it wasn't Caleb, he could always have changed his name.

The cultish part of the story on the island is the least impressive, so far.   At best, it's a warmed-over take on Lost, as I mentioned last week, and in any case it's nothing we haven't seen before, for example, also in Revolution.   But the differences in the various people in the cult have potential, and it will be fun to see where that develops.

It occurred to me last night that a story about a plague should have special relevance these days, given the Ebola outbreak that gripped much of our news this past Fall.   For that reason alone, Helix should be situated to really take off.




all kinds of epidemics in this trilogy

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Tuesday, June 18, 2013

Falling Skies 3.3: The Smile

Falling Skies episode 3.3 last night had lots of good parts, but the most significant, in terms of long-range consequences in our story, concerned Tom and Anne's baby girl.

Last week, we see Anne noting and worried about the baby's way-too-rapid development.  As I mentioned in my review, the human-alien hybrid is something we've seen before on television, most effectively in V.  What was most interesting about Tom and Anne's child is where the alien came into the equation.   Since neither is an alien - as far as we know - the only way I can see alien DNA entering the baby's genome is via something implanted in Tom, when he was whisked away on the alien ship.

Last night, the focus shifts to Anne, and the possibility that she is imagining the unusual behavior of her baby, in some kind of post-partum blues or even psychosis.   Neither Tom nor Lourdes has seen any evidence that the baby is progressing in anything other than a human way - and Lourdes says her tests show the same - so the pressure's on Anne, who steadfastly denies that she's imaging the baby standing up and talking, just a week after her birth.  Of course, if Anne is indeed losing her mind, that's exactly what she would do.

But in an excellent last scene, with bad-alien ships flying over the Charleston compound, we catch a glimpse of the baby looking up with a distinct smile on her face.   It's a chilling and effective scene, and suggests that the baby is exercising significant intelligence indeed, to hide what she really is from everyone other than Anne.   This in turn raises the interesting question of why the baby is signaling Anne about its identity.

The other nice reveal last night is that the original President of the United States - when the aliens attacked - is still alive and still in office.   Not only does this create good competition for Tom, but opens up all kinds of possibilities - and another parallel between Falling Skies and Revolution.

See also Falling Skies 3.1-2: It's the Acting

And see also Falling Skies Returns  ... Falling Skies 2.6: Ben's Motives ... Falling Skies Second Season Finale

And see also Falling Skies 1.1-2 ... Falling Skies 1.3 meets Puppet Masters ... Falling Skies 1.4: Drizzle ... Falling Skies 1.5: Ben ... Falling Skies 1.6: Fifth Column ... Falling Skies 1.7: The Fate of Traitors ... Falling Skies 1.8: Weaver's Story ... Falling Skies Concludes First Season

 


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Wednesday, June 12, 2013

Falling Skies 3.1-2: It's the Acting

Falling Skies was back with its two-hour Season 3 premiere on Sunday.   The show continues to be an appealing amalgam of trite parts that somehow add up to something pretty good.

The Earth attacked by superior aliens is of course a trope most made famous by H. G. Wells more than a century ago.   The addition of aliens fighting amongst themselves, with some allying with us, is also something we've seen before.  So are the mechs, recently seen to best effect as the toasters in Battlestar Galactica.   A new component in this season's Falling Skies is the star child, a human-alien hybrid who grows more quickly than humans and has superior powers - last seen in the late lamented V on ABC-TV a few years ago.

The child in Falling Skies is Tom and Anne's, which raises the question of where she - the baby girl - is getting her powers.  Possibly this has something to do with the time Tom was on the alien ship, in between seasons 1 and 2.   Meanwhile, Tom's relationship with his three sons also continues to be well depicted, with Ben, the middle son who was freed from alien harness, still of greatest interest, though Hal's relationship with his former girlfriend, now a bad-alien leader, has potential.

The locus of the action has shifted from the road and make-shift headquarters to something more substantial in Charleston, where Tom has been elected President of a fledging United States.  This makes for a refreshing touch with Weaver, now a Colonel, calling Tom "Sir,"  but the move to genteel Southern cities is also something we've seen in other post-apocalyptic dramas, including Revolution and even a bit in The Walking Dead.   And a resurgent United States after the apocalypse also popped up in Revolution's season 1 finale.

So what makes Falling Skies appealing?  It's the acting, most notably Noah Wyle as Tom.  And with Gloria Reuben as Tom's aide and House's Robert Sean Leonard as an eccentric scientist (what else?) this season, I'm definitely in for the run.

See also Falling Skies Returns  ... Falling Skies 2.6: Ben's Motives ... Falling Skies Second Season Finale

And see also Falling Skies 1.1-2 ... Falling Skies 1.3 meets Puppet Masters ... Falling Skies 1.4: Drizzle ... Falling Skies 1.5: Ben ... Falling Skies 1.6: Fifth Column ... Falling Skies 1.7: The Fate of Traitors ... Falling Skies 1.8: Weaver's Story ... Falling Skies Concludes First Season


 

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Tuesday, September 25, 2012

Revolution 1.2: Fast Changes

Revolution - the new J. J. Abrams' show on NBC about a post-digital apocalypse age - continues to surprise.  After shocking us with the deaths of the protagonist Charlie's parents in the first episode - a daring move, given that they were both played by major actors - it turns out in the second episode that her mother Rachel is still very much alive!    Fans of Lost's and V's Elizabeth Mitchell, including me, will be happy.  We'll be seeing  at least Rachel in more than flashbacks.

Meanwhile, the story as a whole is less predictable than post-apocalyptic tales usually are. Not only is there still digital technology afoot somewhere, but there are battles being waged over who has guns. If you think about it, guns are a good technology to focus on in a post-digital world, because they are mechanical not digital. In Revolution the militia bad-guy government has them, and the American patriot guerrillas do not - in fact, the militia brigades confiscate any guns they find, and kill anyone who refuses to turn them over. Fans of the Second Amendment will be pleased. (I support the Second Amendment, but think it's consistent with much stricter gun laws than we now have in place.) In any case, it makes for a good thread in Revolution.

The swordplay and knife action are also good on the show, giving it a sort of Game of Thrones flavor. But the best thing about Revolution so far is the fast pace of changes, which have now transformed the basis of the show twice in the past two weeks, and make me eager to see next week's episode.

See also Revolution: Preview Review



"As a genre-bending blend of police procedural and science fiction, The Silk Code delivers on its promises." -- Gerald Jonas, The New York Times Book Review

"Daddy, this the best book I've ever read!" -- Molly Vozick-Levinson, age 12 at the time

"cerebral but gripping" -- Booklist

Wednesday, September 21, 2011

Homeland on Showtime

I've seen the first three episodes of Homeland, thanks to a top-secret, crumpled envelope with a screener disk sent to me by Showtime.   It looks to be a wrenchingly powerful series, about POW US Marine Sgt Brody, who returns home to his wife and kids after nearly a decade in captivity.

Not, necessarily, great news, since CIA Officer Carrie Mathison (Claire Danes) has just been told by an informant that an American has been turned by the Middle Eastern terrorist.  Is Brody that man?

He's certainly not completely comfortable with his family - especially his beautiful wife, Jessica (played by Morena Baccarin of V fame!), who's been having a serious affair with Brody's friend.   But that's likely not the reason Brody is acting weird, because we also see him looking at products for who knows exactly what in a home supply store, and getting up in the middle of the night for prayer - Islamic.

Meanwhile, Carrie has a drug problem, and her superiors are less than convinced of her acumen in any case.  Saul (Mandy Patinkin) is at least willing to have an open mind, and Patinkin puts in his customarily fine performance in the role.

Homeland of course has been compared to The Manchurian Candidate, but it's not clear at this point whether he's aware that he's been turned, or if it's all unconscious, as in The Manchurian Candidate.  I suppose there's also an outside chance that Brody is really a double agent - he really hasn't done any damage as of the end of the 3rd episode.

Showtime tried its hand with terrorist drama in Sleeper Cell a few years ago, which I actually thought was very good, especially in the first of its two seasons.  Homeland looks to be at least as good - with solid acting, action, story line, nudity, and a beat on current events that even mentions bin Laden is dead.   The series premiers right after Dexter on October 2, and I'll be back with more reviews later that month.


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The Plot to Save Socrates

"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book




Enjoy listening to audio books? Get a free audio book copy of The Plot to Save Socrates - or any one of 85,000 other titles - with a 14-day trial membership at Audible.com ...


Tuesday, September 20, 2011

NCIS 9.1: Unpacking Partial Amnesia

NCIS returned for its ninth season with a top-notch story featuring DiNozzo with partial amnesia and possible blood on his hands - blood from another NCIS agent.   Kate's sister Wendy  - a shrink - is tasked by Gibbs to coax the truth out of DiNozzo's mind.

It ain't pretty, and features another disagreeable SecNav, an FBI guy (Agent Stratton) played by Scott Wolf (last seen on the late reincarnation of V), NCIS agent Cade (shot but not killed last season). and E.J., who is actually more attractive than ever.  This time, Cade is shot and killed, but not by DiNozzo, who was set up by the bad guy to look like the killer.

The bad guy is Stratton, in league with sleazy Sean Latham (the real-life name of a University of Tulsa professor - just sayin' - I don't know him), and both are left very much standing (actually, sitting) at the end.   Good villains for the rest of this season.

E.J., alas, is just plain missing.  She was shot - by Stratton - too, so lack of a dead body is likely a hopeful sign.   I hope so for DiNozzo's sake - I think E.J. and he are good together.

You know, I was thinking as I was enjoying this show tonight, how come we never see NCIS even nominated for a major Emmy?  Not that the nominees last night are not great and deserving, but NCIS is great, too.

See also NCIS Back in Season 8 Action ... NCIS 8.2: Interns! ... NCIS 8.3: Tiff! ... NCIS 8.4: Gary Cooper not John Wayne ... NCIS 8.5: Dead DJ, DiNozzo Hoarse, and Baseball ... NCIS 8.6: The Written Woman ... NCIS 8.7: "James Bond Movie Directed by Fellini" ... NCIS 8.8: Ziva's Father 
... NCIS 8.9: Leon's Story ... NCIS 8.10: DiNozzo In and Out ... NCIS 8.11: "The Sister Went Viral" ... Bob Newhart on NCIS 8.12 ... NCIS 8.13: The Wife or the Girlfriend ... NCIS 8.14: Kate ... NCIS 8.15: McGee and DiNozzo's Badges ... NCIS 8.16: Computer Games ... NCIS 8.17: Budget Cuts ... NCIS 8.18: Gibbs vs. the Kid ... NCIS 8.19: The Deadly Book ... NCIS 8.20: CIRay ... NCIS 8.21: Mask and Eye ... NCIS 8.22: "I'd Rather Have a Lead" ... NCIS 8.23: Answers and Questions ... NCIS Season 8 Finale

And see also NCIS  ... NCIS 7.16: Gibbs' Mother-in-Law Dilemma ... NCIS 7.17: Ducky's Ties ... NCIS 7.18: Bogus Treasure and Real Locker ... NCIS 7.21: NCIS Meets Laura ... NCIS Season 7 Finale: Retribution



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The Plot to Save Socrates




"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book




Enjoy listening to audio books? Get a free audio book copy of The Plot to Save Socrates - or any one of 85,000 other titles - with a 14-day trial membership at Audible.com ...

Tuesday, July 5, 2011

Falling Skies 1.4: Drizzle

An ok Falling Skies 1.4 on Sunday - not much was happening or falling, which is why I think of this episode as just a drizzle.

We did learn a little more about the aliens - they have human-like emotions, and this will make it easier for us to combat them.   But their control over the harnessed kids seems to be even deeper than first thought - it continues even when the harness is removed and the victim survives - and this will make the task of humanity, in particular the parents of harnessed kids, even harder.

But otherwise, no big surprises or wrenching developments.  To some extent, we're all junkies for the jolt of the unexpected in our television shows.   But that's a tough row to hoe for a series - in the case of V, for example, the surprises happened so often that we got used to them.

Maybe Falling Skies will be a different kind of alien invasion series, with a pace that defies expectations, because it throws in a quiet, more contemplative show once in a while.   I'll be keeping my eyes to the skies and the screens.

See also Falling Skies 1.1-2 ... Falling Skies 1.3 meets Puppet Masters



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The Plot to Save Socrates

"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book





Enjoy listening to audio books? Get a free audio book copy of The Plot to Save Socrates - or any one of 85,000 other titles - with a 14-day trial membership at Audible.com ...

Friday, June 24, 2011

Falling Skies

Caught the first two episodes of TNT's Falling Skies.  Quite good.

More like The Walking Dead and The Terminator than V - much closer to the ground - Falling Skies is probably most like H. G. Wells' War of the Worlds.  Steven Spielberg had a hand in both the 2005 movie version of War of the Worlds and the new Falling Skies, which so far looks considerably better than the movie.

It's good to see Noah Wyle back on television, best known for his great work in ER.  Moon Bloodgood, in such shortlived science fiction gems as Daybreak and Journeyman - seriously - and on the cover of Maxim, too, plays a pediatrician with the freedom fighters.  The rest of the cast is also good and believable.

The most-of-humanity-wiped-out motif is not an easy one to bring to a television series, despite the success of The Walking Dead, at least so far.  Come to think of it, Battlestar Galactica succeeded with this, too - except out in space not with alien invaders down on Earth - though its success, unfortunately, was more with critics than big numbers of viewers.   If television's prime advantage is to provide a little relief and release from the hard day, you can see why apocalyptic stories have such a tough time of it.  On the other hand, it's not as if Criminal Minds is such a joy ride, and it's generally a winner in the ratings.

Well, I'll be watching Falling Skies even its ratings fall, which, with any luck, will move in the opposite direction.


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The Plot to Save Socrates

"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book





Enjoy listening to audio books? Get a free audio book copy of The Plot to Save Socrates - or any one of 85,000 other titles - with a 14-day trial membership at Audible.com ...

Monday, May 9, 2011

Death not Death in Fringe

Michael Ausiello lists Olivia in Fringe as a death already aired or broadcast in his May sweeps scorecard.  Really?

The excellent Season 3 finale of Fringe that I saw had Olivia killed in 2026 by Walternate all right, but, shortly after, Peter travels back to 2011, for the purpose of preventing that killing from ever happening, and, according to the Eternal Bald Observers, that worked (see my review of the finale).

So, is a death which can be undone - in this case, by time travel - really a death?   Is a death than can be reversed by any method really a death?  Let's say, in V, that Erica is shot dead at point blank range, but the Visitors bring her back to life.  Is what happened to her a "death"?

The reliable meanings of words are essential in all aspects of human life.   Some words are inherently ambiguous - love has different meanings to different people, and beauty is in the eye of the beholder.  But death?

Death carries the narrative wallop that it does because we assume that it means permanently gone.   If it means less than that, that it is misleading to simply list it on a scorecard as a "death".

Jeff Pinkner, one of producers of Fringe, did a little better in his description of the finale than
Ausiello, saying that Olivia died "in the course of the episode".  This is at least technically true - she did - and it's more accurate that just a listing her as a dead on a scorecard.

The remedy for this: complex, superb stories such as Fringe require more sophisticated and less misleading treatments than simple listings on a scorecard.  Memo to Ausiello:  create a new category for such metaphysical complexities, or just use an asterisk to note the complication.

And coming this August ... my essay The Return of 1950s Science Fiction in Fringe in this new anthology ...




See also Fringe 3.1: The Other Olivia ... Fringe 3.2: Bad Olivia and Peter ... Fringe 3.3: Our/Their Olivia on the Other Side ... Fringe 3.5: Back from Hiatus, Back from the Amber ... Fringe 3.7: Two Universes Still Nearing Collision ... Fringe 3.8: Long Voyages Home ... Fringe 3.10: The Return of the Eternal Bald Observers ... Flowers for Fringenon in Fringe 3.11 ... Fringe 3.12: The Wrong Coffee  ... Fringe 3.13: Alternate Fringe ... Fringe 3.14: Amber Here ... Fringe 3.15: Young Peter and Olivia ... Fringe 3.16: Walter and Yoko ... Fringe 3.17: Bell, Olivia, Lee, and the Cow ... Fringe 3.18: Clever Walternate ... Fringe 3.19 meets Inception, The Walking Dead, Tron ... Fringe 3.20: Countdown to Season 3 Finale 1 of 3 ... Fringe 3.21:  Ben Frankin, Rimbaldi, and the Future ... Fringe Season 3 Finale: Here's What Happened
 
See also reviews of Season 2: Top Notch Return of Fringe Second Season ... Fringe 2.2 and The Mole People ... Fringe 2.3 and the Human Body as Bomb ... Fringe 2.4 Unfolds and Takes Wing ... Fringe 2.5: Peter in Alternate Reality and Wi-Fi for the Mind ... A Different Stripe of Fringe in 2.6 ... The Kid Who Changed Minds in Fringe 2.7 ... Fringe 2.8: The Eternal Bald Observers ... Fringe 2.9: Walter's Journey ... Fringe 2.10: Walter's Brain, Harry Potter, and Flowers for Algernon ...  New Fringe on Monday Night: In Alternate Universe? ... Fringe 2.12: Classic Science Fiction Chiante ... Fringe 2.13: "I Can't Let Peter Die Again" ... Fringe 2.14: Walter's Health, Books, and Father ... Fringe 2.15: I'll Take 'Manhatan' ... Fringe 2.16: Peter's Story ... Fringe 2.17: Will Olivia Tell Peter? ... Fringe 2.18: Strangeness on a Train ... Fringe 2.19: Two Plus Infinity ... Fringe the Noir Musical ... Fringe 2.21: Bring on the Alternates ... Fringe 2.22:  Tin Soldiers and Nixon Coming ... Fringe Season 2 Finale: The Switch

See also reviews of Season One Fringe Begins ... Fringe 2 and 3: The Anthology Tightrope ... 4: The Eternal Bald Observer ... 7: A Bullet Can Scramble a Dead Brain's Transmission ... 8. Heroic Walter and Apple Through Steel ... 9. Razor-Tipped Butterflies of the Mind ... 10. Shattered Pieces Come Together Through Space and Times ... 11. A Traitor, a Crimimal, and a Lunatic ... 12, 13, 14: Fringe and Teleportation ... 15: Fringe is Back with Feral Child, Pheromones, and Bald Men ... 17. Fringe in New York, with Oliva as Her Suspect ... 18. Heroes and Villains across Fringe ... Stephen King, Arthur C. Clarke, and Star Trek in Penultimate Fringe ... Fringe Alternate Reality Finale: Science Fiction At Its Best



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The Plot to Save Socrates

"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book




Enjoy listening to audio books? Get a free audio book copy of The Plot to Save Socrates - or any one of 85,000 other titles - with a 14-day trial membership at Audible.com ...


Tuesday, March 15, 2011

V Season 2 (2011) Finale: Oy!

Uh boy ... the V Season 2 finale ended about an hour ago on the East Coast.   So many changes for so many Vistors and people that I'll just list their names and what happened to them here, and that will have to serve as my review:
  • Diana - killed - by Anna, who uses her tail to apparently once and for all kill her mother. (You just never know with these visitors.)
  • Lisa - failed to kill Anna when Erica's plan puts Anna at Lisa's mercy - now sentenced to the dungeon (tailed Diana doesn't need it anymore), where she watches her double (a new daughter for Anna, outfitted with Lisa skin), make love to Tyler, for the purpose getting pregnant, and kill-
  • Tyler - yeah, faux Lisa apparently kills him ... and while we're at it-
  • Ryan is apparently killed by his daughter, too (a tough night for parents) ... meanwhile, back on the planet-
  • Kyle has gone missing
  • the FBI guys - Erica's boss and partner - turn out to be part of a secret organization fighting the Visitors for years ... the org is headed by-
  • Marc Singer!  yeah - great to see him back - but why have him play a new character, Lars, when we could have had him back as Mike Donovan?
And where does that leave us?  Ryan's daughter has blissed everyone on Earth above ground, including Jack.   Erica discovers this to her horror when she comes back up.

And we'll have to wait until next season, if there is one, for more.  I really liked a lot of V this year, even more than last year.  Wasn't wild, to say the least, about the finale.  But I'm always open for more Visitors...



See alsoV is Back and Badler ... V 2.2: Do Beings from Planets Have Souls? ... V 2.3 Meets 24 ... V 2.4 at Vatican and Mossad ... 2.5: Chess Game with Two-Edged Pieces Continues ... V 2.6: Double and Triple Agents ... V 2.7: Lisa and Diana ... V 2.8: Conversions and Reconversions   ... V Next-to-Last of Season 2

And reviews of Season 1:  V Returns to TV ... V 1.2: The Effects and The Characters ... V 1.3: Multiple Twists and Lizard Visions ... V 1.4: Good Medicine for Television ... V's Back in 1.5 ... V 1.6: Floating Witches ... V 1.7: Ryan's Story ... V 1.8: Is Lisa Becoming 5th Column? ... V 1.9: Moral Complexity and NonStop Action ... V 1.11:  Lisa's Loyalties ... V 1.12: Complex Chess and Red Cloud




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The Plot to Save Socrates


"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book

Tuesday, March 8, 2011

Next to Last V (Just of Season 2, I Hope)

V came through with a fine next-to-last episode tonight - of the season not the series, I hope.   The ultimate fate of this show has yet to be announced.  Like the Earth itself - or, at least, we humans - in this series, V has an uncertain future at this point.

I'd like to see it renewed.   V's continuing to do a good job of making us uncertain about the true loyalties of some of the pivotal characters.  Last week, Marcus was revealed as a Visitor whose ultimate loyalties may reside with Diana not Anna.   Tonight Joshua re-discovers who he really is - a Visitor member of the 5th Column.

Even Anna's ultimate loyalties are significantly in doubt.  She's dead set on destroying humans, but she is not as above and beyond human emotion as she thinks or hopes.   She has the stirrings of real motherly love for Ryan's daughter - more than she apparently feels for Lisa.   Marcus, loath to go against his current queen even on behalf of Diana, notices Anna's emotion.  This could well trigger Marcus's total support of Diana.

In a move which also was explored last night in The Event on NBC,  Anna is now intent on readying the landing docks for the 500+ V ships approaching Earth from outer space.  Erica's bold move to stop that tonight didn't quite work out.

At least some of this will be resolved in the finale.  Again, I hope it's just this season we'll be seeing the last chapter of next week.  V is not the greatest science fiction series ever on television.  It's not even quite as good - yet - as the original V mini-series (the two of them).  But it has something, and I'd welcome its return next year.

See alsoV is Back and Badler ... V 2.2: Do Beings from Planets Have Souls? ... V 2.3 Meets 24 ... V 2.4 at Vatican and Mossad ... 2.5: Chess Game with Two-Edged Pieces Continues ... V 2.6: Double and Triple Agents ... V 2.7: Lisa and Diana ... V 2.8: Conversions and Reconversions 

And reviews of Season 1:  V Returns to TV ... V 1.2: The Effects and The Characters ... V 1.3: Multiple Twists and Lizard Visions ... V 1.4: Good Medicine for Television ... V's Back in 1.5 ... V 1.6: Floating Witches ... V 1.7: Ryan's Story ... V 1.8: Is Lisa Becoming 5th Column? ... V 1.9: Moral Complexity and NonStop Action ... V 1.11:  Lisa's Loyalties ... V 1.12: Complex Chess and Red Cloud




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The Plot to Save Socrates


"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book

Wednesday, March 2, 2011

V 2.8: Conversions and Reconversions

V 2.8 continues on a fast-track of rapidly shifting loyalties on both sides, including
  • Marcus, who barely survived a bomb blast, turns out to be an ally of Diana!  (Now we know why he didn't die - the series had a better idea for him.)
  • Ryan is now, apparently, 100% against Anna, and is working with Lisa.
  • Erica and Kyle end up in each other's arms - dangerous for Erica, since she doesn't know that Kyle is now working for Anna.  But maybe Erica can turn him back to the human cause.

Jack hasn't changed sides, but in many ways his evolution on the show has been the most interesting.  Deprived of his priesthood, he's now just a freedom fighter, but he continues to urge ethical standards and moral considerations which were always contrary to Kyle's approach, and are now more than Erica is willing to accommodate.   I'm also half-thinking that Jack may be attracted to Erica.  We've seen him looking at her several times, and there may be more than intellectual, ethical appraisal in his eyes.   If so, then Erica's new relationship with Kyle - if it's more than a one-night stand - could be especially dangerous for the Fifth Column's unity, if Jack finds out about it.

Up on the ship, Diana continues to be the most interesting wildcard.   One point about an apparent lack of continuity between her character now and back in the 1980s:  her amazement now about Ryan's daughter being a Visitor-human hybrid.  Wasn't the "Star Child" - Elizabeth Maxwell -  in Diana's reign in the 1980s, a hybrid, and a crucially important character?

See alsoV is Back and Badler ... V 2.2: Do Beings from Planets Have Souls? ... V 2.3 Meets 24 ... V 2.4 at Vatican and Mossad ... 2.5: Chess Game with Two-Edged Pieces Continues ... V 2.6: Double and Triple Agents ... V 2.7: Lisa and Diana
And reviews of Season 1:  V Returns to TV ... V 1.2: The Effects and The Characters ... V 1.3: Multiple Twists and Lizard Visions ... V 1.4: Good Medicine for Television ... V's Back in 1.5 ... V 1.6: Floating Witches ... V 1.7: Ryan's Story ... V 1.8: Is Lisa Becoming 5th Column? ... V 1.9: Moral Complexity and NonStop Action ... V 1.11:  Lisa's Loyalties ... V 1.12: Complex Chess and Red Cloud




                 Special Discount Coupons for Angie's List, Avis, Budget Car, eHarmony, eMusic, Mozy, Zazzle





The Plot to Save Socrates


"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book

Friday, February 25, 2011

V 2.7: Lisa and Diana

The relationship between Lisa and Diana - grand daughter and grand mother - continues to grow in V 2.7.   But that look on Diana's face at the very end of the episode shows that she may have something more in mind.

The bond between the two is hatred of Anna - mother to Lisa, daughter of Diana - or, if hatred is too strong a word, certainly a recognition that both would do well by limiting Anna's powers.

Lisa's reasons for wanting to do this are clear.   Lisa is sick and tired of Diana trying to dictate her love life and every other part of her life as well.   Diana's reasons are at first glance equally clear - she doesn't like Anna's relegation of Diana to the dungeon of the ship.  But on closer scrutiny, we realize that we don't much about Diana at all, in particular not much about why Anna turned against her mother.

In the original three V television shows - the original mini-series (1983), the Final Battle (1984), and the single-season full-length series (1984-1985) - Diana was a ruthless, highly intelligent, literally blood-thirsty queen (the Visitors in those days actually consumed not only rodents but humans).   How that Diana ever let her daughter get the better of her needs to be explained.   We know that the current Diana is a believer in the power of human emotion, and possibly that emotion - human-like love, in particular - clouded her originally cold reptilian judgment, in particular when her daughter Anna was concerned.

The conversion is all the more important to understand, with Jane Badler giving Diana the same impressive performance in the 1980s and current versions of V.   She certainly seems to me like the same pers-  reptile.

One other note about last night's episode:  What's Ryan doing back alive?  The last we saw him, he was on the inside of a building that blew pretty badly up.  This is the second time in recent weeks that a major character has come back from the apparently dead (the first was Marcus).   One of the problems with V the full-length series in 1984-1985 was how major characters were killed off just about every week.   The current V may have the opposite problem this season, with characters against all odds and reason refusing to die.   Come to think of it, this season began with Joshua getting an unexpected ticket back to life, too.



See alsoV is Back and Badler ... V 2.2: Do Beings from Planets Have Souls? ... V 2.3 Meets 24 ... V 2.4 at Vatican and Mossad ... 2.5: Chess Game with Two-Edged Pieces Continues ... V 2.6: Double and Triple Agents

And reviews of Season 1:  V Returns to TV ... V 1.2: The Effects and The Characters ... V 1.3: Multiple Twists and Lizard Visions ... V 1.4: Good Medicine for Television ... V's Back in 1.5 ... V 1.6: Floating Witches ... V 1.7: Ryan's Story ... V 1.8: Is Lisa Becoming 5th Column? ... V 1.9: Moral Complexity and NonStop Action ... V 1.11:  Lisa's Loyalties ... V 1.12: Complex Chess and Red Cloud



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The Plot to Save Socrates

"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book

Wednesday, February 16, 2011

V 2.6: Double and Triple Agents

Some profound changes in the V 2.6 last night, as Anna engineers what she hopes will be a total death-blow to Eli's group.   She of course manipulates the FBI into staging a raid on Eli's headquarters, and salts the roof with Visitor snipers.

By the time the dust has cleared, not only is Eli (heroically) dead, but so is Tyler's father Joe (also heroic) and Ryan (not so heroic, he's tied up in a chair, after Eli took him into custody).   Ryan's death should have a been a bad blow for Anna, depriving her of her best double agent.  But-

Kyle has now gone over to the V side.   That's right, Kyle, the most vehement and violent of the anti-V fighters.   Why?  Because Anna can reunite him with his wife, whom he thought was lost for good.  I'm not sure I believe that Kyle would go over to Anna, assuming that's what's actually happening.  Given Kyle's implacable hated of the Visitors, I'm half-expecting Kyle to turn into a triple agent, and at some point strike back at Anna.

Meanwhile, speaking of hatred, the killing of Joe has ratched up Erica's fury at the Visitors.   Eli has bequeathed her his violent 5th Column, and she's emotionally ready to take this up.  Fortunately, the FBI, seeing her almost killed in the attack and crying over Joe, is convinced, at least for now, that she's just FBI not 5th Column, and Erica now has Jack as a soldier, since he was turned out of the priesthood.

But Erica also has Kyle, now working for Anna, so the future of her prospects are still very much in doubt...

See alsoV is Back and Badler ... V 2.2: Do Beings from Planets Have Souls? ... V 2.3 Meets 24 ... V 2.4 at Vatican and Mossad ... 2.5: Chess Game with Two-Edged Pieces Continues

And reviews of Season 1:  V Returns to TV ... V 1.2: The Effects and The Characters ... V 1.3: Multiple Twists and Lizard Visions ... V 1.4: Good Medicine for Television ... V's Back in 1.5 ... V 1.6: Floating Witches ... V 1.7: Ryan's Story ... V 1.8: Is Lisa Becoming 5th Column? ... V 1.9: Moral Complexity and NonStop Action ... V 1.11:  Lisa's Loyalties ... V 1.12: Complex Chess and Red Cloud


                 Special Discount Coupons for Angie's List, Avis, Budget Car, eHarmony, eMusic, Mozy, Zazzle






The Plot to Save Socrates



"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book

Wednesday, February 9, 2011

V 2.5: Chess Game with Two-Edged Pieces Continues

Excellent V 2.5 last night, in which the deadly chess game continues between Visitors and humans, with a least one piece in the game wheeling around and playing for the other side.

The action centers around Anna's dedication of a new Concordia center in New York City, one of a world-wide network of centers dedicated to helping we humans find jobs in this troubled economy. (You notice how last year the Visitors were bringing us health care, whereas this year they say they're bringing us jobs? At least jobs are something both Democrats and Republications want to get for Americans in our reality, so painting this tack on the Visitors cannot be seen as an attack on just Obama, which the health care last year certainly could have been seen as doing, and I was less than thrilled about.)

Anyway, Anna of course cares no more about jobs than she did about our health - she's using Concordia as one of the vehicles along with the Red Sky to somehow impregnate human women with Visitor offspring. Knowing this on some level, and hating Anna for what she's doing to his daughter, Ryan brings Eli to a meeting with Erica, Jack, and Kyle, with a plan to at least temporarily combine the two groups, in order to assassinate Anna at the NY Concordia dedication.

Kyle of course immediately agrees, Jack of course does not - he cannot countenance the loss of innocent life - and Erica, with the swing vote, says no for the same reasons as Jack. But Anna tightens her grip on Tyler, Erica sees things differently, and oks the hit. Jack, now risking Vatican sanctions, is willing to play a part by stirring up people at the Concordia event to distract the FBI.

The plan would have worked - except that Ryan, the 5th columnist Visitor who set the assassination plan in motion, has a change of mind and warns Anna. He's concerned that Anna's death would deprive his daughter of Anna's healing "bliss".

Marcus goes up instead of Anna, and he's seriously wounded as Kyle manages to get off a pretty good shot, with Eli and Erica's help in an exciting moment. Marcus is now in critical condition, and I hope he lives, because I think in some ways he's a more interesting character than Anna.

And the tangled web on V continues to be pulled ever more tightly ...

See alsoV is Back and Badler ... V 2.2: Do Beings from Planets Have Souls? ... V 2.3 Meets 24 ... V 2.4 at Vatican and Mossad

And reviews of Season 1:  V Returns to TV ... V 1.2: The Effects and The Characters ... V 1.3: Multiple Twists and Lizard Visions ... V 1.4: Good Medicine for Television ... V's Back in 1.5 ... V 1.6: Floating Witches ... V 1.7: Ryan's Story ... V 1.8: Is Lisa Becoming 5th Column? ... V 1.9: Moral Complexity and NonStop Action ... V 1.11:  Lisa's Loyalties ... V 1.12: Complex Chess and Red Cloud




                 Special Discount Coupons for Angie's List, Avis, Budget Car, eHarmony, eMusic, Mozy, Zazzle




The Plot to Save Socrates

"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book
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