Chuck Todd interviews me about alternate histories
Showing posts with label Glenn Close. Show all posts
Showing posts with label Glenn Close. Show all posts

Saturday, March 20, 2021

What Happened to Monday: Worth Seeing Any Day



So I'm on a roll tonight -- or maybe a nice fresh package of rolls, considering what I'm about to review for you -- and thought I'd watch a 2017 movie on Netflix, What Happened to Monday?  Let me tell you, those rolls were quite good.

The set-up of the movie is something we've seen or read a myriad of times -- the UK about 50 years in the future, struggling to limit an exploding population by decreeing a maximum of one child per family.  And a grandfather of septuplets defies the decree (which would require turning over six of the babies to the state for cryogenic suspension of life) and raises the seven girls until they can more or less take care of themselves.  We've seen something like that before, too.

But this is where What Happened to Monday really takes off.  Monday (each girl is named for a day of the week) has been living and working as Karen Settman out in the world, and suddenly falls off the grid of contact she's maintained with her six sisters.  They are holed up, with various individual talents, in an apartment with all kinds resources.  The authorities soon come to investigate, armed to the teeth, and a large part of the movie is how the six sisters, each with their own prowess, fend off the attackers.  Every scene, every interactions, has a surprising result, including who survives and who not.

More than that, the battles spill over into future London, where more unexpected interludes and life-and-death encounters await.   Noomi Rapace does a bang-up job, often literally, playing the seven Settmans.  So does Glenn Close as a kind of evil Margaret Thatcher, and William Dafoe as the grandfather who does what is necessary.   It's rare that a movie packed with so much action and roller-coaster ridings can deliver so much satisfaction, but What Happened to Monday does just that.

                   "DNA is the ultimate dossier"


Monday, June 15, 2009

The Shield in Perspective (No Spoilers)

My wife and I just finished the seven season run of The Shield, first shown on the FX Channel. Netflix made the seventh and final season available just last week. We saw The Shield on the strong recommendation of our nephew, Marc Thacher. I was extolling the virtues of The Wire, and my wife and I the power of Lost, and Marc said, yeah, but trust me, you have to see The Shield, it's the best show ever to have been on television.

He may well be right.

First, though, let me offer the ever-relevant apples and oranges proviso - television series, like all works of fiction, are never completely comparable. The Wire is in a superb now classic class of its own, not as police drama, but in its vivid, scalding, anthropologically rich presentation of life in the drug drenched hood. The Shield, in contrast, is more about police. And neither show has much in common with Lost, which inhabits a unique position in story telling that transcends even the science fiction of which it partakes.

But television series can nonetheless be compared on some levels.

Lost, for example, had a weak second and most of a third season (which ended with a stunning game changing finale). It also has had its share of weak episodes. The Wire also had a few weak episodes, though nowhere nearly as many as Lost.

The Shield had none. Furthermore, it started with a kick in the solar plexus at the end of the very first episode, and played out its ramifications through all seven seasons. And the last show was the best series finale I've ever seen.

I wrote a lot about the series finale of The Sopranos - and gave a talk about it at The Sopranos conference I helped organize at Fordham University last year. I thought the ambiguous ending was masterful.

But it didn't hold a candle to the ending of The Shield, which tied up in brutal, heart-rending detail the story lines of major characters - not with tantalizing question marks ala The Sopranos, but with punch in the soul resolutions. This is story telling on television in a new, real dimension.

All great television has great acting, and The Shield is in the top tier of that, too. Glenn Close and Forest Whitaker did some of their finest acting in their guest roles. Michael Chiklis was a tour de force in the lead role of Vic Mackey in every scene. And Walton Goggins grew as Shane in the series from a sidekick to one of the most memorable characters ever on television.

I'll say more about the plot in a later review (with spoilers), but, in the meantime, trust me, you have to see The Shield.

See also
... The Sopranos Anti-Ending and The Sopranos Conference at Fordham University May 2008




5-min podcast review of The Shield

Thursday, April 2, 2009

Damages Concludes Season 2 with Great Acting and Surprises

Tip-top Season 2 finale for Damages on FX last night, with some excellent surprises.

We've been treated for the whole season to scenes of Ellen shooting Patty. At first, we didn't know it was Patty. But then we saw Patty was indeed the person Ellen was talking to, and, worse, waving a gun at. In the past few episodes, we've seen Patty staggering out of the apartment, bleeding ... and the FBI guy phoning in that Ellen had shot Patty.

But could Ellen really have killed Patty like this? She had motive - she was sure that Patty had tried to kill her last year. But would she shoot Patty, unprovoked, at point blank range?

Turns out, in a well-plotted and motivated twist, that Ellen didn't shoot Patty at all - she fired over her head. So why was Patty bleeding? She had been stabbed in the elevator on the way to see Patty, which also explains why she had looked so shaken during her ensuing conversation with Ellen.

Also surprising but well motivated and very satisfying was the way Wes (well played by Timothy Olyphant) not only walked away from killing Ellen, but became her defender, and even saved Patty's life (after the FBI guy left to bleed to death in the elevator on the way down, after Ellen had left).

So Damages can chalk up a second powerful season. With especially superb acting this year by William Hurt and John Doman - who was great as the Acting Commish on The Wire - speaking of which, it was good to see Clarke Peters (the incomparable Freamon on The Wire) play a political, ruthless bad guy this time on Damages.

Other special shoutouts - SNL's Darrell Hammond as the demented killing machine the Deacon - I hope he comes back next year. Ted Danson was great again as Frobisher, and Michael Nouri as Patty's husband (now thrown out, like just about everyone else in Patty's life). Rose Byrne was attractive as Ellen, but the character felt a little more limited in range than in the first season. (It may well that she won't be back in the 3rd season).

Glenn Close was incomparable this season, as she was last, and I'm looking forward to more of this in Season 3.



See also: Lying about Damages ... 2.2: A Good World of Hurt ... Damages 1-10










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The Plot to Save Socrates




"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book


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Thursday, January 8, 2009

Lying about Damages

Damages came back last night to FX, and so far it's just about as powerful, brooding and complex as the first season, which is to say, top notch television.

The essence of Damages is that you never know, completely, who is telling the truth, and that pertains, especially, to Patty Hewes, and her seconds in command, and in and out favorites, Ellen and Tom. It seemed at the end of last season that Patty put out a hit on Ellen, to remove a possible witness to Patty's wheelings and dealings, and Tom was sort of Ellen's friend.

Ellen's belief that Patty tried to have her killed motivates Ellen this season - in particular, her working with the FBI to bring Patty down. We did see loyal, old Uncle Pete tell Patty on the phone last season that "it's done," and given the circumstances, and what we know of Patty's ruthlessness, this statement certainly seemed like a strong indication, if not proof, that Patty had instructed Pete to get rid of Ellen.

But I can't help wondering - what if not? In the premiere episode of this season, Ellen goes to see Patty, but we see only part of the conversation. Ellen tells the FBI afterward that all Patty told Ellen was more of Patty's "bullshit" ... but do we know all of what Patty really told Ellen? Is it possible Ellen is now working with Patty?

As in the first season, there are teasers to the future - in the case of last night's episode, to someone Ellen is talking to, and eventually shoots. We're supposed to think this is Patty ... But let's say it's someone else?

I'm thinking Tom might be a possibility ... he's as much a part of the lying web of Damages as anyone else.

Meanwhile, Ted Danson is back as Frobisher (he wasn't killed, and Ellen's out to get him), and William Hurt is on the show as a complex new client, and together with Glenn Close as Patty, Rose Byrne as Ellen, and Tate Donovan as Tom we've got one smack in the mouth show. Though I'll miss Zeljko Ivanek's Ray - well, at least he's on True Blood now...









3-min podcast review of Damages 2.1

See also Damages 1-10






The Plot to Save Socrates


"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book


more about The Plot to Save Socrates...

Get your own at Profile Pitstop.com



Read the first chapter of The Plot to Save Socrates
.... FREE!

Sunday, September 21, 2008

Mad Men Wins Emmy for Best Series! And a Great Night for Democracy on the Emmy Show!

AMC's Mad Men won the Emmy for Best Dramatic Television Series tonight - a first for a basic cable television show, and more proof that the New Golden Age of Television is flying high. Matthew Weiner also won for best writer for Mad Men, and it was great to see the show's cast up there on stage as the end of the telecast. As fine as they are on the show and its early 60s ambiance, they really shine in their 2008 clothes and faces.

FX's Damages, another superb basic cable drama show, also came through with Glenn Close as best actress and Zeljko Ivanek as best supporting actor (his performance was unforgettable - one of the best in the history of television). I missed Showtime's Dexter not getting any awards. From what I've seen of the new third season, to debut next week, its time will come.

Tonight's Emmy show was also a great evening for democracy and freedom of expression. Tom Smothers received a special award, and spoke eloquently of freedom of speech. HBO's Recount, about the 2000 theft of an election, won two Emmys. And even though John Adams the real President was no friend at all of the First Amendment, it felt good to see HBO's mini-series about him win five well deserved awards - not to mention that it let Laura Linney, who won a best actress Emmy for her portrayal of Abigail Adams, get in a good supportive line about "community organizers". (Stephen Colbert also had an excellent riff in his routine with John Stewart about liking McCain-esque shriveled prunes.)

And speaking of the freedom to be downright hilarious, I've never seen Don Rickles more funny than up on the stage, introducing and later receiving an Emmy, tonight.

Yes, I think we live an age in which television exceeds motion pictures and novels in providing the best dramatic entertainment. I said a few years ago that, far from being an idiot box, only idiots don't watch television. That's more true today than ever.




My 20-minute interview last Fall with Rich Sommer (Harry Crane) at
Light On Light Through

and The Flouting of the First Amendment






The Plot to Save Socrates


"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book


more about The Plot to Save Socrates...

Get your own at Profile Pitstop.com



Read the first chapter of The Plot to Save Socrates
.... FREE!

Sunday, September 7, 2008

Damages 1-10

I have but three episodes left to watch of the first season of Damages - nominated for an Emmy* - and while I'm waiting for the last disk for Netflix, I thought I'd say a few words about what I've seen...

Grim, powerful punches to the solar plexus. Glenn Close in the lead role of Patty Hewes is an actress as a lawyer to be reckoned with (and thoroughly deserving of her Emmy nomination). At this point, about all I'm not willing to put past her is murder. Ted Danson as the CEO Arthur Frobisher of the Enron-like company Patty is suing is the least funny - and best - of his career (though his hilarious spots on Curb Your Enthusiasm are a close second). Zeljko Ivanek has been superb on everything from Homicide to 24 in the past, but never better than Frobisher's brilliant, tough, but almost endearingly vulnerable lead attorney - and a good match for Patty. Tate Donovan as Patty's second-in-command is outstanding, too.

But Rose Byrne as Ellen Parsons - hey, she was in Attack of the Clones - as the new addition to Patty's office is the gem of gems on this show, and the centerpiece of the story...

Which is ... she finds her former fiance murdered, after having been almost murdered herself, and the police (of course) suspect her. The story is told via a series of harrowing slivers of the present, with much longer flashbacks to months ago, which close in on the present as the series progresses.

Damages is really much more than a lawyer show. It's more of a blend of The Fugitive and Lost. I'll be back with more after I see the ending, and with reviews of the Season Two on weekly basis when it's aired in early 2009 on the FX Network.

*Damages and Mad Men are the first basic cable series to get Emmy nominations. Details in the video that follows. My generally rave reviews of the first two seasons of Mad Men start here.



See also Season 2 reviews: Lying with Damages






The Plot to Save Socrates


"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book


more about The Plot to Save Socrates...

Get your own at Profile Pitstop.com



Read the first chapter of The Plot to Save Socrates
.... FREE!
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