Chuck Todd interviews me about alternate histories
Showing posts with label In Treatment. Show all posts
Showing posts with label In Treatment. Show all posts

Saturday, September 16, 2017

Gypsy: Beyond Treatment

Binge-watch Gypsy on Netflix in you're in the mood for a highly original, riveting, erotic, New York-based, not quite a thriller in the conventional sense but it has a a lot of that too, and a tour-de-force performance by Naomi Watts.

It was especially good to see Watts after her necessarily gonzo, unidimensional performance in the alter-dimensional Twin Peaks: The Return, which was excellent in a very different way.  In Gypsy, she plays psychologist Jean Holloway, who has at least two identities and numerous looks and attitudes.  Watts plays them all to perfection.

The set-up is she's a shrink who crosses the line and gets involved - literally, in at least one case - with the close relations of her patients.   Though her motives could be magnanimous, i.e., born of a desire to better help her patients, we soon learn, at least in one case, that Holloway is doing this much more for her own gratification.  Further, she doesn't even struggle with this - it's as natural to her as stopping by the coffee shop where her main infatuation (or maybe it's true love), the ex-girlfriend of one of her patients, works as a barista. In other words, this is no In Treatment. Now, New York's a pretty big town, and we have to suspend our disbelief that she is constantly in danger of her patients running into her when she is seeing or doing more with one of their loved ones.  That's where the thriller part comes in, and Holloway loves the adrenalin rush.  I liked it, too.

There are good performances everywhere, especially by Melanie Liburd, who plays Alexis, secretary to Holloway's husband Michael, a lawyer, played by Billy Crudup, who does what's needed in portraying a well-meaning character who's usually behind the eight ball about his wife's activities, but gradually gets the picture.  In the end, this first season of a series that so evocatively calls for more is an ode to feminine sexual power, as typified by a scene in which Jean and Alexis each have sexual encounters, against most odds, and Michael, of his own choosing, has none.

Highly recommended for a few late summer evenings, or, I'd bet, a few evenings any time of year.


Monday, December 7, 2015

The Affair 2.10: Meets In Treatment

Another fine episode of The Affair tonight - 2.10 - which ends in a cliffhanger, about the results of the paternity test for Joanie, even though it's got to be that the baby is Cole's.

Which leads again to the big question of who ran down Scotty?  Given the ambivalence that Noah has to being a father in a marriage with Alison - and being the "good" not the "great" guy as he put  it (for more of which, see below) - it occurred to me that he now has about the least motive for permanently shutting Scotty up.  If Scotty revealed that Cole not Noah was Joanie's father, that might well give Noah precisely the license to leave Alison that a part of him so much wants.

Alison and Cole still remain the main suspects with Noah out of the scenario.  But there also could be another:  Luisa now also a big motive.  She would be very threatened by the knowledge that Cole is Joanie's father, given that she can't have a baby, and she knows how much Cole wants one.   Would she kill Scotty to keep him quiet?   It's hard to say, because we don't yet know her well enough, but either she or someone else looking out for her interests can't be ruled out.

Noah's segment with Marilyn the shrink was excellent, a case of The Affair meeting In Treatment (which makes sense, since Sarah Treem and Hagai Levi are producers of both).  Noah's wanting to be a good family man, but not at the expense of being a great man - in his case, a great author - but which (on his analysis, at least) comes with the trimmings of "bending" an attractive graduate student over his desk - makes one of the best set-pieces of the series, as Noah comes to realize this and spell it out in Marilyn's office.   The twenty or so minutes provides about as good a probing as you'll get anywhere on television, or in the movies, about what it might personally take to make a big difference in the world. Significantly, Noah thinks it's either good or great, in contrast to Marilyn, who suggests that maybe you can have both, or maybe the two lifestyles have no intrinsic connection to greatness at all.

On thing is certain: Just two episodes left of this great season.




podcast review of every 2nd season episode


podcast review of every 1st season episode



the Sierra Waters time-travel trilogy


Wednesday, October 2, 2013

The Good Wife 5.1: Capital Punishment and Politicians' Daughters

A superb start to the new season 5 of The Good Wife on Sunday night, with an episode that was both as serious as it gets and laughing out loud funny.

First the funniest part, about a web site featuring politicians' hot daughters, with photos - primarily head shots and captions - including Gracie Florrick. Also up on the site are Abby Huntsman (good publicity for The Cycle), Bristol Palin, and Meghan McCain.   Abby is appropriately at the top of this list, and the whole bit typifies the mixture of real and fictional which The Good Wife does so well.

This gets us to the serious part, and the brutal capital punishment case that Diane, Will, and Alicia are contesting.   Few if any television shows do this as well as The Good Wife, and the roller-coaster of developments keeps your heart in your throat until the very end.

The case also plays into Alicia's decision to leave the firm, which she doesn't want to do now until the capital punishment case has been resolved one way or the other.  This in turn leads to the Young Turks deciding to wait a few weeks - because they want to collect a bonus - and Alicia forced to lie to Will and Diane about what's going on in this regard.  Again, great moral dilemma, another kind of story that The Good Wife excels in.

Back to funny - there's a smartphone on some kind of peripatetic stalk which allows someone not in the office to take part in some of the discussions and drives everyone else a little crazy.  And Melissa George, of In Treatment fame, shows up in Peter's office ... forget about politicians' daughters, 'nuff said.





#SFWApro




Saturday, December 4, 2010

In Treatment 3.5.1: "I would keep him In Treatment"

This is Paul's response to Julia about what Paul should do about Sunil, whose responses to Julia are now violent and on the edge of getting much worse.  "I would keep him in treatment," Paul says.   And although we can see the value of this in episode 3.5.1, it does seem like the response every therapist would give to his or her patient (I say this purely as a reviewer of television).

Sunil's fantasies about hurting Julia are putting Paul in a major dilemma.   Should he call the police, when Sunhil asks Paul to keep a cricket bat in his possession, lest Sunil use it on Julia.  That act - Paul's calling the police - would certainly strain or shatter his relationship with Sunhil - but can Paul live with Julia's blood on his hands?   And on the other hand, Julia is pulling the plug - funding - on Sunil's therapy.   Sunhil seems unwilling to accept Paul's pro bono offer.  So one way or another, the therapy seems unlikely to continue.  Not to mention that the next is the finale of this superb but short season.

Sunil also is distorting, motivating, heightening - take your pick - Paul's relationship as patient with Adele.  She calls him at 7:30 in the morning - to talk about Sunhil, she later tells Paul.  But we all know there's another relationship swirling around this - Paul's feelings for Adele, and possibly/likely her feelings for him.

Later, when the two try to talk about at least Paul's feelings, Paul's words are interrupted by Adele's ringing phone.   The mood is broken, the moment lost, at least for this thirty minutes.

I doubt they'll be any interruptions in any of the four final Season 3 episodes next week.

See also Back in Treatment 3.1.1-3: Bengali Candy, Twitter, and Superb ... In Treatment 3.4.4: Paul and Adele ... In Treatment 3.5.1: "Why Didn't Paul Kiss Adele?"

And Season Two reviews:  Back in Treatment on HBO ... Back in Treatment: Three More Fine Times ... 2.1-2: Fathers and Daughters ...2.3-5: A Senior, A First Love, A Boy and His Turtle ... Sleep and Ethics ... In Treatment, In Retrospect

And Season One reviews: In Treatment on HBO ... 2. Scalding ... 3. Triangle ... 4. Love and Death ... 6. Paul's Greatest Strength ... 6. Paul's Boat ... 7. Alex in the Sky with Diamonds ... 8. A Princely Performance ... In Treatment Concludes (For Now)




                 Special Discount Coupons for Angie's List, Avis, Budget Car, eHarmony, eMusic, Mozy, Zazzle




The Plot to Save Socrates

"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book

Thursday, November 25, 2010

In Treatment 3.4.4: Paul and Adele

Just watched In Treatment 4.4.4 with Paul and Adele, which turned out (I'm happy to say) to be about Paul and Adele in more ways than patient and therapist.   Or actually, in one so-important way, or at least the beginning of it.

Paul had been telling Adele that he had been distracted when having sex with Wendy, that the passion was gone.   Paul backed away when Adele asked him to say more, when she asked him what had distracted him, what he had been really thinking about.  I just knew the answer from Paul would - "you".

And, sure enough, when Adele later coaxes Paul again to stop backing away from his deeper feelings, to stop being on the outside looking in (I could hear Antony and the Imperials singing, though it wasn't on the show), Paul tells her that he had been thinking of Adele when was having sex with Wendy (making love would be too much, and sleeping with would be a lame euphemism for this situation).

How did Adele take it?  I think she liked it - a lot.   Paul soon says I know, this is transference, and having been on the receiving end of it (best seen in the first season with sensuous Laura),  it's only right that it's happening now with him on the giving end.    But I don't care all that much if it's transference or not.   Unlike Gina, who as an almost-mother figure was not likely to be an erotic desire of Paul, Adele could in many ways be just right for him.

So this situation bears watching - which I'll be doing in a few minutes, as I catch up with week 5 of this great third season.  By the way, all the sessions warrant watching.  I wrote about the first Sunil and Francis sessions, but not yet about Jesse's - which may just be the best this season.

More soon, in the meantime, here a little taste of Smokey Robinson doing the Anthony and the Imperials classic  ... I'm On the Outside (Looking In)

See also Back in Treatment 3.1.1-3: Bengali Candy, Twitter, and Superb

And Season Two reviews:  Back in Treatment on HBO ... Back in Treatment: Three More Fine Times ... 2.1-2: Fathers and Daughters ...2.3-5: A Senior, A First Love, A Boy and His Turtle ... Sleep and Ethics ... In Treatment, In Retrospect

And Season One reviews: In Treatment on HBO ... 2. Scalding ... 3. Triangle ... 4. Love and Death ... 6. Paul's Greatest Strength ... 6. Paul's Boat ... 7. Alex in the Sky with Diamonds ... 8. A Princely Performance ... In Treatment Concludes (For Now)




                 Special Discount Coupons for Angie's List, Avis, Budget Car, eHarmony, eMusic, Mozy, Zazzle





The Plot to Save Socrates



"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book

Friday, October 29, 2010

Back In Treatment 3.1.1-2: Bengali Candy, Twitter, and Superb

In Treatment's back on HBO for its third season - and, significantly, its first with totally new stories (the first two seasons were American adaptations of Be'Tipul, the Hebrew name of the series that originated in Israel and played there for just two years).  So, when I say the first two episodes were superb, that's high praise indeed, because an original story is always more of a challenge than an adaptation of a proven winner, though that's no piece of cake, either.

And the first two episodes were fine, indeed - the same deep, cool, drink of the human intellect and our undeniable capacity for rationality, the same mix of emotion and warmth and heartfelt soul, the same welcome respite from all the smack in your face violence of most other shows on television (which I admit I like a lot of, see what else I review here) - in other words, the same unique, narrative power  of the past two years.   And as in the last two seasons, the acting in these first two episodes was outstanding.

Sunil in the first episode is an appealing, original character, an Indian man living with his son and unhappy daughter-in-law and their children in New York.  Sonya Walger plays the daughter-in-law, down to just one major role in a television series after her double billing last year in Lost (Penny!) and Flashforward.   Irrfan Khan (he played the cop in Slumdog Millionaire) looks a bit too young for the part of Sunil, but gives a quiet, convincing portrayal, replete with deftly unwrapping and putting in his mouth "his favorite Bengali candy" (as his son tells us) and deftly wrapping and putting in his mouth some kind of cigarette.  Paul lets him smoke - daughter-in-law hates it but she's left the office - because Paul wants to make Sunil comfortable, and Paul still enjoys the smell of tobacco.

Debra Winger as Frances in the second episode is just great, as good or better than her fine recent work in the movies.   Her facial expressions are as good and multifaceted as her dialogue, which runs from challenging Paul (as his attractive female patients always do) to complaining about social media and her daughter "blasting evil shit on Twitter" about her.  (Paul sympathizes and admits to still having "a problem with email";  see my New New Media for more about Twitter and social media.)  And Debra's character is perfectly cast - an actress her age, worried about forgetting her lines.

But the deeper story of Frances intersects with Paul's personal life and history, and could be the real payoff this season:  Frances' sister Patricia was Paul's patient 18 years ago, and she now has Stage 4 breast cancer.   This of course is having profound impact on Frances, but it also deeply affects Paul - whether out of feeling he still has for an early patient, or of feeling he had especially for Patricia, is not clear - which makes for an intriguing story.

And Gabriel Byrne is as wonderful as ever as Paul, somehow managing to be strong, in command, vulnerable, and almost never petty.   And this season, in addition to everything else, he's worried that he may be experiencing early symptoms of Parkinson's, which his father had.    At the end of the Frances episode, Paul calls a doctor asks him for a "good neurologist"  (I've always found that usage amusing - who in their right mind would ask someone for a doctor who wasn't good?)

Off to an excellent start, and I'll be back here with another review after I've seen episodes 3 and 4.

See also Back in Treatment on HBO ... Back in Treatment: Three More Fine Times ... 2.1-2: Fathers and Daughters ...2.3-5: A Senior, A First Love, A Boy and His Turtle ... Sleep and Ethics ... In Treatment, In Retrospect

And Season One reviews: In Treatment on HBO ... 2. Scalding ... 3. Triangle ... 4. Love and Death ... 6. Paul's Greatest Strength ... 6. Paul's Boat ... 7. Alex in the Sky with Diamonds ... 8. A Princely Performance ... In Treatment Concludes (For Now)









                 Special Discount Coupons for Angie's List, Avis, Budget Car, eHarmony, eMusic, Mozy, Zazzle







The Plot to Save Socrates






"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book





Monday, June 21, 2010

Lie to Me 2.13: The Whole Truth and Rep Joe Wilson

And here I am back with a review of Lie to Me 2.13, which was just on Fox.  A fine show-

But first, I just gotta say, where else can you see a real shot of President Obama, worked into the story line?   Only on Lie to Me, which always cuts to a few shots of real people - it's one of the show's signatures.   So tonight we get Obama's cool response to the Republican boor who screamed out "you lie" (that would Rep. Joe Wilson) as the President addressed Congress and the nation about health care this past September.   And Gillian explaining the meaning of Obama's response to the son of a presumed murder victim...

Which brings us to the story.   A gorgeous woman - Clara, played by Melissa George, who had a similar role in the first season on In Treatment - is accused of murdering her husband, twice her age (her character wasn't accused of murder in In Treatment, but she did her best to seduce the psychologist).  Cal's ex-wife Zoe (Jennifer Beals from The L Word) is defending Clara.   Before the episode is over, there'll be some good attractions between Cal and Zoe (as always), Cal and Clara (of course), and there's always a little something between Cal and Gillian.

Bruce Weitz - who's looking far more distinguished now than he ever did on Hill Street Blues - also plays a role as the deceased's best friend, and Diane Baker is the judge (Raising the Bar should've worked her in).   And Cal's at his best in seeing the truth, going with the side of truth, and ending up in bed with ...

Well, see the show.   I'm going to watch a little news, and see if I can spot any shots of famous people that may show up on Lie to Me someday...



5-min podcast review of Lie to Me

See also my reviews of Lie to Me and Bill O'Reilly, Saddam Hussein, and Ben Reynolds in Lie to Me 2.6 and Lie to Me 2.7: The Redeeming of Loker and Lie to Me 2.8 in Afghanistan and Viva Lightman and Las Vegas in Lie to Me 2.9 ... Lie to Me 2.11: Double Feature ... Lie to Me 2.12:  The One Prevarication



                 Special Discount Coupons for Angie's List, Avis, Budget Car, eHarmony, eMusic, Mozy, Zazzle







The Plot to Save Socrates


"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book

Wednesday, August 12, 2009

Valkyrie and Defiance

I finally saw Valkyrie and Defiance last night on Netflix DVD - a Nazi true-story double-header in the household. As harrowing as such movies are, we watch them from the cushion of knowing we won the war, in the end - though not before horrendous damage was done to humanity, including the Holocaust.

Valkyrie was a reasonably good rendition of the daring 1944 Germany Army bomb plot that almost killed Hitler. Tom Cruise was effective as von Stauffenberg - who planted the bomb and in many ways spearheaded the operation - and Kenneth Branagh, Bill Nighy, Terence Stamp and Tom Wilkinson are a pleasure to see in any role.

The plot failed for several reasons. Hitler survived the bomb because it went off in a meeting room larger and more open than expected. Had the explosion occurred in the original room, its bunker construction would have contained and thereby made more lethal the explosive power. And the briefcase with the bomb was inadvertently moved to a place under the table where the blast was somewhat deflected from Hitler.

With Hitler alive, the only chance the plot had was for the conspirators to quickly wrest power from the Gestapo, and this turn in depended on the belief that Hitler had perished in the explosion. Hitler's voice on the phone to a key army official was the decisive turning point depicted in the movie. I favor the interpretation that Hitler's voice on radio, the day after the explosion, was even more decisive, because the radio reached everyone (see The Soft Edge for more), but the point remains about the power of the voice to save or change everything in an age of telephone and radio. Given the capacity for spoofing and deception in the digital age, that power may no longer exist today.

Defiance tells the heroic, inspiring story of the four Bielski brothers, who escape into the forest and organize resistance after the German occupation and slaughter of Jews in Belarus in 1941. Daniel Craig as Tuvia, Liev Schreiber as Zus, and Jamie Bell as Asael are simply superb, and I'd say Defiance was one the best movies I've seen in years (better than the excellent Munich, in which Craig also played a take-no-prisoners Jewish fighter, and better than Valkyrie). My wife and I have grandparents and relatives who come from that area, and we could see their faces and hear their voices in this movie.

All of the brothers - and their love interests (it was good see Mia Wasikowska, Sophie on In Treatment, play Asael's in Defiance) - survived against all odds, and our knowing that Tuvia, Zus, and Aron (who was a boy in 1941) made it to New York after the war, and opened a trucking business, was especially satisfying. (Asael joined the Russians against the Germans and was killed in action.) Tuvia died at 81 in 1987, Zus at 82 in 1995, and Aron is still alive.

So, yes, the bomb plot failed, the Bielskis did not, and we beat the Nazis.

But as the extremist part of the debate now raging about health care reform in America now shows - with some opponents of Obama likening him to Hitler, which is itself a classic Hitlerian propaganda tactic (false association and insistent exaggeration) - we need to take care more than ever to keep our democratic processes and protections real and robost. The Weimar Republic, which the Nazis overthrew, was after all a democracy too...



Sunday, May 31, 2009

In Treatment, In Retrospect

In Treatment concluded its second season on HB0 last week, I'm up here on Cape Cod at the end of a splendid weekend, so I thought I'd say a few words about this splendid series.

First, let me just say - or, reiterate, because I've probably said this before - that In Treatment is like no other show on television. It does what The Shield did with brilliant plotting and jolting action, what Lost does with labyrinthine mind-bending story telling, with just ... talk. And that's saying a lot, because the classic take on all television drama is you need more than just talk.

Mia's talk - the first of the five threads this season - was ok and enjoyable. But the happy ending - the smile on her face, and on Paul's, when they say goodbye, and she says she'll be back next week, after declaring she's finished with Paul's therapy, was one of the best in two seasons.

April's was a much more powerful story, from the beginning. She has cancer, needs therapy, and has told no one except Paul. He has no choice but to take her - but that fractures the patient-therapist's relationship. So she's bound to leave. But not before she tells Paul that Sophie - whom Paul saved last year from suicide - wrote on a Web for evaluations of therapists that he had saved her life. Paul's always at his best with people much younger - and older - than him.

Oliver's was an excellent segment - though his parents, like Jake and Amy in Season One, were a little obvious. But Paul's demonstration that he and Oliver could still talk, even though he was moving upstate, was great. Telephones do make our lives easier, they have since the day they were invented, as I pointed out in my Cellphone book.

Walter - the fourth patient - was my favorite this season, and right up there with the very best of the two years. It was classic psychotherapy - Paul gets Walter in touch with the little boy in him that he had shut out for most of his life. And though all the acting - especially Gabriel Byrne as Paul - was marvelous this year, John Mahoney as Walter was in a class by himself.

Paul as Gina's patient was different this year than last year - Paul was much more combative, and more closely mirrored with Gina what his patients were doing with him. So, unsurprisingly, but still very well rendered, Paul tells Gina that he's leaving...

I'd be surprised if Paul was not back in her office next year - assuming there is a next year, and HBO renews In Treatment. Hey, HBO - you'd need to have your heads examined if you don't.







8-min podcast review of In Treatment

See also Back in Treatment on HBO ... Back in Treatment: Three More Fine Times ... 2.1-2: Fathers and Daughters ...2.3-5: A Senior, A First Love, A Boy and His Turtle ... Sleep and Ethics

And Season One reviews: In Treatment on HBO ... 2. Scalding ... 3. Triangle ... 4. Love and Death ... 6. Paul's Greatest Strength ... 6. Paul's Boat ... 7. Alex in the Sky with Diamonds ... 8. A Princely Performance ... In Treatment Concludes (For Now)






The Plot to Save Socrates


"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book


more about The Plot to Save Socrates... good reading if you're in a doctor's office...


Get your own at Profile Pitstop.com



Read the first chapter of The Plot to Save Socrates
.... FREE!

Monday, April 20, 2009

In Treatment 3.1-2: Sleep and Ethics

Two brilliant episodes of In Treatment (third week, Mia and April) tonight (I have a feeling I'm going to be saying that a lot on Sunday nights)...

1. Mia's was one of the best sessions in the one+ years of the series so far, featuring memorably expressive acting by Hope Davis - all with her face - and almost more about Paul's relationship with Laura, last year, than we learned last year.

Mia provides a classic rendition of a woman who desperately wants to be loved, but is so sure that she won't, she pushes all potential lovers away. This includes Paul, whom Mia goads to anger in a variety of ways, and in fact succeeds, though Paul is about to contain it. Paul is a very special case in Mia's life, since she loved him 20 years ago as his patient. She suspects/hopes that he may have loved her. And, indeed, Paul has kept a recording of her piano playing, all of these years.

Mia's obsessed with Laura - having come upon her deposition in the Alex case - because she can't abide that Laura may have succeeded in seducing Paul, whereas Mia did not.

But what lifts all of this beyond tawdry soap opera is Mia's telling Paul that she wants to sleep in her lover's arms after making love. That one statement captures perfectly the vulnerability and fundamental human need that has gone unfulfilled in Mia all these years, for her whole life...

2. Sleep plays a role in April's session, too. She's gotten no sleep, she says, for the past few nights. She comes to Paul's office early, and falls asleep. Paul wakes her up.

We thus get a powerful metaphor for what Paul needs to do with April, and her cancer. She doesn't have the time to undergo conventional psychotherapy - she's needs chemotherapy. Paul is therefore in the difficult position of doing two things - getting April to understand what is troubling her mind, but doing this fast enough so she can get the treatment she needs for her body.

Tonight we learn that part of April's problem (of course) stems from her relationship with her mother. Paul needs to break through what April is telling him - that she doesn't want to burden her mother by telling her about her cancer. That's what's keeping her from getting treatment - she says she has no one else who can support her during this.

But how long can Paul wait for April to see the light? He promised April, last week, that he wouldn't tell anybody else about her condition. This presumably includes April's mother. But the time may be drawing near when he will have to make a choice. Which is the most ethical path: keeping your word to your patient and letting her die, or breaking your word so she can live?

I know which one I would choose, and I wouldn't wait too much longer...

See also: Back in Treatment on HBO ... Back in Treatment: Three More Fine Times ... 2.1-2: Fathers and Daughters ...2.3-5: A Senior, A First Love, A Boy and His Turtle

And Season One reviews: In Treatment on HBO ... 2. Scalding ... 3. Triangle ... 4. Love and Death ... 6. Paul's Greatest Strength ... 6. Paul's Boat ... 7. Alex in the Sky with Diamonds ... 8. A Princely Performance ... In Treatment Concludes (For Now)






The Plot to Save Socrates


"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book


more about The Plot to Save Socrates... good reading if you're in a doctor's office...


Get your own at Profile Pitstop.com



Read the first chapter of The Plot to Save Socrates
.... FREE!

Friday, April 17, 2009

In Treatment 2.3-5: A Senior, A First Love, A Boy and his Turtle

Catching up with the second week's second three episodes of In Treatment...

The Walter thread - #4 each week - continues to shine. Part of the reason is that Walter is the oldest patient we've seen in the first two years In Treatment, and this shows a slightly different side of Paul. Not quite as on top of his game as Paul is with kids, but Paul is less threatened by someone Walter's age. And, as I mentioned last week, John Mahoney is just perfect for the part.

I'm continuing to like Paul and Gina more this year than last. Paul still offers the same resistance to seeing Gina - starting off just about the every session with protestations that he doesn't really want to see her as a therapist. But this year the presence of Tammy - Paul's first love, and, dangerously, also Gina's patient - makes the scenario more intriguing. (There's no way the two won't wind up in bed together.) Gina is also less maudlin this year, and therefore more enjoyable.

The presentation of the Oliver story is problematic. Paul's at his weakest when he's treating couples - Amy and Jake were the least interesting thread last year. And the story of Oliver's parents, who take up a good part of the episode, is so far not much more compelling than Amy and Jake's. But Oliver - well played by Aaron Grady Shaw - more than holds his own, an articulate kid with a self-image problem, and I'm looking forward to seeing how his story plays. (I also loved the fact the Oliver unintentionally left his turtle in Paul's office - the patient literally helping shape Paul's environment).

And I'll see you here, maybe as soon as Sunday night, with my review of Week 3, episodes 1 and 2...

See also: Back in Treatment on HBO ... Back in Treatment: Three More Fine Times ... 2.1-2: Fathers and Daughters

And Season One reviews: In Treatment on HBO ... 2. Scalding ... 3. Triangle ... 4. Love and Death ... 6. Paul's Greatest Strength ... 6. Paul's Boat ... 7. Alex in the Sky with Diamonds ... 8. A Princely Performance ... In Treatment Concludes (For Now)






The Plot to Save Socrates


"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book


more about The Plot to Save Socrates... good reading if you're in a doctor's office...


Get your own at Profile Pitstop.com



Read the first chapter of The Plot to Save Socrates
.... FREE!

Sunday, April 12, 2009

In Treatment 2.1-2: Fathers and Daughters

Two splendid sessions on In Treatment tonight -

1. Mia comes to see Paul - not as his almost-lawyer, but his erstwhile patient. This was an episode which, as a professor (not a therapist) I could thoroughly identify with. There's a profound asymmetry in the way profs remember students, and students remember professors, for the basic reason that students have been taught by far fewer professors than professors have taught students. I've taught thousands of students, and each of my students has been taught by probably not much more than a hundred professors, if that many. The numericals of therapists and patients are no doubt much smaller, but the same asymmetry applies.

So ... Mia remembers Paul far better than he remembers her. And the specialness of their relationship, from her point of view, is apparently not that they had an affair, but that she thinks he talked her out of having a baby - into having an abortion. This is looming larger than ever in Mia's life now, because she realizes that her child-bearing years are concluding. (This must be a concern of every therapist - to be contacted by a patient 20 years later, and find he or she holds you responsible for something they did or didn't do in their lives.)

Mia's relationship with her father (of course) also figures in her current situation. She relays a recollection of how her father made her feel grown-up when she was a little girl, by giving her coffee (mostly milk) in his shop. There's something about fathers and daughters which the writer of this episode keenly understands. I remember taking my daughter to a science fiction convention when she was a little girl, and letting her order an adult cut of steak. She was really happy, not just because she liked steak, but because she loved being treated like an adult.

2. April's session with Paul was even more intrinsically father and daughter. Paul's goal is to get April to an oncologist, so her cancer can be treated. He has to tread very carefully, and make sure his pressure doesn't drive April away. He seems to be navigating these dire straits almost perfectly, but the clock continues to tick...

As I mentioned last week, it's a pleasure to see Paul with teenagers and people in their early 20s - he's a professional completely in control of his emotions and strategies. In contrast, Paul's conversation with Mia is riddled, understandably, with personal responses, and it's often difficult to tell the difference between them and his professional responses. Kudos to Gabriel Byrne for a razor-sharp, satisfying rendition of these different states. He's played some great roles in movies, but his performance in these sessions is in class of its own.

And I'll be back late tomorrow or some time on Tuesday with my review of 2.3-5...

See also: Back in Treatment on HBO ... Back in Treatment: Three More Fine Times

And Season One reviews: In Treatment on HBO ... 2. Scalding ... 3. Triangle ... 4. Love and Death ... 6. Paul's Greatest Strength ... 6. Paul's Boat ... 7. Alex in the Sky with Diamonds ... 8. A Princely Performance ... In Treatment Concludes (For Now)






The Plot to Save Socrates


"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book


more about The Plot to Save Socrates... good reading if you're in a doctor's office...


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Read the first chapter of The Plot to Save Socrates
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Tuesday, April 7, 2009

Back in Treatment, Three More Fine Times

In Treatment was back again on HBO tonight, with three episodes that rounded out this Season's five-episode premiere. As with last night, I realized how much I had missed listening in to this good often extraordinary conversation...

Starting with the Paul and Gina episode - last things first - I first have to admit that I left out an important piece of the Paul-Alex story when I outlined it here to you last night. Actually, I knew I was leaving it out, but was too lazy or impatient to figure out a way to put it in without taking the review too far off on a tangent. Score one, apropos Marshall McLuhan, for the medium being more important than the message.

But the message, which plays a significant in role in what Paul and Gina say to each other, is that Paul's love for Laura got somewhat in the way of his treatment of Alex, because Laura slept with Alex to make Paul jealous (she may have loved Paul, too). These are the kinds of things which Paul can discuss only with his mentor Gina, which makes their relationship unique. He can also tell her, in one session, how sick and tired he is of providing treatment, and then how determined he is to save April (from last night). Of course, Paul and Gina continue the tug-of-war that typified last year about whether it makes sense for Paul to see Gina, and of course he will. Also of significance is the way Paul's face lights up when his first love, dazzling Tammy Kent - one of Gina's patients now - walks in. As Gina said to Paul, it was good to see him smile.

Meanwhile, cases four and three back in New York look promising (at least, for us).

Walter - perfectly played by John Mahoney - is a rich CEO with anxiety problems which he (of course) doesn't want to acknowledge. Perfect timing for a storyline like this - though I'd guess that AIG execs won't be among the most avid viewers of In Treatment this year, if they were last year. Walter's anxiety, though, seems more tied to his beloved daughter, overseas in Africa, than to his business. We'll no doubt be learning more of what she means to him, and why, in the episodes ahead.

Nuclear family life is also the centerpiece of Oliver's story, whose parents are getting divorced but have not yet quite told him. Tonight's episode was mostly focused on why Oliver does not want to stay over at his father's house. Far from school, one reason. No food in fridge, another. But the real reason, as yet unspoken, is .... Well, my guess is some kind of sex has something to do it. Also, romantic that I am, I'm thinking how refreshing it would be if Oliver's parents did not get divorced.

I'm also noticing again, as I did last night, that Paul is really at his best when he's talking to children. There's no danger of his falling romantically in love with them, or being stung by something they say to him. As with Sophie last year, Paul's sessions with them are a pleasure to see.

But so is the whole series, and I'll be back here with more musing on this year's In Treatment, bright and early (or late, depending on your sleeping habits) next week.

See also: Back in Treatment on HBO

And Season One reviews: In Treatment on HBO ... 2. Scalding ... 3. Triangle ... 4. Love and Death ... 6. Paul's Greatest Strength ... 6. Paul's Boat ... 7. Alex in the Sky with Diamonds ... 8. A Princely Performance ... In Treatment Concludes (For Now)






The Plot to Save Socrates


"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book


more about The Plot to Save Socrates... good reading if you're in a doctor's office...


Get your own at Profile Pitstop.com



Read the first chapter of The Plot to Save Socrates
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Sunday, April 5, 2009

Back In Treatment on HBO

Two people - Mia and April - were back In Treatment with Paul on HBO, and though the April story was grim and wrenching, it was good to see such good, trenchant television again. As with the first year - last year - the action is almost all conversation, and it's captivating and impressive indeed.

Mia is an attorney, and Paul comes to see her, not vice versa, because he's being sued for $20 million (far in excess of the $3 million his insurance covers) by the father of one of his patients, Alex, who may have committed suicide last year, when his plane crashed, after Paul certified that Alex was ready to return to pilot service. The Alex thread was one of the best last year. You can read more about it in reviews of last year's episodes listed below, but the gist of the story, for the purposes of the present season, is that Alex left Paul, after he and Paul moved from words to shoves, and Paul was not one-hundred percent sure at all that certifying Alex was warranted, when Alex returned and pressured Paul to do so...

Meanwhile, it turns out that Mia is not just any excellent civil attorney - she was a patient of Paul's, twenty years ago, and something happened between them, which perhaps involved their having an affair and more ... Paul sagely does not want her as his attorney, but she'll be showing up as his patient ... a great set-up for this year.

April's story is thus far the most wrenching we've seen In Treatment. She has lymphoma, progressed to Stage 3, and has not told anyone about it except a construction worker (she shot back to him that she had cancer, in response to his cat-call about why wasn't she smiling). The possibility of a cure - from what I could see online - is 70-80%, so it's not a death sentence, but she has to start treatment, fast. And she's resisting that.

Three more brand new patients tomorrow - this year In Treatment is on two rather than five days, with two patients on the first day, and two more plus Paul as patient with his therapist Gina on the second day. I'm looking forward to riveting conversation tomorrow and next week, and the powerful acting of Gabriel Byrne as Paul (he looks, understandably, a little more worn this year) and the cast portraying his patients. Allison Pill as April was especially effective tonight.



See also Back in Treatment, Three More Fine Times

And Season One reviews: In Treatment on HBO ... 2. Scalding ... 3. Triangle ... 4. Love and Death ... 6. Paul's Greatest Strength ... 6. Paul's Boat ... 7. Alex in the Sky with Diamonds ... 8. A Princely Performance ... In Treatment Concludes (For Now)






The Plot to Save Socrates


"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book


more about The Plot to Save Socrates... good reading if you're in a doctor's office...


Get your own at Profile Pitstop.com



Read the first chapter of The Plot to Save Socrates
.... FREE!

Friday, January 2, 2009

The New Golden Age of Television Roars Back

Have you seen Heather Havrilesky's dyspeptic The year the small screen fell flat in Salon, subtitled "Lackluster pilots, slumping sophomore shows and the devolution of the serial drama. The golden age of TV suddenly looked tarnished in 2008."

Here's the picture she paints ...

2008 not only marked one of the worst years of TV in the last decade, but all of the momentum and promise of the past few years seemed to vanish in a haze of crappy, unoriginal new programming, lackluster sophomore shows, flaccid sitcoms and pointless cable comedies.


Some bloggers agree with this, at least in part. The Flaming Nose, for example, cites Dexter, Mad Men, and True Blood as exceptions to Havrilesky's screed, but calls it nonetheless "well reasoned".

But I don't know what picture, or screen, Havrilesky or the Flaming Nose have been looking at.

The past year - 2008 - brought us one of the best seasons of Lost, a cut-throat knock-down legal thriller in Damages, the best episodes ever shown of Law and Order: Criminal Intent, outstanding seasons indeed of Dexter and Brotherhood on Showtime, and The Wire, In Treatment, John Adams, and, yes, True Blood on HBO and Mad Men on AMC, to name just a few.

And here's what we have in store this and next month of 2009: the debuts of new seasons of 24 (January 10-11) and Lost (January 21) - among the top shows ever to have been on television - as well as Battlestar Galactica (January 16), Big Love (January 18), and Damages (January 7), plus the resumption of Fringe (January 20), Life on Mars (January 28), Heroes (February 2), and The Sarah Connor Chronicles (February 13). And, come to think of it, of The Unit (January 4), The Closer (January 26), and Bones (January 15) - none of which I've yet reviewed here on Infinite Regress (as I have all the others), because I've not yet thoroughly caught up with the earlier parts of the current season, because they're not yet on DVD, and I prefer watching these great shows on my television not computer screen.

And, while we're at it, there's also The L Word, which is coming back for its final season on January 18, and I reviewed the first four episodes of here last week. Another fine show.

So, is the new golden age of television - as I called it in an op-ed in Newsday in July 2006 - "tarnished"? Only if you're wearing some kind of rust-colored glasses...

Sunday, March 30, 2008

In Treatment Concludes (For Now)

Laura and Alex, for very different reasons, are no longer in treatment In Treatment with Paul. So it was only appropriate that the finale week concluded with Sophie, Jake and Amy ... and Paul as patients.

Let's start with Jake and Amy. As I've been saying throughout my reviews, I think theirs was the weakest, most obvious segment in the series. Nonetheless, it concluded on a pretty good note, if unsuccessful for their marriage. Jake could just not get over Amy's sleeping with her boss. Not even when she was punished by being fired. Not even when she made some affectionate moves to reconcile with Jake. Not even when Paul tried to get them to see that there was still some powerful energy in their relationship. All to no avail. The therapy got them - at least, Jake - to see that their marriage had to fail.

In contrast, Sophie's final session was an uplifting success. We get to meet her father. Sophie finally lets him know how his leaving her, when he left her mother, was so devastating to Sophie. She may not be 100% whole, but Paul has done a fine job in getting her onto that road. "Goodbye, old fart," she says to Paul. "Goodbye, young fart," he replies. A healthy, productive relationship, in which Sophie is brought well back from the brink of suicide. Well done, Paul, and In Treatment.

And Paul? Well, Laura may be out of treatment but not out of Paul's life and yearnings and therefore not out of the show. Paul goes to see her. He tells her he loves her. She's not quite as seductive as usual, but does wind up sitting on her bed, as she takes off her top, and invites Paul in...

And we cut to black. Not quite a Sopranos' ending, though. Paul arrives at Gina's ... and we learn that Paul had an anxiety attack, and left Laura and their relationship unconsummated.

I found parts of this less than fully believable. I'm not convinced that Paul would have gone to Laura's house in the first place. And, on the other hand, that, once there, in her bedroom, he would have walked out.

But these are quibbles. All in all, In Treatment was a splendid series - the most unique show on television this year. And I very much hope this series of day by day sessions is renewed. You don't find a show like this on television, even on HBO, with Gabriel Byrne and such a superb cast, every day...

See also In Treatment on HBO ... 2. Scalding ... 3. Triangle ... 4. Love and Death ... 6. Paul's Greatest Strength ... 6. Paul's Boat ... 7. Alex in the Sky with Diamonds ... 8. A Princely Performance






The Plot to Save Socrates


"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book


more about The Plot to Save Socrates... good reading if you're in a doctor's office...


Get your own at Profile Pitstop.com



Read the first chapter of The Plot to Save Socrates
.... FREE!

Sunday, March 23, 2008

In Treatment 8: A Princely Performance

Week 8 of In Treatment on HBO was it most powerful so far. (I may have said that before - but it's true.)

Although Alex's death was no real surprise - I saw it coming last week - I have to admit it brought tears to my eyes. And the funeral scenes were just what the series needed. Paul and we get to see people for the names he and Alex had been discussing ... we meet Alex's wife, children, gay friends, and, of course, Alex's father. Laura's presence was also just right, and I thought she and Paul looked more comfortable together than any time before. Paul also seemed more human and real - a therapist grappling with his own feelings about his patient's death, but, in the end, just a human being, grieving like any of us for the loss of someone he cared about.

But, of course, Paul's feelings as Alex's therapist are what drives the story, and these come into full play in Tuesday's episode, when Paul gets a visit from Alex's father, played brilliantly by Glynn Turman (Mayor Royce on The Wire). This episode, propelled by Turman's performance, was the best single episode in the series so far, as father and therapist both contend with their intersecting guilt over the likely suicide of a son and patient. Turman's performance as Alex Prince, Sr. is so good he actually looks like Alex - I wouldn't be surprised to find out that Turman is actually Blair Underwood's father, or the two are otherwise related. That's a testament to magnitude of Turman's rendition.

Skipping ahead to Paul's session on Friday with Gina, we find that Paul indeed thinks that Alex took his life. Paul is in this session without Kate. He engages in his customary needling of Gina ... and Gina responds with a hurricane of revelation about what makes her tick. She wants to help Paul, but won't tolerate his painting her into a corner that doesn't jibe with who really is, or thinks she is. When it's over, it's clear that Gina may be more the powerful, intelligent, and better therapist than Paul. This was easily the best episode with Gina (and also a sterling, powerhouse performance by Dianne Wiest), and also one of the best in the series. And the permission that Gina gives Paul to explore and decide upon his relationship with Laura was appropriate - Paul can't rely on Gina to tell him what not to do - and promises a good finale episode with Laura this coming week.

Meanwhile, back on Thursday, Jake shows up without Amy - a part of me thinks that's a plus - and also gave us his best session so far. We finally get to see the combination of talent and insecurity that moves Jake, and Paul does a good job of bringing that out.

And, saving the best for last, it was great to see the progress Paul is making with Sophie. At the end of Wednesday's episode, Sophie seems to finally be allowing herself to have a relationship with her mother. Paul's work with Sophie is always a pleasure to see. As I've mentioned here before, he is at his best with her, because he is not conflicted by sexual attraction and possible love (Laura), competition (Alex), and a marriage in trouble (Jake and Amy) and all too reminiscent of his own.

This coming week's finales should be excellent. HBO has made a real contribution to the English-language television by re-doing this wonderful Israeli show here.

See also In Treatment on HBO ... 2. Scalding ... 3. Triangle ... 4. Love and Death ... 6. Paul's Greatest Strength ... 6. Paul's Boat ... 7. Alex in the Sky with Diamonds ... In Treatment Concludes: For Now






The Plot to Save Socrates


"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book


more about The Plot to Save Socrates... good reading if you're in a doctor's office...


Get your own at Profile Pitstop.com



Read the first chapter of The Plot to Save Socrates
.... FREE!
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